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Inky Books (3 KP) rated A Court of Mist and Fury in Books
Jun 21, 2018
Well, from the beginning, this book sure was a ride of emotions and plot events. I kept thinking that in the first part of the book the plot wasn’t moving, there was nothing happening. But now, after I have finished the book, I know that there were some very important events going on.
One thing I have learned about Sarah J. Maas and her characters is that she is never very nice to them for very long. But this causes me to feel sorry for them, to want them to be happy, thus showing that it is a good book to get me so emotionally involved. I knew this fact in Thorne of Glass and was expecting it in this series, but maybe not so early on. It defiantly shows that she has evolved as a writer and has become much more confidant.
Speaking of evolving, these characters did a bunch of it throughout this book and in between the first and second. While some characters (Feyre) transitioned over time, especially after all those nasty things she went through in the first book, I felt like others (Tamlin) had changed much too quickly. This defiantly could be explained at the span of three months that was between the first book and this one, but it still seemed abrupt and more like a plot device. Unquestionably for the plot. But I think it worked out well for the story arch that we are continuing to follow, one that is getting impressively complicated.
Feyre’s evolving rivals those of Alien, Lysandra, or Maven from Thorne of Glass. I know I keep bring this series up, making comparisons, but I just wanted to say how happy I was that Sarah J. Maas didn’t abandon her character evolving pattern. It makes each of her books so much more fun to read than others, some of which the characters don’t evolve enough to really see much of a difference. The evolving keeps me guessing at what the characters might do next, and that makes for a good book.
Sarah J. Maas also isn’t one to shy away from putting two people together to fall in love then having them change their mind. But, I liked Tamlin in the first, but not enough to completely ship them and wanting it to continue into the next book. I was hoping she would pull out one of those ‘I loved you but I don’t love you anymore’ moves. Because there are many relationships in this book that affect the plot, I won’t give any spoilers on it. Sorry if I implied it and you caught on, but really it was only the first 50 pages that might have been mildly ruined.
Bad things to say. Hmm. You know, there really isn’t much I have to complain about. I wish that Tamlin didn’t become so easy to hate right off (sorry, but once again only the first 50 pages), that we couldn’t see more of Feyre’s transition to becoming a high fae, her powers thereof, and watching more of these lovely relationships evolve as each person becomes closer, friends or otherwise. Other than those though, I don’t have much else to say.
At the time I am writing this review there is still three weeks left until the next book comes out, so once again I have to distract myself with others until I can get it. Sigh.
Wait, why did I wait so long to read it? Oh that’s right, so I wouldn’t be in the waiting position like I am now!
Also, a warning for younger readers, this book does become NC-17.
One thing I have learned about Sarah J. Maas and her characters is that she is never very nice to them for very long. But this causes me to feel sorry for them, to want them to be happy, thus showing that it is a good book to get me so emotionally involved. I knew this fact in Thorne of Glass and was expecting it in this series, but maybe not so early on. It defiantly shows that she has evolved as a writer and has become much more confidant.
Speaking of evolving, these characters did a bunch of it throughout this book and in between the first and second. While some characters (Feyre) transitioned over time, especially after all those nasty things she went through in the first book, I felt like others (Tamlin) had changed much too quickly. This defiantly could be explained at the span of three months that was between the first book and this one, but it still seemed abrupt and more like a plot device. Unquestionably for the plot. But I think it worked out well for the story arch that we are continuing to follow, one that is getting impressively complicated.
Feyre’s evolving rivals those of Alien, Lysandra, or Maven from Thorne of Glass. I know I keep bring this series up, making comparisons, but I just wanted to say how happy I was that Sarah J. Maas didn’t abandon her character evolving pattern. It makes each of her books so much more fun to read than others, some of which the characters don’t evolve enough to really see much of a difference. The evolving keeps me guessing at what the characters might do next, and that makes for a good book.
Sarah J. Maas also isn’t one to shy away from putting two people together to fall in love then having them change their mind. But, I liked Tamlin in the first, but not enough to completely ship them and wanting it to continue into the next book. I was hoping she would pull out one of those ‘I loved you but I don’t love you anymore’ moves. Because there are many relationships in this book that affect the plot, I won’t give any spoilers on it. Sorry if I implied it and you caught on, but really it was only the first 50 pages that might have been mildly ruined.
Bad things to say. Hmm. You know, there really isn’t much I have to complain about. I wish that Tamlin didn’t become so easy to hate right off (sorry, but once again only the first 50 pages), that we couldn’t see more of Feyre’s transition to becoming a high fae, her powers thereof, and watching more of these lovely relationships evolve as each person becomes closer, friends or otherwise. Other than those though, I don’t have much else to say.
At the time I am writing this review there is still three weeks left until the next book comes out, so once again I have to distract myself with others until I can get it. Sigh.
Wait, why did I wait so long to read it? Oh that’s right, so I wouldn’t be in the waiting position like I am now!
Also, a warning for younger readers, this book does become NC-17.
Hazel (1853 KP) rated Thirteen Reasons Why in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.
Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.
What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.
At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.
Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.
As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.
What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.
It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.
The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
Hazel (1853 KP) rated This Secret We're Keeping in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.
A pupil and a teacher. Is it ever right to break the rules?</i> This is the dilemma which debut author Rebecca Done basis her novel on. <i>This Secret We’re Keeping</i> is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
<i>This Secret We’re Keeping</i> causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, <i>This Secret We’re Keeping</i> can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, <i>This Secret We’re Keeping</i> was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. <i>This Secret We’re Keeping</i> is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
A pupil and a teacher. Is it ever right to break the rules?</i> This is the dilemma which debut author Rebecca Done basis her novel on. <i>This Secret We’re Keeping</i> is set seventeen years after a maths teacher began an inappropriate relationship with a schoolgirl; but did he really deserve what happened to him, after all he loved her and she loved him?
Jess has never got over her love for the teacher she ran away with when she was fifteen. Although she has got her life together: living in Norfolk, freelance catering business, a rich boyfriend; she cannot help but think back to way Mr. Landley, Matthew, made her feel. Suddenly, after a chance encounter, Matthew is back in her life with a new name, Will, and a girlfriend and daughter. Delighted to see each other again, it is not long before they fall back into their illicit affair, however the potential consequences are almost as bad as the previous time.
<i>This Secret We’re Keeping</i> causes the reader to question strong personal beliefs, primarily whether a teacher-student relationship is as wrong as it sounds. If certain events in this novel were to be made public through the media, the majority would instantly hate Matthew, deem him a paedophile, and be satisfied with his punishment. However on reading the situation from his point of view, initial opinions begin to crumble. It appears he genuinely loved Jess, and she him; there were no abusive occurrences, and it was Jess that instigated the relationship in the first place. Did Matthew truly deserve to go to prison for something that would have been legal in a year’s time?
Matthew/Will’s narrative helps to show that it is virtually impossible to pinpoint a single moment that changes a life forever. At which point did he know that he had stepped over the line from right to wrong? In hindsight it is fairly obvious, but at the time the warning signs are not so clear.
Due to the challenging of preset judgments, <i>This Secret We’re Keeping</i> can often be difficult to read. Whilst on the one hand logic will be screaming, “This is wrong!” Done plays with her readers’ sentimentalities to consider the other side of the argument. As the novel progresses it becomes easier to fall in line with Jess and Matthew/Will’s viewpoints, however a brief interaction towards the end forces readers to temporarily reconsider their forgone conclusion. After all, how much can a first person narrative really be trusted?
Having read the blurb I admit I was a bit wary about reading this book. For one, it falls under the genre of Chick Lit, which I am not all that fond of, but secondly the book’s theme appeared rather controversial. On the whole, <i>This Secret We’re Keeping</i> was much better than I was anticipating, however I began to lose interest towards the end as nothing much had changed throughout the present day chapters, and it was already obvious how the past narrative would pan out. The ending is also frustratingly ambiguous, as we never find out whether either of the key characters gets a “happy ever after.”
If you are someone who enjoys Chick Lit, do not let the themes of the book put you off. <i>This Secret We’re Keeping</i> is essentially a romance story, one that is written remarkably well for a first time author. Rebecca Done will be a name to look out for in the world of contemporary literature.
Ivana A. | Diary of Difference (1171 KP) rated Beast: A Tale of Love and Revenge in Books
Jul 16, 2018
Almost ruined my childhood favorite
One of my favorite books while I was growing up was the Beauty and the Beast. I usually love retellings,as they show me a different side of the story that might be, that I have never considered before. This book, however, almost ruined it all for me. The only reason it didn't was because I wouldn't let one bad retelling to ruin my childhood favorite!
The story is about Lucie, who is a servant in Jean Leup's palace. Through Lucie's story, we see Jean Leup as a horrible person who only cares about money and the respect he received from his aristocratic community. He treats the servants badly and doesn't even bother to look at them.
Lucie likes the thought of him. He is a very handsome man, and all she dreams about is for him to notice her. And one day, he does. And something really bad happens. Jean Leup does something horrible to Lucie.
[SPOILER - PLEASE CONTINUE CAUTIOUSLY]
He rapes her. And not only that this scene was very disturbing, it was also three pages long, with broad descriptions and it made be cringe badly. It made me hate everything and this was the part where I almost quit on reading this book.
[SPOILER FINISHED - YOU CAN CONTINUE READING]
After this big spoiler scene, the first reaction Lucie has is to kill herself. I am aware that this was a huge trauma for her, and people react differently, but if the author gives me this as a solution to her problem, do I want to continue reading? Is this really the lesson she learns?
With a bit of help of magic and wisdom words, she decides that now she wants for Jean Leup to suffer, and she wants to be able to see this happen. Suddenly, wish becomes a reality and the next thing we know, she is a candle that can't move, and Jean Leup has turned into a Beast.
Do you get the Beauty and the Beast reference now? We see the story from the candle's point of view, who is Lucie.
Well - not really!
Because here's the twist - the Beast doesn't remember what happened before. He doesn't know he was Jean Leup. He doesn't know he was bad in the past. The Beast is good by default, and a bit sad that he's alone in a big castle. So I have to ask again - Where is the lesson? Where is the punishment? If he can't remember he was bad, he'll never learn why he is a Beast.
To continue and shorten the story - Lucie (the candle) can talk to the Beast through her mind. The Beauty (Rose) comes to the castle and the story goes on. Lucie decides that she is in love with the Beast, and I won't reveal the rest, in case you want to read the book and see for yourself.
Now - I know that the author's point wasn't the lesson that the Beast learns as in the original story. Her point was to tell the story of the Beast, and Lucie, and how this tale can have a different plot, and ending, and back story. But I really believe that this was the wrong way of saying it, and it didn't leave a clear message.
The writing was poor, and it went from one moment to another, leaving me there in the middle, wondering what happened. One scene begins, and another starts before anything is finished. It was disorientated, and I felt lost in the first 40 pages.
This is a no from me, and I will give it 2 stars because I managed to finish it.
Thanks to Candlewick Press for providing me with an ARC e-copy via NetGalley in exchange for an honest review.
The story is about Lucie, who is a servant in Jean Leup's palace. Through Lucie's story, we see Jean Leup as a horrible person who only cares about money and the respect he received from his aristocratic community. He treats the servants badly and doesn't even bother to look at them.
Lucie likes the thought of him. He is a very handsome man, and all she dreams about is for him to notice her. And one day, he does. And something really bad happens. Jean Leup does something horrible to Lucie.
[SPOILER - PLEASE CONTINUE CAUTIOUSLY]
He rapes her. And not only that this scene was very disturbing, it was also three pages long, with broad descriptions and it made be cringe badly. It made me hate everything and this was the part where I almost quit on reading this book.
[SPOILER FINISHED - YOU CAN CONTINUE READING]
After this big spoiler scene, the first reaction Lucie has is to kill herself. I am aware that this was a huge trauma for her, and people react differently, but if the author gives me this as a solution to her problem, do I want to continue reading? Is this really the lesson she learns?
With a bit of help of magic and wisdom words, she decides that now she wants for Jean Leup to suffer, and she wants to be able to see this happen. Suddenly, wish becomes a reality and the next thing we know, she is a candle that can't move, and Jean Leup has turned into a Beast.
Do you get the Beauty and the Beast reference now? We see the story from the candle's point of view, who is Lucie.
Well - not really!
Because here's the twist - the Beast doesn't remember what happened before. He doesn't know he was Jean Leup. He doesn't know he was bad in the past. The Beast is good by default, and a bit sad that he's alone in a big castle. So I have to ask again - Where is the lesson? Where is the punishment? If he can't remember he was bad, he'll never learn why he is a Beast.
To continue and shorten the story - Lucie (the candle) can talk to the Beast through her mind. The Beauty (Rose) comes to the castle and the story goes on. Lucie decides that she is in love with the Beast, and I won't reveal the rest, in case you want to read the book and see for yourself.
Now - I know that the author's point wasn't the lesson that the Beast learns as in the original story. Her point was to tell the story of the Beast, and Lucie, and how this tale can have a different plot, and ending, and back story. But I really believe that this was the wrong way of saying it, and it didn't leave a clear message.
The writing was poor, and it went from one moment to another, leaving me there in the middle, wondering what happened. One scene begins, and another starts before anything is finished. It was disorientated, and I felt lost in the first 40 pages.
This is a no from me, and I will give it 2 stars because I managed to finish it.
Thanks to Candlewick Press for providing me with an ARC e-copy via NetGalley in exchange for an honest review.
Larry Eisner (2082 KP) rated Tomb Raider (2018) in Movies
Jul 18, 2018
Vikander. She is excellent and plays this two-dimensional character far beyond the script. (3 more)
The supernatural elements
Did I mention Vikander’s superb performance?
Damn, Vikander was spectacular!
The script (3 more)
The tropes
The characters’ lack of dimension
Low hope for a sequel
It’s action. It’s rife with plot holes. It’s got an AMAZING lead.
Note: I was given a copy by SmashBomb to review.
Note 2: I hate spoilers so you can count on this to have none as with all my reviews.
Tomb Raider, like all video game adaptations for the screen, tend to suck horribly (I’m looking directly at you, Street Fighter, and Mortal Kombat 2).
That said, the Angelina Jolie versions had huge budgets, large CGI setpieces to amaze and star power at the fairly flat lead role of Lara Croft. They were throwaway summer action fodder. They were fun and worth a watch, but never a second viewing.
Sadly, the new Tomb Raider won’t change anyone’s mind about the genre. It’s still mindless action throwaway, but this had a lot of potential for much much more.
Why? Because Alicia Vikander is SPECTACULAR and brings dimension, fragility, and a brutal ness to the action that you’d never see in the original sexually charged games, or the blockbuster megamillions Jolie versions.
The story itself is flat, full of holes (except the one that’s missing? I won’t say, but damn...) and contains the typical tropes of the lone hero in a jungle against baddies and nature. There’s booby traps, there’s danger at every corner, natural and man-made, and there’s intrigue behind the scenes. Nothing new there and sadly this script adds nothing at all (even an iota) to the genre. However, amazingly, Vikander’s subtle and fragile performance escalates the dull action into something believable. It takes the very false “high stakes” danger and makes it dangerous and raises the stakes because of the vulnerability and believability of this Lara Croft.
This is why I enjoyed the film. In the film world, everything is on Lara’s shoulders. And in reality, the film is carried SOLELY on Alicia Vikander’s shoulders. And she carries it well.
Lu Ren (Daniel Wu) is another great character played by a great actor, though he has far too little quality screen time. The relationship between them isn’t believable because of this lack of time spent in development, and therefore the stakes between them seem more false than they should. It is a lot of wasted potential.
Here’s my hope (though my expectations are low unless DVD/Blu-Ray sales/rentals skyrocket): this film demands a sequel. This flimsy summer fodder has what it takes to make a franchise and a lead that can become a true action icon, but it demands a better and more character-driven script.
The potential here is insane, but only time will tell if this mediocre (but fun) B-movie will get a serious sequel. It wouldn’t require so much money, as the strength of this Lara Croft is not in special effects and masculine explosions. This Croft is crafty, exudes strength in endurance rather than power, and has a realism to her that makes me believe she actually isn’t just a rich person with a privileged upbringing. She’s real, three-dimensional and you want her to succeed. Because of her, not because of the plot.
But put an actual plot and characters with depth and dialogue behind her? Wow. That would be amazing.
So, perhaps this review doesn’t seem like a 7/10. But here’s why: Wu brings the film to a 4-5, and Vikander makes this film every point above to the 7. In fact she had a 10 performance, but the script and direction just bring it down.
It’s a fun B-film. It’s summer action fodder. It’s worth a view, if not a purchase. And it is worth a sequel. Let’s hope and pray that Vikander’s Lara Croft returns to tell more tales.
Note 2: I hate spoilers so you can count on this to have none as with all my reviews.
Tomb Raider, like all video game adaptations for the screen, tend to suck horribly (I’m looking directly at you, Street Fighter, and Mortal Kombat 2).
That said, the Angelina Jolie versions had huge budgets, large CGI setpieces to amaze and star power at the fairly flat lead role of Lara Croft. They were throwaway summer action fodder. They were fun and worth a watch, but never a second viewing.
Sadly, the new Tomb Raider won’t change anyone’s mind about the genre. It’s still mindless action throwaway, but this had a lot of potential for much much more.
Why? Because Alicia Vikander is SPECTACULAR and brings dimension, fragility, and a brutal ness to the action that you’d never see in the original sexually charged games, or the blockbuster megamillions Jolie versions.
The story itself is flat, full of holes (except the one that’s missing? I won’t say, but damn...) and contains the typical tropes of the lone hero in a jungle against baddies and nature. There’s booby traps, there’s danger at every corner, natural and man-made, and there’s intrigue behind the scenes. Nothing new there and sadly this script adds nothing at all (even an iota) to the genre. However, amazingly, Vikander’s subtle and fragile performance escalates the dull action into something believable. It takes the very false “high stakes” danger and makes it dangerous and raises the stakes because of the vulnerability and believability of this Lara Croft.
This is why I enjoyed the film. In the film world, everything is on Lara’s shoulders. And in reality, the film is carried SOLELY on Alicia Vikander’s shoulders. And she carries it well.
Lu Ren (Daniel Wu) is another great character played by a great actor, though he has far too little quality screen time. The relationship between them isn’t believable because of this lack of time spent in development, and therefore the stakes between them seem more false than they should. It is a lot of wasted potential.
Here’s my hope (though my expectations are low unless DVD/Blu-Ray sales/rentals skyrocket): this film demands a sequel. This flimsy summer fodder has what it takes to make a franchise and a lead that can become a true action icon, but it demands a better and more character-driven script.
The potential here is insane, but only time will tell if this mediocre (but fun) B-movie will get a serious sequel. It wouldn’t require so much money, as the strength of this Lara Croft is not in special effects and masculine explosions. This Croft is crafty, exudes strength in endurance rather than power, and has a realism to her that makes me believe she actually isn’t just a rich person with a privileged upbringing. She’s real, three-dimensional and you want her to succeed. Because of her, not because of the plot.
But put an actual plot and characters with depth and dialogue behind her? Wow. That would be amazing.
So, perhaps this review doesn’t seem like a 7/10. But here’s why: Wu brings the film to a 4-5, and Vikander makes this film every point above to the 7. In fact she had a 10 performance, but the script and direction just bring it down.
It’s a fun B-film. It’s summer action fodder. It’s worth a view, if not a purchase. And it is worth a sequel. Let’s hope and pray that Vikander’s Lara Croft returns to tell more tales.
Louise (64 KP) rated Whisper to Me in Books
Jul 2, 2018
***This review may contain spoilers***
I won this book in a Goodreads giveaway, which let me tell you I was so pleased, I mean who doesn’t like free books?
First off, I need to mention how beautiful the cover is, the colours are amazing (I am a fan of pinks and purples) and the summer evening with fairground in the background just makes you feel like this is going be an epic summer read with loads of fluffyness…..How wrong was I! This book is DARK!
This book is told as a massive email, 535 pages long! I feel sorry for the guy she is writing to.
The story follows Cassie, she is writing an email to this boy that she met over the summer and tries to explain the reasons behind her actions and to hopefully win him back. The seaside resort that Cassie lives in always brings tourists and Teens looking for summer work, for the past couple of years there have been prostitutes/escorts that go missing but no evidence is left so the killer is at large.In Cassie’s favourite spot at the beach she finds a human foot washed up, after the shock of this discovery she starts hearing a voice inside her head, she is convinced it’s one of the prostitutes and starts investigating and taking matters into her own hands. Along the way she meets this guy and they start hanging out, but she is unable to reveal her secret.
I am going to start off by saying that I didn’t enjoy this book and there are several reasons. I hate having to write negative reviews as this author has taken a lot of time to write this and make a success of it but there were too many flaws for my liking.
First off the book is way to long for a contemporary, it could have easily been 200 pages less,there was a lot of waffle.
I didn’t like the characters!The father suffered from PTSD after being in the Navy SEALS, but to me he felt abusive and really harsh and scary, he was so protective of Cassie and would have these sudden outbursts that I actually feared for her. Cassie was really timid, a bit of a pushover. The guy she has a romance with (you never find out his name) is boring and dull.
HA HA, that brings me on to the romance. It was awful, it was awkward but not in a good way,in a cringe OMG why you doing this way. There was no spark, no angst..nada.
It uses *****for the swear words and that got really tedious in the end and sometimes I didn’t even know what swear word to use,you can fill in the blanks yourself.
Moving on to the things I liked, I enjoyed the focus on the mental health aspect, Cassie is diagnosed with some type of Schizophrenia and she has two different forms of treatment, she has a psychiatrist who just wants to pump drugs in her to solve the problem and then she has cognitive behavioural therapy and you can tell the difference between the good therapist and the bad one. I have read quite a few books about mental health like Depression, Bi-polar and anxiety but none with hearing voices so it was interesting to read something different.
The writing was good it was told in different formats and had some sarcasm and was definitely easy to read.
The ending, I was so damn disappointed with the ending! nothing got resolved, I literally felt I had been robbed. It was like Lake got bored and finished the story early and didn’t tie the ends.
I originally gave this book a 2.5 stars but after reflecting on this I have lowered it to 1.5-2 stars and one of those stars is for the cover.
I won this book in a Goodreads giveaway, which let me tell you I was so pleased, I mean who doesn’t like free books?
First off, I need to mention how beautiful the cover is, the colours are amazing (I am a fan of pinks and purples) and the summer evening with fairground in the background just makes you feel like this is going be an epic summer read with loads of fluffyness…..How wrong was I! This book is DARK!
This book is told as a massive email, 535 pages long! I feel sorry for the guy she is writing to.
The story follows Cassie, she is writing an email to this boy that she met over the summer and tries to explain the reasons behind her actions and to hopefully win him back. The seaside resort that Cassie lives in always brings tourists and Teens looking for summer work, for the past couple of years there have been prostitutes/escorts that go missing but no evidence is left so the killer is at large.In Cassie’s favourite spot at the beach she finds a human foot washed up, after the shock of this discovery she starts hearing a voice inside her head, she is convinced it’s one of the prostitutes and starts investigating and taking matters into her own hands. Along the way she meets this guy and they start hanging out, but she is unable to reveal her secret.
I am going to start off by saying that I didn’t enjoy this book and there are several reasons. I hate having to write negative reviews as this author has taken a lot of time to write this and make a success of it but there were too many flaws for my liking.
First off the book is way to long for a contemporary, it could have easily been 200 pages less,there was a lot of waffle.
I didn’t like the characters!The father suffered from PTSD after being in the Navy SEALS, but to me he felt abusive and really harsh and scary, he was so protective of Cassie and would have these sudden outbursts that I actually feared for her. Cassie was really timid, a bit of a pushover. The guy she has a romance with (you never find out his name) is boring and dull.
HA HA, that brings me on to the romance. It was awful, it was awkward but not in a good way,in a cringe OMG why you doing this way. There was no spark, no angst..nada.
It uses *****for the swear words and that got really tedious in the end and sometimes I didn’t even know what swear word to use,you can fill in the blanks yourself.
Moving on to the things I liked, I enjoyed the focus on the mental health aspect, Cassie is diagnosed with some type of Schizophrenia and she has two different forms of treatment, she has a psychiatrist who just wants to pump drugs in her to solve the problem and then she has cognitive behavioural therapy and you can tell the difference between the good therapist and the bad one. I have read quite a few books about mental health like Depression, Bi-polar and anxiety but none with hearing voices so it was interesting to read something different.
The writing was good it was told in different formats and had some sarcasm and was definitely easy to read.
The ending, I was so damn disappointed with the ending! nothing got resolved, I literally felt I had been robbed. It was like Lake got bored and finished the story early and didn’t tie the ends.
I originally gave this book a 2.5 stars but after reflecting on this I have lowered it to 1.5-2 stars and one of those stars is for the cover.
Lucy Buglass (45 KP) rated Velvet Buzzsaw (2019) in Movies
Jun 20, 2019
Ever since Netflix have proven themselves as a fantastic streaming platform, everyone gets hyped about their ‘Originals’. Velvet Buzzsaw was no exception, and when the first trailer dropped I was so excited to watch it. Everything about it seemed great; it was written and directed by Dan Gilroy (the guy who gave us the fantastic Nightcrawler), and the cast was incredible. Who could say no to Jake Gyllenhaal, Rene Russo AND Toni Collette? Not me. Unfortunately, this wonderful mix didn’t live up to my expectations at all and left me feeling very disappointed.
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
The main issue I had with Velvet Buzzsaw is that the pacing is horrendously slow. The first 45 minutes felt like nothing but exposition, when it was a relatively simple concept for the audience to grasp. The film follows a bunch of art critics, artists and patrons of the arts as they uncover a series of paintings from an unknown artist. However, they’re not your normal paintings because a supernatural force lurks within them waiting to enact revenge. That’s it, that’s the synopsis. So why waste so much screen time dragging things out? The trailer made this look like a fast paced, intense thriller, but the reality is nothing like that.
It’s a shame the pacing and screenplay is so weak, because Velvet Buzzsaw does have a few redeeming features. The quality of acting is very good, and visually it’s beautiful to look at, particularly the locations and the paintings that appear throughout. I especially enjoyed the characters Rhodora Haze (Rene Russo) and Gretchen (Toni Collette), as they embody the typically powerful, ruthless and bitchy personas one would expect from this industry. They satirise art lovers perfectly, which is partially why I haven’t rated this film lower. In all honesty, these actors deserved better than the script they were dealt, and it’s a shame such talent was wasted here. I’m having trouble understanding how you can take such an interesting concept and brilliant actors, and make it so boring.
Even the inevitable death scenes are pretty dull, and play like a straight to TV horror film that doesn’t quite hit the mark. Velvet Buzzsaw fails to execute any sort of suspense, or even terror, so when people eventually die you’re just sat there like “Huh, is that it?”. After such a slow first act, you expect some kind of payoff, but it never arrives. Again, the trailer had some pretty scary moments that made me expect a few jump scares or intense moments. I’m confused about why this was even marketed as a horror-thriller, when it lacks so many of the aspects that make both those genres great. I didn’t feel scared at all, and even when the characters we were supposed to hate met their demise, there was no morbid satisfaction in it. To be completely honest, I was apathetic towards the whole thing. I just wanted it to end.
If you are a fan of slow-burning films that take a while to get going, then you might enjoy Velvet Buzzsaw more than I did. I don’t necessarily have a problem with these types of films, but you still need to keep the audience gripped somehow. You need to give people a reason to keep watching.
Gilroy’s attempt to show the horrors of the art world falls flat, and certainly doesn’t live up to the expectations based on the success of Nightcrawler. Part of me even wondered how this was the same man, it felt so vastly different to his other work. Netflix Originals rarely let me down, but this time, they really did.
https://jumpcutonline.co.uk/review-velvet-buzzsaw-2019/
Lucy Buglass (45 KP) rated Crazy Rich Asians (2018) in Movies
Jun 20, 2019
A Rom-Com with Substance
Yes, I know what you’re thinking. This isn’t really the kind of film I’m particularly fond of. Everything about it screams ‘cheesy rom-com’, just look at that poster. But, I’m happy to say I walked away from this film feeling so glad that I had watched it. This is a classic example of not judging a film by its poster or trailer, as it has so much more to offer.
As the title of my review suggests, I mainly loved this film because of the overall narrative. There’s a lot of character development and dark secrets, meaning your interest is constantly held throughout the film. You really start to care about these characters and their lives, and I didn’t feel like anyone was just thrown in there for the sake of it. The dynamics between characters is really well done and realistic, and it’s very easy for you to quickly love or hate them. I was so impressed by the quality of the acting, and how each actor brought their characters to life on screen. I was especially blown away by Michelle Yeoh and Gemma Chan, for very different reasons. I was also happy to see an all-Asian cast in a mainstream film, as we still have a lot to do when it comes to wider representation and films like this are a huge step in the right direction.
I also feel like people could identify with some of the themes, especially this idea of a class divide and feeling unwelcome. It was so eye-opening to see how some people are shunned by families because of their social status, and how important it is for families to protect their name and heritage at all costs. Whilst Crazy Rich Asians shows an extreme version of this type of behaviour, class divides are prevalent across the world so this was a really interesting theme to explore. This theme is one of the reasons why I felt this film had so much substance, as it goes beyond simply being just another rom-com and shows us some serious, real-life issues instead. There are some scenes in Crazy Rich Asians that are far from comedic, and shows us a darker side to life within a wealthy, influential circle. The results are as dark as you’d expect. I don’t want to give any spoilers – experience it for yourself instead.
As for the comedy, it was genuinely laugh-out-loud funny. I am always apprehensive with comedy films as sometimes it can become too ridiculous and slapstick, but Crazy Rich Asians was satirical and smart, with some silly moments thrown in there too. I’m so impressed with how they blended humour with drama this effortlessly. It knows how to balance this without going too far one way, and the result is an incredibly well-rounded and three dimensional film that made me laugh and cry in equal measure. It’s a truly captivating film from start to finish.
Visually, it’s a stunning piece of cinema. You’re greeted with bright colours, gorgeous set design, and you’re transported to a world of luxury and Chinese culture, with these hostile undertones. On the big screen it’s even better, because you get to experience this gorgeous film on a large scale. It’s hard to take your eyes off it. I’m looking forward to revisiting this film in future so I can look for more details the second time around, as I’m sure I missed stuff during my initial viewing!
If this is the future of rom-com, consider me converted. I was so impressed by the overall film and would recommend it to anyone. Please don’t let the title and synopsis put you off, it’s such a smart, funny, heartbreaking film and I urge you to give it a go. You might end up as surprised as me!
https://lucygoestohollywood.com/2018/09/16/a-rom-com-with-substance-my-thoughts-on-crazy-rich-asians/
As the title of my review suggests, I mainly loved this film because of the overall narrative. There’s a lot of character development and dark secrets, meaning your interest is constantly held throughout the film. You really start to care about these characters and their lives, and I didn’t feel like anyone was just thrown in there for the sake of it. The dynamics between characters is really well done and realistic, and it’s very easy for you to quickly love or hate them. I was so impressed by the quality of the acting, and how each actor brought their characters to life on screen. I was especially blown away by Michelle Yeoh and Gemma Chan, for very different reasons. I was also happy to see an all-Asian cast in a mainstream film, as we still have a lot to do when it comes to wider representation and films like this are a huge step in the right direction.
I also feel like people could identify with some of the themes, especially this idea of a class divide and feeling unwelcome. It was so eye-opening to see how some people are shunned by families because of their social status, and how important it is for families to protect their name and heritage at all costs. Whilst Crazy Rich Asians shows an extreme version of this type of behaviour, class divides are prevalent across the world so this was a really interesting theme to explore. This theme is one of the reasons why I felt this film had so much substance, as it goes beyond simply being just another rom-com and shows us some serious, real-life issues instead. There are some scenes in Crazy Rich Asians that are far from comedic, and shows us a darker side to life within a wealthy, influential circle. The results are as dark as you’d expect. I don’t want to give any spoilers – experience it for yourself instead.
As for the comedy, it was genuinely laugh-out-loud funny. I am always apprehensive with comedy films as sometimes it can become too ridiculous and slapstick, but Crazy Rich Asians was satirical and smart, with some silly moments thrown in there too. I’m so impressed with how they blended humour with drama this effortlessly. It knows how to balance this without going too far one way, and the result is an incredibly well-rounded and three dimensional film that made me laugh and cry in equal measure. It’s a truly captivating film from start to finish.
Visually, it’s a stunning piece of cinema. You’re greeted with bright colours, gorgeous set design, and you’re transported to a world of luxury and Chinese culture, with these hostile undertones. On the big screen it’s even better, because you get to experience this gorgeous film on a large scale. It’s hard to take your eyes off it. I’m looking forward to revisiting this film in future so I can look for more details the second time around, as I’m sure I missed stuff during my initial viewing!
If this is the future of rom-com, consider me converted. I was so impressed by the overall film and would recommend it to anyone. Please don’t let the title and synopsis put you off, it’s such a smart, funny, heartbreaking film and I urge you to give it a go. You might end up as surprised as me!
https://lucygoestohollywood.com/2018/09/16/a-rom-com-with-substance-my-thoughts-on-crazy-rich-asians/
Heather Cranmer (2721 KP) rated Spin in Books
Jun 21, 2019
The synopsis for Spin by K.J. Farnham really grabbed my attention. I had to know why Jenna was acting out. Plus, I liked how the synopsis mentioned that diary entries would be involved. Luckily, I was not disappointed one bit.
Jenna is a 16 year old high school girl. She's the picture of perfection. She's beautiful, popular, makes good grades, athletic, and is a great friend and daughter. However, when a certain person from her past moves back to her town, Jenna's painful memories of the past resurface. When it all becomes too much, Jenna acts out by drinking, taking drugs, and other bad behaviors. One night, on the way to confront her abuser, Jenna disappears. Through Jenna's diary, her point of view, and the points of view from her friends and family, we are able to piece together what happened to Jenna during her childhood and leading up to her disappearance.
I found the plot for Spin to be very interesting. Although it has been done many times before, Farnham was able to keep it fresh as well as fascinating. The plot leaves no cliff hangers and every question I had was answered. The one thing that was a little annoying was that in the same chapter, in a few parts of the book, the tense would switch between past and present. This was obviously missed in editing since the whole book is written in past tense. Other than that, Spin was written beautifully.
I really did enjoy the characters in Spin. Jenna was very likable, and I felt bad for her. I wanted things to go back to normal for her throughout the book. She was so vulnerable, and I hated how her events of her childhood had robbed her of all she had going for her. Keeley and Delaney, Jenna's best friends, felt realistic. Their actions regarding Jenna's behavior seemed like what most friends would be like at that age. I enjoyed reading things from their point of view. Dustin, Jenna's boyfriend, was also a great character. I hated how Jenna was treating him. I understood why she was acting the way she was towards him, but I just hate that he never knew the reasoning behind her actions. It still wouldn't have made it right, but at least Dustin would have had some insight. Leighton was my favorite character in Spin. Even I wanted to be friends with Leighton. I love what a great friend she was to Jenna and how loyal she was. Yes, Leighton did make some bad decisions, but her love for Jenna was admirable. I do wish Bonnie, Jenna's mom, would have read more of her diary. My heart went out to Bonnie especially when she felt like it was her fault after reading an entry in Jenna's diary before she went missing. I did feel that Bonnie was a little strict with Jenna especially when it came to Dustin. I felt like the character of Joseph was written perfectly. Was he truly a changed man or was he still sick?
The pacing for Spin was fantastic. Not once did I feel like the pacing was too slow or slowing down. It was never too quick either where I became lost. This book held my attention throughout. I was buckled up to go wherever Spin wanted to take me!
Trigger warnings for Spin include underage drinking, drug use, sexual situations (although not graphic), rape, attempted rape, child and teen sexual abuse, incest, profanity, and death.
All in all, Spin is a great read with a fantastic set of characters and an enthralling plot. Yes, it is a dark and emotional read, but it will not be a disappointing one for sure! I would definitely recommend Spin by K.J. Farnham to those aged 16+!
Jenna is a 16 year old high school girl. She's the picture of perfection. She's beautiful, popular, makes good grades, athletic, and is a great friend and daughter. However, when a certain person from her past moves back to her town, Jenna's painful memories of the past resurface. When it all becomes too much, Jenna acts out by drinking, taking drugs, and other bad behaviors. One night, on the way to confront her abuser, Jenna disappears. Through Jenna's diary, her point of view, and the points of view from her friends and family, we are able to piece together what happened to Jenna during her childhood and leading up to her disappearance.
I found the plot for Spin to be very interesting. Although it has been done many times before, Farnham was able to keep it fresh as well as fascinating. The plot leaves no cliff hangers and every question I had was answered. The one thing that was a little annoying was that in the same chapter, in a few parts of the book, the tense would switch between past and present. This was obviously missed in editing since the whole book is written in past tense. Other than that, Spin was written beautifully.
I really did enjoy the characters in Spin. Jenna was very likable, and I felt bad for her. I wanted things to go back to normal for her throughout the book. She was so vulnerable, and I hated how her events of her childhood had robbed her of all she had going for her. Keeley and Delaney, Jenna's best friends, felt realistic. Their actions regarding Jenna's behavior seemed like what most friends would be like at that age. I enjoyed reading things from their point of view. Dustin, Jenna's boyfriend, was also a great character. I hated how Jenna was treating him. I understood why she was acting the way she was towards him, but I just hate that he never knew the reasoning behind her actions. It still wouldn't have made it right, but at least Dustin would have had some insight. Leighton was my favorite character in Spin. Even I wanted to be friends with Leighton. I love what a great friend she was to Jenna and how loyal she was. Yes, Leighton did make some bad decisions, but her love for Jenna was admirable. I do wish Bonnie, Jenna's mom, would have read more of her diary. My heart went out to Bonnie especially when she felt like it was her fault after reading an entry in Jenna's diary before she went missing. I did feel that Bonnie was a little strict with Jenna especially when it came to Dustin. I felt like the character of Joseph was written perfectly. Was he truly a changed man or was he still sick?
The pacing for Spin was fantastic. Not once did I feel like the pacing was too slow or slowing down. It was never too quick either where I became lost. This book held my attention throughout. I was buckled up to go wherever Spin wanted to take me!
Trigger warnings for Spin include underage drinking, drug use, sexual situations (although not graphic), rape, attempted rape, child and teen sexual abuse, incest, profanity, and death.
All in all, Spin is a great read with a fantastic set of characters and an enthralling plot. Yes, it is a dark and emotional read, but it will not be a disappointing one for sure! I would definitely recommend Spin by K.J. Farnham to those aged 16+!
Chris Sawin (602 KP) rated World's Greatest Dad (2009) in Movies
Jun 22, 2019
Lance Clayton is a pretty well-established writer, in a sense. He's written several novels and children's books. The problem is none of his work has ever been published. Every submission to publishers has been denied. So Lance tells himself that if his next novel is rejected, he'll give up writing. Lance is also a high school poetry teacher that's on the verge of losing his course due to not having enough student interest. During all of this, Lance has his hands full with his son Kyle. Kyle doesn't seem too interested in much of anything other than the most disturbing type of pornographic videos while continually acting out at school and is on the verge of being transferred to a school for students with special needs. Then, as if that wasn't enough, Lance is seeing the art teacher, Claire, who wants to keep their relationship a secret while not getting too serious. So, it's safe to say that Lance has his hands full. On top of it all though, he's afraid of dying alone. Lance winds up getting everything he's ever wanted after a certain situation presents itself, but soon realizes having all of that doesn't automatically make you happy.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.
World's Greatest Dad hooked me the first time I read about it debuting at Sundance. I heard, "dark comedy," and, "Robin Williams," and was instantly interested. Then the trailer and plot summary really reeled me in. The result is a film that not only surpassed expectations, but also went in an unexpected direction. When a film is described as a dark comedy, it has usually still stuck to specific guidelines. Maybe it still followed a similar formula to what other comedies did before it. These other films that are labeled as dark comedies don't really break any new ground. World's Greatest Dad goes beyond that. It breaks any ground rules that were laid before it and doesn't follow any sort of formula. When they say, "dark," they aren't kidding. The subject content is pretty disturbing yet is somehow still humorous.
Robin Williams plays the role of a dad who's trying to do his best with the obstacles life has thrown at him incredibly well. With everything that's going on in his life, even in the moments of the film where he doesn't speak, it looks like he's constantly thinking about something. Always dwelling on what's going on around him with the people who are close to him in his life and trying to decide how he's going to handle this situation he's gotten himself into. While his role does show a bit of his comedic side, Robin Williams proves he can handle serious roles rather well with this performance.
While I obviously can't say much about what direction the film goes in without completely spoiling the film, I will say that the trailer does a good job of not giving any of that away. Once the film makes that turn though, it really follows through with it and doesn't let up. One of the best parts of the experience of watching this film for the first time is seeing how far the concept of the film is going to go. As Lance buries himself in this, people begin to say the actions that were taken changed their life for the better. If you told a lie that did that to not just one person, but practically an entire high school...how would you tell them the truth?
World's Greatest Dad is not going to be for everyone. Some people will love it and others will just downright hate it. The film isn't just dark, it's DARK. That and it's a very different kind of comedy with an unexpected turn of events. Most of the humor is very dry, so if that's not your thing then I wouldn't recommend it. For me personally though, it's one of the most interesting films I've seen in quite some time.