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Haley Mathiot (9 KP) rated My Unfair Lady in Books
Apr 27, 2018
My Unfair Lady by Kathryne Kennedy
Genre: Historical fiction, Historical Romance
Rating: 4/5
Summary (from the back of the book):
HE CREATED THE PERFECT WOMAN… the impoverished Duke of Monchester despises the rich Americans who flock to London, seeking to buy their way into the ranks of the British peerage. So when railroad heiress Summer Wine Lee offers him a king’s ransom if he’ll teach her to become a proper lady, he’s prepared to rebuff her. But when he meets the petite beauty with the knife in her boot, it’s not her fortune he finds impossible to resist…
…FOR THE ARMS OF ANOTHER MAN. Frontier-bred Summer Wine Lee has no interest in winning over London society—it’s the New York bluebloods and her future mother-in-law she’s determined to impress. She knows the cost of smoothing her rough-and-tumble frontier edges will be high. But she never imagined it might cost her her heart…
Review: This book is so cute! The dialogue is lively, the characters are likeable (or in the case of the “bad ones”, hate-able), and the images and descriptions are clear and visible. I loved it by the end of the first chapter.
Summer was my kind of girl. She grinned when things were funny instead of trying to remain indifferent, she wasn’t afraid to show how she felt—but she could also throw a knife, shoot an arrow better than the woman champion of their day, and mount and ride a horse bareback (which I think is so cool!). She has a love for animals—and odd ones at that. She owns a three-legged dog, a dog with four legs but the size of a small horse, a monkey, a pocket-sized puppy, a fox, and a cat with no back legs (it sits in a cart and rolls around the room). She was raised by an Indian (one of those childhood dreams that I never quite left behind…) and he was the one who had taught her all that great stuff. Watching her try to settle into society was hilarious.
MY UNFAIR LADY has a lot of tension in it—both inner turmoil from poor Summer, and also sexual tension between the characters. However, it wasn’t overpowering because was so funny. I found that I laughed just as often as tension was built, so there was a constant, even balance. The end was very exciting, and I found it impossible to put down. Overall, reading this book was a hilarious and wonderful experience, and an unforgettable escape from reality.
Plot: My Fair Lady (the movie) shows a girl who is transformed to a lady, then the man falls in love with her. I love the change that has taken place in MY UNFAIR LADY—The man doesn’t want to change her, because he loves her the way she is. I like this plot better than the first!
Writing: The writing was decent, acceptable, and more readable than a lot of newly published romances. Though it wasn’t Dante, it wasn’t hard to read either.
Content: Refreshingly, there was no language in this book. Summer has her own set of expletives, but they weren’t offensive (“Tarnation!”). As far as sex, let’s just say there were several scenes (pages) in this book that I skipped completely, and just started reading again where the dialogue picked up. I didn’t miss anything important.
Recommendation: Ages 18+ to lovers of Historical fiction, Romance in general, or anyone who loves a girl who can shoot a gun, wield a knife, or use a bow and arrow better than a man!
**Thanks to Danielle at Sourcebooks for supplying my review copy!**
Genre: Historical fiction, Historical Romance
Rating: 4/5
Summary (from the back of the book):
HE CREATED THE PERFECT WOMAN… the impoverished Duke of Monchester despises the rich Americans who flock to London, seeking to buy their way into the ranks of the British peerage. So when railroad heiress Summer Wine Lee offers him a king’s ransom if he’ll teach her to become a proper lady, he’s prepared to rebuff her. But when he meets the petite beauty with the knife in her boot, it’s not her fortune he finds impossible to resist…
…FOR THE ARMS OF ANOTHER MAN. Frontier-bred Summer Wine Lee has no interest in winning over London society—it’s the New York bluebloods and her future mother-in-law she’s determined to impress. She knows the cost of smoothing her rough-and-tumble frontier edges will be high. But she never imagined it might cost her her heart…
Review: This book is so cute! The dialogue is lively, the characters are likeable (or in the case of the “bad ones”, hate-able), and the images and descriptions are clear and visible. I loved it by the end of the first chapter.
Summer was my kind of girl. She grinned when things were funny instead of trying to remain indifferent, she wasn’t afraid to show how she felt—but she could also throw a knife, shoot an arrow better than the woman champion of their day, and mount and ride a horse bareback (which I think is so cool!). She has a love for animals—and odd ones at that. She owns a three-legged dog, a dog with four legs but the size of a small horse, a monkey, a pocket-sized puppy, a fox, and a cat with no back legs (it sits in a cart and rolls around the room). She was raised by an Indian (one of those childhood dreams that I never quite left behind…) and he was the one who had taught her all that great stuff. Watching her try to settle into society was hilarious.
MY UNFAIR LADY has a lot of tension in it—both inner turmoil from poor Summer, and also sexual tension between the characters. However, it wasn’t overpowering because was so funny. I found that I laughed just as often as tension was built, so there was a constant, even balance. The end was very exciting, and I found it impossible to put down. Overall, reading this book was a hilarious and wonderful experience, and an unforgettable escape from reality.
Plot: My Fair Lady (the movie) shows a girl who is transformed to a lady, then the man falls in love with her. I love the change that has taken place in MY UNFAIR LADY—The man doesn’t want to change her, because he loves her the way she is. I like this plot better than the first!
Writing: The writing was decent, acceptable, and more readable than a lot of newly published romances. Though it wasn’t Dante, it wasn’t hard to read either.
Content: Refreshingly, there was no language in this book. Summer has her own set of expletives, but they weren’t offensive (“Tarnation!”). As far as sex, let’s just say there were several scenes (pages) in this book that I skipped completely, and just started reading again where the dialogue picked up. I didn’t miss anything important.
Recommendation: Ages 18+ to lovers of Historical fiction, Romance in general, or anyone who loves a girl who can shoot a gun, wield a knife, or use a bow and arrow better than a man!
**Thanks to Danielle at Sourcebooks for supplying my review copy!**
Haley Mathiot (9 KP) rated A Distant Melody (Wings of Glory, #1) in Books
Apr 27, 2018
Allie has never been able to please her parents, so she’ll do anything to make them happy, even if it means marrying a man she doesn’t love. But when she goes to visit her best friend for her wedding, she meets Walter Novak, flyer in the Air Force, and her heart begins to open to him. Allie and Walter write letters while he’s oversees, and Allie tries to anticipate her wedding with her promised fiancé, but as she gets to know Baxter more and more, she begins to have doubts about God’s will for her life—obey and honor her parents and marry a non-Christian in hopes of leading him to Christ, or disobey her parents and refuse to be “unevenly yoked?” And the fact that she’s falling in love with Walt isn’t helping things any.
I adored A Distant Melody. From the second I opened it, it captured my imagination and swept me away.
The plot seemed simple at first, but it kept taking little twists and turns that I didn’t expect. It was suspenseful, but not in a thriller kind of way. There were times when Walt was flying that were very exciting and thrilling, but it wasn’t enough to put it in that genre. It had just enough. The pacing itself was perfect—nothing felt rushed. I hate a rushed romance, it’s implausible. A Distant Melody is the perfect speed. I devoured it within a few hours.
I love these characters! I want more with them!!! One awesome aspect about A Distant Melody is it is not a victim of “happy-land syndrome,” or “perfect plot” syndrome. The story didn’t seem to work out just perfect with everyone happy all the time, and everyone talking about God all the time, and everyone acting like perfect Christians all the time. No, they were real people who sinned and suffered the consequences, both from other people and from their guilt and grief. There were times and parts where you say “Oh no! Now he’s going to think this!” or “Oh no she hasn’t gotten his letter yet!” and so on. However, their confessions of said sins were also such a key part of the story, and made you love them so much more.
I liked the writing a lot. Sundin has a clear concise way with words, and paints a picture without being poetic. I also loved her wit and humor, and those Sarah-Dessen-like running jokes. You have to love those running jokes that run through the whole book, that make you feel like you’re part of the character’s life.
I know I usually don’t say anything about the cover because generally I don’t care about the cover. In this case, the cover is perfect. It has every detail mentioned in the book, from the right clothing and hairstyles of the characters to the detail work on the air plane.
A very important thing about a Christian novel is it shouldn't feel like it’s preaching at you. There was prayer, Bible verses, hymns and such. But it didn’t feel cheesy and fake: partially because of the characters (as I mentioned above) and partially because although they were mentioned and discussed, they weren’t hammered. Basically, this was not Sundin’s way of publishing a theology book. It’s a novel, and it feels like one.
I think I loved everything about this book. I loved the characters, I loved the writing, I loved the plot and the pacing, I loved the jokes, I even love the cover. I can’t think of one thing that I didn’t like, or that distracted me from the story. I devoured A Distant Melody, thoroughly enjoyed every part of it, and I cannot wait for the next book.
I adored A Distant Melody. From the second I opened it, it captured my imagination and swept me away.
The plot seemed simple at first, but it kept taking little twists and turns that I didn’t expect. It was suspenseful, but not in a thriller kind of way. There were times when Walt was flying that were very exciting and thrilling, but it wasn’t enough to put it in that genre. It had just enough. The pacing itself was perfect—nothing felt rushed. I hate a rushed romance, it’s implausible. A Distant Melody is the perfect speed. I devoured it within a few hours.
I love these characters! I want more with them!!! One awesome aspect about A Distant Melody is it is not a victim of “happy-land syndrome,” or “perfect plot” syndrome. The story didn’t seem to work out just perfect with everyone happy all the time, and everyone talking about God all the time, and everyone acting like perfect Christians all the time. No, they were real people who sinned and suffered the consequences, both from other people and from their guilt and grief. There were times and parts where you say “Oh no! Now he’s going to think this!” or “Oh no she hasn’t gotten his letter yet!” and so on. However, their confessions of said sins were also such a key part of the story, and made you love them so much more.
I liked the writing a lot. Sundin has a clear concise way with words, and paints a picture without being poetic. I also loved her wit and humor, and those Sarah-Dessen-like running jokes. You have to love those running jokes that run through the whole book, that make you feel like you’re part of the character’s life.
I know I usually don’t say anything about the cover because generally I don’t care about the cover. In this case, the cover is perfect. It has every detail mentioned in the book, from the right clothing and hairstyles of the characters to the detail work on the air plane.
A very important thing about a Christian novel is it shouldn't feel like it’s preaching at you. There was prayer, Bible verses, hymns and such. But it didn’t feel cheesy and fake: partially because of the characters (as I mentioned above) and partially because although they were mentioned and discussed, they weren’t hammered. Basically, this was not Sundin’s way of publishing a theology book. It’s a novel, and it feels like one.
I think I loved everything about this book. I loved the characters, I loved the writing, I loved the plot and the pacing, I loved the jokes, I even love the cover. I can’t think of one thing that I didn’t like, or that distracted me from the story. I devoured A Distant Melody, thoroughly enjoyed every part of it, and I cannot wait for the next book.
Phillip McSween (751 KP) rated Pootie Tang (2001) in Movies
May 3, 2018
Dare You Not to Like it
Platinum recording artist Pootie Tang (Lance Crouther) has to figure out how to get his mojo back after the scandalous Ireenie (Jennifer Coolidge) steals his magical belt that is the source of both his power and swag. Sound dumb? Well, it is. But it's damn funny and I challenge anyone not to laugh without cracking up at the absurdity of it all.
Acting: 10
Beginning: 10
Characters: 10
Pootie provides the most hilarious moments in the film. As it opens, Pootie is having an interview with Bob Costas and you quickly learn that Pootie speaks his own language literally. For the sake of this review, let's call it Pootie Slang. The audience doesn't understand Pootie Slang, but the world he lives in can somehow make out every word he's saying. Best example I can think of: Groot speech. The words he says are enough to make you laugh, but it's the confidence in which the lines are delivered that take it to a whole new level. Pootie's got swag. For whatever reason, the ladies love him and everyone respects him, including the "Tippy ties" (those are children, by the way). It's one of those films you have to see to understand.
If Pootie isn't enough, there's an array of characters that keep the film entertaining. There's Biggy Shorty (Wanda Sykes), Pootie's love interest who has an eccentric style of dress and will slap the taste out of the mouth of anyone that disrespects Pooty. Then you have Trucky, Pootie's loudmouth friend that basically lives off of Pootie's success. Dirty Dee (Reg E. Cathey), the dirty scoundrel who walks around constantly covered in muck. My personal favorite: Lacey (Mario Joyner) who has a special knack for repeating everything a person said as if it were his idea. I could go on...
Cinematography/Visuals: 7
You haven't laughed until you have seen eight-year-old Pootie walking down a street while a woman three times his age throws his big wheel out the window because she's mad at him. You haven't laughed until you see Pootie's father get attacked at his job by a "gorilla" which is really someone in a gorilla costume. You really haven't laughed until you've seen Pootie record a song with absolutely no sound as he silently screams into the mic. And you really haven't laughed...well, you get my point.
Conflict: 10
Genre: 8
Memorability: 7
Pace: 7
Pacing was a bit spotty at times. When it's rolling, it's really rolling. However, there were a handful of dry spots where the film didn't seem like it knew where it was headed.
Plot: 6
The plot is all over the place at times, like watching a grenade explode. It has a direct line of sight, sure. There is a clear beginning, middle, and end. It's all the filler between these three things where the film goes south. There is a bit of forgiveness here as Pootie Tang manages to stay humorous even when it's confusing. Sometimes the confusion is what makes things funny. The writing definitely could have been stronger in certain points.
Resolution: 9
Overall: 84
Will Pootie Tang ever win an award for underrated comedy? No. Is it a pretty darn good time that makes you laugh consistently? Absolutely. It's dumb, but that's what makes it endearing. Honestly, I don't think it's any less dumb than a Bill and Ted film or *insert Pauly Shore film here* and those are regarded as cult classics. Just saying...Give it a chance. Maybe you hate it, but it's going to leave you laughing a few times and that's all that matters.
P.S.--Did I really just mention Groot and Pootie Tang in the same review? Wow...
Acting: 10
Beginning: 10
Characters: 10
Pootie provides the most hilarious moments in the film. As it opens, Pootie is having an interview with Bob Costas and you quickly learn that Pootie speaks his own language literally. For the sake of this review, let's call it Pootie Slang. The audience doesn't understand Pootie Slang, but the world he lives in can somehow make out every word he's saying. Best example I can think of: Groot speech. The words he says are enough to make you laugh, but it's the confidence in which the lines are delivered that take it to a whole new level. Pootie's got swag. For whatever reason, the ladies love him and everyone respects him, including the "Tippy ties" (those are children, by the way). It's one of those films you have to see to understand.
If Pootie isn't enough, there's an array of characters that keep the film entertaining. There's Biggy Shorty (Wanda Sykes), Pootie's love interest who has an eccentric style of dress and will slap the taste out of the mouth of anyone that disrespects Pooty. Then you have Trucky, Pootie's loudmouth friend that basically lives off of Pootie's success. Dirty Dee (Reg E. Cathey), the dirty scoundrel who walks around constantly covered in muck. My personal favorite: Lacey (Mario Joyner) who has a special knack for repeating everything a person said as if it were his idea. I could go on...
Cinematography/Visuals: 7
You haven't laughed until you have seen eight-year-old Pootie walking down a street while a woman three times his age throws his big wheel out the window because she's mad at him. You haven't laughed until you see Pootie's father get attacked at his job by a "gorilla" which is really someone in a gorilla costume. You really haven't laughed until you've seen Pootie record a song with absolutely no sound as he silently screams into the mic. And you really haven't laughed...well, you get my point.
Conflict: 10
Genre: 8
Memorability: 7
Pace: 7
Pacing was a bit spotty at times. When it's rolling, it's really rolling. However, there were a handful of dry spots where the film didn't seem like it knew where it was headed.
Plot: 6
The plot is all over the place at times, like watching a grenade explode. It has a direct line of sight, sure. There is a clear beginning, middle, and end. It's all the filler between these three things where the film goes south. There is a bit of forgiveness here as Pootie Tang manages to stay humorous even when it's confusing. Sometimes the confusion is what makes things funny. The writing definitely could have been stronger in certain points.
Resolution: 9
Overall: 84
Will Pootie Tang ever win an award for underrated comedy? No. Is it a pretty darn good time that makes you laugh consistently? Absolutely. It's dumb, but that's what makes it endearing. Honestly, I don't think it's any less dumb than a Bill and Ted film or *insert Pauly Shore film here* and those are regarded as cult classics. Just saying...Give it a chance. Maybe you hate it, but it's going to leave you laughing a few times and that's all that matters.
P.S.--Did I really just mention Groot and Pootie Tang in the same review? Wow...
graveyardgremlin (7194 KP) rated Ashton's Bride in Books
Feb 15, 2019
I have mixed feelings about this book. It was well-written, Margaret and Ashton were sympathetic, but I hated the way she time-traveled. It started off well enough until that point and I had a hard time getting past it. (I'll talk more about that in a hidden spoiler) Other than the time-travel, which is a big part of the book obviously, I enjoyed it. The relationship between Margaret and Ashton was pretty realistic and loving. So as far as time-travel romances, it's not one of my favorites, but it is still a good love story. In some ways, I think it might have been better strictly as historical romance.
Be warned! Massive ranting ahead!
<spoiler>
1. Like I said before, I hated her time-travel method. I don't quite get even how she time-traveled and the part I hate the absolute most is that she's in someone else's body. I just recently read a short story that had the same time-travel method, except that it was explained. I just find it disturbing and creepy, not to mention the amount of times it is said in the book how beautiful and perfect her looks are. Pretty nauseating. I just don't know how you could get used to looking in the mirror and not seeing yourself. That'd just be weird to me, even if I did happen to enter into a drop-dead gorgeous body. And Margaret acted like she was some freak of nature when she was in 1993. Boo hoo. Be happy with yourself for goodness sake! It seemed somewhat like the author was saying that you're not good enough if you're not beautiful. At least, that's the impression it gave to me.
2. It seemed to me that Ashton was infatuated with Mag. He couldn't have possibly actually loved her the way she was before Margaret entered her body, but he said he had. He really had to have fallen in love with Margaret, not Mag, and the blurriness there bothered me.
3. They're cousins. Okay so Margaret actually isn't, but the body she's in is. So what about children? Not a major point since cousins marrying isn't all that odd back then, but because of my other problems, it creeped me out more here.
4. Margaret's whole "revelation." She says now her parents and siblings never went to Cape Cod and are alive after all since they only went because of her and now she's back in time, and her parents only had two kids and not three. Umm no. If her parents never had her, then it would be impossible (yes, so is time-travel, but that's beside the point) for her to have gone back in time at all! She would have disappeared; she couldn't just be there now! Am I the only one who can see that?! Remember the photo featuring disappearing McFly's in Back to the Future? What comes around goes around. There's a few instances of that, but this is the one that bothers me most.
5. How did the papers show up? Seemed really unnecessary just to have Ashton believe her.
Had the back cover described how exactly Margaret time-traveled (like a mention of waking up in a strange body, perhaps?), maybe I wouldn't have had such a hard time with the concept and the other stuff wouldn't have bothered me as much. Who's to know?</spoiler> I promise, I'm really not crazy, even if my rants point to the contrary. I really think it could have been a great story, and I'm sure others will enjoy it, I just was left very disappointed.
Be warned! Massive ranting ahead!
<spoiler>
1. Like I said before, I hated her time-travel method. I don't quite get even how she time-traveled and the part I hate the absolute most is that she's in someone else's body. I just recently read a short story that had the same time-travel method, except that it was explained. I just find it disturbing and creepy, not to mention the amount of times it is said in the book how beautiful and perfect her looks are. Pretty nauseating. I just don't know how you could get used to looking in the mirror and not seeing yourself. That'd just be weird to me, even if I did happen to enter into a drop-dead gorgeous body. And Margaret acted like she was some freak of nature when she was in 1993. Boo hoo. Be happy with yourself for goodness sake! It seemed somewhat like the author was saying that you're not good enough if you're not beautiful. At least, that's the impression it gave to me.
2. It seemed to me that Ashton was infatuated with Mag. He couldn't have possibly actually loved her the way she was before Margaret entered her body, but he said he had. He really had to have fallen in love with Margaret, not Mag, and the blurriness there bothered me.
3. They're cousins. Okay so Margaret actually isn't, but the body she's in is. So what about children? Not a major point since cousins marrying isn't all that odd back then, but because of my other problems, it creeped me out more here.
4. Margaret's whole "revelation." She says now her parents and siblings never went to Cape Cod and are alive after all since they only went because of her and now she's back in time, and her parents only had two kids and not three. Umm no. If her parents never had her, then it would be impossible (yes, so is time-travel, but that's beside the point) for her to have gone back in time at all! She would have disappeared; she couldn't just be there now! Am I the only one who can see that?! Remember the photo featuring disappearing McFly's in Back to the Future? What comes around goes around. There's a few instances of that, but this is the one that bothers me most.
5. How did the papers show up? Seemed really unnecessary just to have Ashton believe her.
Had the back cover described how exactly Margaret time-traveled (like a mention of waking up in a strange body, perhaps?), maybe I wouldn't have had such a hard time with the concept and the other stuff wouldn't have bothered me as much. Who's to know?</spoiler> I promise, I'm really not crazy, even if my rants point to the contrary. I really think it could have been a great story, and I'm sure others will enjoy it, I just was left very disappointed.
graveyardgremlin (7194 KP) rated To Die For (Blair Mallory, #1) in Books
Feb 15, 2019
Hmm, I'm having a hard time describing how I feel about this book. I liked it enough, Blair was a decent character, but there was something (or things) missing. I'm not one of those who hate first person narratives (I really have no preference - both first and third person narratives are fine with me, as long as they work for the book), but for some reason it felt weird in this book and didn't quite work for me. Also, I don't know how I feel about Wyatt. His reason for leaving Blair two years ago was lame and I can't believe she let him off the hook so easily; not to mention he was rather one-dimensional. The mystery was hardly that and it seemed as if the author forgot all about someone trying to kill Blair until the end, deadline was near, and just added some cockamamie, loony-tune ending that was a total let down and came from left field. Not to mention, the whole someone-wants-to-kill-Blair thing was pushed aside for all the petty arguing and sex. Now I liked Blair giving Wyatt a hard time and all, but some of the stuff she said or did was overkill and the editor needed to trim a good fifty or so pages of it out of the book. It didn't help that going into the book, I thought it was a more serious romantic suspense, which is what I really wanted to read at the time.
Some of my petty annoyances with the book came fairly early on: I don't get why Blair (and/or the author) thought Jason Carson or Jenni Mallory rhymed. Now if his name was Jason Cayson, I'd understand, or Jenni Menni, but just because Jason and Carson both end with 'son,' it doesn't rhyme because it's the same thing. I don't know if I'm saying that right but oh well. My other thing was that Blair couldn't wear some underwear because the bra got ruined. Uh, okay. Now I like my undies to match but that wouldn't mean I'd never wear the underwear again because the bra that matched got ruined. That's just snobby and stupid. Yeah, I know, ridiculous things to find annoying in the book, but we all have something. LoL
After I finished the book and went to Amazon I saw that there's a sequel. I'm not sure if I'm up for another trip into Blair's mind or not, but if I come across it real cheap or someone gives it to me, I might read it. That's not to say I didn't enjoy the book, I did, but I liked Blair up to a point, but when it got to around page 250, she was just a bit too much for a 378 page book. Maybe if we weren't in her head the whole time, or the book was shorter, I would have liked the book better.
Here's part of an Amazon review I liked:
'Wyatt had stayed away from his soulmate for two years and only came running with an engagement ring when he thought she had been murdered. How long would he have stayed away if nothing had happened to Blair? Also, Blair was supposedly only a 'dumb blonde' when it suited her. But I question the intelligence of anyone who thinks someone who cuts her brake line is just stupid and someone who shoots her with intent to kill is just a nitwit. I wonder if these things bothered anyone else. Still, these problems did not take too much away from my enjoyment of the book.'
Some of my petty annoyances with the book came fairly early on: I don't get why Blair (and/or the author) thought Jason Carson or Jenni Mallory rhymed. Now if his name was Jason Cayson, I'd understand, or Jenni Menni, but just because Jason and Carson both end with 'son,' it doesn't rhyme because it's the same thing. I don't know if I'm saying that right but oh well. My other thing was that Blair couldn't wear some underwear because the bra got ruined. Uh, okay. Now I like my undies to match but that wouldn't mean I'd never wear the underwear again because the bra that matched got ruined. That's just snobby and stupid. Yeah, I know, ridiculous things to find annoying in the book, but we all have something. LoL
After I finished the book and went to Amazon I saw that there's a sequel. I'm not sure if I'm up for another trip into Blair's mind or not, but if I come across it real cheap or someone gives it to me, I might read it. That's not to say I didn't enjoy the book, I did, but I liked Blair up to a point, but when it got to around page 250, she was just a bit too much for a 378 page book. Maybe if we weren't in her head the whole time, or the book was shorter, I would have liked the book better.
Here's part of an Amazon review I liked:
'Wyatt had stayed away from his soulmate for two years and only came running with an engagement ring when he thought she had been murdered. How long would he have stayed away if nothing had happened to Blair? Also, Blair was supposedly only a 'dumb blonde' when it suited her. But I question the intelligence of anyone who thinks someone who cuts her brake line is just stupid and someone who shoots her with intent to kill is just a nitwit. I wonder if these things bothered anyone else. Still, these problems did not take too much away from my enjoyment of the book.'
graveyardgremlin (7194 KP) rated Tempest Rising (Jane True, #1) in Books
Feb 15, 2019
Horror, Romance, Mystery, Urban Fantasy? None of those really, though it falls under the UF genre.
I'm not quite sure why TEMPEST RISING is categorized as horror (fantasy - yes, horror - no), as there is nothing horrific at all about the book, except maybe a little bit of violence. The book was slow to start and, sadly, it never really got very far, and ended up more boring than not. The world building was good, and learning about the different species was interesting, but most of it was, at best, just okay.
The character development was next to nil. Jane starts off decent enough, could be fairly witty, but as the book progressed she became less likeable and her inner monologue started to grate on my nerves. Even though she's had some tough experiences, overall she came across as rather juvenile and I wasn't very impressed with her. And how many 'duh' moments could one person possibly have? Yes, she's new to the 'supe' world, yes, she doesn't know all there is to it, but c'mon, use some smarts girl, it's not that hard to put two and two together. So now it comes to Ryu. Oh, Ryu, ye of no personality. You may be hot, but that's all you have going for you. Talk about a flat character, he was pretty darn boring, which was unfortunate because he took up a big part of the book, and I just plain didn't like him. I got pretty sick of Jane and Ryu going at it like rabbits all the time, which would have been better used by giving him some much needed personality. Along with that, maybe an explanation of how Ryu's Japanese (I'm guessing because of his first name and almond eyes) and who also just happens to be a baobhan sith, which is a type of female vampire, from Scotland at that. The most interesting characters were Anyan, and the town pariah's (that's Jane) many friends, both human and non. How a social outcast has so many friends is beyond me, but you know Jane is despised by her woe-is-me attitude and the two people who hate her. Despite what she thinks, I highly doubt the town revolves around her.
Some of the author's descriptions are confusing and I had to reread them to 'get' it. How can something be both squat and tall (pg. 216), pray tell? I'm still pondering that one. Also, the descriptions and analogies could be really odd, and not in a good way, more in a 'where in the world did that come from?' and 'what the heck?' sorta ways. Like what was up with Ryu's laugh? Barking like a seal, giggling like a choking Pomeranian, and whatever other weird ways he laughed. I'm sorry, but that's not very attractive, but I guess it was supposed to be funny and endearing. Editing problems arose when I couldn't figure out if a certain creature was a goblin or gremlin (there is a difference). I finally figured it out when goblin edged out gremlin for the lead. A mistake dealing with the Porsche's trunk was another minor detail that I picked up on, but most people would probably miss it. I only noticed because I've wanted a Porsche since I was ten. :P
The end does show some promise that Jane might actually get some grit, being a half-selkie is a nice change from the supernatural usual after all, and Ryu just might not be featured as much. So, even with all the problems I had with the book, which did unfortunately top what I did like about the book, I probably will check out the next book in the series.
I'm not quite sure why TEMPEST RISING is categorized as horror (fantasy - yes, horror - no), as there is nothing horrific at all about the book, except maybe a little bit of violence. The book was slow to start and, sadly, it never really got very far, and ended up more boring than not. The world building was good, and learning about the different species was interesting, but most of it was, at best, just okay.
The character development was next to nil. Jane starts off decent enough, could be fairly witty, but as the book progressed she became less likeable and her inner monologue started to grate on my nerves. Even though she's had some tough experiences, overall she came across as rather juvenile and I wasn't very impressed with her. And how many 'duh' moments could one person possibly have? Yes, she's new to the 'supe' world, yes, she doesn't know all there is to it, but c'mon, use some smarts girl, it's not that hard to put two and two together. So now it comes to Ryu. Oh, Ryu, ye of no personality. You may be hot, but that's all you have going for you. Talk about a flat character, he was pretty darn boring, which was unfortunate because he took up a big part of the book, and I just plain didn't like him. I got pretty sick of Jane and Ryu going at it like rabbits all the time, which would have been better used by giving him some much needed personality. Along with that, maybe an explanation of how Ryu's Japanese (I'm guessing because of his first name and almond eyes) and who also just happens to be a baobhan sith, which is a type of female vampire, from Scotland at that. The most interesting characters were Anyan, and the town pariah's (that's Jane) many friends, both human and non. How a social outcast has so many friends is beyond me, but you know Jane is despised by her woe-is-me attitude and the two people who hate her. Despite what she thinks, I highly doubt the town revolves around her.
Some of the author's descriptions are confusing and I had to reread them to 'get' it. How can something be both squat and tall (pg. 216), pray tell? I'm still pondering that one. Also, the descriptions and analogies could be really odd, and not in a good way, more in a 'where in the world did that come from?' and 'what the heck?' sorta ways. Like what was up with Ryu's laugh? Barking like a seal, giggling like a choking Pomeranian, and whatever other weird ways he laughed. I'm sorry, but that's not very attractive, but I guess it was supposed to be funny and endearing. Editing problems arose when I couldn't figure out if a certain creature was a goblin or gremlin (there is a difference). I finally figured it out when goblin edged out gremlin for the lead. A mistake dealing with the Porsche's trunk was another minor detail that I picked up on, but most people would probably miss it. I only noticed because I've wanted a Porsche since I was ten. :P
The end does show some promise that Jane might actually get some grit, being a half-selkie is a nice change from the supernatural usual after all, and Ryu just might not be featured as much. So, even with all the problems I had with the book, which did unfortunately top what I did like about the book, I probably will check out the next book in the series.
Amanda (96 KP) rated The Seven Husbands Of Evelyn in Books
Apr 1, 2019
I’m under absolutely no obligation to make sense to you.
“I’m under absolutely no obligation to make sense to you.”
Why in the world did it take me this long to pick up this book? I mean, seriously, why did it? The audio book was especially enjoyable because of the different voices for different POV’s.
Evelyn Hugo is a renowned actress and when Monique, a journalist who mostly writes puff pieces, is requested to write a piece about her, why in the world would she turn it down? Monique gets more than she bargains for when Evelyn tells her that she has no intention of giving an interview, but instead, giving her, her life story for a tell all book before she dies.
Monique will be privy to everything in Evelyn’s past from her journey to get to Hollywood to her seven husbands, and the one she calls her one true love. How does one pass up an opportunity like that?
When listening to this book, I had to keep in mind that it began in the fifties, so things were different for everybody, especially for women trying to make it in Hollywood. Some decisions were better than others. I loved Evelyn, but not so much as most of the choices she made for where she wanted to go, or who she wanted to be with at the time.
When I listen to Evelyn and how she is with most people than others, I think of how Marilyn Monroe was the same way. Did you know that with that movie she did with Lawrence Olivier that acted those ways intentionally? She knew he was annoyed by her so she just went with it. I find that hysterical and she had a crummy life somewhat.
I really enjoy how the story progressed and certain characters. I loved Harry, but toward the end of the story, I felt that Evelyn didn’t do a lot to help him recover (won’t tell you what from for fear of spoilers). Another character named Celia, she was really not my favorite. I didn’t care for her when she was introduced and while she had some good qualities, I just didn’t like her. That’s just me, though, so don’t take my word for it entirely.
I loved that the story started at a point and ended at the same point. It was a full circle and everything and everyone had a purpose. I almost cried toward the end, I mean I was just so sad but so moved. Please don’t pass this book up because you may or may not cry. I really don’t think there’s a single thing I didn’t like about this book. I hate that people had to go through so much in those time frames. It makes me sad that we live in a world where, while it’s gotten better, but we still have a long way to go and I’m not sure how long it would take to really get there, you know?
“It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”
I will say that so far this is my favorite read of this year so far. There will have to be an outstanding book to surpass this one this year. I wonder which one would be up for the challenge next?
I do plan on reading more of Reid’s books. This one is on my top recommended list if you haven’t read anything from her’s yet.
Why in the world did it take me this long to pick up this book? I mean, seriously, why did it? The audio book was especially enjoyable because of the different voices for different POV’s.
Evelyn Hugo is a renowned actress and when Monique, a journalist who mostly writes puff pieces, is requested to write a piece about her, why in the world would she turn it down? Monique gets more than she bargains for when Evelyn tells her that she has no intention of giving an interview, but instead, giving her, her life story for a tell all book before she dies.
Monique will be privy to everything in Evelyn’s past from her journey to get to Hollywood to her seven husbands, and the one she calls her one true love. How does one pass up an opportunity like that?
When listening to this book, I had to keep in mind that it began in the fifties, so things were different for everybody, especially for women trying to make it in Hollywood. Some decisions were better than others. I loved Evelyn, but not so much as most of the choices she made for where she wanted to go, or who she wanted to be with at the time.
When I listen to Evelyn and how she is with most people than others, I think of how Marilyn Monroe was the same way. Did you know that with that movie she did with Lawrence Olivier that acted those ways intentionally? She knew he was annoyed by her so she just went with it. I find that hysterical and she had a crummy life somewhat.
I really enjoy how the story progressed and certain characters. I loved Harry, but toward the end of the story, I felt that Evelyn didn’t do a lot to help him recover (won’t tell you what from for fear of spoilers). Another character named Celia, she was really not my favorite. I didn’t care for her when she was introduced and while she had some good qualities, I just didn’t like her. That’s just me, though, so don’t take my word for it entirely.
I loved that the story started at a point and ended at the same point. It was a full circle and everything and everyone had a purpose. I almost cried toward the end, I mean I was just so sad but so moved. Please don’t pass this book up because you may or may not cry. I really don’t think there’s a single thing I didn’t like about this book. I hate that people had to go through so much in those time frames. It makes me sad that we live in a world where, while it’s gotten better, but we still have a long way to go and I’m not sure how long it would take to really get there, you know?
“It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”
I will say that so far this is my favorite read of this year so far. There will have to be an outstanding book to surpass this one this year. I wonder which one would be up for the challenge next?
I do plan on reading more of Reid’s books. This one is on my top recommended list if you haven’t read anything from her’s yet.
Ryan Hill (152 KP) rated The Incredible Hulk (2008) in Movies
May 9, 2019
"As far as I'm concerned, that man's whole body is property of the U.S. army."
I will defend this gem until the day I die.
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
Movie Metropolis (309 KP) rated Transformers: The Last Knight (2017) in Movies
Jun 10, 2019
Has anyone got an aspirin?
Shhh! Don’t tell anyone I told you this but I’m a little bit of a Transformers fanboy. As a child I had many of the series’ toys and adored the animated series. Heck, I even have an Optimus Prime bobblehead next to my bed.
So when director Michael Bay announced in 2005 that he was planning a Transformers live-action movie with Steven Spielberg as producer, my heart skipped a beat. 2007 came and the film was everything I wanted.
Fast forward ten years and the series has, rightly or wrongly, become a laughing stock for critics the world over. Derided for nonsensical plots, messy special effects and in some cases racism, it’s been regarded as one of the worst film franchises of all time. Does the fifth entry in the franchise, The Last Knight redeem the series somewhat?
Humans are at war with the Transformers and Optimus Prime (Peter Cullen) has disappeared. The key to saving the future lies buried in the secrets of the past and the hidden history of Transformers on Earth. Now, it’s up to the alliance of Cade Yeager (Mark Wahlberg), Bumblebee, a Lord (Sir Anthony Hopkins) and an Oxford professor (Laura Haddock) to save the planet.
Michael Bay’s swansong is definitely the best of the series since the 2007 original, but suffers from all the problems of its 3 sequels.
On a budget of $260million, there was no doubt The Last Knight would look spectacular, but things really have stepped up a gear. The CGI is some of the best put to film and makes the uncharacteristically sloppy special effects of Age of Extinction look incredibly dated.
The Transformers themselves all look great with Bumblebee in particular taking on the role of “lead bot”. Newcomer Squeeks is sure to become the BB-8 of the franchise and is predictably adorable despite his limited screen-time.
Of the cast, it’s a story of same old. The voice acting on all the Transformers is good with a disappointingly underused Peter Cullen stealing the show once again. Mark Wahlberg is permanently likeable and it’s always a pleasure having John Turturro’s Agent Simmons returning to the screen. Laura Haddock is the typical Michael Bay choice of female lead, channelling Megan Fox, Rosie Huntington-Whitely and Nicola Peltz.
However, Sir Anthony Hopkins is where this film raises itself above the parapet. The veteran actor is really exceptional and brightens the movie in every single scene he appears in. You can tell he’s not taking it too seriously, and that is exactly the point of this series.
Sure, the plot is a hot steaming mess of nonsensical dialogue with loose strands of story, and at 149 minutes it’s a good half hour too long, but with all the fear and hate in real life, sometimes it’s nice to switch your brain off and escape to a world where robots exist – and there’s nothing wrong with that.
Michael Bay may not be the subtlest of directors. Give him a classy love story and he’ll turn it into Fifty Shades of Grey, but he’s clearly a very clever man. The critics have savaged this franchise but audiences keep coming back for more and who can blame them?
If this is, as has been said by the man himself, Michael Bay’s last entry into the Transformers canon, then it’s not a bad film to leave on whatsoever.
You know the score by now. Don’t go in expecting Shakespeare or Oscar-winning performances and you’ll be fine. Just make sure you take some paracetamol; crikey it’s loud.
https://moviemetropolis.net/2017/06/24/transformers-the-last-knight-review/
So when director Michael Bay announced in 2005 that he was planning a Transformers live-action movie with Steven Spielberg as producer, my heart skipped a beat. 2007 came and the film was everything I wanted.
Fast forward ten years and the series has, rightly or wrongly, become a laughing stock for critics the world over. Derided for nonsensical plots, messy special effects and in some cases racism, it’s been regarded as one of the worst film franchises of all time. Does the fifth entry in the franchise, The Last Knight redeem the series somewhat?
Humans are at war with the Transformers and Optimus Prime (Peter Cullen) has disappeared. The key to saving the future lies buried in the secrets of the past and the hidden history of Transformers on Earth. Now, it’s up to the alliance of Cade Yeager (Mark Wahlberg), Bumblebee, a Lord (Sir Anthony Hopkins) and an Oxford professor (Laura Haddock) to save the planet.
Michael Bay’s swansong is definitely the best of the series since the 2007 original, but suffers from all the problems of its 3 sequels.
On a budget of $260million, there was no doubt The Last Knight would look spectacular, but things really have stepped up a gear. The CGI is some of the best put to film and makes the uncharacteristically sloppy special effects of Age of Extinction look incredibly dated.
The Transformers themselves all look great with Bumblebee in particular taking on the role of “lead bot”. Newcomer Squeeks is sure to become the BB-8 of the franchise and is predictably adorable despite his limited screen-time.
Of the cast, it’s a story of same old. The voice acting on all the Transformers is good with a disappointingly underused Peter Cullen stealing the show once again. Mark Wahlberg is permanently likeable and it’s always a pleasure having John Turturro’s Agent Simmons returning to the screen. Laura Haddock is the typical Michael Bay choice of female lead, channelling Megan Fox, Rosie Huntington-Whitely and Nicola Peltz.
However, Sir Anthony Hopkins is where this film raises itself above the parapet. The veteran actor is really exceptional and brightens the movie in every single scene he appears in. You can tell he’s not taking it too seriously, and that is exactly the point of this series.
Sure, the plot is a hot steaming mess of nonsensical dialogue with loose strands of story, and at 149 minutes it’s a good half hour too long, but with all the fear and hate in real life, sometimes it’s nice to switch your brain off and escape to a world where robots exist – and there’s nothing wrong with that.
Michael Bay may not be the subtlest of directors. Give him a classy love story and he’ll turn it into Fifty Shades of Grey, but he’s clearly a very clever man. The critics have savaged this franchise but audiences keep coming back for more and who can blame them?
If this is, as has been said by the man himself, Michael Bay’s last entry into the Transformers canon, then it’s not a bad film to leave on whatsoever.
You know the score by now. Don’t go in expecting Shakespeare or Oscar-winning performances and you’ll be fine. Just make sure you take some paracetamol; crikey it’s loud.
https://moviemetropolis.net/2017/06/24/transformers-the-last-knight-review/
Kristy H (1252 KP) rated The Best of Adam Sharp in Books
Feb 13, 2018
Adam Sharp is nearing fifty. He's had a decent turn in life as an IT contractor and he's lived with his girlfriend, Claire, for many years. But Adam has always held a torch for his first love, Angelina. For a few brief months, the two bonded and shared a relationship solidified over Adam's piano playing and music. It's been over twenty years since the pair have had any contact, but one day--out of the blue--Adam gets an email from Angelina. She's married to her husband, Charlie, with three kids. Still, the emails quickly turn flirty and Adam starts to wonder what her intent is. Getting back in contact certainly brings up all his old feelings for Angelina and the past.
The book begins with present-day Adam remembering back on his relationship with Angelina, filling us in on what happened. Those snippets are interspersed with updates about Adam's current life, and he eventually catches us up to the present. Those beginning portions are fairly interesting as we learn how Adam and Angelina fell in love.
Unfortunately, though, the book lacked anything comedic (one of the things so enjoyable about the Rosie series Simsion is so famous for), beyond a few funny scenes featuring Angelina's parents and family. Instead, there is just so very much talking from Adam. So very much. It would have been okay, except I never really formed a connection to his character, and I found that I really only cared so much. I felt as if I had no horse in the race--with his relationships or life in general.
In many ways, I think I might have enjoyed the book if I was just a bit older and closer in age to Adam. I didn't connect as much with the music he mentioned so frequently in the novel (despite, of course, a love for music and an understanding of how it can connect and create memories throughout one's life), nor even the idea of pining for a lost love at one's midlife (despite, of course, having loved and lost). While I felt captivated at times during the novel, as much as I hate saying this, I often just felt bored. I read the book during vacation, and it was just such a poor choice, because I found myself almost dreading picking it up, but feeling duty-bound, both because I love to read on vacation and because I needed to review it. Oh sigh.
In addition, there are just some really weird plot twists in this one--once Angelina, Charlie, and Adam are all together--that frankly it made me feel a little icky. I'm open-minded and all, but it just didn't seem right and some of it rubbed me the wrong way. It also made it even harder to become attached to the characters.
By the end, perhaps I'm cynical, but some of the love scenes didn't even move me: I just didn't care. I was tired of everyone communicating by oblique song references. Anyway, I really wanted to love this because it seemed to be an ode to music and love. And, because I loved Simsion's Rosie novels. It's not fair, really, to compare an authors work in such a way, but I couldn't help it, and I didn't enjoy the plot and characters in this one anyway. I was ready for the book to be over. It definitely had some good points, but I was mostly so disappointed and annoyed and ready to be done.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 05/02/2017.
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The book begins with present-day Adam remembering back on his relationship with Angelina, filling us in on what happened. Those snippets are interspersed with updates about Adam's current life, and he eventually catches us up to the present. Those beginning portions are fairly interesting as we learn how Adam and Angelina fell in love.
Unfortunately, though, the book lacked anything comedic (one of the things so enjoyable about the Rosie series Simsion is so famous for), beyond a few funny scenes featuring Angelina's parents and family. Instead, there is just so very much talking from Adam. So very much. It would have been okay, except I never really formed a connection to his character, and I found that I really only cared so much. I felt as if I had no horse in the race--with his relationships or life in general.
In many ways, I think I might have enjoyed the book if I was just a bit older and closer in age to Adam. I didn't connect as much with the music he mentioned so frequently in the novel (despite, of course, a love for music and an understanding of how it can connect and create memories throughout one's life), nor even the idea of pining for a lost love at one's midlife (despite, of course, having loved and lost). While I felt captivated at times during the novel, as much as I hate saying this, I often just felt bored. I read the book during vacation, and it was just such a poor choice, because I found myself almost dreading picking it up, but feeling duty-bound, both because I love to read on vacation and because I needed to review it. Oh sigh.
In addition, there are just some really weird plot twists in this one--once Angelina, Charlie, and Adam are all together--that frankly it made me feel a little icky. I'm open-minded and all, but it just didn't seem right and some of it rubbed me the wrong way. It also made it even harder to become attached to the characters.
By the end, perhaps I'm cynical, but some of the love scenes didn't even move me: I just didn't care. I was tired of everyone communicating by oblique song references. Anyway, I really wanted to love this because it seemed to be an ode to music and love. And, because I loved Simsion's Rosie novels. It's not fair, really, to compare an authors work in such a way, but I couldn't help it, and I didn't enjoy the plot and characters in this one anyway. I was ready for the book to be over. It definitely had some good points, but I was mostly so disappointed and annoyed and ready to be done.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review; it is available everywhere as of 05/02/2017.
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