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Sarah (7798 KP) rated Lost At Christmas (2020) in Movies
Nov 24, 2020
Lacking in Christmas spirit
Lost at Christmas is a Scottish romantic comedy following two strangers that team up to try and get home for Christmas after finding themselves stranded in the Scottish highlands on Christmas Eve.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
As a disclaimer, I am a major cynic when it comes to Christmas films and rarely ever find myself getting into the Christmas spirit, unless it’s in the company of a bonafide Christmas classic (think Home Alone or Muppets Christmas Carol). And I’m afraid to say that Lost at Christmas is definitely not a Christmas classic.
Rob (Kenny Boyle) and Jen (Natalie Clark) have a horrific time on Christmas Eve as their respective relationships come to a rather unexpected end, and find themselves stranded at a train station in the Scottish highlands. One of the few things this film does well is the setting. It is without a doubt a beautiful looking film set in some amazing Scottish scenery and director Ryan Hendrick knows how to showcase the sheer beauty that’s on offer and does this very well. It’s just a shame the rest of the film doesn’t match up this. There are some (thankfully infrequent) attempts at CGI that are very poor, and there are some unusually shot scenes, the most notably being the bathroom scene and from outside of a car windscreen, that don’t really work. In addition to the landscapes, Hendrick seems to love arty closeups on the actors faces and I’m afraid these don’t work either.
The plot is your stereotypical Christmas romantic film – it is the only time of year where strangers would happily travel together through the middle of nowhere. Any other time of year and this would be a horror film. This isn’t the only unfathomable action either, there’s a lot of things that happen that seem completely bizarre and out of place. This may be because this is obviously a home grown low budget offering that doesn’t have the Hollywood finances to make the bizarre seem a lot more believable. In Scotland, two strangers hating each other one minute and liking each other the next seems very out of place. Although the bickering between them in the first half an hour gets very tiresome very quickly, so it may have been for the best that they started liking each other quickly! There are at least a few laughs, although nowhere near what you’d expect from a film categorised as a romantic comedy.
One of the biggest issues with Lost at Christmas is the acting. I hate to be so cruel when it’s obviously a Scottish made film with local talent, but the acting on offer here is quite poor. There are some fairly heartwarming moments that are spoilt by a cliched script and some horrific acting. It seems to vary between overly exaggerated to having no feeling or emotion whatsoever, and it leaves you feeling unconvinced about any of the relationships that evolve. Sylvester McCoy is the only one who does well, as even Clare Grogan is hindered by some ridiculously overlarge glasses that are far too prominent in nearly every scene that she’s in.
Sadly though, Lost at Christmas’s biggest flaw is that for a Christmas film, it doesn’t feel very Christmassy. Despite being set at Christmas, with snow and mentions of Christmas at every opportunity, it is severely lacking in any Christmas spirit or emotions. Christmas films are meant to be overall a rather happy and festive experience, but Lost at Christmas feels rather dull and quite low spirited. And the music, whilst good, only serves to exacerbate the lack of Christmas spirit.
Anyone who likes Christmas films no matter what will likely find Lost at Christmas fairly enjoyable. However to me it was just a bit lost.
Debbiereadsbook (1202 KP) rated Hold It Close (MacAteer Brothers #3) in Books
Feb 11, 2021
I'm loving this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the MacAteer Brothers series, and while it's not NECESSARY to read books one, Run With It, and book 2, Ready For It, I personally think you should. It will give you a better feel for these guys, and how they work as a family, and how hard they fall! And, you know, I SAID SO!
Because this series gets better and better with each book, with each brother. Connor was a lot of fun; Owen was dark and brooding; but Garrett is. . broken.
On Christmas Day, Garrett walked out on his relationship, after finally realising that she was killing him; both emotionally and financially. He couldn't take the love/hate thing they had going on anymore. Shipping himself off to stay with Connorto heal, he never expected to fall hard and fast for lady who hires them to renovate her farmhouse into a B&B. Bertie had walked from her marriage when she realised that there wasn't anything there anymore. She needed a clean break, so she packs up and buys the dilapidated farmhouse, moving closer to her sister. And lets just say, there are SPARKS when Garrett meets Bertie! But neither wants a relationship. Can they really work together?
Garrett, I think, is the sweetest of the three brothers we met so far (and although Angus and Patrick turn up here, we don't really get much of them) and I just wanted to wrap him up and look after him, you know?? His ex, she was a nasty piece of work, she really was and she did a number on him that I felt deep in my bones. Going home to his brothers was the only place he needed to be. Connor and Owen were happy to see him, of course, but they were worried that it took time for Garrett to tell his story. I mean we get, in all its gory detail, but the brothers don't get the FULL story till Garrett tells it.
And Bertie?? While she walked for entirely different reasons to Garrett, she is still broken, and needs time to heal. The farmhouse helps, as does being close to her sister. The same sister who tried to fix Bertie up with Owen! (all is forgiven on that front, by the way!)
This one, I think, because of Bertie and Garrett's history, is the most emotionally draining book of the three. It's hard reading, Garrett mostly, and I would recommend you find the time to read the whole book in one go. I did, at stoopid o'clock in the morning, but it's such a brilliant read!
I also think ( in my 'umble opinion) that this is the smexiest of the three. I think because there is a very early connection, and the fact that they fight that connection, when they give in?? Fan yourself, cos it's hawt off the charts!
I did NOT get who was doing what they were doing, not at all. I did NOT see that one coming, so well played there! And Funky Tom from the pub?? That turned a corner I didn't see coming either!
Like I said, we meet the younger set of twins here, identical twins; Patrick and Angus. Given what has been said about these two before, and that they have seperate books, I'm intrigued how those books will play out!
I'm loving this series, but I think Garret and Bertie are my favourite couple so far!
5 full and shiny and so freaking hawt stars!
**same worded review will appear elsewhere**
This is book 3 in the MacAteer Brothers series, and while it's not NECESSARY to read books one, Run With It, and book 2, Ready For It, I personally think you should. It will give you a better feel for these guys, and how they work as a family, and how hard they fall! And, you know, I SAID SO!
Because this series gets better and better with each book, with each brother. Connor was a lot of fun; Owen was dark and brooding; but Garrett is. . broken.
On Christmas Day, Garrett walked out on his relationship, after finally realising that she was killing him; both emotionally and financially. He couldn't take the love/hate thing they had going on anymore. Shipping himself off to stay with Connorto heal, he never expected to fall hard and fast for lady who hires them to renovate her farmhouse into a B&B. Bertie had walked from her marriage when she realised that there wasn't anything there anymore. She needed a clean break, so she packs up and buys the dilapidated farmhouse, moving closer to her sister. And lets just say, there are SPARKS when Garrett meets Bertie! But neither wants a relationship. Can they really work together?
Garrett, I think, is the sweetest of the three brothers we met so far (and although Angus and Patrick turn up here, we don't really get much of them) and I just wanted to wrap him up and look after him, you know?? His ex, she was a nasty piece of work, she really was and she did a number on him that I felt deep in my bones. Going home to his brothers was the only place he needed to be. Connor and Owen were happy to see him, of course, but they were worried that it took time for Garrett to tell his story. I mean we get, in all its gory detail, but the brothers don't get the FULL story till Garrett tells it.
And Bertie?? While she walked for entirely different reasons to Garrett, she is still broken, and needs time to heal. The farmhouse helps, as does being close to her sister. The same sister who tried to fix Bertie up with Owen! (all is forgiven on that front, by the way!)
This one, I think, because of Bertie and Garrett's history, is the most emotionally draining book of the three. It's hard reading, Garrett mostly, and I would recommend you find the time to read the whole book in one go. I did, at stoopid o'clock in the morning, but it's such a brilliant read!
I also think ( in my 'umble opinion) that this is the smexiest of the three. I think because there is a very early connection, and the fact that they fight that connection, when they give in?? Fan yourself, cos it's hawt off the charts!
I did NOT get who was doing what they were doing, not at all. I did NOT see that one coming, so well played there! And Funky Tom from the pub?? That turned a corner I didn't see coming either!
Like I said, we meet the younger set of twins here, identical twins; Patrick and Angus. Given what has been said about these two before, and that they have seperate books, I'm intrigued how those books will play out!
I'm loving this series, but I think Garret and Bertie are my favourite couple so far!
5 full and shiny and so freaking hawt stars!
**same worded review will appear elsewhere**
Joe Goodhart (27 KP) rated House of X/Powers of X in Books
Nov 30, 2020
I regret that it took me almost a month to finish my re-visit of HoX/PoX, but it did. And, not because the book sucked (COVID-19's mandatory "Stay-at-Home" shit starts to grate on the nerves, y'know?)! ANYWAY...
***
Say what you want about Marvel and their annoying reboot kerfuffles, but this whole "Dawn of X" that Jonathan Hickman is helming? FUCKING BRILLIANT, okay?!!? I swear to ya, the X-books haven't been this exciting or even remotely relevant in about twenty years! And as some who's been reading the X-books since the late 70's (yeah, I'm THAT old!), you can be sure that means something!
I have been bored with Wolverine's character the last handful of years. Other than the film LOGAN, I thought his character was overused and something of an ass, if I have to be honest. However, here? Holy crow, I am digging the ol' canucklehead again! Thank you, Mr. Hickman!
And I am going to keep this next bit Spoiler-free, just in case there is anyone reading this review and they have not yet finishing a'readin' it... Who knew [SPOILER-FREE] was a frikkin' mutant?! Again, I am a reader of the X-Men since the late 70's, but I still never had an even inkling that they were a mutant! And the way it was all presented? EPIC! I wanted to hate it, because it sounded so frikkin' trope-ish, without any redemptive potential! None of us likes to be proven wrong, but in this, yeah, I'll take it! Hickman did a smashing job with this plot point, one in which I am apt to conclude that when "Dawn of X" reaches its pinnacle (whenever this is.. <u>Thanks, COVID!!</u>), it's gonna come back around and it's a'gonna pack one hell of a punch!
<a data-flickr-embed="true" href="https://www.flickr.com/photos/188153395@N04/50081223842/in/dateposted-public/"; title="Image00016"><img src="https://live.staticflickr.com/65535/50081223842_cb1c47d5be_n.jpg"; width="220" height="218" alt="Image00016"></a><script async src="//embedr.flickr.com/assets/client-code.js" charset="utf-8"></script>
And I am fairly certain that what I am about to say is not going to be a spoiler, as I feel this has been true for some time now, but good Lord, Professor X is a dick! He is playing chess, with a board in his head that only he knows of, and anyone who is close to him gets relegated to "pawn status"!
I totally get where he, Erik (Magneto) and [SPOILER-FREE] are working towards with the whole mutant-nation of Krakoa, I truly do! But, with Xavier keep his hand of cards close to his chest, it seems sketchy at best! While we have seen Xaviers in past X-books where he wasn't as good as we thought, but it got old hat, y'know? Here? Yeah, I'm in for the long haul, as I am curious where this is all going to go and I suspect it's not going to go well as far as Xavier is concerned!
And amaz-a-balls as Hickman is with all this, it would be so unbecoming of me if I didn't address the fab art on both series! We had Pepe Larraz on HoX, while R.B. Silva handled the art for PoX. And let me tell ya, both of them did bang-up jobs, really bringing the icing for two already outstanding "cakes"! Bravo, gentleman, bravo!
So, time to wrap this up.. If you have any vested interest in all things mutant-related and have felt severely disappointed in the way things have been handled for the last twenty years plus, then you sincerely owe it to yourself to read this book! Worse case scenario? You're a closed-minded S.O.B., like I used to be, and there's just no pleasin' yer ass!
Peace. y'all!
***
Say what you want about Marvel and their annoying reboot kerfuffles, but this whole "Dawn of X" that Jonathan Hickman is helming? FUCKING BRILLIANT, okay?!!? I swear to ya, the X-books haven't been this exciting or even remotely relevant in about twenty years! And as some who's been reading the X-books since the late 70's (yeah, I'm THAT old!), you can be sure that means something!
I have been bored with Wolverine's character the last handful of years. Other than the film LOGAN, I thought his character was overused and something of an ass, if I have to be honest. However, here? Holy crow, I am digging the ol' canucklehead again! Thank you, Mr. Hickman!
And I am going to keep this next bit Spoiler-free, just in case there is anyone reading this review and they have not yet finishing a'readin' it... Who knew [SPOILER-FREE] was a frikkin' mutant?! Again, I am a reader of the X-Men since the late 70's, but I still never had an even inkling that they were a mutant! And the way it was all presented? EPIC! I wanted to hate it, because it sounded so frikkin' trope-ish, without any redemptive potential! None of us likes to be proven wrong, but in this, yeah, I'll take it! Hickman did a smashing job with this plot point, one in which I am apt to conclude that when "Dawn of X" reaches its pinnacle (whenever this is.. <u>Thanks, COVID!!</u>), it's gonna come back around and it's a'gonna pack one hell of a punch!
<a data-flickr-embed="true" href="https://www.flickr.com/photos/188153395@N04/50081223842/in/dateposted-public/"; title="Image00016"><img src="https://live.staticflickr.com/65535/50081223842_cb1c47d5be_n.jpg"; width="220" height="218" alt="Image00016"></a><script async src="//embedr.flickr.com/assets/client-code.js" charset="utf-8"></script>
And I am fairly certain that what I am about to say is not going to be a spoiler, as I feel this has been true for some time now, but good Lord, Professor X is a dick! He is playing chess, with a board in his head that only he knows of, and anyone who is close to him gets relegated to "pawn status"!
I totally get where he, Erik (Magneto) and [SPOILER-FREE] are working towards with the whole mutant-nation of Krakoa, I truly do! But, with Xavier keep his hand of cards close to his chest, it seems sketchy at best! While we have seen Xaviers in past X-books where he wasn't as good as we thought, but it got old hat, y'know? Here? Yeah, I'm in for the long haul, as I am curious where this is all going to go and I suspect it's not going to go well as far as Xavier is concerned!
And amaz-a-balls as Hickman is with all this, it would be so unbecoming of me if I didn't address the fab art on both series! We had Pepe Larraz on HoX, while R.B. Silva handled the art for PoX. And let me tell ya, both of them did bang-up jobs, really bringing the icing for two already outstanding "cakes"! Bravo, gentleman, bravo!
So, time to wrap this up.. If you have any vested interest in all things mutant-related and have felt severely disappointed in the way things have been handled for the last twenty years plus, then you sincerely owe it to yourself to read this book! Worse case scenario? You're a closed-minded S.O.B., like I used to be, and there's just no pleasin' yer ass!
Peace. y'all!
Lyndsey Gollogly (2893 KP) rated Wyrd and Other Derelictions in Books
Oct 25, 2020
179 of 200
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Lyndsey Gollogly (2893 KP) rated Wyrd and Other Derelictions in Books
Oct 25, 2020
179 of 200
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Book
Wyrd and other derelictions
By Adam L.G. Nevill
Derelictions are horror stories told in ways you may not have encountered before.
Something is missing from the silent places and worlds inside these stories. Something has been removed, taken flight, or been destroyed. Us.
Derelictions are weird tales that tell of aftermaths and of new and liminal places. Each location has witnessed catastrophe, infernal visitations, or unearthly transformations. But across these landscapes of murder, genocide and invasion, crucial evidence remains. And it is the task of the reader to sift through ruin and ponder the residual enigma, to behold and wonder at the full horror that was visited upon mankind.
A dead ship carries a terrible cargo across a black ocean. Below deck, signs of slaughter and devotion await to tell a ghastly tale.
On a barren and hostile shore a great ritual has been enacted successfully. The act of a god may have taken place. But what kind of deity did this?
An eerily silent campsite. No sign of life. Look closer and observe the grisly artefacts of annihilation.
In the very foundations of this dreadful house, was something supernormal called upon to abolish life so mercilessly?
Wyrd contains seven derelictions, original horror stories from the author of 'Hasty for the Dark' and 'Some Will Not Sleep' (winner of The British Fantasy Award for Best Collection).
I’ve followed Adam and his been a fan of his books for years, his characters, his monsters and his storytelling is just fascinating. He really uses his surroundings to influence his writing. So this was a bit different to read where the only humans you come across are corpses and usually torn to pieces or sacrificed! The Wyrd and other shorts are just brilliant and each one leaves you wanting and needing to know more!
I’m not great with long wordy reviews with words even I don’t understand I tend to write how I feel once finishing a book. I absolutely loved this book I have read Hippocampus a few times and would absolutely love a full novel! Below are just a few words on how I felt about some of the stories.
Hippocampus
I’ve read this a few time and I pick up something I somehow missed in this short each time (don’t ask me how I have no clue)!
You genuinely feel you are walking the ship seeing what Adams describing! I would love to delve deeper into this tale and really hoping it will turn into a full novel!
Wyrd
Well that was just brilliant! Really drags you in! The best way to read this is sitting in a calm quiet place so you just get absorbed into following the trail we are lead on! Again I would love to know more it leaves you wanting more!!
Turning of the tide
Ok I’m good with the black lambs and human remains but dear god what did the dog do? 😂
It all started so well with the calming beach description then you keep reading and the sight
Of the phones and debris your stomach kinda lurches as you wait the the decimated corpses to follow! The poor golden retriever!
Enlivened
This one was full of gore and made my bones shiver! Great imagery on the monster too!! I love Adams imagination when it comes to his monsters!
Monument
I definitely hate dark craw spaces and certainly wouldn’t go delving in a cave like structures! This one definitely left me wanting to know where it was going and what had done this in the houses!
Hold the world in my arms for three days and All Will Be Changed
This creeped me out! Especially with the world being as it is now! Here you are walking in the footsteps of a world that’s changing that’s being changed by something!
Eagerly awaiting a new book!
Kirk Bage (1775 KP) rated The Boys - Season 2 in TV
Jan 22, 2021
As I have already stated in my review of season one of The Boys, it is a show that I have found compelling to watch without actually liking or thinking it is necessarily very good. The premise was intriguing, and threw up some pretty interesting dramatic conflicts in the first season. But it was obvious from very early on that this show wanted to make the most of its 18 certificate and use gore, violence and shock tactics to really make fans of those things gasp.
In season two they have taken that key point of difference and turned the volume up to ten! All I remember from it, some three months now since I finished it, is blood, exploding and crushed heads, severed limbs, gross out deaths and lots more blood. Which, you know, turns some people on, but after the first ten times I got pretty sick of it – almost literally – and was just riding it out to the finish mostly.
Performance wise, there isn’t really a stand out, and the writing doesn’t really offer the opportunity (yet) for true emotional depth. Antony Starr, as the deplorably egotistical maniac “hero” Homelander, is the one you love to hate though! Rarely have I found myself wanting a character to get his dues so much! He is utterly loathsome and repulsive, so much credit for that creation. Depending on where they take things in season 3 and beyond, he could emerge as one of the iconic characters of this era of streaming TV.
In terms of story progression, a decent job has been made by introducing Aya Cash as Stormfront, a depraved love interest for Homelander with a big secret and a great plot device. Most of the events have revolved around her introduction, development, backstory reveal and consequences of that on the show’s main man. Meanwhile the storyline around Karl Urban as Billy Butcher becomes more and more forgettable and sometimes irrelevant.
That is the problem with this show really; it has set itself up as being Superheros that are actually assholes vs renegade anti-heros that want to stop them… but, it knows that as soon as that conflict is resolved and satisfied the show is over. So, they drag the story along with very minimal contact as yet between the two. Plenty of inner turmoil within the two groups, but no action as such against one another.
And that is why the build up to this season’s climax felt mostly anti-climactic. Although it did land a half decent cliff-hanger right at the end. I don’t know… I just feel as if it’s a show to let wash over you without that much value in analysing it. And that wash always makes me feel slightly grubbier than I was before. If redemption, conflict and resolution are on the cards they need to get a dose of it into season three, or I will probably lose interest fast.
Amazon Prime has a lot of shows a lot better than this one, but probably none that appeal as much to boys and men under 30. It has its place on the vast entertainment schedule, but personally I am craving more meaning and less of the puerile dependence on gore. However, if that is what its audience talk about, then its gonna increase not decrease. They have set their own bloody bar now and my fear is this is what the future of the show holds: more and more original ways to gross us out. I’d like to be proved wrong, but I don’t feel in a huge rush about it either way.
In season two they have taken that key point of difference and turned the volume up to ten! All I remember from it, some three months now since I finished it, is blood, exploding and crushed heads, severed limbs, gross out deaths and lots more blood. Which, you know, turns some people on, but after the first ten times I got pretty sick of it – almost literally – and was just riding it out to the finish mostly.
Performance wise, there isn’t really a stand out, and the writing doesn’t really offer the opportunity (yet) for true emotional depth. Antony Starr, as the deplorably egotistical maniac “hero” Homelander, is the one you love to hate though! Rarely have I found myself wanting a character to get his dues so much! He is utterly loathsome and repulsive, so much credit for that creation. Depending on where they take things in season 3 and beyond, he could emerge as one of the iconic characters of this era of streaming TV.
In terms of story progression, a decent job has been made by introducing Aya Cash as Stormfront, a depraved love interest for Homelander with a big secret and a great plot device. Most of the events have revolved around her introduction, development, backstory reveal and consequences of that on the show’s main man. Meanwhile the storyline around Karl Urban as Billy Butcher becomes more and more forgettable and sometimes irrelevant.
That is the problem with this show really; it has set itself up as being Superheros that are actually assholes vs renegade anti-heros that want to stop them… but, it knows that as soon as that conflict is resolved and satisfied the show is over. So, they drag the story along with very minimal contact as yet between the two. Plenty of inner turmoil within the two groups, but no action as such against one another.
And that is why the build up to this season’s climax felt mostly anti-climactic. Although it did land a half decent cliff-hanger right at the end. I don’t know… I just feel as if it’s a show to let wash over you without that much value in analysing it. And that wash always makes me feel slightly grubbier than I was before. If redemption, conflict and resolution are on the cards they need to get a dose of it into season three, or I will probably lose interest fast.
Amazon Prime has a lot of shows a lot better than this one, but probably none that appeal as much to boys and men under 30. It has its place on the vast entertainment schedule, but personally I am craving more meaning and less of the puerile dependence on gore. However, if that is what its audience talk about, then its gonna increase not decrease. They have set their own bloody bar now and my fear is this is what the future of the show holds: more and more original ways to gross us out. I’d like to be proved wrong, but I don’t feel in a huge rush about it either way.
Sarah (7798 KP) rated The Terminator (1984) in Movies
Jan 27, 2021
A classic
Film #12 on the 100 Movies Bucket List: The Terminator
The Terminator is a sci-fi classic and is responsible not only for helping propel Arnold Schwarzenegger and James Cameron to the household names they are now, but also for creating a movie franchise that is still going nearly 40 years later. Although admittedly the majority of the sequels are better off never spoken about again.
Released in 1984 and bringing director James Cameron into recognition, The Terminator follows a cyborg assassin (Arnold Schwarzenegger) who is sent back in time to kill Sarah Connor (Linda Hamilton), to prevent her son John Connor from saving humanity in the future. Also sent back in time to try and save Sarah is human soldier Kyle Reese (Michael Biehn).
This is a story that must be familiar to most, having spawned a further 5 sequels (and counting) in the past 30+ years. And as sci-fi stories go, this is a damn good one – time travel, murder, even romance – it has it all. It’s been a long time since I’ve seen this, and watching it back now I never realised how 80s it was. Aside from the memorable title music from Brad Fiedel, the rest of the score and soundtrack screams 80s and with the clothing and hairstyles, it’d be difficult to miss when this was released. There are a lot of horror aspects and tones to this original too that makes it a lot darker and sometimes scary, which is not something we see in any of the sequels. The gore, especially the wonderfully icky scene when the T-800 patches himself up in the bathroom mirror, is great and another aspect sadly lacking from the sequels. Admittedly some of the effects and props in this do look a little dated (the T-800 point of view and the animatronic Arnie are noticeably dodgy), but considering this was made in 1984 it’s actually incredibly impressive. The final scenes with the metal skeleton of the T-800 are especially noteworthy.
This is the film that made Linda Hamilton into the kick ass heroine we know and love, Arnie into the cyborg we love and hate (depending on which film you’re watching), and made the name John Connor into something that is completely unforgettable. With limited lines and a requirement to look menacing and imposing, this film is perfect for Arnold Schwarzenegger. He isn’t required to do much and personally I think his role as the T-800 in any of the Terminator films are undoubtedly his best performances to date. And with supporting performances from the likes of future Aliens alum Lance Henriksen, Michael Biehn and a blink and you’ll miss him Bill Paxton, the cast is faultless. And let’s be honest, who didn’t have a crush on Michael Biehn after watching this?
What I like the most about The Terminator is its simplicity. It might be a sci-fi, but it’s relatively low budget with a small cast of main characters and a large amount of practical effects and action scenes. It has a fairly B movie look about it, and coming from the James Cameron we know now, something this simple is actually very refreshing. While I like a lot of Cameron’s work (who doesn’t love Aliens?), his more recent efforts are a little too over the top and overwhelming. This is nothing of the sort.
The Terminator is absolutely a classic and deserving of its place on this list. I will admit that I still think the first sequel T2 is superior, especially as it doesn’t have the outdated and overwhelmingly 80s feel that makes this original slightly flawed.
The Terminator is a sci-fi classic and is responsible not only for helping propel Arnold Schwarzenegger and James Cameron to the household names they are now, but also for creating a movie franchise that is still going nearly 40 years later. Although admittedly the majority of the sequels are better off never spoken about again.
Released in 1984 and bringing director James Cameron into recognition, The Terminator follows a cyborg assassin (Arnold Schwarzenegger) who is sent back in time to kill Sarah Connor (Linda Hamilton), to prevent her son John Connor from saving humanity in the future. Also sent back in time to try and save Sarah is human soldier Kyle Reese (Michael Biehn).
This is a story that must be familiar to most, having spawned a further 5 sequels (and counting) in the past 30+ years. And as sci-fi stories go, this is a damn good one – time travel, murder, even romance – it has it all. It’s been a long time since I’ve seen this, and watching it back now I never realised how 80s it was. Aside from the memorable title music from Brad Fiedel, the rest of the score and soundtrack screams 80s and with the clothing and hairstyles, it’d be difficult to miss when this was released. There are a lot of horror aspects and tones to this original too that makes it a lot darker and sometimes scary, which is not something we see in any of the sequels. The gore, especially the wonderfully icky scene when the T-800 patches himself up in the bathroom mirror, is great and another aspect sadly lacking from the sequels. Admittedly some of the effects and props in this do look a little dated (the T-800 point of view and the animatronic Arnie are noticeably dodgy), but considering this was made in 1984 it’s actually incredibly impressive. The final scenes with the metal skeleton of the T-800 are especially noteworthy.
This is the film that made Linda Hamilton into the kick ass heroine we know and love, Arnie into the cyborg we love and hate (depending on which film you’re watching), and made the name John Connor into something that is completely unforgettable. With limited lines and a requirement to look menacing and imposing, this film is perfect for Arnold Schwarzenegger. He isn’t required to do much and personally I think his role as the T-800 in any of the Terminator films are undoubtedly his best performances to date. And with supporting performances from the likes of future Aliens alum Lance Henriksen, Michael Biehn and a blink and you’ll miss him Bill Paxton, the cast is faultless. And let’s be honest, who didn’t have a crush on Michael Biehn after watching this?
What I like the most about The Terminator is its simplicity. It might be a sci-fi, but it’s relatively low budget with a small cast of main characters and a large amount of practical effects and action scenes. It has a fairly B movie look about it, and coming from the James Cameron we know now, something this simple is actually very refreshing. While I like a lot of Cameron’s work (who doesn’t love Aliens?), his more recent efforts are a little too over the top and overwhelming. This is nothing of the sort.
The Terminator is absolutely a classic and deserving of its place on this list. I will admit that I still think the first sequel T2 is superior, especially as it doesn’t have the outdated and overwhelmingly 80s feel that makes this original slightly flawed.
Kirk Bage (1775 KP) rated Stan & Ollie (2018) in Movies
Jan 28, 2021
My relationship with Laurel & Hardy is a tentative one. I do enjoy their short films, full of ingenuity and genuinely funny moments. But, they’d be down the list a bit for me on the greatest black and white comedy stars – Chaplin, Keaton, Lloyd, then the Marx Brothers maybe, then the slapstick duo next, maybe. It’s not that I don’t think they are great! They are, they definitely are. I just can’t sit down and take to much of them at once. Maybe because their schtick is very stagey, vaudevillian even, rather than cinematic. And that is because they were primary stage actors and clowns. Not necessarily in that order.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
Sarah (7798 KP) rated The Midnight Sky (2020) in Movies
Dec 27, 2020
Predictable and cliched
The Midnight Sky is a science fiction film directed by George Clooney, the latest in a long line of Netflix originals to hit our screens, based on the 2016 book ‘Good Morning, Midnight’ by Lily Brooks-Dalton. George Clooney plays Augustine, who encounters young girl Iris (the adorable Caoilinn Springall) after remaining on earth following a global apocalypse. Together they must travel across the Arctic to reach a weather station that will allow them to warn returning spaceship, the Aether, captained by Adewole (David Oyelowo) and crewed by Sully (Felicity Jones), Mitchell (Kyle Chandler), Sanchez (Demián Bichir) and Maya (Tiffany Boone).
The trailer for this had me concerned. It looked very similar to many other sci-fi/end of the world films (think Sunshine, Interstellar, even The Day After Tomorrow) and nothing about it looked particularly original. I had hoped that the trailer might be misleading, but I’m afraid to say that this is every bit as lacklustre and predictable as the trailer implied.
Visually this looks stunning, both the set design and the special effects have obviously had a decent amount of time and money invested in them. Alongside this, Alexandre Desplat’s score is beautifully ephemeral and haunting, and accompanies the story well, feeling very in keeping with both the Arctic and the space settings. And aside from a decent cast, I’m afraid these are the only good things I can say about this film. The main problem is the story itself, it’s entirely predictable and suffers from every space and sci-fi mishap you could ever think of, from unexplainable drifting off course to the destruction of important equipment (comms of course, would you expect any less?) due to an unpredicted meteor strike. And this cliched predictability just makes the story so dull and drawn out over its two hour runtime.
To be honest, the whole film itself and the actions of the characters just doesn’t make any sense. You have a pregnant astronaut, who has virtually no sexual chemistry with the man she’s having a baby with, and who’s allowed to go outside into space with little concern over her or her baby’s well-being. A scientist who falls into sub-zero Arctic water which appears to have little impact on his health. And a child walking around in a summer dress with bare legs in the Arctic climate. Admittedly this latter point is addressed towards the end of the film in a rather obvious and over used plot twist, which is still rather unsatisfying. There’s also the large number of unexplained plot points. I’m all for keeping the watcher guessing and hate films that feel the need to over explain every aspect of the plot, but The Midnight Sky takes the opposite approach and explains barely anything. If you go into this expecting to find out what caused the radiation apocalypse or what happened to the rest of earth’s population you’ll be sorely disappointed. It also makes references to a K-23 colony ship that the Aether hasn’t heard from, yet provides no explanation or background as to the outcome of said ship, and also gives us flashbacks to Augustine’s past yet with little reason other than to provide an “A-ha” moment for the aforementioned plot twist. And the decisions made by the astronauts on the Aether once they’ve found out about Earth’s fate are just laughably ridiculous especially considering the fate of the rest of the population.
Despite the promising cast and effects, The Midnight Sky is yet another disappointing Netflix original that is light years away from some of the more brilliant sci-fi stories that have come before it.
The trailer for this had me concerned. It looked very similar to many other sci-fi/end of the world films (think Sunshine, Interstellar, even The Day After Tomorrow) and nothing about it looked particularly original. I had hoped that the trailer might be misleading, but I’m afraid to say that this is every bit as lacklustre and predictable as the trailer implied.
Visually this looks stunning, both the set design and the special effects have obviously had a decent amount of time and money invested in them. Alongside this, Alexandre Desplat’s score is beautifully ephemeral and haunting, and accompanies the story well, feeling very in keeping with both the Arctic and the space settings. And aside from a decent cast, I’m afraid these are the only good things I can say about this film. The main problem is the story itself, it’s entirely predictable and suffers from every space and sci-fi mishap you could ever think of, from unexplainable drifting off course to the destruction of important equipment (comms of course, would you expect any less?) due to an unpredicted meteor strike. And this cliched predictability just makes the story so dull and drawn out over its two hour runtime.
To be honest, the whole film itself and the actions of the characters just doesn’t make any sense. You have a pregnant astronaut, who has virtually no sexual chemistry with the man she’s having a baby with, and who’s allowed to go outside into space with little concern over her or her baby’s well-being. A scientist who falls into sub-zero Arctic water which appears to have little impact on his health. And a child walking around in a summer dress with bare legs in the Arctic climate. Admittedly this latter point is addressed towards the end of the film in a rather obvious and over used plot twist, which is still rather unsatisfying. There’s also the large number of unexplained plot points. I’m all for keeping the watcher guessing and hate films that feel the need to over explain every aspect of the plot, but The Midnight Sky takes the opposite approach and explains barely anything. If you go into this expecting to find out what caused the radiation apocalypse or what happened to the rest of earth’s population you’ll be sorely disappointed. It also makes references to a K-23 colony ship that the Aether hasn’t heard from, yet provides no explanation or background as to the outcome of said ship, and also gives us flashbacks to Augustine’s past yet with little reason other than to provide an “A-ha” moment for the aforementioned plot twist. And the decisions made by the astronauts on the Aether once they’ve found out about Earth’s fate are just laughably ridiculous especially considering the fate of the rest of the population.
Despite the promising cast and effects, The Midnight Sky is yet another disappointing Netflix original that is light years away from some of the more brilliant sci-fi stories that have come before it.