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Bob Mann (459 KP) rated Mamma Mia: Here We Go Again! (2018) in Movies
Sep 29, 2021
I had a dream. A sob. A sing.
You remember in “Aliens” when Ripley (Sigourney Weaver) fought through hell and high water against that “bitch” to protect the youngster Newt (Carrie Henn)? And then how betrayed you felt in that emotional investment at the start of “Alien 3”?
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.
Which brings us spoiler-free to the start of “Mamma Mia! Here We Go Again”, typically shortened by everyone to “Mamma Mia 2”, the sequel to the enormously successful cheese-fest (and Bros-fest) that was the first film, now – unbelievably – 10 years old.
Sophie (Amanda Seyfried) is trying to open the Bella Donna hotel on that magical Greek island separated from her husband Sky (Dominic Cooper) who is learning the tips of the hotel trade in New York. As preparations for the opening party progress we flash back to the back-story of Donna (as a post-graduate played by Lily James) as she meets Harry (Hugh Skinner, “The Windsors”, “W1A”), Bill (Josh Dylan, “Allied”) and Sam (Jeremy Irvine, “War Horse”) en route to Greece.
If you remember the first film and thought Donna (Meryl Streep) was a bit of a… erm… ‘loose woman’, then this plot point could have been amplified by seeing the “dot, dot, dot” acts in the flesh, as it were. Fortunately, in steps Lily James as the young Donna who is so mesmerisingly gorgeous and vivacious that you can forgive her just about anything. “Beguiling” was the description my better half came up with, and I couldn’t describe her better. Supporting her effectively are Alexa Davies (as the young version of Julie Walters‘ character) and Jessica Keenan Wynn (as the young version of Christine Baranski‘s character). The trio’s exuberant performance of “When I Kissed the Teacher” sets the tone well for the grin-fest to follow. (By the way, if you are a Mary Poppins fan then a bit of trivia is that Wynn is the great-granddaughter of Ed Wynn, the character who “Loved to Laugh” on the ceiling!).
In these days of drought, Trump vs the world, Brexit and universal bruhaha, this is a much-needed joyful film, and far better I would say than the original. A good story, well executed and stuffed with excellent tunes. True, apart from a number of key repeats, we are more in the territory – in CD terms – of “More Abba Gold” than “Abba Gold”, but Bjorn and Benny’s B-sides are still better than many other’s A-sides. What’s really nice is that the songs are well chosen to mesh better into the story and the lead singing of Seyfried and James is uniformly excellent. Pierce Brosnan gets to sing (no, no, come back!) but it is cleverly low-key and genuinely touching. And as for Celia Imrie, you’re a legend and we forgive you!
It’s also far better at finding both humour and pathos than the original, with the splendid Hugh Skinner exhibiting perfect comic timing and comedian Omid Djalili being very funny (stay to the end of the end-credits for a very funny monkey). National treasure Julie Walters also adds excellent comic content, particularly in a number of dance scenes.
And as for the pathos, if the duet at the finale doesn’t move you to tears you are either made of rock or are immune to being shamelessly manipulated! It’s a well-scripted convergence of grief and joy (I feel Richard Curtis‘s hand in the story here) around one of Abba’s most beautifully tear-jerking songs. I will admit to you – don’t tell anyone else – that I was left in a complete mess… another reason to sit through the end titles!
At the elderly end of the cast list Andy Garcia is magnificent as the South American hotel manager Mr Cienfuegos (you’ll NEVER guess what his first name is!) and Cher (“Moonstruck”) literally rocks up trying hard to steal the show as Sophie’s Vegas superstar grandmother.
Directed and scripted by “Best Exotic Marigold Hotel” director Ol Parker (the lucky guy who is married to Thandie Newton!) it drips with cheese again, but who cares when it is so stylishly done. Should you see this? The test is simple: if you hated “Mamma Mia” then you will hate this one; if you loved “Mamma Mia” you will simply adore this one.
Bob Mann (459 KP) rated Tomb Raider (2018) in Movies
Sep 29, 2021
A tremendously energetic and fun video game spin-off.
In this #TimesUp year, reviewing a film like “Tomb Raider” is just asking for trouble! So where shall I start digging my shallow grave?
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Let’s start with the video game… “Tomb Raider” is of course the original video game phenomenon that started in 1993, featuring Lara Croft: someone that teenagers across the land mastur…. did their homework alongside in bedrooms up and down the land. Beauty; athleticism; a fierce independence; unfeasibly large breasts; ridiculously impossible leaps: in this film reboot, Alicia Vikander’s Lara differs from this ideal in just one respect. And before the Dora Milaje smash through my windows and drag me off for incarceration on Mysogeny Island, I’ll point out that this is OBVIOUSLY the least important omission! 🙂
For this film is good… very good.
“I’M SORRY….? WHAT DID YOU SAY DR BOB??” “But this is a film about a VIDEO GAME! … They are all uniformly s****e!”
Beauty, brains and talent: the GB Olympic team will likely be calling.
I know – I can barely bring myself to admit it. But this one really is good. Most of this is down to the reason I was looking forward so much to this one. Alicia Vikander (“Ex Machina“; “The Danish Girl“; “The Light Between Oceans“) is such a class act, and here she is so much more than just a one-dimensional action hero. She hurts, she mourns, she feels guilt, she’s vulnerable. And it’s all there on her face. Great acting skill. She also kicks ass like no woman on film since Emily Blunt in “Edge of Tomorrow“!
Don’t you just hate it when you drop a bag of flour in your kitchen?
The story by Evan Daugherty and Geneva Robertson-Dworet (with Alastair Siddons adding to the screenplay) rockets off in great style with a “fox and hounds” bike chase around the City of London which is brilliantly done and sets up Croft’s character with the minimum of tedious back story. Switch to the main story and Lara is struggling to face the fact that her father (Dominic West, “Money Monster“), seen in flashback, is finally dead after going off to Japan seven years previously in search of the legendary tomb of ancient sorceress Queen Himiko. The Croft corp. COO (Kristin Scott Thomas, “Darkest Hour“) persuades Lara its time to sign the necessary papers, but on the verge of this act the lawyer Mr Yaffe (Derek Jacobi, “Murder on the Orient Express“) lets a significant cat out of the bag and sets Lara off on the trail of her long-dead father’s original mission.
In happier times. Daddy (Dominic West) goes off on yet another trip from Croft Manor.
It’s a rollercoaster ride that’s really well done. But I reckon the writers should have named Jeffrey Boam, George Lucas and Menno Meyjes as co-collaborators, for the film plagerises terribly from “Indiana Jones and the Last Crusade”. In two or three places, the similarities are shocking! As in the best of Lucas traditions though there are some breathtaking set-pieces, with the best of them staged at the top of a raging waterfall that’s just plane ridiculous! (Even if it plagerises blatantly from “The Lost World”!).
English and patient. Kristin Scott Thomas as the guiding hand at the Croft corporation.
The movie’s tremendous to look at too, with cinematography by George Richmond (“Kingsman“; “Eddie the Eagle“) and (aside from a dodgy helicopter effect) good special effect by Max Poolman (“District 9”) and his team.
My one criticism would be that Vogel – the chief villain, played by Walton Goggins (“The Hateful Eight“) – is rather too unremittingly evil to have two sweetly smiling young children in his desk photo. One can only hope he faces a nasty demise!
Never trust a guy with a beard. Walton Goggins, a bit over the top as the villain of the piece.
The film is directed by Norwegian director Roar Uthaug, in what looks to be his first “non-Norwegian” film. Roar by name; roar by nature! He does a great job. An early “summer blockbuster” actioner that gets two thumbs up from me. What a pleasant surprise!
Dana (24 KP) rated Empire of Storms in Books
Mar 23, 2018
This review will have a lot of spoilers for the books, so if you haven't read it, I suggest you turn away now. This is going to be a long review!
Let's start off with a character analysis section:
The Little Folk: I loved how they gave Aelin little gifts. I want more interaction with them in the next book!!
Elide Lochan: Elide doesn't see her own strength. She has been through hell, but still knows kindness and love. She has so much hope and is loyal to a fault. She loves Lorcan, but is constantly stopped by this idiocy. She has three freaking guardian angels: Aelin, Manon, and Aedion. She is a half-witch, which is cool! She was able to withstand the torment of the wyrdkey with little side effects! She is protected by the God of Death's consort which is cool because the God of Death is Lorcan's protector. She learns from and is strengthened by her crappy past. She can STILL LOVE AFTER EVERYTHING! Also, she is such a tricky schemer and a great liar!
Lorcan Salvaterre: He is a dummy and is too fixated on Maeve to see that he can have real love with Elide. He is death-protected by Hellas-and is a great hunter. He has a heart of gold underneath all that grime. He freaking makes Elide a brace for her ankle for goodness sake! Lorcan is vengeful as f, especially when Elide is threatened. I feel like he's going to be a big help to Aelin's course!
Aedion Ashryver: He's Bisexual!!! He is so in Love with Lysandra and is a flirtatious bastard. He doubts Aelin too much and questions her all the time. I get it, but it gets disheartening. He has a bad ass shot (that sea wyvern shot though!!) and is obviously a skilled warrior. He has an interestingly complicated relationship with his father. I love the the White Wolf of the North! I love his tattoo: the knot made of the courts' names!
Lysandra: Oh my goodness, she is so freaking strong! I love her powers! She is so protective of her girls, especially Evangeline. Her Snow Leopard and Sea Dragon forms are my favorite! She can and will conquer as many men as need be (mainly in killing, not sex). She loves Aedion and is so loyal to Aelin that she would literally become her.
Evangeline: She is the innocence of the group. When she goes, the group is harder and lacks the absolute faith that everything will be alright.
Fleetfoot: I love her, that is all.
Dorian Havillard: A king without a kingdom. He is a boy with powers he has no idea how to control. A boy whose friends left him. He has to learn his powers alone like he has all his life. He is trusting but questions things-he knows when he should hold back. He loves Manon and oh my sweet goodness, that cabinet scene. He is great at riddles too!
Mannon Blackbeak: OUR QUEEN!!!! She protects her own and can let go of prejudices when she needs to do the best for her people. She is so savage! She is a great leader willing to die for her thirteen. I can't wait until she kills her grandmother. SHE WILL BRING PEACE FOR HER PEOPLE!!!!! She obviously has feelings for Dorian.
Abraxos: He is the best damned wyvern ever. Even though Manon tells him to "go hide," he finds a freaking army and saves the day!
Gavriel: He's not the best dad, but he's working on it! He is too loyal to Maeve, but he cares about people. He is a lot more emotional than I would have guessed. Lol, Uncle Kitty-Cat.
Fenrys: He is such a sarcastic little ass, but a great warrior (both in the battlefield and in bed ;D). He kinda reminds me of Cassian. His situation sucks with Maeve because both he and his brother are basically prisoners and sex objects for the queen. I hope he will find a way to break the blood bond for him and his brother to help Aelin. Also, WINNOWING!!!
Queen Maeve: She is a witch with a capital B and I hate her.
Erawan: Power hungry as hell.
Elena: She is so dumb. I get it, she made a mistake, but she was still dumb. She acts before thinking and doesn't understand sacrifice or strategy. She pushed a war onto a group of children for goodness sake!
Rowan Whitethorn: He has come such a long way since Heir of Fire. He is so emotional and a freaking worry wart, loyal and trusting as hell, but he is still bad ass. He lets his woman fight when she needs to. He embraces the past mistakes of his friends and family. He is a horny little hawk. HE IS AELIN'S MATE AND HUSBAND!!! And he is the KING OF TERRASAN!!!!!!!!!!!!!!! Strategic as hell-the thing with the Whitethorn cousins-hell yes! When he gets his hands on Maeve, shit will go down! VENGEANCE WILL BE HIS and Maeve will die horribly!! His reaction when he found out Aelin was captured was gut wrenching! Also, I loved it when he called Aelin Milady. Freaking great!
Aelin Ashryver Galanthys: She is always 500 steps ahead of everyone else. She shuts everyone down with her witty comebacks. She lets Aedion think the worst of her because she doesn't want to get their hopes up. She is not too trusting but is willing to sacrifice herself for everyone else. "But your faces are so wonderful when I get to reveal them." WOW AELIN!! When Deanna took over Aelins super power moment-I was terrified. I hate that she has to sacrifice herself. I just want her to be happy!! I loved how she pulled all of the characters from The Assassin's Blade into this! She's bloody brilliant! Using all of those Life Debts!! Her reaction to Elide is heartbreaking. Killing all of the Valg was great! When she slipped into the Celeana person, I go so freaking excited!! She was so close to settling and Maeve had to freaking ruined it all! She could have lived forever and been so happy!
Now onto some plot analysis:
So this book had a pretty awesome start since we got a flashback to the first war with Elena and Erawan. I love the little history throughout the book! The flashbacks with Elena and Nehemia were so freaking sad. I cried when they talked about Nehemia and Aelin's respective sacrifices. I feel like we get to go deeper into the history even though this is the second to last book!
Nicknames in all of Sarah J Maas' books are so cute! I love how Aelin and Rowan call each other Fireheart and Buzzard.
Family (especially chosen and made family) is so important in all of Sarah J Maas' books. Characters are willing to die to protect those they love and I think that's something important to put into books. The fact that you can always find a home in your people is very nice to see.
Women are the ones to be truly feared in this series because they have the most power. They are all so badass and never take shit from the male characters!
The multiple PoVs were very well done. As you may have realized from my other reviews, I am not a fan on multiple PoV novels much, so the fact I loved this one is great!
I think it was really cool how each character is being guided by at least one God. I have a crackpot theory about this that connects this series to the ACOTAR series. So it is stated multiple times that the Gods want to "go home" because they are trapped, right? So what if they are our Night Court Crew? Some of the descriptions of the powers fit!
I loved how SJM described the process of the magic weilding.
There was a great plot structure and pacing.
The Mycenians are so interesting! I called it that Rolfe was a Mycenian before I got to that part!
I want to know what Rowan said to Rolfe back at Skull's Bay.
All the ships got to have fun time together. Well, except for Elide and Lorcan.
I wish we could have had Choal and Nesryn in this book, but I understand why we didn't.
One thing I didn't like was how similar some of the plot points and characters were to ACOTAR and ACOMAF. Even thought they're both by SJM, I wish there wasnt' as much overlap.
Overall, I loved this book--a few thinggs could have been changed to keep it more significantly different from ACOTAR but it was still great.
Some Quotes I loved:
"Because destroying a symbol can break the spirits of men as much as bloodshed." (44)
"To call in old debts and promises. To raise an army of assassins and thieves and exiles and commoners. To finish what was started long, long ago." (72)
"One does not deal with Celeana Sardothian. One survives her." (241)
"Even when this world is a forgotten whisper if dust between the stars, I will love you." (350)
Let's start off with a character analysis section:
The Little Folk: I loved how they gave Aelin little gifts. I want more interaction with them in the next book!!
Elide Lochan: Elide doesn't see her own strength. She has been through hell, but still knows kindness and love. She has so much hope and is loyal to a fault. She loves Lorcan, but is constantly stopped by this idiocy. She has three freaking guardian angels: Aelin, Manon, and Aedion. She is a half-witch, which is cool! She was able to withstand the torment of the wyrdkey with little side effects! She is protected by the God of Death's consort which is cool because the God of Death is Lorcan's protector. She learns from and is strengthened by her crappy past. She can STILL LOVE AFTER EVERYTHING! Also, she is such a tricky schemer and a great liar!
Lorcan Salvaterre: He is a dummy and is too fixated on Maeve to see that he can have real love with Elide. He is death-protected by Hellas-and is a great hunter. He has a heart of gold underneath all that grime. He freaking makes Elide a brace for her ankle for goodness sake! Lorcan is vengeful as f, especially when Elide is threatened. I feel like he's going to be a big help to Aelin's course!
Aedion Ashryver: He's Bisexual!!! He is so in Love with Lysandra and is a flirtatious bastard. He doubts Aelin too much and questions her all the time. I get it, but it gets disheartening. He has a bad ass shot (that sea wyvern shot though!!) and is obviously a skilled warrior. He has an interestingly complicated relationship with his father. I love the the White Wolf of the North! I love his tattoo: the knot made of the courts' names!
Lysandra: Oh my goodness, she is so freaking strong! I love her powers! She is so protective of her girls, especially Evangeline. Her Snow Leopard and Sea Dragon forms are my favorite! She can and will conquer as many men as need be (mainly in killing, not sex). She loves Aedion and is so loyal to Aelin that she would literally become her.
Evangeline: She is the innocence of the group. When she goes, the group is harder and lacks the absolute faith that everything will be alright.
Fleetfoot: I love her, that is all.
Dorian Havillard: A king without a kingdom. He is a boy with powers he has no idea how to control. A boy whose friends left him. He has to learn his powers alone like he has all his life. He is trusting but questions things-he knows when he should hold back. He loves Manon and oh my sweet goodness, that cabinet scene. He is great at riddles too!
Mannon Blackbeak: OUR QUEEN!!!! She protects her own and can let go of prejudices when she needs to do the best for her people. She is so savage! She is a great leader willing to die for her thirteen. I can't wait until she kills her grandmother. SHE WILL BRING PEACE FOR HER PEOPLE!!!!! She obviously has feelings for Dorian.
Abraxos: He is the best damned wyvern ever. Even though Manon tells him to "go hide," he finds a freaking army and saves the day!
Gavriel: He's not the best dad, but he's working on it! He is too loyal to Maeve, but he cares about people. He is a lot more emotional than I would have guessed. Lol, Uncle Kitty-Cat.
Fenrys: He is such a sarcastic little ass, but a great warrior (both in the battlefield and in bed ;D). He kinda reminds me of Cassian. His situation sucks with Maeve because both he and his brother are basically prisoners and sex objects for the queen. I hope he will find a way to break the blood bond for him and his brother to help Aelin. Also, WINNOWING!!!
Queen Maeve: She is a witch with a capital B and I hate her.
Erawan: Power hungry as hell.
Elena: She is so dumb. I get it, she made a mistake, but she was still dumb. She acts before thinking and doesn't understand sacrifice or strategy. She pushed a war onto a group of children for goodness sake!
Rowan Whitethorn: He has come such a long way since Heir of Fire. He is so emotional and a freaking worry wart, loyal and trusting as hell, but he is still bad ass. He lets his woman fight when she needs to. He embraces the past mistakes of his friends and family. He is a horny little hawk. HE IS AELIN'S MATE AND HUSBAND!!! And he is the KING OF TERRASAN!!!!!!!!!!!!!!! Strategic as hell-the thing with the Whitethorn cousins-hell yes! When he gets his hands on Maeve, shit will go down! VENGEANCE WILL BE HIS and Maeve will die horribly!! His reaction when he found out Aelin was captured was gut wrenching! Also, I loved it when he called Aelin Milady. Freaking great!
Aelin Ashryver Galanthys: She is always 500 steps ahead of everyone else. She shuts everyone down with her witty comebacks. She lets Aedion think the worst of her because she doesn't want to get their hopes up. She is not too trusting but is willing to sacrifice herself for everyone else. "But your faces are so wonderful when I get to reveal them." WOW AELIN!! When Deanna took over Aelins super power moment-I was terrified. I hate that she has to sacrifice herself. I just want her to be happy!! I loved how she pulled all of the characters from The Assassin's Blade into this! She's bloody brilliant! Using all of those Life Debts!! Her reaction to Elide is heartbreaking. Killing all of the Valg was great! When she slipped into the Celeana person, I go so freaking excited!! She was so close to settling and Maeve had to freaking ruined it all! She could have lived forever and been so happy!
Now onto some plot analysis:
So this book had a pretty awesome start since we got a flashback to the first war with Elena and Erawan. I love the little history throughout the book! The flashbacks with Elena and Nehemia were so freaking sad. I cried when they talked about Nehemia and Aelin's respective sacrifices. I feel like we get to go deeper into the history even though this is the second to last book!
Nicknames in all of Sarah J Maas' books are so cute! I love how Aelin and Rowan call each other Fireheart and Buzzard.
Family (especially chosen and made family) is so important in all of Sarah J Maas' books. Characters are willing to die to protect those they love and I think that's something important to put into books. The fact that you can always find a home in your people is very nice to see.
Women are the ones to be truly feared in this series because they have the most power. They are all so badass and never take shit from the male characters!
The multiple PoVs were very well done. As you may have realized from my other reviews, I am not a fan on multiple PoV novels much, so the fact I loved this one is great!
I think it was really cool how each character is being guided by at least one God. I have a crackpot theory about this that connects this series to the ACOTAR series. So it is stated multiple times that the Gods want to "go home" because they are trapped, right? So what if they are our Night Court Crew? Some of the descriptions of the powers fit!
I loved how SJM described the process of the magic weilding.
There was a great plot structure and pacing.
The Mycenians are so interesting! I called it that Rolfe was a Mycenian before I got to that part!
I want to know what Rowan said to Rolfe back at Skull's Bay.
All the ships got to have fun time together. Well, except for Elide and Lorcan.
I wish we could have had Choal and Nesryn in this book, but I understand why we didn't.
One thing I didn't like was how similar some of the plot points and characters were to ACOTAR and ACOMAF. Even thought they're both by SJM, I wish there wasnt' as much overlap.
Overall, I loved this book--a few thinggs could have been changed to keep it more significantly different from ACOTAR but it was still great.
Some Quotes I loved:
"Because destroying a symbol can break the spirits of men as much as bloodshed." (44)
"To call in old debts and promises. To raise an army of assassins and thieves and exiles and commoners. To finish what was started long, long ago." (72)
"One does not deal with Celeana Sardothian. One survives her." (241)
"Even when this world is a forgotten whisper if dust between the stars, I will love you." (350)
Kristy H (1252 KP) rated Now Is Everything in Books
Dec 24, 2017
breathtaking (3 more)
powerful
suspenseful
heartbreaking
Hadley's life looks perfect from the outside. Her family is wealthy, and she's a successful athlete and student. What you don't see is that Hadley's father works at breaking her down, day after day, forcing her into playing lacrosse and taking flying lessons (his two passions), monitoring her whereabouts and food intake, berating and belittling her constantly, and much worse. Hadley endures it all though, if it keeps the spotlight off her beloved spitfire of a little sister, Lila. Hadley would do anything to keep her father's focus off of Lila. Lila's only ten--the age her father targeted his laser beam on her. Hadley's life improves, however, when she secretly starts dating Charlie Simmons. On the surface, Charlie's life isn't anything like hers--he's the son of a poor single mom, but the two quickly find they have more in common than they realize. Even better, Charlie gives Hadley something she hasn't had in a long time: hope. Then, Hadley is in a plane crash, which tragically leaves her family is dead. Only Hadley can tell everyone what happened, but she isn't divulging the details. What happened that day in the plane? And why would it cause Hadley--the only survivor--to want to take her own life?
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
graveyardgremlin (7194 KP) rated Zombies Vs. Unicorns in Books
Feb 15, 2019
<b>Book Review</b>
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
I had heard about this feud soon after it started, so when news that a book was coming out I had to read it. C'mon, zombies and unicorns, this is a combination I couldn't miss out on. After a lackluster and disappointing start, with many stories I didn't like at all, I was starting to think I'd have a hard time finishing the book, even with the different authors. It wasn't until The Children of the Revolution by Maureen Johnson on page 147 that the stories picked up and I ended up enjoying the rest, though my enjoyment deviated from okay to great. The "arguments" between editors Holly Black (Team Unicorn) and Justine Larbalestier (Team Zombie) were usually quite amusing, though they themselves don't contribute to the book. I, for one, would have liked to have read their takes on their chosen teams.
I'm not going to review each story individually, but list them with my (very) basic impression of the story. The book has varying degrees of gore, cursing, sexual innuendo and references, bestiality (you read that right, but it's more referred to than shown, thank goodness), suicide, and other violent acts.
<u>Stories</u> (in order of appearance):
*The Highest Justice by Garth Nix (Marked as a unicorn story, this is actually both unicorn and zombie. A decent story.)
*Love Will Tear Us Apart by Alaya Dawn Johnson (Zombie. Did not care for this at all)
*Purity Test by Naomi Novik (Unicorn. Didn't hate this story, but wasn't fond of it either)
*Bougainvillea by Carrie Ryan (Zombie. Didn't like.)
*A Thousand Flowers by Margo Lanagan (Unicorn. Also wasn't fond of.)
*The Children of the Revolution by Maureen Johnson (Zombie. Rather twisted, but so am I, so I enjoyed it.)
*The Care and Feeding of Your Baby Killer Unicorn by Diana Peterfreund (Unicorn. My favorite story in the anthology.)
*Inoculata by Scott Westerfield (Zombie. Pretty good.)
*Princess Prettypants by Meg Cabot (Unicorn. Very tongue-in-cheek, I liked this story a lot.)
*Cold Hands by Cassandra Clare (Zombie. Interesting world created here. Definitely passed my likability test.)
*The Third Virgin by Kathleen Duey (Unicorn. An okay story.)
*Prom Night by Libba Bray (Zombie. Second favorite of the book and very close to a tie with Peterfreund's tale.)
The unicorn stories went in many different directions, with all sorts of unicorns, while most of the zombie stories stayed where you would expect them and had typical zombies, though there were a few surprises still in store. I went into this as Team Zombie, and while my favorite was a unicorn story, I still firmly remain with the shamblers. Overall, I ended up enjoying the majority of the book, so if you're interested in zombies, unicorns, or especially both, pick this up for an interesting assortment of stories.
3.5 stars for the print version
<b>Audio Review</b>
This unabridged CD set includes ten discs, which average a little over one story each, though generally there is one whole story bookended by the end of one preceding it and the start of another afterward that will continue onto the next disc. They have very short chapters, generally less than a minute and I could tell when each chapter ended and the next began, which didn't make for totally smooth listening but it also wasn't too bad either. I would have rather have had longer chapters that had a clearer starting and stopping point to make it easier to find my place again. Most of the readers, both male and female, sound fairly young, which makes sense since this is a YA anthology, but the majority also sounded as if they were reading to school children, which makes for annoying listening. I found most of the voices grating and unfortunately none of them are named for me to be more specific. However, the one male was fine and the woman who did Diana Peterfreund was good and I believe she also narrated one or two others in the book. The use of sound effects break up stories, a groan that also says "brains" for zombies and trumpets and a horse whinny for unicorns. Immediately after is the intro from the editors with their ongoing debate that became increasingly irritating as I read on; this may have to do with how they performed those discussions. As written word, these exchanges are far more entertaining. For the most part, I really didn't enjoy listening to this and much prefer reading it in print.
2 stars for audio
Heather Cranmer (2721 KP) rated What Alice Forgot in Books
Feb 27, 2019
For some reason, I kept seeing What Alice Forgot by Liane Moriarty almost every book place I would look. At first, I wasn't interested, but it kept showing up. Eventually, I took it as a sign that maybe I should read What Alice Forgot. I'm glad I did because it was a great book!
The plot for What Alice Forgot is a complex and deep one. It's not just about Alice. It's also about her sister Elisabeth, whom we learn more through letters to her therapist, Jeremy. Elisabeth is trying to conceive. She keeps going through failed IVF treatments time and time again. We learn about her struggle and how she's handling that. We also learn about Frannie, Alice's surrogate grandmother, through letters with a man named Phil. At the center of the story is Alice. After falling off a stationary bike and bumping her head during spin class, Alice wakes up to find some can't remember anything that happened for the past 10 years. Alice believes she is still 29, and she finds it frustrating and a tad funny that she's really almost 40 years old. Alice can't believe who she's turned into at 39. She would hate herself! The book explains if Alice will be more loving and carefree like her 29 year old self or if she'll be that rushed, cynical woman she was at 39 when and if she gets her memories back. There were one or two plot twists although I wouldn't consider them major. All of my questions were answered, and Liane Moriarty did an excellent job of tying up any loose ends and writing a great epilogue explaining what happened to each character years later.
I loved the characters in What Alice Forgot! I felt they were all very fleshed out and felt like I was reading about real live people. It was interesting to see Alice at odds with herself when her old self was surprised by what her new self (before she hit her head and lost her memory for the past 10 years) was like. I, personally, liked Alice after she forgot her memory. She was more fun loving and carefree. New Alice was always rushed and snippy. I also liked Nick, Alice's soon to be ex-husband. Although he was rushed with work, I loved how he still would help out Alice. I really related to Alice's oldest daughter, Madison, the most. Madison had experienced so much in her short life, so she was acting out a lot of the time. I just wanted to hug her. Alice's youngest daughter, Olivia, was really cute and funny. I loved how she referred to everything as "darling." My heart really went out to Elisabeth. I just wanted Elisabeth to finally have a baby of her own after miscarrying so many times in the past. Frannie was such a fun character! I was moved by her love of Elisabeth and Alice, and I really appreciated her humor at times!
The pacing for What Alice Forgot was a bit hit and miss sometimes. There were a lot of times, mostly during the first 60 percent or so in the book, that I thought about just giving up and finding something else to read. However, I would read a bit more, and the pacing would pick up again. Then it would go back to being slow. Once I got about 65 percent through the book, the pacing found its footing, and it was smooth sailing from there. My eyes devoured the rest of the pages, and I couldn't wait to find out if Alice would get her memory back or if she'd end up with Nick or Dominick. (I was Team Nick throughout the book.) I also wanted to know what would come of Elisabeth's IVF treatment. I really wanted her to have a baby of her own!
Trigger warnings for What Alice Forgot include miscarriages, failed fertility treatments, amnesia, divorce, death, drinking, some profanities, and a few mentions of sex but no details.
Overall, What Alice Forgot is a lovely read even though the pacing is a bit off for the first half or so in the book. Luckily, the pacing redeems itself, and with a great plot and fantastic characters, this book does make a good read. I would definitely recommend What Alice Forgot by Liane Moriarty to everyone aged 16+ who loves a feel good novel.
The plot for What Alice Forgot is a complex and deep one. It's not just about Alice. It's also about her sister Elisabeth, whom we learn more through letters to her therapist, Jeremy. Elisabeth is trying to conceive. She keeps going through failed IVF treatments time and time again. We learn about her struggle and how she's handling that. We also learn about Frannie, Alice's surrogate grandmother, through letters with a man named Phil. At the center of the story is Alice. After falling off a stationary bike and bumping her head during spin class, Alice wakes up to find some can't remember anything that happened for the past 10 years. Alice believes she is still 29, and she finds it frustrating and a tad funny that she's really almost 40 years old. Alice can't believe who she's turned into at 39. She would hate herself! The book explains if Alice will be more loving and carefree like her 29 year old self or if she'll be that rushed, cynical woman she was at 39 when and if she gets her memories back. There were one or two plot twists although I wouldn't consider them major. All of my questions were answered, and Liane Moriarty did an excellent job of tying up any loose ends and writing a great epilogue explaining what happened to each character years later.
I loved the characters in What Alice Forgot! I felt they were all very fleshed out and felt like I was reading about real live people. It was interesting to see Alice at odds with herself when her old self was surprised by what her new self (before she hit her head and lost her memory for the past 10 years) was like. I, personally, liked Alice after she forgot her memory. She was more fun loving and carefree. New Alice was always rushed and snippy. I also liked Nick, Alice's soon to be ex-husband. Although he was rushed with work, I loved how he still would help out Alice. I really related to Alice's oldest daughter, Madison, the most. Madison had experienced so much in her short life, so she was acting out a lot of the time. I just wanted to hug her. Alice's youngest daughter, Olivia, was really cute and funny. I loved how she referred to everything as "darling." My heart really went out to Elisabeth. I just wanted Elisabeth to finally have a baby of her own after miscarrying so many times in the past. Frannie was such a fun character! I was moved by her love of Elisabeth and Alice, and I really appreciated her humor at times!
The pacing for What Alice Forgot was a bit hit and miss sometimes. There were a lot of times, mostly during the first 60 percent or so in the book, that I thought about just giving up and finding something else to read. However, I would read a bit more, and the pacing would pick up again. Then it would go back to being slow. Once I got about 65 percent through the book, the pacing found its footing, and it was smooth sailing from there. My eyes devoured the rest of the pages, and I couldn't wait to find out if Alice would get her memory back or if she'd end up with Nick or Dominick. (I was Team Nick throughout the book.) I also wanted to know what would come of Elisabeth's IVF treatment. I really wanted her to have a baby of her own!
Trigger warnings for What Alice Forgot include miscarriages, failed fertility treatments, amnesia, divorce, death, drinking, some profanities, and a few mentions of sex but no details.
Overall, What Alice Forgot is a lovely read even though the pacing is a bit off for the first half or so in the book. Luckily, the pacing redeems itself, and with a great plot and fantastic characters, this book does make a good read. I would definitely recommend What Alice Forgot by Liane Moriarty to everyone aged 16+ who loves a feel good novel.
Heather Cranmer (2721 KP) rated The Little Teashop on Main in Books
May 6, 2019
An Emotional Read
I'd been wanting to read The Little Teashop on Main by Jodi Thomas for awhile. When the opportunity presented itself, I jumped at the chance. I must say this book really packs a punch when it comes to emotions!
The plot for The Little Teashop on Main was done brilliantly! Jodi Thomas has written a beautiful story that really sucks you in and makes you feel every single written word. Zoe, Shannon, and Emily meet for a tea party whenever they can starting from when they were little. As the story progresses, the reader gets to watch each of the girls grow into strong women. The reader gets to grow up with all of the girls through all of the ups and downs of life. Each chapter in the book is focused on a certain character so the reader gets to gain that character's perspective on things. While there are similar story lines to The Little Teashop on Main, Jodi Thomas does such an excellent job of making this one feel unique. I felt like I was instantly transported to the small town of Laurel Springs whenever I was reading The Little Teashop on Main. While there weren't any major plot twists, I felt as if this was the type of book that doesn't need to rely on plot twists to keep it interesting. The emotional pull is all it needs. I loved how there were no cliffhangers and all of my questions were answered by the end of the book.
The characters in The Little Teashop on Main were so well written and such a delight to read about! I loved every one of them. Usually I have a favorite, but I would hate to be forced to choose just one favorite. I loved Zoe's zest for life. Her larger than life presence was such a joy to read about. I would have loved to have a friendship like Zoe's and Jack's. Shannon had such a great work ethic that was admirable. Just how focused she was was an inspiration. I kept on wanting things between her and Jack to work out. I don't think I've ever wanted to a couple to be together more than Jack and Shannon. Shannon was such a planner and so focused. Sometimes I wanted to just grab her by the shoulders until she realized how great she'd be with Jack! I just wanted to hug Emily. She had struggled with depression for so long. I could relate to her the most. Emily was such a sweet girl that blossomed into a sweet woman. I was always cheering Emily on when I would read about her. I loved how much Jack cared about all three girls and how much he loved them all. He was such a loyal friend. I'm glad I got to read and get to know Fuller. What a sweet boy/man he turned out to be! Alex and Mack were also great characters and great parents. The love for their daughters was so obvious. The way the townspeople of Laurel Springs came together was so heartwarming to read about.
I will admit that the first 45 percent or so of The Little Teashop on Main was a little slow. I did wonder if I had made a mistake with this book. However, I'm glad I persevered. The pacing quickly picked up after that, and I could not put this novel down. I hungered for more, yet I would become sad because I realized that this story would be over soon. When I did finish The Little Teashop on Main, I was disappointed only because I wished it didn't have to end!
Trigger warnings for The Little Teashop on Main include depression, suicide attempts, cancer, a car accident (wounds aren't described too graphically), and sex (although not graphic).
All in all, The Little Teashop on Main is such a heartwarming read. This book makes you feel as if you are one of the characters. It is written so beautifully, and I can't gush enough about how great it is! I would definitely recommend The Little Teashop on Main by Jodi Thomas to those aged 16+. This book gets a 4.5 out of 5 stars from me.
--
(Thanks to HQN for providing me with a paperback of The Little Teashop on Main by Jodi Thomas in exchange for an honest and unbiased review.)
The plot for The Little Teashop on Main was done brilliantly! Jodi Thomas has written a beautiful story that really sucks you in and makes you feel every single written word. Zoe, Shannon, and Emily meet for a tea party whenever they can starting from when they were little. As the story progresses, the reader gets to watch each of the girls grow into strong women. The reader gets to grow up with all of the girls through all of the ups and downs of life. Each chapter in the book is focused on a certain character so the reader gets to gain that character's perspective on things. While there are similar story lines to The Little Teashop on Main, Jodi Thomas does such an excellent job of making this one feel unique. I felt like I was instantly transported to the small town of Laurel Springs whenever I was reading The Little Teashop on Main. While there weren't any major plot twists, I felt as if this was the type of book that doesn't need to rely on plot twists to keep it interesting. The emotional pull is all it needs. I loved how there were no cliffhangers and all of my questions were answered by the end of the book.
The characters in The Little Teashop on Main were so well written and such a delight to read about! I loved every one of them. Usually I have a favorite, but I would hate to be forced to choose just one favorite. I loved Zoe's zest for life. Her larger than life presence was such a joy to read about. I would have loved to have a friendship like Zoe's and Jack's. Shannon had such a great work ethic that was admirable. Just how focused she was was an inspiration. I kept on wanting things between her and Jack to work out. I don't think I've ever wanted to a couple to be together more than Jack and Shannon. Shannon was such a planner and so focused. Sometimes I wanted to just grab her by the shoulders until she realized how great she'd be with Jack! I just wanted to hug Emily. She had struggled with depression for so long. I could relate to her the most. Emily was such a sweet girl that blossomed into a sweet woman. I was always cheering Emily on when I would read about her. I loved how much Jack cared about all three girls and how much he loved them all. He was such a loyal friend. I'm glad I got to read and get to know Fuller. What a sweet boy/man he turned out to be! Alex and Mack were also great characters and great parents. The love for their daughters was so obvious. The way the townspeople of Laurel Springs came together was so heartwarming to read about.
I will admit that the first 45 percent or so of The Little Teashop on Main was a little slow. I did wonder if I had made a mistake with this book. However, I'm glad I persevered. The pacing quickly picked up after that, and I could not put this novel down. I hungered for more, yet I would become sad because I realized that this story would be over soon. When I did finish The Little Teashop on Main, I was disappointed only because I wished it didn't have to end!
Trigger warnings for The Little Teashop on Main include depression, suicide attempts, cancer, a car accident (wounds aren't described too graphically), and sex (although not graphic).
All in all, The Little Teashop on Main is such a heartwarming read. This book makes you feel as if you are one of the characters. It is written so beautifully, and I can't gush enough about how great it is! I would definitely recommend The Little Teashop on Main by Jodi Thomas to those aged 16+. This book gets a 4.5 out of 5 stars from me.
--
(Thanks to HQN for providing me with a paperback of The Little Teashop on Main by Jodi Thomas in exchange for an honest and unbiased review.)
Mark Jaye (65 KP) rated Justice League (2017) in Movies
May 13, 2019
JUSTICE FOR THE LEAGUE
Contains spoilers, click to show
As much as it pains me to acknowledge it, this film got slaughtered upon its' release (and has endured much ridicule ever since)! Personally speaking....I don't get why.
Everyone and their dog - in reviewing this movie, quote the poor CGI, the fact that Steppenwolf is an ineffective villain, the obvious mish-mash of two directorial styles, weak storyline, oh...and the whole moustache thing. Bore, bore, bore. If anyone comes up with a valid reason for why they hate this film that they haven't read anywhere else a dozen times before then I might entertain them......nah, I won't, because I loved JL!
The opening scene shows us some 'amateur' style recorded footage of a brief conversation with Superman - a very short sequence that was clearly filmed by Joss Whedon. And yes, it is very obvious - and would be to someone unaware of the whole 'moustache-gate' affair, that something's wrong with Henry Cavill's upper lip. Does that detract from the experience? Is it really that much a big deal? No, it is not. And that's all I'll say on that aspect.
There is a very basic plot concerning Steppenwolf and his return to Earth to reclaim the three Mother Boxes which - when brought together, form 'The Unity' with which he hopes to transform the planet and get back in favour with his nephew (Darkseid). These boxes were left on Earth a long time ago following a battle with Steppenwolf (shown in Flashback) and placed into the care of the Atlanteans, the Amazons, and the Tribes of Man. We are given this background exposition fairly early on in proceedings from Diana Prince (Wonder Woman) which effectively sums up the gist of the movie - no criticism there. The first half of the film concerns Diana and Bruce Wayne's (Batman) efforts to bring together a small group of Meta-Humans in order to tackle the imminent threat balanced against Steppenwolf's successful recovery of two of the Boxes. Do we need a more complex plot?
After an initial encounter with the villain of the piece in which the newly formed League are knocked on their proverbial backsides Batman comes up with a way to resurrect the deceased Superman, involving a Mother Box, the recovered Kryptonian Scout Ship, and the Speedforce. To quote The Flash (aka Barry Allen, aka Ezra Miller) things go a bit 'Pet Sematary-y' as the resurrected Man Of Steel goes up against the JL in a confused fit of rage. The sequence depicting the skirmish is a highlight of the movie, and anyone who got a little annoyed t how much Batman was hell bent on persecuting Supes in BVS will get some satisfaction from hearing the line "Do you bleed?"!
It isn't long before the Superman we all know and love (although perhaps not the one from his darker portrayal in the previous two movies in which he appeared) returns - thanks to some intervention from Lois Lane, and joins his fellow heroes in their final battle with Steppenwolf.
Simple plot I agree but this is a story about individuals coming together in the name of hope. Each character gives enough that the audience cares about them, even if some of them could have been given a bit more to play with (sounds like sequel material to me!). Wonder Woman effectively becomes the Leader of the team - exorcising her demons in the process (see her solo movie for more) and Gal Gadot is great.
The battle scenes are fantastic - the attack on Themyscira by Steppenwolf being one such example, and complemented by the CGI. Yeah, I've heard the whole 'poor CGI' thing but frankly.... whatever?! Had I not stupidly read the reviews before seeing the film I might not have spent the running time watching the villain and thinking "Is he a poor villain?" (I came away thinking "Nah, he worked for me!")
Henry Cavill didn't get half as much screen time as the other characters in the League and it looks as if most of the Zac Snyder material featuring his Superman ended up on the cutting room floor, but he is one of the highlights. I will agree with the critics that WB seriously messed up with their marketing strategy in which they essentially 'excluded him' from all promotional material. I now eagerly await for Man of Steel 2 where we'll get to see more of the 'fun' Supes that we got in this movie.
I saw this film three times at the cinema and now own on Blu Ray. Fantastic film for the JL's first outing on the big screen. And you know what?
You are allowed to enjoy both the Justice League AND The Avengers!!
Everyone and their dog - in reviewing this movie, quote the poor CGI, the fact that Steppenwolf is an ineffective villain, the obvious mish-mash of two directorial styles, weak storyline, oh...and the whole moustache thing. Bore, bore, bore. If anyone comes up with a valid reason for why they hate this film that they haven't read anywhere else a dozen times before then I might entertain them......nah, I won't, because I loved JL!
The opening scene shows us some 'amateur' style recorded footage of a brief conversation with Superman - a very short sequence that was clearly filmed by Joss Whedon. And yes, it is very obvious - and would be to someone unaware of the whole 'moustache-gate' affair, that something's wrong with Henry Cavill's upper lip. Does that detract from the experience? Is it really that much a big deal? No, it is not. And that's all I'll say on that aspect.
There is a very basic plot concerning Steppenwolf and his return to Earth to reclaim the three Mother Boxes which - when brought together, form 'The Unity' with which he hopes to transform the planet and get back in favour with his nephew (Darkseid). These boxes were left on Earth a long time ago following a battle with Steppenwolf (shown in Flashback) and placed into the care of the Atlanteans, the Amazons, and the Tribes of Man. We are given this background exposition fairly early on in proceedings from Diana Prince (Wonder Woman) which effectively sums up the gist of the movie - no criticism there. The first half of the film concerns Diana and Bruce Wayne's (Batman) efforts to bring together a small group of Meta-Humans in order to tackle the imminent threat balanced against Steppenwolf's successful recovery of two of the Boxes. Do we need a more complex plot?
After an initial encounter with the villain of the piece in which the newly formed League are knocked on their proverbial backsides Batman comes up with a way to resurrect the deceased Superman, involving a Mother Box, the recovered Kryptonian Scout Ship, and the Speedforce. To quote The Flash (aka Barry Allen, aka Ezra Miller) things go a bit 'Pet Sematary-y' as the resurrected Man Of Steel goes up against the JL in a confused fit of rage. The sequence depicting the skirmish is a highlight of the movie, and anyone who got a little annoyed t how much Batman was hell bent on persecuting Supes in BVS will get some satisfaction from hearing the line "Do you bleed?"!
It isn't long before the Superman we all know and love (although perhaps not the one from his darker portrayal in the previous two movies in which he appeared) returns - thanks to some intervention from Lois Lane, and joins his fellow heroes in their final battle with Steppenwolf.
Simple plot I agree but this is a story about individuals coming together in the name of hope. Each character gives enough that the audience cares about them, even if some of them could have been given a bit more to play with (sounds like sequel material to me!). Wonder Woman effectively becomes the Leader of the team - exorcising her demons in the process (see her solo movie for more) and Gal Gadot is great.
The battle scenes are fantastic - the attack on Themyscira by Steppenwolf being one such example, and complemented by the CGI. Yeah, I've heard the whole 'poor CGI' thing but frankly.... whatever?! Had I not stupidly read the reviews before seeing the film I might not have spent the running time watching the villain and thinking "Is he a poor villain?" (I came away thinking "Nah, he worked for me!")
Henry Cavill didn't get half as much screen time as the other characters in the League and it looks as if most of the Zac Snyder material featuring his Superman ended up on the cutting room floor, but he is one of the highlights. I will agree with the critics that WB seriously messed up with their marketing strategy in which they essentially 'excluded him' from all promotional material. I now eagerly await for Man of Steel 2 where we'll get to see more of the 'fun' Supes that we got in this movie.
I saw this film three times at the cinema and now own on Blu Ray. Fantastic film for the JL's first outing on the big screen. And you know what?
You are allowed to enjoy both the Justice League AND The Avengers!!
Dana (24 KP) rated Reign of Shadows (Reign of Shadows, #1) in Books
Mar 23, 2018
Okay, so in this review, there will be some pretty general spoilers in the character descriptions, one that isn't really revealed until about thirty pages in. I will put SPOILER right in front of that one, then you can skip to where I put the asterisk to continue the paragraph if you want.
I am not overly sure on where I stand with this book. While the story itself wasn't bad, it also was not my favorite. There were some issues with me in the pacing of the story itself because a lot of the moments felt like they dragged on for a long time or that they they were repetitive.
Quite a few of the descriptions of the dwellers and other landscapes and characters were also not well described. I want to know more about what they look like, but we were not given those things.
Okay, now onto specifics. In this instance, the characters.
The guardians were very over-protective of Luna. I totally get why, but it got annoying after a while. But the bread Pearla makes sounds so freaking delicious.
Luna is a cool character. Her identity being what it is seemed like it was just pushed in the story.I know it is important later in the novel and will be coming up again in the later book(s) but it could have been mentioned or explored a little more for me. SPOILER: I did not see her being blind coming. No, that was not supposed to be a pun, but it just happened like that. I always enjoy having characters who are not perfect, especially ones who are living, surviving, and overcoming disabilities. Much of the time in books, characters often have a mental disability, if any, so it is awesome to read one where she is blind. I thought it was an awesome parallel that when she came into the world, the rest of the world went "blind" as well. That was really cool and I commend Sophie Jordan on that idea. * Okay, so as a female character, yes, she was strong and stubborn, but I didn't feel any attachment to her or her story line, which was unfortunate. I wanted to feel some sort of connection, but got nothing. I hope we get to know Luna more in the next book.
Now onto Fowler. (Note, I keep wanting to write Flower, but I think he would be pissed if he knew that and that kinda makes me want to do it even more.) Okay. So, he's kind of an ass. He wants survival and to get to this magical island where nothing bad ever happens, but he could be nicer about it. We do get some of his backstory and are able to understand part of the reason he is the way he is, but still, he's an ass. I don't like how he treats everyone, as if he's better than them, or as if they are just pawns to get rid of at the first moment he can. I hope he becomes a more likable character in the next book because I am not a fan.
Minor plot SPOILER that happens within the first fifty pages. I hate how Luna falls in love with Fowler almost instantaneously. I get that he is the first boy she meets, but geez, why? I really wanted them to become besties, not love interests. It would have made for a much more interesting story (in my opinion). CAN WE HAVE A STORY WHERE THERE IS NO LOVE INTEREST FOR THE MAIN FEMALE CHARACTER???? PLEASE? THANK YOU! *
Okay, now onto plot points. We have no idea what really happened on the night Luna was born, only what her guardians told her. Also, we know nothing of the new king and why he's such a skeevy ass. Or how and why the world turned to such crap. I just want to know all of these things! There was a lot introduced, but not explained. I get that it is because this the first book in a series, but I want info to keep me intrigued instead of just being annoyed by the withholding of it.
Overall, it was a pretty interesting read. Yes, it had issues, but a lot of books do nowadays. I will most likely be picking up the next book, if only to see what happens next!
I am not overly sure on where I stand with this book. While the story itself wasn't bad, it also was not my favorite. There were some issues with me in the pacing of the story itself because a lot of the moments felt like they dragged on for a long time or that they they were repetitive.
Quite a few of the descriptions of the dwellers and other landscapes and characters were also not well described. I want to know more about what they look like, but we were not given those things.
Okay, now onto specifics. In this instance, the characters.
The guardians were very over-protective of Luna. I totally get why, but it got annoying after a while. But the bread Pearla makes sounds so freaking delicious.
Luna is a cool character. Her identity being what it is seemed like it was just pushed in the story.I know it is important later in the novel and will be coming up again in the later book(s) but it could have been mentioned or explored a little more for me. SPOILER: I did not see her being blind coming. No, that was not supposed to be a pun, but it just happened like that. I always enjoy having characters who are not perfect, especially ones who are living, surviving, and overcoming disabilities. Much of the time in books, characters often have a mental disability, if any, so it is awesome to read one where she is blind. I thought it was an awesome parallel that when she came into the world, the rest of the world went "blind" as well. That was really cool and I commend Sophie Jordan on that idea. * Okay, so as a female character, yes, she was strong and stubborn, but I didn't feel any attachment to her or her story line, which was unfortunate. I wanted to feel some sort of connection, but got nothing. I hope we get to know Luna more in the next book.
Now onto Fowler. (Note, I keep wanting to write Flower, but I think he would be pissed if he knew that and that kinda makes me want to do it even more.) Okay. So, he's kind of an ass. He wants survival and to get to this magical island where nothing bad ever happens, but he could be nicer about it. We do get some of his backstory and are able to understand part of the reason he is the way he is, but still, he's an ass. I don't like how he treats everyone, as if he's better than them, or as if they are just pawns to get rid of at the first moment he can. I hope he becomes a more likable character in the next book because I am not a fan.
Minor plot SPOILER that happens within the first fifty pages. I hate how Luna falls in love with Fowler almost instantaneously. I get that he is the first boy she meets, but geez, why? I really wanted them to become besties, not love interests. It would have made for a much more interesting story (in my opinion). CAN WE HAVE A STORY WHERE THERE IS NO LOVE INTEREST FOR THE MAIN FEMALE CHARACTER???? PLEASE? THANK YOU! *
Okay, now onto plot points. We have no idea what really happened on the night Luna was born, only what her guardians told her. Also, we know nothing of the new king and why he's such a skeevy ass. Or how and why the world turned to such crap. I just want to know all of these things! There was a lot introduced, but not explained. I get that it is because this the first book in a series, but I want info to keep me intrigued instead of just being annoyed by the withholding of it.
Overall, it was a pretty interesting read. Yes, it had issues, but a lot of books do nowadays. I will most likely be picking up the next book, if only to see what happens next!
Cyn Armistead (14 KP) rated American Gods in Books
Mar 1, 2018
I'm trying to remember whether or not I've read any of Gaiman's other novels before, and I'm fairly certain that I haven't. I read [b:Good Omens|12067|Good Omens|Terry Pratchett|http://photo.goodreads.com/books/1266659394s/12067.jpg|4110990], but that was co-written with [a:Terry Pratchett|1654|Terry Pratchett|http://photo.goodreads.com/authors/1235562205p2/1654.jpg], and the collaboration was genius. I know that the entire world seems to love Sandman, of course, but I'm just not a fan of graphic novels. In fact, it took me a while to realize that the Good Omens co-author and the Sandman author were one and the same.
I've certainly read some short stories, too. The most memorable, <a href="http://en.wikipedia.org/wiki/Snow,_Glass,_Apples">"Snow, Glass, Apples"</a> was reprinted in an anthology I read recently. I find it disturbing, so I won't re-read it. Well-written, of course—it wouldn't be so very memorably distressing if it weren't so masterfully done! (I found the <a href="http://www.holycow.com/dreaming/stories/snow-glass-apples">text online</a> if you care to read it, but please understand that the story deals with pedophilia, necrophilia, and incest here. It is the polar opposite of all things Disney.) Snow White was never one of of my favorite fairy tales, and Gaiman definitely pushed it much farther down the list.
In any case, I don't know what I was expecting from Gaiman, but <i>American Gods</i> wasn't it. I like stories with happy endings, and within the first few chapters I was fairly sure that there wouldn't be one. Is Gaiman fundamentally opposed to joy, or is it just happiness that he doesn't allow?
The novel is epic. It is masterful. All that stuff from the big critics is dead on. The book could be used as the backbone of a mythological scavenger hunt if a teacher were willing to run a very unstructured but engaging course that way. I certainly enjoyed that aspect of it, and it made me glad that I was reading it on my iTouch so that I could look up anything I liked online at any time, no matter where I happened to be (which was almost always at home or somewhere else that had wifi access, happily).
I seldom want to see illustrations in any book, but yes, I think I would like to see good pictures of some of the characters Gaiman described in this one. On the other hand, without artwork I spent time imagining what the characters looked like based on the descriptions. I don't normally stop to do that, as such matters as seldom relevant to a plot, but these beings caught my fancy. Not enough that I would sit through an entire graphic novel, I'm afraid, but if I saw one now I might flip through it to see how the artist's renderings compare with my versions.
I'm seldom able to identify an overall Theme to the books I read. Most of them, honestly, are fluff. I'm fine with that. I read them because they entertain me. <i>American Gods</i> is different. It is entertaining, but it isn't light or fluffy in the least. It definitely has an easily identifiably Theme and Tropes and all those elements that I recall from long-ago classes, the sorts of things that put me off from my original English major because I hated tearing other author's works apart instead of writing anything original. (Now, I begin to understand that we were being taught to recognize what makes for good writing so we might have some hope of possibly creating some of it one day.)
I somewhat timidly conclude that <i>American Gods</i> is the first piece of Literature I've read in a very long time, and well worth the time spent reading it. (I find it rather amusing that it would be British Literature, despite its title, due to the author's nationality.) I'm not going to state the theme, because that would be a spoiler, and I hate putting those in reviews—but it's something that I see as a Truth, and one that needs to be stated far more often, especiallly today. It's even more interesting that it took a Brit to say it.
The book is dark, although it does have some very bright spots in it. I will acknowledge that I was going through a particularly bad time with regards to my health when I was reading it, but I still think it might be best for some people to read this one when in a fairly positive state of mind.
I've certainly read some short stories, too. The most memorable, <a href="http://en.wikipedia.org/wiki/Snow,_Glass,_Apples">"Snow, Glass, Apples"</a> was reprinted in an anthology I read recently. I find it disturbing, so I won't re-read it. Well-written, of course—it wouldn't be so very memorably distressing if it weren't so masterfully done! (I found the <a href="http://www.holycow.com/dreaming/stories/snow-glass-apples">text online</a> if you care to read it, but please understand that the story deals with pedophilia, necrophilia, and incest here. It is the polar opposite of all things Disney.) Snow White was never one of of my favorite fairy tales, and Gaiman definitely pushed it much farther down the list.
In any case, I don't know what I was expecting from Gaiman, but <i>American Gods</i> wasn't it. I like stories with happy endings, and within the first few chapters I was fairly sure that there wouldn't be one. Is Gaiman fundamentally opposed to joy, or is it just happiness that he doesn't allow?
The novel is epic. It is masterful. All that stuff from the big critics is dead on. The book could be used as the backbone of a mythological scavenger hunt if a teacher were willing to run a very unstructured but engaging course that way. I certainly enjoyed that aspect of it, and it made me glad that I was reading it on my iTouch so that I could look up anything I liked online at any time, no matter where I happened to be (which was almost always at home or somewhere else that had wifi access, happily).
I seldom want to see illustrations in any book, but yes, I think I would like to see good pictures of some of the characters Gaiman described in this one. On the other hand, without artwork I spent time imagining what the characters looked like based on the descriptions. I don't normally stop to do that, as such matters as seldom relevant to a plot, but these beings caught my fancy. Not enough that I would sit through an entire graphic novel, I'm afraid, but if I saw one now I might flip through it to see how the artist's renderings compare with my versions.
I'm seldom able to identify an overall Theme to the books I read. Most of them, honestly, are fluff. I'm fine with that. I read them because they entertain me. <i>American Gods</i> is different. It is entertaining, but it isn't light or fluffy in the least. It definitely has an easily identifiably Theme and Tropes and all those elements that I recall from long-ago classes, the sorts of things that put me off from my original English major because I hated tearing other author's works apart instead of writing anything original. (Now, I begin to understand that we were being taught to recognize what makes for good writing so we might have some hope of possibly creating some of it one day.)
I somewhat timidly conclude that <i>American Gods</i> is the first piece of Literature I've read in a very long time, and well worth the time spent reading it. (I find it rather amusing that it would be British Literature, despite its title, due to the author's nationality.) I'm not going to state the theme, because that would be a spoiler, and I hate putting those in reviews—but it's something that I see as a Truth, and one that needs to be stated far more often, especiallly today. It's even more interesting that it took a Brit to say it.
The book is dark, although it does have some very bright spots in it. I will acknowledge that I was going through a particularly bad time with regards to my health when I was reading it, but I still think it might be best for some people to read this one when in a fairly positive state of mind.