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Halloween III: Season of the Witch (1982)
Halloween III: Season of the Witch (1982)
1982 | Horror, Sci-Fi
8
6.3 (21 Ratings)
Movie Rating
Please stop underrating this!
Tom Atkins stars as Daniel Challis, he's investigating a murder along with the victims' daughter, Ellie Grimbridge (Stacey Nelkin), their investigation leads them to Silver Shamrock, a Halloween goods manufactoring company with a dark secret.

I'm sure this was a strange movie to watch when it came out what with it being titled Halloween III, yet it had no connection to the first two. But nowadays, this should be considered a fun Halloween-time classic.

Director Tommy Lee Wallace learned from watching John Carpenter. In turn Halloween III benefits from a good score, if the main song isn't stuck in your head by the end, it'll be a miracle.
The tone is overall good, it is a bit cheesy but it maintains it, it comes across more as a fun B-movie.
Visually the film packs lots of Halloween-time images. It might not fit the franchise, but it nails the setting.

You definitely can't take it very seriously.
Halloween III: Season of the Witch is like going through a haunted funhouse. Expect genuine scares and you'll be sorely disappointed. Expect to just have fun, and you'll get plenty of it. I recommend it.
  
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Gene Simmons recommended The Exorcist (1973) in Movies (curated)

 
The Exorcist (1973)
The Exorcist (1973)
1973 | Horror

"The step-by-step horrific setup of the film is just great filmmaking. The movie starts, and you’re on a movie set, and this actress is bringing her daughter along with her to Boston, because she has broken up with her husband. So while she’s busy working, [actress] Linda Blair is at home, doing whatever, except the home is haunted, and eventually the evil spirit, a demon takes over her, and her mom doesn’t believe in it. Sure, you get the punch in the gut and the kick in the nuts when her head spins around and she spits out pea soup and everybody just flips out, but leading up to that is a very well-written script. It’s easy to do the action sequences. You sit down, and say, ‘OK, we’re gonna have a head pop off here, and then I’m gonna have a ghost dive off somebody’s ass, and use them like a hand puppet.’ OK, I get it. Those are all gonna be good hand-puppet scary moves, but what’s the script? You have to care about the characters, and stuff. That’s what we mean by elevated.”

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