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Haunts of Old Louisville: Gilded Age Ghosts and Haunted Mansions in America's Spookiest Neighborhood
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Old Louisville in Louisville, Kentucky, is the third-largest National Preservation District in the...
Acanthea Grimscythe (300 KP) rated The House by the Cemetery in Books
Jan 31, 2019 (Updated Feb 2, 2019)
I have a love-hate relationship with The House by the Cemetery by John Everson, and it’s really tearing me apart. I absolutely enjoyed the story itself, but there’s a few issues, one of which is a huge red flag, that I simply can’t allow to go unspoken–and if other reviews are any clue, I’m not the only one that’s immensely bothered by it.
The story involves a witch that died in 1963, a haunted house, a haunted house attraction, and a lot of characters (too many to keep track of without a notebook, actually). Hired to repair the haunted house so that guests can safely walk through it, Mike Kostner spends much of his time drinking beer and talking with the girls, Katie and Emery. At the same time, Jeanie’s been hired on as a makeup artist for the upcoming attraction and drags her boyfriend, Bong, into it. Then there’s Jillie and Ted, paranormal investigators. And then there are three other groups of people to form more members of the cast, which I found to be extremely overwhelming.
At this point in my review, I usually talk about characters and their development, what I like about them, what I don’t, etc. In this case, I can’t really do that. The only character I managed to forge any sort of emotional connection with was Jeanie, and it’s mainly sympathetic. As for the rest of the roles played, I’m largely disappointed. Why? Because there’s a severe lack of sensitivity in this novel–which has been mentioned in several other reviews. There are four characters whose sole defining characteristic is either their race or their weight. There’s no depth given beyond that to them as an individual. The remarks dealing with weight are largely shaming and those dealing with race are stereotypical. And here’s where I’m going to take a moment to discuss the character Bong, which I feel is the most blatant insult to another race’s customs that I’ve seen in a long time.
Bong’s full name is Bong-soon Mon. Phonetically, that sounds a lot like “bong soon man.” It’s not overly obvious if you’re not familiar with Korean names, and Bong-soon is an actual name used in the drama Strong Woman Do Bong Soon. However, in this case, Everson shortens Bong-soon, which is actually the character’s name (whether it’s his first or last, I’m not sure), to Bong. Thus he makes it more of a laughing matter (really, it’s not funny), whether it’s intentional or unintentional. Usually I’m not sensitive to these types of material, but in this book the way it comes across is really bothersome and, like several other readers, I agree with the idea that this book desperately needs an edit for sensitivity. Please bear in mind that I read an arc of this book and so I’m not sure if any of these issues were addressed in the final publication.
EDIT: After speaking with the author, he explained to me that the reason he shortened the name as he did comes from personal experience with someone that had the same name, and what they went by. Everson also assured me it was not his intent to fat shame those characters. I really appreciate that he reached out to me, and feel it's important that my misconception be corrected, but not hidden.
Plotwise, I adored this book. I can’t go too much into detail without sharing spoilers, but I can say this: the Everson does have a talent for creating beautifully grisly, albeit somewhat repetitive, scenes. The bloodbath that takes place near the end of the book is a glorious gore-fest that I felt the rest of the story worked up to quite well, even if it crawled earlier on while Mike was working on the house. As for the setting, it’s well written. I liked the idea of a house next to a cemetery, and its easy to infer its age without being told: it’s too close to a turnpike to have been put there before the turnpike was built. I was, however, confused by the juxtaposition of a heavily wooded house and cemetery in close proximity to a city or town, as in my experience turnpikes usually don’t have exits between major locales. At least, not very many present-day ones do, as most of them have been converted to, or created as, a controlled-access highway, where intersecting roads tend to cross over or under so that they do not impede traffic. That said, it strikes me as weird that a single house and cemetery would have an exit from a turnpike.
So I decided to google cemeteries and turnpikes, and what did I find? Bachelor’s Grove Cemetery is an actual haunted locale found in the suburbs of Chicago. And yes, it actually is that close to a turnpike! If you like to watch Ghost Adventures, the cemetery was featured in a 2012 episode. Also, the cemetery is extremely old. Even better? Many of the ghost stories referenced in the book are actual tales surrounding the cemetery. It’s actually pretty fascinating and I wouldn’t even have known about it were it not for Everson’s book.
Overall, I did enjoy reading this book. I loved the homage to horror movies of all types, including lesser known genres. I absolutely adored the way in which some of the characters were manipulated, too. Hence why I stated early in this review that I have a love-hate relationship with it. Because of the lack of sensitivity though, and the way I was made to feel as a reader because of it (I’m overweight, after all), I can’t give it more than three skulls.
I’d like to thank the publisher and NetGalley for providing me with a free copy of this book for review.
The story involves a witch that died in 1963, a haunted house, a haunted house attraction, and a lot of characters (too many to keep track of without a notebook, actually). Hired to repair the haunted house so that guests can safely walk through it, Mike Kostner spends much of his time drinking beer and talking with the girls, Katie and Emery. At the same time, Jeanie’s been hired on as a makeup artist for the upcoming attraction and drags her boyfriend, Bong, into it. Then there’s Jillie and Ted, paranormal investigators. And then there are three other groups of people to form more members of the cast, which I found to be extremely overwhelming.
At this point in my review, I usually talk about characters and their development, what I like about them, what I don’t, etc. In this case, I can’t really do that. The only character I managed to forge any sort of emotional connection with was Jeanie, and it’s mainly sympathetic. As for the rest of the roles played, I’m largely disappointed. Why? Because there’s a severe lack of sensitivity in this novel–which has been mentioned in several other reviews. There are four characters whose sole defining characteristic is either their race or their weight. There’s no depth given beyond that to them as an individual. The remarks dealing with weight are largely shaming and those dealing with race are stereotypical. And here’s where I’m going to take a moment to discuss the character Bong, which I feel is the most blatant insult to another race’s customs that I’ve seen in a long time.
Bong’s full name is Bong-soon Mon. Phonetically, that sounds a lot like “bong soon man.” It’s not overly obvious if you’re not familiar with Korean names, and Bong-soon is an actual name used in the drama Strong Woman Do Bong Soon. However, in this case, Everson shortens Bong-soon, which is actually the character’s name (whether it’s his first or last, I’m not sure), to Bong. Thus he makes it more of a laughing matter (really, it’s not funny), whether it’s intentional or unintentional. Usually I’m not sensitive to these types of material, but in this book the way it comes across is really bothersome and, like several other readers, I agree with the idea that this book desperately needs an edit for sensitivity. Please bear in mind that I read an arc of this book and so I’m not sure if any of these issues were addressed in the final publication.
EDIT: After speaking with the author, he explained to me that the reason he shortened the name as he did comes from personal experience with someone that had the same name, and what they went by. Everson also assured me it was not his intent to fat shame those characters. I really appreciate that he reached out to me, and feel it's important that my misconception be corrected, but not hidden.
Plotwise, I adored this book. I can’t go too much into detail without sharing spoilers, but I can say this: the Everson does have a talent for creating beautifully grisly, albeit somewhat repetitive, scenes. The bloodbath that takes place near the end of the book is a glorious gore-fest that I felt the rest of the story worked up to quite well, even if it crawled earlier on while Mike was working on the house. As for the setting, it’s well written. I liked the idea of a house next to a cemetery, and its easy to infer its age without being told: it’s too close to a turnpike to have been put there before the turnpike was built. I was, however, confused by the juxtaposition of a heavily wooded house and cemetery in close proximity to a city or town, as in my experience turnpikes usually don’t have exits between major locales. At least, not very many present-day ones do, as most of them have been converted to, or created as, a controlled-access highway, where intersecting roads tend to cross over or under so that they do not impede traffic. That said, it strikes me as weird that a single house and cemetery would have an exit from a turnpike.
So I decided to google cemeteries and turnpikes, and what did I find? Bachelor’s Grove Cemetery is an actual haunted locale found in the suburbs of Chicago. And yes, it actually is that close to a turnpike! If you like to watch Ghost Adventures, the cemetery was featured in a 2012 episode. Also, the cemetery is extremely old. Even better? Many of the ghost stories referenced in the book are actual tales surrounding the cemetery. It’s actually pretty fascinating and I wouldn’t even have known about it were it not for Everson’s book.
Overall, I did enjoy reading this book. I loved the homage to horror movies of all types, including lesser known genres. I absolutely adored the way in which some of the characters were manipulated, too. Hence why I stated early in this review that I have a love-hate relationship with it. Because of the lack of sensitivity though, and the way I was made to feel as a reader because of it (I’m overweight, after all), I can’t give it more than three skulls.
I’d like to thank the publisher and NetGalley for providing me with a free copy of this book for review.
Steve Fearon (84 KP) rated Pyewacket (2017) in Movies
Sep 26, 2018
This film doesn't know WITCH film it wants to be...
Pyewacket is a witchy teen angst film, that feels a bit like it wanted to be Ginger Snaps for witches, following the life of a teen girl whose father has recently died, and whose mother is not dealing well with the new reality.
Against her protestations, her mother moves them to a house in the woods, and away from her school and friends and after a heated exchange, the daughter decides to perform a dark ritual in the woods.
The crux of the film is that she later regrets the decision and is haunted by ghostly presences in the house that she suspects are the result of her ritual.
The whole film feels out of time, as if it were a late 90's early 2000's teen horror, with the majority of time spent exploring teen angst and cringey cliched subculture banter, rather than really tyring to ramp up any tension or scare the viewer.
At no point is a bad film, but it is trying to walk the line between genuine horror and that sort of 'The Craft' style teen culture movie, and it just doesnt seem to really nail either.
Its not bad, its not great, its just ok.
Against her protestations, her mother moves them to a house in the woods, and away from her school and friends and after a heated exchange, the daughter decides to perform a dark ritual in the woods.
The crux of the film is that she later regrets the decision and is haunted by ghostly presences in the house that she suspects are the result of her ritual.
The whole film feels out of time, as if it were a late 90's early 2000's teen horror, with the majority of time spent exploring teen angst and cringey cliched subculture banter, rather than really tyring to ramp up any tension or scare the viewer.
At no point is a bad film, but it is trying to walk the line between genuine horror and that sort of 'The Craft' style teen culture movie, and it just doesnt seem to really nail either.
Its not bad, its not great, its just ok.
No Time for Goodbye
8.6
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A reissue of Linwood Barclay's brilliant first thriller - the fastest-selling Richard & Judy title...
Halloween Party Murder
Barbara Ross, Leslie Meier and Lee Hollis
8.0
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Small town traditions are celebrated throughout Maine during the holiday season. But when it comes...
Darren (1599 KP) rated Within (2016) in Movies
Oct 24, 2019
Characters – John is the father of the house, we know he has been on hard times and this house is all he can afford for his family. He does love both his wife and daughter and is trying to teach his daughter a lesson after her mistakes have led them to this location. Hannah is his daughter of John that has been getting herself in trouble which caused the move, she is grounded and is the first one to notice the strange events around the house. Melanie is the new wife and step-mother to Hannah, she doesn’t do much beyond the normal, which is mostly trying to be the best friend in her time of need. Ray is the creepy neighbour that offers to help change the locks, less we say about him the better.
Performances – When we look at the performances in this film we must be praising Erin Moriarty as she is excellent in her role, the weaknesses come from the parental characters, Michael Vartan and Nadine Velazquez who both don’t seem to do much with their roles in the film.
Story – The story here follows the family that move into a new home only to start seeing strange things happening and we fall in the, ‘creepy person living in the attic’ sub-genre, which is one that I feel is getting tiresome, there is only so much you can do while telling this story and if we are being honest we have seen it done on better levels before. The build up follows the checklist and by the end of the film the story just feels like it is trying to hard to be different, rather than good.
Horror – The horror in the film comes from the idea that someone could be living in your house, it is an easy idea for because being haunted in your own home should be working, though this misses the tension required for the film.
Settings – The film is set entirely inside the one house, which is all we need as this keeps the film contained for the maximum levels of horror, even if they don’t use it well.
Special Effects – The effects for the most part are good with the kills looking extra brutal when they hit.
Scene of the Movie – The first meeting of David.
That Moment That Annoyed Me – We have seen this too much.
Final Thoughts – This is a by the books horror that doesn’t test the audience enough, it has an easy out which doesn’t get used at all, though the killer does look creepy throughout.
Overall: Been here seen this.
Performances – When we look at the performances in this film we must be praising Erin Moriarty as she is excellent in her role, the weaknesses come from the parental characters, Michael Vartan and Nadine Velazquez who both don’t seem to do much with their roles in the film.
Story – The story here follows the family that move into a new home only to start seeing strange things happening and we fall in the, ‘creepy person living in the attic’ sub-genre, which is one that I feel is getting tiresome, there is only so much you can do while telling this story and if we are being honest we have seen it done on better levels before. The build up follows the checklist and by the end of the film the story just feels like it is trying to hard to be different, rather than good.
Horror – The horror in the film comes from the idea that someone could be living in your house, it is an easy idea for because being haunted in your own home should be working, though this misses the tension required for the film.
Settings – The film is set entirely inside the one house, which is all we need as this keeps the film contained for the maximum levels of horror, even if they don’t use it well.
Special Effects – The effects for the most part are good with the kills looking extra brutal when they hit.
Scene of the Movie – The first meeting of David.
That Moment That Annoyed Me – We have seen this too much.
Final Thoughts – This is a by the books horror that doesn’t test the audience enough, it has an easy out which doesn’t get used at all, though the killer does look creepy throughout.
Overall: Been here seen this.
Charlie Cobra Reviews (1840 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Jul 7, 2020
A New Take On Classic Story Horror
Scary Stories To Tell In The Dark is a 2019 horror movie directed by Andre Ovredal, with screenplay adapted by Dan and Kevin Hageman, from a screen story by producer Guillermo Del Toro, Patrick Melton and Marcus Dunstan. It's based on the children's book series by Alvin Schwartz and produced by CBS Films, Entertainment One, 1212 Entertainment, Double Dare You Productions and Sean Daniel Company, and distributed by Lionsgate. The film stars Zoe Colletti, Michael Garza, Gabriel Rush, Austin Zajur and Natalie Ganzhorn.
Three teenagers in the small town of Mill Valley, Pennsylvania, Stella (Zoe Colletti), Auggie (Gabriel Rush) and Chuck (Austin Zajur) incur the wrath of school bully Tommy Millner after playing a prank. They are chased by him and saved by a drifter named Ramon (Michael Garza) who let's them into his car. The group including Ramon explore a haunted house belonging to the Bellows, founders of the town, Inside of a secret room belonging to the Bellows' daughter Sarah, they find a book of scary stories written by her. After taking the book with them, they start to believe that there is more to the rumors about the house being haunted when stories in the book appear to happen in real life.
This movie was actually pretty good. I thought it could have been scarier but I think it was done well for being rated PG-13. Of course, I'm old enough to remember the books and they were really creepy, especially the illustrations. The movie was good at building suspense, and being creepy. I really liked the characters and felt that they were likeable and had a little something for everyone in how they were relatable. The character development could have been better for sure but the creature effects were spot on. The Monsters were definitely awesome and I like the way the made it an anthology movie without it actually being an anthology. It was pretty unique in that way and I can see how a sequel could work if it's financially successful enough to warrant one. I give this movie a 7/10.
Three teenagers in the small town of Mill Valley, Pennsylvania, Stella (Zoe Colletti), Auggie (Gabriel Rush) and Chuck (Austin Zajur) incur the wrath of school bully Tommy Millner after playing a prank. They are chased by him and saved by a drifter named Ramon (Michael Garza) who let's them into his car. The group including Ramon explore a haunted house belonging to the Bellows, founders of the town, Inside of a secret room belonging to the Bellows' daughter Sarah, they find a book of scary stories written by her. After taking the book with them, they start to believe that there is more to the rumors about the house being haunted when stories in the book appear to happen in real life.
This movie was actually pretty good. I thought it could have been scarier but I think it was done well for being rated PG-13. Of course, I'm old enough to remember the books and they were really creepy, especially the illustrations. The movie was good at building suspense, and being creepy. I really liked the characters and felt that they were likeable and had a little something for everyone in how they were relatable. The character development could have been better for sure but the creature effects were spot on. The Monsters were definitely awesome and I like the way the made it an anthology movie without it actually being an anthology. It was pretty unique in that way and I can see how a sequel could work if it's financially successful enough to warrant one. I give this movie a 7/10.
Rebecca Billcliff (2409 KP) rated the PC version of The Sims 3 in Video Games
Jan 25, 2020
The "motherload" of games
Like many people, I have lost countless hours to this game. Spending my time living the lives of made up people instead of living my own. And yet, how I miss it!
Ruby Stone, explorer of tombs, rider of horses, collector of crap. High fitness level, but bust, but a bit of a loner.
Just how much time I wasted waiting for Egypt to load so I could cram in as much tomb raiding before the vacation need, it is impossible to tell. But what I do know, is if I had the time these days, I would do it all again.
Why?
Because reality sucks!
Soothing my anger with the creation of a haunted mansion, by killing all the residents in a house fire by putting them all in a room with several open fireplaces, rugs everywhere, and removing all the doors and windows. Or getting someone into the pool and taking away the ladder.
Ahhh, the cheapest therapy there is.
Ruby Stone, explorer of tombs, rider of horses, collector of crap. High fitness level, but bust, but a bit of a loner.
Just how much time I wasted waiting for Egypt to load so I could cram in as much tomb raiding before the vacation need, it is impossible to tell. But what I do know, is if I had the time these days, I would do it all again.
Why?
Because reality sucks!
Soothing my anger with the creation of a haunted mansion, by killing all the residents in a house fire by putting them all in a room with several open fireplaces, rugs everywhere, and removing all the doors and windows. Or getting someone into the pool and taking away the ladder.
Ahhh, the cheapest therapy there is.
Shirley Jackson: A Rather Haunted Life
Book
Instantly heralded for its "masterful" and "thrilling" portrayal (Boston Globe), Shirley Jackson...
Hollywood Death and Scandal Sites: Seventeen Driving Tours with Directions and the Full Story
7.0
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For over 100 years, people have been drawn to sites of tragedy involving the rich, beautiful, and...
Acanthea Grimscythe (300 KP) Feb 1, 2019
Heather Cranmer (2721 KP) Feb 1, 2019