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The Heresy of Dr Dee
Book
All talk is of the End-time...and the dead are rising. At the end of the sunless summer of 1560,...
CC
Creepy California: Strange and Gothic Tales from the Golden State
Book
Beneath California's scenic landscape lies a strange and dark side, full of spine-tingling tales and...
Wakenhyrst
8.6
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Description Product Description A Times Best Book of 2019. 'Paver is one of Britain's modern...
Michelle paver Wakenhyrst
Ramses the Damned: The Passion of Cleopatra
Anne Rice and Christopher Rice
7.7
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Ramses the Great, former pharaoh of Egypt, is reawakened by the elixir of life in Edwardian England....
Lessons
10.0
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While the world is still counting the cost of the Second World War and the Iron Curtain has...
WW2 Post war Germany Post War UK Relationships Literary Fiction Historical Fiction
Mitchell Manor
10.0
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Mitchell Manor is a place that holds a lot of secrets. The Mitchells were one of the most...
mystery paranormal mystery
ClareR (5726 KP) rated The Whistling in Books
Aug 3, 2023
Elspeth Swansome is escaping her past in Edinburgh and taking up a post as a nanny on the remote Scottish island of Skelthsea (it’s fictional, but I would really want to visit it if it was real!).
Elspeth is going to nanny Mary, a child who is clearly suffering from trauma. Her twin, William, is dead and her former nanny has disappeared. Elspeth is told that if she can’t get Mary to talk, she will be institutionalised.
I loved this - it’s the right kind of spooky, and you can’t beat a haunted house: lullabies are sung by someone who isn’t there, poppets keep appearing in random rooms, and whistling can be heard at night. It all added up to a book that sent shivers down my spine!
The characters were sometimes likeable, menacing, disconcerting and some most definitely had something to hide!
I listened to this on Audible, and the narrator, Lois Chimimba, kept me glued to my headphones. Her different accents were all spot on, and helped me to tell the different characters apart. I was never confused as to ‘who’ was speaking.
The tension built and built to the climactic ending - a truly delicious ghost story!
Elspeth is going to nanny Mary, a child who is clearly suffering from trauma. Her twin, William, is dead and her former nanny has disappeared. Elspeth is told that if she can’t get Mary to talk, she will be institutionalised.
I loved this - it’s the right kind of spooky, and you can’t beat a haunted house: lullabies are sung by someone who isn’t there, poppets keep appearing in random rooms, and whistling can be heard at night. It all added up to a book that sent shivers down my spine!
The characters were sometimes likeable, menacing, disconcerting and some most definitely had something to hide!
I listened to this on Audible, and the narrator, Lois Chimimba, kept me glued to my headphones. Her different accents were all spot on, and helped me to tell the different characters apart. I was never confused as to ‘who’ was speaking.
The tension built and built to the climactic ending - a truly delicious ghost story!
5 Minute Movie Guy (379 KP) rated Scary Stories to Tell in the Dark (2019) in Movies
Sep 16, 2019
In the early 1980s, author Alvin Schwartz created a book of short horror stories titled Scary Stories to Tell in the Dark that would go on to terrorize a whole generation of curious young readers. Combined with its morbid and ghastly illustrations by artist Stephen Gammell, the book would serve as an introduction to horror for many. Over the next ten years, Schwartz wrote two more books in the Scary Stories series, and now, nearly forty years later, it has finally been adapted into a major motion picture. Produced by Academy Award-winning director Guillermo Del Toro and directed by André Øvredal, the Scary Stories to Tell in the Dark film constructs a new narrative around several of the iconic short stories from the book series, and brings them to life to haunt the movie’s teenage characters.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
In Mill Valley, Pennsylvania in 1968, a group of teenage friends fleeing from a band of bullies hide out in an abandoned haunted house on Halloween night. They know the story of this house well, whose folklore is rooted in the origins of their own small town. It was once owned by the wealthy Bellows Family, who according to urban legend, locked away their own daughter, Sarah Bellows, inside the cellar of their home. Sarah had been accused of killing the town’s children, and so her family kept her hidden away and attempted to erase her from existence, even removing her from their own family portraits. According to legend, Sarah wrote a book of horror stories and would read them aloud through the walls of her room to frighten the local townspeople.
While inside this haunted house, our group of protagonists; Stella (Zoe Colletti), Ramón (Michael Garza), Auggie (Gabriel Rush), and Chuck (Austin Zajur), discover the room Sarah had spent her life trapped in. Stella, an amateur horror writer herself, finds the rumored book that was written by Sarah. Upon opening it she sees that a new page is somehow being written in blood right before her very eyes, and it happens to be about the bully that chased them into the house. The next day, they realize that it seems as though the story actually came true, and that the book itself may be haunted. This establishes the basic premise of the film, in which new stories are being written in the book and they appear to be targeting Stella and everyone else that entered the Bellows’ house that night.
It’s an interesting set-up that cleverly mixes horror with mystery, as the characters are not only trying to survive these stories as they come to life, but are also trying to figure out how to stop them from happening. The film features five different stories from the series, most of which come from the third and final book, and a sixth story centered around Stella and Sarah Bellows that is at least in part inspired by one of the original tales. To give an example without giving too much away, one story for instance, involves a haunted scarecrow, whereas another is about a walking corpse in search of its severed big toe. The stories themselves are much more dark and grotesque than I had anticipated. I was expecting something more along the lines of Goosebumps, which was a series of children’s horror books that I personally loved and grew up with as a child, but these are much more disturbing than that. While I only found the first story of the film, “Harold”, to actually be scary, I do imagine this movie might be a little too frightening for some teenagers.
I should clarify that I’m not familiar with the original written source material of Scary Stories to Tell in the Dark, and I had truthfully never even heard of the books prior to the movie’s announcement. I don’t have any personal stake in these stories, but I do admire the thoughtfulness and creativity that went into building the film around them. I thought the film started out really strong with a likable cast of characters, and with most of its best moments featured early on. I loved the introduction to the haunted house and the legend of the Bellows Family. I enjoyed the playful nature of our group of young protagonists, who in the beginning felt reminiscent of the fun and crazy kids you might find in an 80s movie like The Goonies. Additionally, I liked the mystery of Sarah Bellows that the kids were trying to uncover, all the while struggling to survive the dangers of her haunting stories that had come to life.
Unfortunately, as the movie went on, I found myself less and less invested in it with each passing story, all of which I would argue are weaker than the previous one before it. The Pale Lady storyline was particularly dull and underwhelming. The final act itself, although smartly designed with its use of parallels, wound up feeling poorly executed and unsatisfying overall.
Similarly, in regards to the acting, I liked the performances even less by the end as well. Early on I had been impressed with Zoe Colletti as Stella, but I found her to be annoying in the later parts of the movie. The same goes for Austin Zajur as Chuck. The cast for the most part was decent, but everything about the movie began to drop in quality as it dragged on, which is especially unfortunate given how well it starts out.
The special effects are mostly quite good and adequately disturbing, but on the same token, I wish they were more clearly visible at times. A lot of the horror settings take place in dark rooms, so at times it can be hard to see the monsters with much clarity. Still, I love the design of Harold the Scarecrow, as well as The Jangly Man, who is played by contortionist Troy James whose extreme flexibility allows the character to move in unnatural and disturbing looking ways.
To conclude, I’m left with some mixed feelings on Scary Stories to Tell in the Dark. For me, it almost hits the mark, but unfortunately it isn’t a movie that I think I’d bother to watch again. It made a solid first impression with its rich atmosphere and creepy first act, but it failed to maintain its momentum and level of quality. In the end, my favorite thing about the whole movie is actually the excellent cover song of “Season of the Witch” by Lana Del Rey that plays during the credits. However that’s not in any way to say the movie is so bad that the credits were my favorite part. It’s just a great song by an artist I very much enjoy. If you grew up with the Scary Stories to Tell in the Dark series, then by all means, I recommend that you at least check it out. If you like horror and have any troublesome teenaged kids, this may be a perfect opportunity to have some fun scaring the heck out of them.
Lou Grande (148 KP) rated The Grip of It in Books
Jul 9, 2018
I knew going into The Grip of It that it wasn't going to be "flashy" horror. It was marketed as a literary horror book and was compared to Turn of the Screw and House of Leaves. Now, I don't think it wasn't as good as those books, but I didn't think it was as bad as everyone says, either. The ending is fairly ambiguous, but that doesn't mean it's bad; in fact, I thought the horror grew out of the tension between the husband and wife, James and Julie. The premise is rooted in a possibly haunted house, but the couple moves to get a fresh start from James's gambling addiction. So already the couple is on unsteady ground. The tension builds as the weirdness starts to become more intense. There comes a twist towards the end of the book that might have been disappointing to some.
The Grip of It is excellently written. The changes of perspective between the husband and wife (which usually coincide with the end of a chapter, but stop following a pattern as the book goes on), give the reader a sense that James and Julie, while at odds with each other, are really more similar than different--but they don't know it. The terror here comes from the fact that no matter how well you think you know someone or how much you love them, their mind is ultimately a mystery. As the couple comes to realize this, they have no choice but to accept this or separate. And maybe it's better to follow your spouse into insanity than to live alone.
The Grip of It is excellently written. The changes of perspective between the husband and wife (which usually coincide with the end of a chapter, but stop following a pattern as the book goes on), give the reader a sense that James and Julie, while at odds with each other, are really more similar than different--but they don't know it. The terror here comes from the fact that no matter how well you think you know someone or how much you love them, their mind is ultimately a mystery. As the couple comes to realize this, they have no choice but to accept this or separate. And maybe it's better to follow your spouse into insanity than to live alone.
