Smashbomb

"I discovered his music through a friend in Paris, Armelle Pioline, who used to be in a very good French group called Holden. They were very singular, and quite similar to Stereolab, actually: very poetic. And anyway she had worked with quite a lot of French people and she introduced me to a scene of French musicians that were kind of successful in their field but that I had never really explored. Bertrand Belin had a sort of hit in his own world called 'Hypernuit' and that song really shattered me. It had such depth: it was kind of a ray of light into a deep darkness. It's a little bit spooky, but incredibly poetic and haunting. It's the kind of tune you can't really put your finger on. It's kind of diffused but it creates a beautiful picture with touches of darkness and light. I'm very attracted to this type of songwriting; there's a singularity in the writing that I love very much. For me the hit on this particular album is 'La Mot Juste'. Pretty much everyone who's been through my kitchen I've played this record to, and they've all flashed on it: what's this? They've taken the name and really showed interest. It resonates; there's a deep resonance with the beauty of it. I'm not particularly a big fan of Bertrand's voice, which a lot of people seem to go for, but certainly the songwriting and the lyrics are quite sharp. He's also an author: he writes books. And the production on the record is very beautiful. It's 'La Mot Juste': the just instruments, the just notes, the just amounts of whatever it took. I like that. There's no excess, no fat. It's what it is. I love it."

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Kristy H (1252 KP) rated Dear Child in Books

Oct 29, 2020

Dear Child

Romy Hausmann | 2020 | Crime, Philosophy, Psychology & Social Sciences, Thriller

8.0

(4 Ratings)

Book Rating

Lena Beck disappeared fourteen years ago--a carefree student who simply vanished without a trace. Since then, her father, Matthias, and her mother have waited for any news about their daughter's whereabouts. Then, they receive a call: a woman has been found after an accident. She's in the hospital and a young girl, Hannah, presumably her daughter, is with her. From Hannah, we learn that Lena and Hannah were living in a cabin, basically unknown and cutoff from the outside world.

"He creates day and night. Like God."

This book was quite the ride! I couldn't put this one down. It was eerily reminiscent of Wendy Walker's Don't Look For Me, which I just read, and of course, Room, as everyone has mentioned. It's utterly captivating; I read it over the course of about 24 hours. The story is told from the perspective of Hannah, who has her own unique voice (that's putting it mildly); the woman known as Lena; and Matthias. Together, they tell us a creepy and often heartbreaking tale, going back in time to the cabin, as well as present day in the hospital.

I won't go too in-depth, because it's best to go in to this one blind. I will say that it's easy to get caught up in the characters, particularly Lena, and Hannah, in a sort of spellbinding way. I was mesmerized by their stories and totally enjoyed that I didn't guess the outcome. I thought this was going to be a 4.5-star read, but the ending wound up being a little crazy. It came on suddenly and just seemed a bit jarring.

Still, if you're looking for an eerie and compelling read--told by some original and haunting voices--you'll enjoy DEAR CHILD. 4 stars.

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LeftSideCut (3776 KP) rated Krampus (2015) in Movies

Dec 15, 2020

Krampus (2015)

2015 | Comedy, Horror

7.5

(26 Ratings)

Movie Rating

Krampus is an absolute gem of a Christmas movie. It manages to pack in a bit of festive spirit, whilst simultaneously being a fun-as-hell horror ride, and has enough strikingly creepy imagery, ensuring it satisfies horror fans, and potentially a slightly younger audience at the same time.

The first third is sort of a comedy, as the characters are introduced against the familiar backdrop of having the dreaded experience of extended family over for the holidays. The cast are all great - Adam Scott, David Koechner, Allison Tolman, Conchata Ferrell and Krista Stacker all carve out personas with their own unique traits, and all do it in a relatble manner. The shining star is of course Toni Collette, who just manages to be fantastic in everything she's in, even a silly comedy horror like Krampus. The kid actors are great as well, especially Emjay Anthony as lead character Max.

When the horror starts to unfold, it's executed in a sort of gateway-horror style. It's fun enough to appeal to a younger audience as mentioned, but still has creepy moments. For instance, when the titular Krampus is first glimpsed, bounding across rooftops in a blizzard, it's a striking visual that manages to be quite haunting. The whole aesthetic is fantastic, festive one minute, dark and cold the next, with an almost Nightmare Before Christmas look to all of the monsters. Krampus himself looks horrifying when he is finally revealed in all his demonic yuletide glory. There's also an incredibly charming animated segment around the midway point that just adds even more to the overall experience.

If you're looking for an alternative Christmas movie, then you can do a lot worse than Krampus. It's hugely entertaining and memorable, and just a good time all round, and the best movie to include a scene involving murderous gingerbread men (sorry Gingerbread Man...)

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The Room Three

Games

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***WARNING: DUE TO HEAVY GRAPHICS REQUIREMENTS, THE ROOM THREE IS NOT COMPATIBLE WITH IPAD 1, IPHONE...

Crowman & Wolfboy

Games

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"The perfect union of a platformer and an endless runner" - IGN Italy (8.5/10) "I really can’t...

Heather Cranmer (2721 KP) created a post

May 28, 2020

"A highly interesting read that will leave you hooked on each and every word."

Stop by my blog, and read my review for the fascinating historical fiction novel STORMS OF MALHADO BY Maria Elena Sandovici. Enter the GIVEAWAY to win a SIGNED copy of the book!

https://alltheupsandowns.blogspot.com/2020/05/book-blog-tour-and-giveaway-storms-of.html

**BOOK SYNOPSIS**
Galveston Island, Texas, September 2008

Katie doesn’t believe in ghosts. And she certainly doesn’t believe the rumors that her family’s home is haunted, despite its tragic history: two young women who lived there in different eras died in hurricanes—one during Hurricane Carla in 1961, one during the Great Storm of 1900, the greatest natural disaster to befall the United States. But that was the past, a fact Katie reminds herself of when she returns to Galveston to await Hurricane Ike with her parents and boyfriend in her family’s Broadway mansion, hoping to rekindle her flailing relationship.

While Katie is not afraid of the ghost stories she’s heard, she is afraid of the monster storm approaching. As even die-hard Islanders evacuate, her fears grow—fear of the looming hurricane, fear that she’s talentless as a painter, fear that her relationship with her boyfriend is already over. As Katie struggles against her fears, the past whispers to her of the women who died there and the haunting similarities they share with Katie’s own life.

Through three different timelines, Storms of Malhado weaves a story of Galveston’s past, underscoring its danger and isolation, as well as its remarkable resilience, and its capacity for both nostalgia and reinvention. Full of contradictions, at once insular and open to the world, Galveston Island is as much a character of the novel as Katie, Suzanne, Betty, their lovers, and their confidantes.