Search
Search results
Gareth von Kallenbach (980 KP) rated Thank You for Your Service (2017) in Movies
Jul 11, 2019
The words “Thank you for your service” have gone from a meaningful statement of gratitude to an empty platitude. As a veteran, I cringe when someone says it to me when buying groceries, at the gym, or at an event where there is a casual reference to veterans. The film Thank You For Your Service examines the lives of those affected by the war directly and indirectly. In the movie, Miles Teller (Whiplash, War Dogs, Fantastic Four) plays Staff Sergeant Schumann, an Iraq War vet who is returning to his family and hoping to return to some sense of normalcy. Unfortunately, he and his friends discover that the war and the horrors that they witnessed cannot be escaped.
Thank You For Your Service is able to address an aspect of war that many films overlook; how the men and women who are deployed changed by their experiences. Additionally, it tackles the questions of how their families cope with the changes to them, how they go about living a normal existence, and how people understand how they are harmed by war without any visible injuries?
The film is a testament to the men and women suffering from Post Traumatic Stress Disorder (PTSD). It doesn’t sugar-coat or trivialize their experiences. The emotions are raw. The visual representation of their daily terror is present. With depth, the film shows audiences who may be unfamiliar with veterans or those suffering from PTSD what the world really looks like to them and how they struggle with just existing.
The film takes the statement of “Thank you for your service” and gives it greater meaning in able to connect the problems inherent in the military, healthcare system, and how we as a society view mental health. The film allows for an authentic examination of what servicemembers deal with in their return home from war. It becomes apparent that they themselves may be able to leave the battle, but the battle stays with them, tormenting and haunting them as each day passes. The war they face never ceases. Thank You For Your Service will hopefully help foster substantive discussions about what many men and women deal with in their return from the horrors of war.
Thank You For Your Service is able to address an aspect of war that many films overlook; how the men and women who are deployed changed by their experiences. Additionally, it tackles the questions of how their families cope with the changes to them, how they go about living a normal existence, and how people understand how they are harmed by war without any visible injuries?
The film is a testament to the men and women suffering from Post Traumatic Stress Disorder (PTSD). It doesn’t sugar-coat or trivialize their experiences. The emotions are raw. The visual representation of their daily terror is present. With depth, the film shows audiences who may be unfamiliar with veterans or those suffering from PTSD what the world really looks like to them and how they struggle with just existing.
The film takes the statement of “Thank you for your service” and gives it greater meaning in able to connect the problems inherent in the military, healthcare system, and how we as a society view mental health. The film allows for an authentic examination of what servicemembers deal with in their return home from war. It becomes apparent that they themselves may be able to leave the battle, but the battle stays with them, tormenting and haunting them as each day passes. The war they face never ceases. Thank You For Your Service will hopefully help foster substantive discussions about what many men and women deal with in their return from the horrors of war.
Andy K (10823 KP) rated Psycho (1960) in Movies
Sep 30, 2019
Most Hollywood scholars and film critics agree Vertigo is the ultimate Hitchcock masterpiece with Psycho, North By Northwest or Rear Window rounding out the top 4. Although I would give each a 10 out of 10, I would say Psycho is probably my all time favorite.
Maybe you could say Vertigo is a better technical film or it uses camera, lighting, sets and scenery better, but Psycho has all of that as well and then some. I remember reading somewhere a list of movies where mid way through the film the plot was hijacked in a completely different direction than it had been going (for movies like From Dusk Till Dawn and True Lies), but Psycho was not listed.
I was extremely surprised in that by 1960, how many filmmakers would dare kill off their only main character and the only one the audience cares about partially through and leave the audience gasping as what was to happen next? I wish I had been sitting in a darkened theatre in 1960 to see just that. Working at movie theatres for years, I have had my share of watching crowd reaction both in laughter and in fear, and I can see how movie makers enjoy doing this themselves for their own films.
Great movies keep you coming back even though you are completely familiar with every detail already, but still come back to rewatch anyways.
I have to assume Anthony Perkins did too good of a job as Norman Bates to have any casting directors use him for different roles. He reprised Norman, several times in the 80s and 90s, and also had roles in other films like The Black Hole and Murder on the Orient Express, but no one really remembers him for anything other than Psycho. He was just that great.
I absolutely love the Bernard Herrmann score, especially over the haunting opening credit sequence. One of the best of all time. Have to mention Janet Leigh also won an Oscar for Best Supporting Actress. She was memorable and marvelous as well.
And Hitch never won Best Director.
Maybe you could say Vertigo is a better technical film or it uses camera, lighting, sets and scenery better, but Psycho has all of that as well and then some. I remember reading somewhere a list of movies where mid way through the film the plot was hijacked in a completely different direction than it had been going (for movies like From Dusk Till Dawn and True Lies), but Psycho was not listed.
I was extremely surprised in that by 1960, how many filmmakers would dare kill off their only main character and the only one the audience cares about partially through and leave the audience gasping as what was to happen next? I wish I had been sitting in a darkened theatre in 1960 to see just that. Working at movie theatres for years, I have had my share of watching crowd reaction both in laughter and in fear, and I can see how movie makers enjoy doing this themselves for their own films.
Great movies keep you coming back even though you are completely familiar with every detail already, but still come back to rewatch anyways.
I have to assume Anthony Perkins did too good of a job as Norman Bates to have any casting directors use him for different roles. He reprised Norman, several times in the 80s and 90s, and also had roles in other films like The Black Hole and Murder on the Orient Express, but no one really remembers him for anything other than Psycho. He was just that great.
I absolutely love the Bernard Herrmann score, especially over the haunting opening credit sequence. One of the best of all time. Have to mention Janet Leigh also won an Oscar for Best Supporting Actress. She was memorable and marvelous as well.
And Hitch never won Best Director.
Fatherland by Kele Okereke
Album Watch
On his third solo effort, Bloc Party frontman Kele Okereke made a sharp turn away from the...
rock pop
SpiderBeetleBee by Bill MacKay
Album Watch
Drag City presents the second volume of Bill MacKay and Ryley Walker's inspired collaboration. It's...
folk rock
IN///PARALLEL by Dhani Harrison
Album Watch
Grammy Award winning musician Dhani Harrison’s first solo album IN///PARALLEL. Dhani describes...
alternative
Lyndsey Gollogly (2893 KP) rated Taste the Dark ( Elwood Legacy book 1) in Books
Mar 2, 2022
38 of 230
Kindle
Taste the Dark ( Elwood Legacy book 1)
By Nicola Rose
⭐️⭐️⭐️⭐️
I never meant to fall for another bad boy... let alone two.
My name is Jess. I don't know what I am, with my random magical outbursts, but I do know that getting tangled up with deliciously deadly vampire brothers is going to get me in trouble.
There’s Zac — brooding and mesmerizing. Tormented by an ancient legacy he refuses to fulfill. Fighting the darkness within, balancing on the line between light and dark, living in the grey of morality. Drawn to my blood with ravenous need thanks to a fated sanguine bond.
Then there’s Alex —disarmingly playful, evil wrapped up in a pretty package. Zero boundaries. Takes what he wants, when he wants. Crawling under my skin like an unwelcome itch that I need to scratch.
Never one to shy from adventure, I find myself right in the middle of their century-long feud. Zac’s touch feels like the very thing I’ve spent my life chasing. But if he’s so right for me, what is this haunting desire that burns inside for Alex?
With everyone against us, from the ruthless vampire government, vampire hunters, and even our own friends — will I even come out of this alive? Just how far will my insatiable appetite for all things dark and dangerous take me?
2 vampire brothers at war enter a human girl and a new toy to fight over! Sound familiar? The big difference between them and this was Jess and omg she is one sassy,bitchy,slutty, crazy bitch and absolutely brilliant! I did wander at half way whether the story was going down a road of whinny relationship crap but nope! It was pulled back. I always measure a book on how it makes me feel at the time and this had me caught up in all the emotions at one point or another. One of the better vampire books I’ve read in a while. If you’re looking for smutty vampire action this is the book for you.
Kindle
Taste the Dark ( Elwood Legacy book 1)
By Nicola Rose
⭐️⭐️⭐️⭐️
I never meant to fall for another bad boy... let alone two.
My name is Jess. I don't know what I am, with my random magical outbursts, but I do know that getting tangled up with deliciously deadly vampire brothers is going to get me in trouble.
There’s Zac — brooding and mesmerizing. Tormented by an ancient legacy he refuses to fulfill. Fighting the darkness within, balancing on the line between light and dark, living in the grey of morality. Drawn to my blood with ravenous need thanks to a fated sanguine bond.
Then there’s Alex —disarmingly playful, evil wrapped up in a pretty package. Zero boundaries. Takes what he wants, when he wants. Crawling under my skin like an unwelcome itch that I need to scratch.
Never one to shy from adventure, I find myself right in the middle of their century-long feud. Zac’s touch feels like the very thing I’ve spent my life chasing. But if he’s so right for me, what is this haunting desire that burns inside for Alex?
With everyone against us, from the ruthless vampire government, vampire hunters, and even our own friends — will I even come out of this alive? Just how far will my insatiable appetite for all things dark and dangerous take me?
2 vampire brothers at war enter a human girl and a new toy to fight over! Sound familiar? The big difference between them and this was Jess and omg she is one sassy,bitchy,slutty, crazy bitch and absolutely brilliant! I did wander at half way whether the story was going down a road of whinny relationship crap but nope! It was pulled back. I always measure a book on how it makes me feel at the time and this had me caught up in all the emotions at one point or another. One of the better vampire books I’ve read in a while. If you’re looking for smutty vampire action this is the book for you.
The Sexy Seven Supernaturals
Book
Seven haunting tales of women, young female adults, and an adolescent girl whose lives change...
Fiction Short Stories Fantasy Paranormal Erotica
Haley Mathiot (9 KP) rated The Ghost, the Eggheads, and Babe Ruth's Piano in Books
Apr 27, 2018
THE GHOST, THE EGGHEADS, AND BABE RUTH’S PIANO
By Larry Sweitzer
Genre: YA Fiction
Rating: 4.5/5
Freddie is a nerd, and he likes it that way. He keeps his grades up, he holds honors positions at his school, and he studies hard. But he’s only second best. Tony is his rival, and Tony is always putting him down. Tony and Freddie both go to Camp Mason over the summer, where Billy Mason died many years ago. Supposedly, there’s a ghost haunting the camp, but nobody has ever seen him.
Freddie is desperately trying to do three things: one, keep Tony from winning the scholarship at the end of the camp, two, find out about the ghost, and three, get a little closer to his crush, Ginny. But there are plenty of things stopping Freddie. How is he going to solve the mystery, win the scholarship competition, and put together sentences that make sense when he talks to Ginny?
The Ghosts, the Eggheads, and Babe Ruth’s Piano was hilarious. I enjoyed this story immensely! The story had the perfect amount of adventure, romance, tension, comic relief, and baseball. Now I’m not really Red Sox fan like Freddie is, but I now have a healthy respect for baseball. The cool part is, the baseball parts weren’t boring to me because of the way they were presented.
My favorite character was Zoe, the perky lively girl who ended up as Logan’s (Freddie’s friend) girlfriend by the end of the book (My second favorite had to be Harry Potter… Monty’s pet rat.), but I loved all the characters in this story. They had a lot of personality and were relatable and likeable (or in Tony’s case, hate-able.)
There were a lot of twists and turns that I didn’t expect! The pacing was perfect—it wasn’t too fast or too slow, and clues and keys were presented in a logical fashion. The end was totally unexpected and exciting, and got my blood racing. Freddie finally solves this mystery of how Billy died… and even though he didn’t win the scholarship competition, somehow ends up with money for college anyway.
Content: This book was wonderfully clean of everything.
Recommendation: Ages 10+, but suitable for teens as well.
**Thank you to Larry and Dorothy from Pump Up Your Book for supplying my review copy!**
By Larry Sweitzer
Genre: YA Fiction
Rating: 4.5/5
Freddie is a nerd, and he likes it that way. He keeps his grades up, he holds honors positions at his school, and he studies hard. But he’s only second best. Tony is his rival, and Tony is always putting him down. Tony and Freddie both go to Camp Mason over the summer, where Billy Mason died many years ago. Supposedly, there’s a ghost haunting the camp, but nobody has ever seen him.
Freddie is desperately trying to do three things: one, keep Tony from winning the scholarship at the end of the camp, two, find out about the ghost, and three, get a little closer to his crush, Ginny. But there are plenty of things stopping Freddie. How is he going to solve the mystery, win the scholarship competition, and put together sentences that make sense when he talks to Ginny?
The Ghosts, the Eggheads, and Babe Ruth’s Piano was hilarious. I enjoyed this story immensely! The story had the perfect amount of adventure, romance, tension, comic relief, and baseball. Now I’m not really Red Sox fan like Freddie is, but I now have a healthy respect for baseball. The cool part is, the baseball parts weren’t boring to me because of the way they were presented.
My favorite character was Zoe, the perky lively girl who ended up as Logan’s (Freddie’s friend) girlfriend by the end of the book (My second favorite had to be Harry Potter… Monty’s pet rat.), but I loved all the characters in this story. They had a lot of personality and were relatable and likeable (or in Tony’s case, hate-able.)
There were a lot of twists and turns that I didn’t expect! The pacing was perfect—it wasn’t too fast or too slow, and clues and keys were presented in a logical fashion. The end was totally unexpected and exciting, and got my blood racing. Freddie finally solves this mystery of how Billy died… and even though he didn’t win the scholarship competition, somehow ends up with money for college anyway.
Content: This book was wonderfully clean of everything.
Recommendation: Ages 10+, but suitable for teens as well.
**Thank you to Larry and Dorothy from Pump Up Your Book for supplying my review copy!**
Acanthea Grimscythe (300 KP) rated The Grip of It in Books
May 12, 2018
Here we are about a week after I finished reading The Grip of It by Jac Jemc, and I’m still not quite sure how I feel about it. I expected something a bit more horrifying and, though it certainly has a sense of urgency to it, it lacked the final answers that I enjoy so much in a haunted house novel.
The characters of The Grip of It are millennials, and apparently, we do not worry about our jobs. What I mean by this is that Julie and James, our main characters, are stereotypes to a fault and this bothers me. It bothers me because their behavior, in response to their house’s issues, does not reflect proportionately upon my generation. James more or less walks out of his job and doesn’t bother getting another one, whilst Julie shows up at her workplace inappropriately. I suppose this isn’t something that should bother me so much and might have slipped past my radar entirely if it weren’t for the blurb on the back cover of the book. If you’ve been following my blog for any length of time, you’ll know I abhor stereotypes. Especially those that do not truly represent a group of people. /rant over
The story itself isn’t horrible, but it’s not really anything new either. Most of it is driven by the style of writing. For instance, you can clearly feel the differences in Julie and James’s personalities. Julie’s point-of-view contains lots of run-on sentences and has a high-anxiety feel to it–which is the opposite of many of her actions, oddly enough. James, on the other hand, has a lackadaisical feel. As for the haunting? Little is truly revealed as to its origins and very few questions are asked, leaving this book to focus primarily on the characters and how events affect them, rather than the reality of what’s going on. In fact, one might argue that the couple is simply going mad.
I was so excited to get my hands on this books, and just as disappointed and underwhelmed when I finished reading it. I devoured each page waiting eagerly for something to really happen, but in the end I’m left with unanswered questions. This isn’t always a bad thing, but when you’re questioning the book as a whole… well that says something.
The characters of The Grip of It are millennials, and apparently, we do not worry about our jobs. What I mean by this is that Julie and James, our main characters, are stereotypes to a fault and this bothers me. It bothers me because their behavior, in response to their house’s issues, does not reflect proportionately upon my generation. James more or less walks out of his job and doesn’t bother getting another one, whilst Julie shows up at her workplace inappropriately. I suppose this isn’t something that should bother me so much and might have slipped past my radar entirely if it weren’t for the blurb on the back cover of the book. If you’ve been following my blog for any length of time, you’ll know I abhor stereotypes. Especially those that do not truly represent a group of people. /rant over
The story itself isn’t horrible, but it’s not really anything new either. Most of it is driven by the style of writing. For instance, you can clearly feel the differences in Julie and James’s personalities. Julie’s point-of-view contains lots of run-on sentences and has a high-anxiety feel to it–which is the opposite of many of her actions, oddly enough. James, on the other hand, has a lackadaisical feel. As for the haunting? Little is truly revealed as to its origins and very few questions are asked, leaving this book to focus primarily on the characters and how events affect them, rather than the reality of what’s going on. In fact, one might argue that the couple is simply going mad.
I was so excited to get my hands on this books, and just as disappointed and underwhelmed when I finished reading it. I devoured each page waiting eagerly for something to really happen, but in the end I’m left with unanswered questions. This isn’t always a bad thing, but when you’re questioning the book as a whole… well that says something.