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ClareR (5784 KP) rated The Prophets in Books

Jan 5, 2021  
The Prophets
The Prophets
Robert Jones Jr. | 2021 | Fiction & Poetry, LGBTQ+
10
10.0 (1 Ratings)
Book Rating
I’ve agonised over writing something about this. How can whatever I write possibly do this book any justice? It’s beautiful, it’s haunting and it’s terrible. I don’t mean that it’s bad-terrible. I mean that it’s a book that I wish never had to be written. What is terrible, is mans inhumanity to man.
The story centres around the slaves on the Elizabeth Plantation (also known as ‘Empty’ to the slaves), and in particular, Samuel and Isaiah. They are betrayed by the other slaves, as if by revealing their love, it will make their lives safer. Of course this is not the case, as we see when we read the chapters centred around some of the other slaves. We learn about the inhumane treatment of the slaves by their immoral white owners (or toubabs, as they are called by their black slaves). I felt that the white people in this book had a mad, mentally unhinged quality about them: after all, how else could you reconcile treating human beings worse than animals?
I found the chapters written from the African people’s perspective, as they were free then captured and imprisoned, so interesting. It made them even more real to me. These were real people (as opposed to the animals that they were seen as by the slavers) with families, traditions, lives, loves and beliefs. The scenes on board the slave ships were harrowing.
It has taken me over a week to tackle this review. This book really affected me deeply, and there were many times that I had to put the book down and walk away. Then, I would feel guilty that I had the luxury of doing just that, unlike the slaves who lived every moment of their lives as some white mans possession to do with as he saw fit.
I can’t believe that this is a debut novel. The writing is beautiful, even in the most horrific moments. The magical elements add a suggestion of hope and the indomitable spirit of these people. And the ending is just perfection. I’m sure that this book will win awards - it SHOULD win - and I’m glad that I’ve had the opportunity to read it.
Many thanks to the publisher for granting me access to this book via NetGalley. It has been a privilege to read it.
  
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Ronyell (38 KP) rated MirrorMask (2005) in Movies

Aug 4, 2020  
MirrorMask (2005)
MirrorMask (2005)
2005 | Drama, Family, Sci-Fi
9
8.0 (6 Ratings)
Movie Rating
The Mirror World of Weirdness
Now, I will admit that even though I have read many of Neil Gaiman's works, I had never heard of this movie before, until just recently and I must admit that I really enjoyed this movie a lot! What was the most interesting thing to me about this movie was that the drawings that Helena had drawn throughout the film was none other than Dave McKean's drawings, who was well known for doing a lot of the artwork for Neil Gaiman's books! I loved the way that the drawings provided a haunting and surreal atmosphere for the film as I found myself either being memorized by the imagery (the scenes with the City of Lights were beautiful) or being frightened by the imagery (the scenes with the sphinx cats really creep me out). I also loved the fact that this film is somewhat of a spiritual successor to "Labyrinth," another film from the Jim Henson Company, as both films dealt with the main character having problems with their families and once they enter another world, they have to save the people who resemble their family members from whatever dark force happens to come upon them. The actors and the actresses in this film were fantastic, with my favorite character being Valentine as he was played wonderfully by Jason Barry and he really brought so much humor to the film. I also loved Stephanie Leonidas' portrayal of Helena as she is shown to be a spunky girl who doesn't seem to be afraid of the frightening world she ends up in and it really makes me get into her character.

The only problem that I had with this film was that the story tend to get a little confusing at times to the point where I don't exactly know what is quite going on with the characters. Like for instance, the movie didn't really explain about what kind of condition Helena's mother had that caused her to go to the hospital in the first place and even though it wouldn't be a major part of the film, I still would like to know what kind of disease Helena's mother had that would be so dangerous to her health.

Overall, "Mirrormask" is a fantastic and surreal film that anyone who is a huge fan of Neil Gaiman's works or surreal movies in general will definitely enjoy for many years to come!
  
    Tengami

    Tengami

    Games and Entertainment

    (0 Ratings) Rate It

    App

    Tengami is an atmospheric adventure game set inside a Japanese pop-up book. Fold and slide the...

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DaveySmithy (107 KP) rated The Dead Zone (1983) in Movies

Dec 3, 2024  
The Dead Zone (1983)
The Dead Zone (1983)
1983 | Horror, Mystery, Sci-Fi
8
7.9 (20 Ratings)
Movie Rating Watch
A Chilling and Thoughtful Thriller
David Cronenberg’s The Dead Zone (1983) is a film that quietly lingers with you long after the credits roll. Adapted from Stephen King’s novel, it’s a rare blend of psychological horror, heartfelt drama, and supernatural thriller that doesn’t rely on cheap scares to grip its audience. Instead, it uses its haunting premise, a strong central performance by Christopher Walken, and Cronenberg’s understated direction to craft a deeply unsettling exploration of fate, morality, and the burden of knowing the future.

The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).

Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.

Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.

However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.

Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.