"Here’s a great double bill: watch this film with its haunting original score by Georges Auric, then again as a Philip Glass opera. (Thank you, Criterion, for including both tracks.) This Cocteau-Marais collaboration still intoxicates. Not since Sternberg had a director put his star (also his lover) on such luminous display."

"Agoraphobia, colonialism, trespass and gravity of sacred spaces, and a haunting portrayal of institutionalized abuse. I truly love how this film has become such a potent part of the fashion canon, via those pretty white dresses in afternoon sunlight. That golden light! And the subterranean hum in the sound design is perfect."

"My favorite of Flann O’Brien’s novels, although I love At-Swim-Two-Birds. Profound, haunting, mystical and utterly hilarious. The bizarre narrative is accompanied by an eccentric parallel saga about something obscure called The De Selby Codex, a red herring that gradually grows in quantity until it all but obscures the main story."

"Everything about this novel is poetic. From the ripe symbolism and haunting telling of true love, to witnessing the true liberation of a woman who has led a life dictated by societal pressures. The story of Janie is both insanely specific to her life and also a statement on the universal transformative stages of womanhood."

"Finally, something brand new. In this recent novel, Ann Patchett makes use of haunting events in her own life which, coupled with her storytelling skills, lend her book an extra layer of emotional intensity. If you have siblings, and especially if you have half-siblings, it will bring your own childhood back to vivid life."

"No, not vampires; the late William Gay unfortunately didn't anticipate the world takeover of Bella and Edward when he named his backwoods Tennessee gothic novel, but it is no less a stunning web of Cormac McCarthy-esque necrophilia, murder, spot-on rural dialogue, and haunting renditions of nature. He is my new favorite writer."