Search
Search results
Kayleigh (12 KP) rated Bone Dressing (Book 1) in Books
Jan 2, 2019
I got this as a read to review, and it goes without saying (especially once you've read my review!) that what I am about to write is completely honest. I don't think I can explain my feelings about this book without letting spoilers slip, so please beware!
Unfortunately, unlike the <a href="http://awowords.wordpress.com/2013/04/05/dead-letter-office/">first book</a> I received to review, I really didn't like this story, and I won't be reading the next books in the series. Part of the premise wasn't bad - a 17-year-old girl, Syd, goes back to a previous life and discovers she has an ability to shapeshift into 5 different animals - but there are many flaws that made it a challenge to read.
To start with, the premise I mentioned above was bogged down with so many other storylines trying to demand attention. There's a sexually harassing, paedophile teacher; issues with her dead parents (which never actually goes anywhere); boy issues (which I'll discuss later); and probably several other things I genuinely don't care about.
Then, there's Sydney. I don't think I've ever finished a book with a main character as unlikeable as her. Now, I understand she misses her parents (who died 7 years previously), but from what the story says, she has been with her foster parents ever since, and they treat her as good parents should, so I don't understand the amount of anger that spews from her for about 80% of the time she's appearing as Syd (as opposed to Rachel).
If you've read any of the reviews on my <a href="http://awowords.wordpress.com">blog</a>; before, you may have realised that I hate books that completely devolve from reality, especially when it comes to love. Syd mentions at the beginning of the book that she's had dates with 'hot' guys, but that she's put off as soon as they open their mouths. Then, one day, she's met by Beau (at the friggin' cemetery, by her parents' graves), and despite his stalkerish (and is it just me to think vampiric?) tendencies, she falls head over heels in love with him. Well, duh. She then has her life threatened by a panther, and decides to take that moment to declare how she feels about him. I'm not sure about anyone else, but that's not what I'd do.
When Syd goes back to her previous life, as Rachel, she again is madly in love with a man named Jesse. This section of the book is slightly better written in that Rachel has more vulnerability than Syd, and the events are more exciting and less jumbled. I was intrigued as to how Syd could help Rachel change the events (which was hinted at by Beau), and can't help feeling that if there had been more of this and a LOT less lead-up, I would have enjoyed the book more. The end of the book finished on a cliffhanger, with nothing of importance having been 'tied up', and expecting the reader to buy the next book in order to carry on.
Then there's Mr Askew. I won't waste my breath on this: he is a paedophile that sexually harasses Syd in front of the whole class. Worst student in the world or not, Sydney could get him done - no bargaining. Plus, why have her start at burning down the school only to not refer back to what was already mentioned when it happens at the end?!
In general, an annoyance throughout the book was the amount of metaphors and adjectives used for everything. If there's one word used to describe something, there can be three, appears to be this book's motto! Metaphors can be amazing, but they were taken too far here. (This blogger <a href="http://ashleychristiano.wordpress.com/2011/10/10/bone-dressing-by-michelle-brooks/">here</a>; agrees!) Picture this type of language every other page or so:
<blockquote><i>"I could feel the waves of an overwhelming heartbreak ravaging my body, taking hold as if preparing to replace every part of me with an ache that could never be soothed. Somewhere in the distance I heard agonizing sobbing, sobbing too painful for a mere girl to endure."</i> </blockquote>
Yeah. So, it's safe to say I won't be recommending this one.
Unfortunately, unlike the <a href="http://awowords.wordpress.com/2013/04/05/dead-letter-office/">first book</a> I received to review, I really didn't like this story, and I won't be reading the next books in the series. Part of the premise wasn't bad - a 17-year-old girl, Syd, goes back to a previous life and discovers she has an ability to shapeshift into 5 different animals - but there are many flaws that made it a challenge to read.
To start with, the premise I mentioned above was bogged down with so many other storylines trying to demand attention. There's a sexually harassing, paedophile teacher; issues with her dead parents (which never actually goes anywhere); boy issues (which I'll discuss later); and probably several other things I genuinely don't care about.
Then, there's Sydney. I don't think I've ever finished a book with a main character as unlikeable as her. Now, I understand she misses her parents (who died 7 years previously), but from what the story says, she has been with her foster parents ever since, and they treat her as good parents should, so I don't understand the amount of anger that spews from her for about 80% of the time she's appearing as Syd (as opposed to Rachel).
If you've read any of the reviews on my <a href="http://awowords.wordpress.com">blog</a>; before, you may have realised that I hate books that completely devolve from reality, especially when it comes to love. Syd mentions at the beginning of the book that she's had dates with 'hot' guys, but that she's put off as soon as they open their mouths. Then, one day, she's met by Beau (at the friggin' cemetery, by her parents' graves), and despite his stalkerish (and is it just me to think vampiric?) tendencies, she falls head over heels in love with him. Well, duh. She then has her life threatened by a panther, and decides to take that moment to declare how she feels about him. I'm not sure about anyone else, but that's not what I'd do.
When Syd goes back to her previous life, as Rachel, she again is madly in love with a man named Jesse. This section of the book is slightly better written in that Rachel has more vulnerability than Syd, and the events are more exciting and less jumbled. I was intrigued as to how Syd could help Rachel change the events (which was hinted at by Beau), and can't help feeling that if there had been more of this and a LOT less lead-up, I would have enjoyed the book more. The end of the book finished on a cliffhanger, with nothing of importance having been 'tied up', and expecting the reader to buy the next book in order to carry on.
Then there's Mr Askew. I won't waste my breath on this: he is a paedophile that sexually harasses Syd in front of the whole class. Worst student in the world or not, Sydney could get him done - no bargaining. Plus, why have her start at burning down the school only to not refer back to what was already mentioned when it happens at the end?!
In general, an annoyance throughout the book was the amount of metaphors and adjectives used for everything. If there's one word used to describe something, there can be three, appears to be this book's motto! Metaphors can be amazing, but they were taken too far here. (This blogger <a href="http://ashleychristiano.wordpress.com/2011/10/10/bone-dressing-by-michelle-brooks/">here</a>; agrees!) Picture this type of language every other page or so:
<blockquote><i>"I could feel the waves of an overwhelming heartbreak ravaging my body, taking hold as if preparing to replace every part of me with an ache that could never be soothed. Somewhere in the distance I heard agonizing sobbing, sobbing too painful for a mere girl to endure."</i> </blockquote>
Yeah. So, it's safe to say I won't be recommending this one.
Gareth von Kallenbach (980 KP) rated The Heartbreak Kid (2007) in Movies
Aug 14, 2019
It has been almost ten years since Ben Stiller teamed with the Farrelly brothers for the comedy classic “There’s Something About Mary”, which launched a series of highly successful films for Stiller who has championed the likeable loser role to the delight of audiences worldwide.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
Andy K (10821 KP) rated Midsommar (2019) in Movies
Nov 15, 2019
Poor Dani!
Coming off the critical and box office success of Hereditary, would writer/director Ari Aster avoid the sophomore slump with his 2nd major feature, Midsommar, I would say that is a resounding YES!
Following a major immediate family heartbreak, delicately fragile Dani is an emotional basket case and leaning hard on her current boyfriend, Christian. Little does she know, the boyfriend has had enough of her baggage and constant nagging, and his friends have all but convinced him to ditch her. They are also planning a fun vacation to Sweden to meet the family of mutual friend Pelle. Unfortunately, the turmoil in Dani's life not only prevents the break up, but also compels Christian to invite her along on the guys' Scandinavian adventure much to the chagrin of the male brotherhood.
Once on the ground in Sweden, the troupe makes their way to the commune of Pelle's extended "family" where the group quickly enhances their experience with some mind altering substances. Dani is unsure she should partake along with the group, but doesn't want to ruin the fun so she goes along.
The group get introduced to the commune clan and wanders through some awkward initial meetings including having to deal with a language barrier. Everyone seems nice, but there also seems there may be some tension beneath the surface. The group is shown around the campus, through various buildings with unusual and often graphic paintings within, The group is also instructed where they cannot go as it is forbidden.
Initial curiosity soon turns to horror as the newcomers witness a ritual which has grim consequences. Some members of the newbies, especially Dani, want to leave before witnessing anything else, but others, including Christian play off the encounter as one of cultural differences. Situations become increasing violent, creepy and really strange as the trespassers struggle to fin in, make some faux pas and may have to pay the ultimate price.
As with Aster's Hereditary, the audience may be somewhat confused at times (or at least I was) as to some of the various happenings, but just go along for the ride. There were a few sections mid way through I was waiting and expecting something profound to happen and didn't. I also watched the director's cut with around 24 extra minutes of footage within which could have been part of the problem.
Once the creepy events start to unfold, you are truly immersed in the scenery and unusual characters to the point where you can't help but keep watching just to see the consequences. The obvious comparison to The Wicker Man is certainly justified as the other most famous movie about a cult, but the mood is completely different. To me, Wicker Man never really does a good job establishing the community there as normal as you suspect almost immediately things are "not right". Maybe also since that film runs barely over 90 minutes the depth wasn't felt as it is in this film. I'm not complaining about Wicker Man as I loved that movie as well, just felt different.
The sprawling European countrysides alongside the beautiful mountainous greenery provided juxtaposition to the sinister, cruel and horrible events transpiring upon them. The artwork within the village halls were interesting, beautiful and terrifying simultaneously. The villages costumes of whit and female floral headdresses helped gain them what you would picture in your head a vicious, but pretty cult would look like for sure.
I was happy to see relative newcomer Florence Pugh looks to have a fledgling acting career as she has already wrapped Greta Gerwig's Little Women and is also starring alongside Scarlett Johansson in Black Widow coming May 2020. She provides Dani with vulnerability, strength, annoyance, trepidation, melancholy, veracity and emotional turmoil as a well rounded young adult. Her character has a truly remarkable arc within the film which is fun to watch and you root for her to succeed.
Midsommar's tone, subject matter and graphic brutality is not for everyone;; however, I found it a true delight.
Following a major immediate family heartbreak, delicately fragile Dani is an emotional basket case and leaning hard on her current boyfriend, Christian. Little does she know, the boyfriend has had enough of her baggage and constant nagging, and his friends have all but convinced him to ditch her. They are also planning a fun vacation to Sweden to meet the family of mutual friend Pelle. Unfortunately, the turmoil in Dani's life not only prevents the break up, but also compels Christian to invite her along on the guys' Scandinavian adventure much to the chagrin of the male brotherhood.
Once on the ground in Sweden, the troupe makes their way to the commune of Pelle's extended "family" where the group quickly enhances their experience with some mind altering substances. Dani is unsure she should partake along with the group, but doesn't want to ruin the fun so she goes along.
The group get introduced to the commune clan and wanders through some awkward initial meetings including having to deal with a language barrier. Everyone seems nice, but there also seems there may be some tension beneath the surface. The group is shown around the campus, through various buildings with unusual and often graphic paintings within, The group is also instructed where they cannot go as it is forbidden.
Initial curiosity soon turns to horror as the newcomers witness a ritual which has grim consequences. Some members of the newbies, especially Dani, want to leave before witnessing anything else, but others, including Christian play off the encounter as one of cultural differences. Situations become increasing violent, creepy and really strange as the trespassers struggle to fin in, make some faux pas and may have to pay the ultimate price.
As with Aster's Hereditary, the audience may be somewhat confused at times (or at least I was) as to some of the various happenings, but just go along for the ride. There were a few sections mid way through I was waiting and expecting something profound to happen and didn't. I also watched the director's cut with around 24 extra minutes of footage within which could have been part of the problem.
Once the creepy events start to unfold, you are truly immersed in the scenery and unusual characters to the point where you can't help but keep watching just to see the consequences. The obvious comparison to The Wicker Man is certainly justified as the other most famous movie about a cult, but the mood is completely different. To me, Wicker Man never really does a good job establishing the community there as normal as you suspect almost immediately things are "not right". Maybe also since that film runs barely over 90 minutes the depth wasn't felt as it is in this film. I'm not complaining about Wicker Man as I loved that movie as well, just felt different.
The sprawling European countrysides alongside the beautiful mountainous greenery provided juxtaposition to the sinister, cruel and horrible events transpiring upon them. The artwork within the village halls were interesting, beautiful and terrifying simultaneously. The villages costumes of whit and female floral headdresses helped gain them what you would picture in your head a vicious, but pretty cult would look like for sure.
I was happy to see relative newcomer Florence Pugh looks to have a fledgling acting career as she has already wrapped Greta Gerwig's Little Women and is also starring alongside Scarlett Johansson in Black Widow coming May 2020. She provides Dani with vulnerability, strength, annoyance, trepidation, melancholy, veracity and emotional turmoil as a well rounded young adult. Her character has a truly remarkable arc within the film which is fun to watch and you root for her to succeed.
Midsommar's tone, subject matter and graphic brutality is not for everyone;; however, I found it a true delight.
Lottie disney bookworm (1056 KP) rated Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr in Books
Dec 29, 2020
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
Electric Guitar Lessons - Ultimate Guide
Music and Education
App
This app has over 300 easy to follow video lessons on how to play the Electric Guitar including...
Haley Mathiot (9 KP) rated Uncertain Magic in Books
Apr 27, 2018
Uncertain Magic by Laura Kinsale
Genre: Adult Historical romance
ISBN: 9781402237027
Published: May 4th 2010 by Sourcebooks Casablanca (first published March 2nd 1987)
Rating: 5
Roddy has a "gift"—or as she thinks of it, a curse—that allows her to hear the mind and feel the emotions of every human and animal on earth. Because of this, and her family history, she knows she will never be married, never have her own family… because what man wants every single thought and emotion on display for his wife? Past failed marriages in the family have shown her that her happiness is a hopeless cause… until she meets one man whom she does not have access to his thoughts and feelings. So Roddy takes things into her own hands. She realizes a little too late what kind of man she's gotten interested in her: Lord Iveragh. The Devil Earl of Ireland.
She carries out her plan, however, and he seems to like her enough to marry her. But The Devil Earl is hiding things from her… and possibly himself. Roddy finds that she can help him… but it will require more than she may be willing to give. If she doesn't, though, she will loose him forever… and maybe loose herself, too.
I loved Uncertain Magic. I wasn't sure what to expect when I started reading it. It was certainly a romance, and a very good one at that. But it was so much more than a romance novel: It was a clever blend of romance, adventure, historical events, family secrets, and Gaelic magic. The plot incorporated a rebellion in Ireland, smuggling, murder, and magic. There were horse races, escaping soldiers, and midnight balls with the dead.
The relationship between Roddy and Faelan (Lord Iveragh) started off a little random: a chance meeting, Roddy saving his horse from a heart attack, her pretending to be a stable boy and bragging on his employer (herself, of course) and Faelan seeing through it and embarrassing her. As it continued, I was a little surprised at the speed it progressed: They were married by chapter five. But them being married though the book was such an important aspect, that I understood it later. Of course, no marriage is perfect, and many romances are victims of happyland syndrome, where their relationship is so perfect that it's almost Holy.
Not this one.
There were misunderstandings, tears, heartbreak, scandals, possible affairs, redemption, and healing. And plenty of love-making.
With that said: the characters were great. Roddy was sweet and soft, but she had her spunk and I liked her immediately (especially when she took out a rude stableboy with a single kick). Faelan was, as his nickname describes him, a devil—but he was good that way. He was a little obnoxious, he had his sarcastic moments, and he certainly had his pride. He's the kind of dark secretive hero that everyone looks for… but with a touch of madness—or maybe magic—to make him even more mysterious. I love Roddy, I adore Faelan, and his mother (let's just say she never. shuts. up.) makes me laugh… the characters in this story are gems.
Just as I didn't expect the twisting exciting plot, I didn't expect the writing to be so good. It felt great to read, and the dialogue was easy to speak and felt natural. It flowed well, and was descriptive and lyrical. I liked the way Kinsale described Roddy experiencing everyone else's thoughts and emotions, and I liked the way she didn't over-describe everything—every little facial expression, every little movement—leaving out some for your imagination, but added enough description to allow you to see everything.
There were disappearing faeries and blind men who could see (try figuring that one out!) and missing chunks of time… all tied up beautifully at the end. Although it was, at first, a little confusing to figure out what had just happened on the last few pages, I loved the ending. There wasn't quite enough closure, but it didn't need to be closed: it was more like an opening for their new life together. After reading it, you know what will happen… so it doesn't need to be said.
This is probably one of my favorite books I've read this year, and it demands a re-read in the future.
Content/Recommendation: Some sex, mild language. Ages 18+
Review copyright Haley Mathiot 2010. Review copy supplied by publisher.
Genre: Adult Historical romance
ISBN: 9781402237027
Published: May 4th 2010 by Sourcebooks Casablanca (first published March 2nd 1987)
Rating: 5
Roddy has a "gift"—or as she thinks of it, a curse—that allows her to hear the mind and feel the emotions of every human and animal on earth. Because of this, and her family history, she knows she will never be married, never have her own family… because what man wants every single thought and emotion on display for his wife? Past failed marriages in the family have shown her that her happiness is a hopeless cause… until she meets one man whom she does not have access to his thoughts and feelings. So Roddy takes things into her own hands. She realizes a little too late what kind of man she's gotten interested in her: Lord Iveragh. The Devil Earl of Ireland.
She carries out her plan, however, and he seems to like her enough to marry her. But The Devil Earl is hiding things from her… and possibly himself. Roddy finds that she can help him… but it will require more than she may be willing to give. If she doesn't, though, she will loose him forever… and maybe loose herself, too.
I loved Uncertain Magic. I wasn't sure what to expect when I started reading it. It was certainly a romance, and a very good one at that. But it was so much more than a romance novel: It was a clever blend of romance, adventure, historical events, family secrets, and Gaelic magic. The plot incorporated a rebellion in Ireland, smuggling, murder, and magic. There were horse races, escaping soldiers, and midnight balls with the dead.
The relationship between Roddy and Faelan (Lord Iveragh) started off a little random: a chance meeting, Roddy saving his horse from a heart attack, her pretending to be a stable boy and bragging on his employer (herself, of course) and Faelan seeing through it and embarrassing her. As it continued, I was a little surprised at the speed it progressed: They were married by chapter five. But them being married though the book was such an important aspect, that I understood it later. Of course, no marriage is perfect, and many romances are victims of happyland syndrome, where their relationship is so perfect that it's almost Holy.
Not this one.
There were misunderstandings, tears, heartbreak, scandals, possible affairs, redemption, and healing. And plenty of love-making.
With that said: the characters were great. Roddy was sweet and soft, but she had her spunk and I liked her immediately (especially when she took out a rude stableboy with a single kick). Faelan was, as his nickname describes him, a devil—but he was good that way. He was a little obnoxious, he had his sarcastic moments, and he certainly had his pride. He's the kind of dark secretive hero that everyone looks for… but with a touch of madness—or maybe magic—to make him even more mysterious. I love Roddy, I adore Faelan, and his mother (let's just say she never. shuts. up.) makes me laugh… the characters in this story are gems.
Just as I didn't expect the twisting exciting plot, I didn't expect the writing to be so good. It felt great to read, and the dialogue was easy to speak and felt natural. It flowed well, and was descriptive and lyrical. I liked the way Kinsale described Roddy experiencing everyone else's thoughts and emotions, and I liked the way she didn't over-describe everything—every little facial expression, every little movement—leaving out some for your imagination, but added enough description to allow you to see everything.
There were disappearing faeries and blind men who could see (try figuring that one out!) and missing chunks of time… all tied up beautifully at the end. Although it was, at first, a little confusing to figure out what had just happened on the last few pages, I loved the ending. There wasn't quite enough closure, but it didn't need to be closed: it was more like an opening for their new life together. After reading it, you know what will happen… so it doesn't need to be said.
This is probably one of my favorite books I've read this year, and it demands a re-read in the future.
Content/Recommendation: Some sex, mild language. Ages 18+
Review copyright Haley Mathiot 2010. Review copy supplied by publisher.
LilyLovesIndie (123 KP) rated King Hall (Forever Evermore, #1) in Books
Nov 5, 2018
Read the most up to date version of this review over on Ramble Media http://www.ramblemedia.com/?p=20241
I received an ARC of this book and I am so very glad I was given this opportunity as this book really is something else! I devoured it in no time at all, reading until I fell asleep on my kindle, waking up and reading some more. I honestly have not read a book this well written and gripping in a while, and it is most definitely a book worth adding to your to-read list sharpish!
So I suppose you want to know why I find this book so wonderful? Well for once, I am actually rather speechless, in an incredibly good way, as there is just so much good that it's hard to know where to start. Perhaps the one thing I absolutely loved in this book is the plot. A different take on the typical YA Magical genre, the inclusion of Kings, Mys factions, heartbreak, mates and the friendship between these groups, it's all so very different from the norm. But that is one of the greatest aspects of this book, it breaks so many of the standard rules and 'norms' of this genre. It is naughty in parts, funny in others and downright heart breaking at times as well. The plot is superbly paced to guide the reader through everything that takes place, without dragging it's feet or rushing too fast - it is perfectly pitched for your enjoyment. The twists and turns in the plot is another huge advantage as it simply keeps you on the balls of your feet throughout. It's rare to find a book that does this so completely so I have to give credit to Scarlett Dawn for developing such a wonderful plot development.
Something else that is amazing in this book is the dynamic between the characters. They are wonderful. Seriously, they gel so incredibly well with each other and with you as a reader that you feel like the 5th member of the Prodigy group. They are wonderful characters in their own right, but together they truly shine. Jack, a real Jack the lad, so untamed and playful; Pearl, a beauty with a mischievous side; Ezra, dark and mysterious, he exudes sex appeal; and Lily, well what can you say? She's shorter than average, smaller than average, a fiery tempered Shifter which matches her fiery red hair. I love her to bits, mostly because she really reminds me of myself, but also because she is a strong heroine, and these types of characters are really missing from books. She's inspirational and an absolute delight to read, sucking you into her crazy world and dragging you into all their mischief together. Equally, you also get drawn into her heart break, and my heart seriously ached with her with the tragedy she faced. She is an incredibly well written character, and one I honestly cannot wait to learn more about.
Another amazing aspect of this book is the humour which weaves its way throughout. It counteracts the dark undertones of sadness and tension throughout, meaning that although the darkness is there, there is always hope and happiness not far behind. This stops the story from becoming too angsty and helps the reader have a few good belly laughs along the way. The naughtiness of the humour is excellently written, balancing on the tasteful sexual humour rather than being crude. This makes it even more enjoyable to read as it just feels so natural. It's like an old pair of jeans, the book just feels so right as you read it. Although there may be uncomfortable moments (King Kincaid and Venclaire feature in most of them), Scarlett Dawn makes them incredibly enjoyable by using a unique brand of humour to ease the tension, usually through Lily's thoughts. I can only compliment this as it is something I know isn't hard to write and balance correctly.
So I suppose I ought to wrap this on before I gush too much and end up repeating myself. IF you haven't already guessed from reading the review so far, I absolutely, positively ADORED this book (yes, the capitalisation is most definitely needed). It has everything you want in a good read, emotions of all kinds, a fab pace and plot and excellent characters. There's nothing more for me to say other than to tell you to get a copy of this book sooner rather than later and be prepared for a cliff hanger that is out of this world! Now all there is for me to do is twiddle my thumbs and wait very impatiently for the next instalment!
I received an ARC of this book and I am so very glad I was given this opportunity as this book really is something else! I devoured it in no time at all, reading until I fell asleep on my kindle, waking up and reading some more. I honestly have not read a book this well written and gripping in a while, and it is most definitely a book worth adding to your to-read list sharpish!
So I suppose you want to know why I find this book so wonderful? Well for once, I am actually rather speechless, in an incredibly good way, as there is just so much good that it's hard to know where to start. Perhaps the one thing I absolutely loved in this book is the plot. A different take on the typical YA Magical genre, the inclusion of Kings, Mys factions, heartbreak, mates and the friendship between these groups, it's all so very different from the norm. But that is one of the greatest aspects of this book, it breaks so many of the standard rules and 'norms' of this genre. It is naughty in parts, funny in others and downright heart breaking at times as well. The plot is superbly paced to guide the reader through everything that takes place, without dragging it's feet or rushing too fast - it is perfectly pitched for your enjoyment. The twists and turns in the plot is another huge advantage as it simply keeps you on the balls of your feet throughout. It's rare to find a book that does this so completely so I have to give credit to Scarlett Dawn for developing such a wonderful plot development.
Something else that is amazing in this book is the dynamic between the characters. They are wonderful. Seriously, they gel so incredibly well with each other and with you as a reader that you feel like the 5th member of the Prodigy group. They are wonderful characters in their own right, but together they truly shine. Jack, a real Jack the lad, so untamed and playful; Pearl, a beauty with a mischievous side; Ezra, dark and mysterious, he exudes sex appeal; and Lily, well what can you say? She's shorter than average, smaller than average, a fiery tempered Shifter which matches her fiery red hair. I love her to bits, mostly because she really reminds me of myself, but also because she is a strong heroine, and these types of characters are really missing from books. She's inspirational and an absolute delight to read, sucking you into her crazy world and dragging you into all their mischief together. Equally, you also get drawn into her heart break, and my heart seriously ached with her with the tragedy she faced. She is an incredibly well written character, and one I honestly cannot wait to learn more about.
Another amazing aspect of this book is the humour which weaves its way throughout. It counteracts the dark undertones of sadness and tension throughout, meaning that although the darkness is there, there is always hope and happiness not far behind. This stops the story from becoming too angsty and helps the reader have a few good belly laughs along the way. The naughtiness of the humour is excellently written, balancing on the tasteful sexual humour rather than being crude. This makes it even more enjoyable to read as it just feels so natural. It's like an old pair of jeans, the book just feels so right as you read it. Although there may be uncomfortable moments (King Kincaid and Venclaire feature in most of them), Scarlett Dawn makes them incredibly enjoyable by using a unique brand of humour to ease the tension, usually through Lily's thoughts. I can only compliment this as it is something I know isn't hard to write and balance correctly.
So I suppose I ought to wrap this on before I gush too much and end up repeating myself. IF you haven't already guessed from reading the review so far, I absolutely, positively ADORED this book (yes, the capitalisation is most definitely needed). It has everything you want in a good read, emotions of all kinds, a fab pace and plot and excellent characters. There's nothing more for me to say other than to tell you to get a copy of this book sooner rather than later and be prepared for a cliff hanger that is out of this world! Now all there is for me to do is twiddle my thumbs and wait very impatiently for the next instalment!
KalJ95 (25 KP) rated The Last of Us Part II in Video Games
Jun 23, 2020
You Won't Find A Better Game In Terms Of Presentation. (4 more)
Level Design Is Astounding.
Like The First Game, This Will Create A Conversation For Years To Come
Sound Design Is Incredible.
Takes Risks, And Some Do Pay Off.
A Flawed Sequel. (4 more)
Awful Pacing.
Structure Of Narrative Is Bad.
Some Terrible Dialogue.
Shoehorned Agenda.
The last of The Last of Us.
The video game industry doesn't get enough credit as a source of entertainment, in my humble opinion. Time and time again, the industry has proven that it can produce something magical, memorable, mesmerising to play, and even more so, something engaging to watch as someone not even holding the controller. Naughty Dog’s 2013 masterpiece, The Last of Us, became an overnight classic game because it was cinematic in presentation, and a rollercoaster of emotions in narrative. I sat and played the remastered version on my PlayStation 4 in 2017, and fell in love with the chemistry, love and heartbreak Joel and Ellie took with them, as they crossed a post-apocalyptic America. I was satisfied with the conclusion, and felt the story of these two characters was finished. I didn't need, or ever want a sequel. Then a few months pass, The Last of Us Part II is announced. Obviously, I was ecstatic, but also concerned. Trailers came and went, delays happened over and over, and leaks began to drip onto the internet. I was even more concerned with the leaks, and how this game was taking shape, but I remained open minded, and began playing the game.
The Last of Us Part II is a strange beast. An ambitious, exquisite experience, mired by multiple flaws in structure, pacing and plot holes. I simultaneously adored and loathed the twenty five hour experience, and I’m ready to do it all again. Ellie’s thirst for revenge deals with many issues of morality and hate, and the consequences of ones actions. To coin a phrase, “violence begets violence”, and this is very violent. A flawed piece of art, that often shoehorns a political tick list so it can cater to a certain demographic of sexuality and gender. Whatever you think about Part II, it will create a conversation for years to come, for better or worse.
Narrative:
Ellie and Joel are settled in Jackson, Wyoming, living a relatively normal existence. Ellie is nineteen, and has a job, like the rest of the fighters in Jackson, by going out into the world on routes to clear out the wondering infected. When Ellie witnesses a violent event, she takes it into her own hands to take bloody revenge on the people responsible.
A big risk was taken by Naughty Dog to decide what they did for the first two hours, even the VP of the company, Neil Druckmann, said himself the game will be “divisive”, and that is probably an understatement judging by the fan backlash. I feel it worked to support the other twenty three hours, and shows the blurry line of being good and bad in this world.
Unfortunately, the narrative slogs through awful structuring and some dreadful, downright cringe-worthy dialogue. The structure goes back and forth from the present day, to months, and sometimes years previous, and this is all to cement the events that keep the narrative flowing. The flashbacks featuring Joel and Ellie give you brief moments of happiness, followed by devastating revelations. They are the best moments of the game, you can feel the warmth the characters have for each other, and the heartbreaking actions they take. It made me wonder why they simply didn't just create a game with these ideas in mind. Other flashbacks create more problems than they solve, particularly in the latter half of the game. The first half, for all its faults, really treats you to a vicious and bloodthirsty ride through Seattle, and you completely feel the motivation and drive Ellie has to complete the mission she's set out to do. Seattle is huge, and the perfect backdrop for this game.
Sadly, the second half of the game is an absolute mess. The whole experience becomes nothing more than “go to this location, collect something, go back” over and over again. Its a lazy trope that causes so much fatigue in terms of pacing, slowing down any momentum gained by the first half. The second half serves the most important purpose too, and while I did grow to understand the intention it was presenting me, I couldn't help but feel frequently bored of doing fetch quests. To remain as spoiler free as possible, the game is split into two perspectives of Ellie, and an entirely new character. Naughty Dog wants you to understand the perspectives of both sides, but the history thats been created with the original game, you cant help but sympathise with Ellie more. The fact that its half the game away from the main protagonist, and starts you fresh with a new character, with new skill sets and weapons, really feels out of place. This could of worked much better as an episodic entry, rather than just two stories, one after the other. I can understand people who love this way of storytelling, but for me it slows the pacing down.
Gameplay:
Part II is the most beautiful game I’ve ever played. Naughty Dog continue to set the bar extremely high in terms of surroundings and facial animations, and the seamless transitions from cutscene to gameplay made my jaw drop. Each facial movement shows the hurt, the honesty, the devastation the characters carry with them. It almost feels more like a film or tv series than a video game, featuring an excellent performance from Troy Baker, and a career defining show from Ashley Johnson. Unfortunately, some of the new cast members don't have enough time on screen to give a full understanding of their personality or perspective. Some are likeable, relatable even, but some are just annoying, saying some of the strangest, out of place dialogue.
In terms of its gameplay, Part II hasn't really changed anything from its predecessor. It feels the same, whether you enjoyed it first time round or not. I personally am in the middle ground, it works for what it is. The Last of Us has always been a game about surviving by any means necessary. Part II feels like multiple ideas all in one, all conflicting themselves. Let me explain:
The game actively tries to twist the act of killing people to make you seem like its an awful thing to do. This is an interesting idea that has been done many times before in games, but it works in the oddest of ways here. I have completed the game twice now, and found it almost impossible to not kill anyone, yet cutscenes display remorse within the characters after they’ve murdered someone. This conflicts the idea of the whole game, where one moment I'm slicing a persons throat with a knife, the next I do the exact same, but this time I regret that decision. Again, its adding less weight to the story, and actively contradicting everything that happens.
Extra Notes:
The environments of Part II are some of the best in a video game. A sandbox of lush greenery and worn down buildings follows the same formula that Naughty Dog designed in Uncharted: The Lost Legacy, where you can explore a massive space to do what you find the objectives, but also see the sights and collect items. The level design of the entire game is absolutely masterful, but this level astounded me graphically and structurally.
By this point, it probably feels like I utterly hated Part II. I did, and didn’t, and thats the line I'm sticking on. The Last of Us always presented a commentary as to the nature of relationships, love, life and death. At the core was Ellie and Joel, two wayward strangers forced together on a journey across America. Everyone has a reason to love that game, for me its their chemistry and progression. Joel was hardened, standoffish, only to warm to Ellie, and love her by the end. Ellie, the immune girl who's humorous, optimistic and full of life, who ultimately becomes cold, quiet and sceptical of Joel.
Part II presents a different commentary, one of revenge and hate. I firmly believe Part II is weak in most areas, a downgrade in fact compared to its counterpart, but its so beautiful and bleak, with so many incapsulated moments of joy, heartbreak, love, shock. Its uncompromising, relentless and essential for anyone with a PS4. This will be a game I will constantly change my opinion on the more I think about it. As I said at the beginning, I never felt a sequel was necessary, and I firmly believe the story must end here.
(P.S. I must mention that Naughty Dog and Sony have only themselves to blame when it comes to the reception Part II has received during its release and promotional material. Early reviewers were told that they could only go into detail about the first ten or so hours, not mentioning the other fifteen. The other fifteen hours are incredibly important to mention, and they either make or break this game, so not letting reviewers do their job feels disingenuous, and from my point of view shows that they had no faith in their product to be criticised. The promotional material is also hugely misleading. The trailers show a completely different game, and characters are swapped for others in key scenes. That is wrong, and once again, shows your audience you had zero faith in your product based on the actual plot of your game.)
The Last of Us Part II is a strange beast. An ambitious, exquisite experience, mired by multiple flaws in structure, pacing and plot holes. I simultaneously adored and loathed the twenty five hour experience, and I’m ready to do it all again. Ellie’s thirst for revenge deals with many issues of morality and hate, and the consequences of ones actions. To coin a phrase, “violence begets violence”, and this is very violent. A flawed piece of art, that often shoehorns a political tick list so it can cater to a certain demographic of sexuality and gender. Whatever you think about Part II, it will create a conversation for years to come, for better or worse.
Narrative:
Ellie and Joel are settled in Jackson, Wyoming, living a relatively normal existence. Ellie is nineteen, and has a job, like the rest of the fighters in Jackson, by going out into the world on routes to clear out the wondering infected. When Ellie witnesses a violent event, she takes it into her own hands to take bloody revenge on the people responsible.
A big risk was taken by Naughty Dog to decide what they did for the first two hours, even the VP of the company, Neil Druckmann, said himself the game will be “divisive”, and that is probably an understatement judging by the fan backlash. I feel it worked to support the other twenty three hours, and shows the blurry line of being good and bad in this world.
Unfortunately, the narrative slogs through awful structuring and some dreadful, downright cringe-worthy dialogue. The structure goes back and forth from the present day, to months, and sometimes years previous, and this is all to cement the events that keep the narrative flowing. The flashbacks featuring Joel and Ellie give you brief moments of happiness, followed by devastating revelations. They are the best moments of the game, you can feel the warmth the characters have for each other, and the heartbreaking actions they take. It made me wonder why they simply didn't just create a game with these ideas in mind. Other flashbacks create more problems than they solve, particularly in the latter half of the game. The first half, for all its faults, really treats you to a vicious and bloodthirsty ride through Seattle, and you completely feel the motivation and drive Ellie has to complete the mission she's set out to do. Seattle is huge, and the perfect backdrop for this game.
Sadly, the second half of the game is an absolute mess. The whole experience becomes nothing more than “go to this location, collect something, go back” over and over again. Its a lazy trope that causes so much fatigue in terms of pacing, slowing down any momentum gained by the first half. The second half serves the most important purpose too, and while I did grow to understand the intention it was presenting me, I couldn't help but feel frequently bored of doing fetch quests. To remain as spoiler free as possible, the game is split into two perspectives of Ellie, and an entirely new character. Naughty Dog wants you to understand the perspectives of both sides, but the history thats been created with the original game, you cant help but sympathise with Ellie more. The fact that its half the game away from the main protagonist, and starts you fresh with a new character, with new skill sets and weapons, really feels out of place. This could of worked much better as an episodic entry, rather than just two stories, one after the other. I can understand people who love this way of storytelling, but for me it slows the pacing down.
Gameplay:
Part II is the most beautiful game I’ve ever played. Naughty Dog continue to set the bar extremely high in terms of surroundings and facial animations, and the seamless transitions from cutscene to gameplay made my jaw drop. Each facial movement shows the hurt, the honesty, the devastation the characters carry with them. It almost feels more like a film or tv series than a video game, featuring an excellent performance from Troy Baker, and a career defining show from Ashley Johnson. Unfortunately, some of the new cast members don't have enough time on screen to give a full understanding of their personality or perspective. Some are likeable, relatable even, but some are just annoying, saying some of the strangest, out of place dialogue.
In terms of its gameplay, Part II hasn't really changed anything from its predecessor. It feels the same, whether you enjoyed it first time round or not. I personally am in the middle ground, it works for what it is. The Last of Us has always been a game about surviving by any means necessary. Part II feels like multiple ideas all in one, all conflicting themselves. Let me explain:
The game actively tries to twist the act of killing people to make you seem like its an awful thing to do. This is an interesting idea that has been done many times before in games, but it works in the oddest of ways here. I have completed the game twice now, and found it almost impossible to not kill anyone, yet cutscenes display remorse within the characters after they’ve murdered someone. This conflicts the idea of the whole game, where one moment I'm slicing a persons throat with a knife, the next I do the exact same, but this time I regret that decision. Again, its adding less weight to the story, and actively contradicting everything that happens.
Extra Notes:
The environments of Part II are some of the best in a video game. A sandbox of lush greenery and worn down buildings follows the same formula that Naughty Dog designed in Uncharted: The Lost Legacy, where you can explore a massive space to do what you find the objectives, but also see the sights and collect items. The level design of the entire game is absolutely masterful, but this level astounded me graphically and structurally.
By this point, it probably feels like I utterly hated Part II. I did, and didn’t, and thats the line I'm sticking on. The Last of Us always presented a commentary as to the nature of relationships, love, life and death. At the core was Ellie and Joel, two wayward strangers forced together on a journey across America. Everyone has a reason to love that game, for me its their chemistry and progression. Joel was hardened, standoffish, only to warm to Ellie, and love her by the end. Ellie, the immune girl who's humorous, optimistic and full of life, who ultimately becomes cold, quiet and sceptical of Joel.
Part II presents a different commentary, one of revenge and hate. I firmly believe Part II is weak in most areas, a downgrade in fact compared to its counterpart, but its so beautiful and bleak, with so many incapsulated moments of joy, heartbreak, love, shock. Its uncompromising, relentless and essential for anyone with a PS4. This will be a game I will constantly change my opinion on the more I think about it. As I said at the beginning, I never felt a sequel was necessary, and I firmly believe the story must end here.
(P.S. I must mention that Naughty Dog and Sony have only themselves to blame when it comes to the reception Part II has received during its release and promotional material. Early reviewers were told that they could only go into detail about the first ten or so hours, not mentioning the other fifteen. The other fifteen hours are incredibly important to mention, and they either make or break this game, so not letting reviewers do their job feels disingenuous, and from my point of view shows that they had no faith in their product to be criticised. The promotional material is also hugely misleading. The trailers show a completely different game, and characters are swapped for others in key scenes. That is wrong, and once again, shows your audience you had zero faith in your product based on the actual plot of your game.)
Emma @ The Movies (1786 KP) rated Breakthrough (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The fact that this film is based on a true story is incredible to think about. I haven't read the book that was written by the boy's mother or read about the actual incident and events online, I'm not sure I want to. I usually like finding out the differences to the actual stories but I wonder if in this instance it might make me change the way I feel about the film.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
John is off with his friends having fun, and what's more fun than playing out on a frozen lake? By the time they hear the crack it's too late, the three boys go under. With the emergency services on their way it's a countdown to rescuing them. Two of them have their head above water, but John, knocked unconscious while trying to help his friend out of the water, is sinking. When water rescue appears it may already be too late. They take the search slowly, but John could be anywhere, it's almost certainly too late. Tommy is about to call an end to the search when he hears someone telling him to go back, and there he is.
Rushed to the hospital, the doctors and staff work on trying to bring him back, but as the time elapses there is nothing to do but continue until his family arrive. Joyce, his mother, is devastated and not willing to accept that it's the end... and she prays, asking god to save her son... the monitor beeps to life.
Everywhere I see descriptions of this it says "christian drama". I honestly don't see that the word "christian" needs to be in there. Sure, Joyce prays a fair bit, and their pastor is in it a lot too, but it's still just a drama about something miraculous happening.
By far the best performance for me was Chrissy Metz. Joyce comes across as a very determined woman in everything that she does, and Metz really makes that stand out. From the happiness to the heartbreak, it's all believeable, which sometimes doesn't happen with films that are based on true stories.
I enjoyed Mike Colter as Tommy too. As a non-religious man trying to deal with what happened to him, and what he sees happening to John, the thought process was clear on his face and I liked how he visually interacted with those around him in those moments.
By far the strongest scene for me was the one I mentioned above in the hospital. I think it's always quite challenging to create something that has an impact on the viewer when they already know what the outcome is going to be. In this instance we already know that John doesn't die, we just don't know how the situation is remedied. The hospital staff have left the room and Joyce is with her son, she doesn't want to accept what's before her eyes. We cut between her and the staff outside in the hall in what builds up to an incredible moment. The staff reacting to Joyce as she wails in pain is something that was just stuck in my chest, I could really feel it.
While some are saying that Breakthrough is a christian film, but personally it feels more like a film about community. It's about family, about friends, about everyone around us. It also captures some of the things you have to deal with in these situations. Although fleeting at the end of the film, we see John coming to terms with the fact he survived, his miracle is hard to take for other people and they feel like they need answers, but from where? Him?
Everything about the film felt thoughtful and real, even though some bits felt a little cramped at times. By that I mean they clearly wanted to show the "negativity" and realistic thinking of those around John, he didn't have good odds and everyone would be talking about that. But getting that in felt a little cluttered with everything else going on.
I enjoyed this "christian" film, or as I like to call it "film". I spent a significant amount of time with my sleeves pressed up under my eyes, and when the doctors on screen were telling people to breathe I was doing it to recover. It's not a pushy film, I didn't feel the urge to go and join a congregation after watching it, it's just a wonderful reminder that miracles can happen, and while you wait for them there will be people all around you for support even when you don't expect it.
What you should do
It may not be a film to watch for some, I imagine the content may bring back memories that are difficult, but if you're up to it then it's well worth a watch.
Movie thing you wish you could take home
Just a smidge of Joyce's determination would be good.
Me Before You (Film Tie In)
Book
THE NEW YORK TIMES NUMBER 1 BESTSELLING NOVEL THAT IS LOVED AROUND THE WORLD, AND NOW NO 1...