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LeftSideCut (3776 KP) rated Metal lords (2022) in Movies
Apr 27, 2022
If you're into heavy metal then you will find something to enjoy with Metal Lords, a teen comedy/metal love letter from Peter Sollett.
It drags in a few places, and some of the humour doesn't quite land, but it did get a few genuine laughs out of me, and is pretty damn wholesome - there's surprisingly very little musical gate-keeping from any of the characters. The students who are into Ed Sheeran are mostly respectful towards the main characters metal leanings ("Post death metal") and even he appreciates the rival pop band by the time the credits roll. It's a refreshing take on a genre that is rife with elitism.
Other than that, Metal Lords has a banging soundtrack, and some great original music courtesy of the incredibly talented Ramin Djawadi (who is just everywhere these days, and deservedly so).
Metal Lords won't change your life, but it's a fun time. It's pretty much Deathgasm without the gore and demons.
It drags in a few places, and some of the humour doesn't quite land, but it did get a few genuine laughs out of me, and is pretty damn wholesome - there's surprisingly very little musical gate-keeping from any of the characters. The students who are into Ed Sheeran are mostly respectful towards the main characters metal leanings ("Post death metal") and even he appreciates the rival pop band by the time the credits roll. It's a refreshing take on a genre that is rife with elitism.
Other than that, Metal Lords has a banging soundtrack, and some great original music courtesy of the incredibly talented Ramin Djawadi (who is just everywhere these days, and deservedly so).
Metal Lords won't change your life, but it's a fun time. It's pretty much Deathgasm without the gore and demons.
Fighting Faete (Beyond The Veil #5)
Maia Dylan, Elena Kincaid and Sarah Marsh
8.0
Rate It
Book
Darkness is coming to both sides of the Veil… Katrina was born to fight. She had earned her...
Fantasy Menage Romance
Journey Man (Knights of Black Swan #9)
8.0
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Book
For five years Glendennon Catch had knocked around the globe as a floater, filling in wherever a...
Adult Paranormal Romance
MIA (The Jack Bertolini Series - A Prequel)
Book
Mia, is the origin story of retired inspector Jack Bertolino as a young undercover, NYPD...
Crime Thriller Prequel
Revenge of Rome (Eagles of the Empire #23)
6.0
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Book
AD 61. Britannia is divided. The rebel horde has been defeated. But the leader, Boudica, and her...
Dana (24 KP) rated Burned (Burned, #1) in Books
Mar 23, 2018
I honestly didn't know how I would feel about this book. I haven't been having the best week or so, so I didn't necessarily want to read something too heavy. While this book did have a lot of heavy themes, it wasn't too dark for me, which I was glad about.
The rest of this review will have some spoilers, so read at your own peril.
I didn't really know much about this book as I was going into it. My roommate gave it to me on a recommendation, so I read it the next day and I really enjoyed it. I know it came out ages ago, but I don't think I was really emotionally mature enough to really appreciate the story. Overall, I am glad I waited until I was a bit older.
Even though it is close to 550 pages, it doesn't feel that long because of the way it is set up. The poetry gives it a fresh perspective and a very interesting storytelling perspective. I absolutely loved the formatting, especially the shapes of the poems.
This book talks a lot about religion, abuse (specially religious and familial abuse), independence, sex, and relationships in a very mature, yet approachable way.
This book supports the idea that you should get help from someone when you need it-even if it is not the authorities.
It was interesting to see Pattyn's development throughout the book, as heartbreaking as it was. She starts off as such a timid, rule-abiding girl, and then turns into someone with her own thoughts and morals. I feel like that as she was able to experience more, she grew into her own person to an extent.
I love Aunt Jeanette-she just wants what is best for Pattyn.
The ending crushed me. I just wanted Pattyn to be happy with Ethan, but no. It just had to come to a horrible end, didn't it?
Sorry this review is pretty short. I can't really find all the right ways to say what I'm thinking about this book.
Overall, I enjoyed the book and I think I will check out more of Ellen Hopkins's books.
The rest of this review will have some spoilers, so read at your own peril.
I didn't really know much about this book as I was going into it. My roommate gave it to me on a recommendation, so I read it the next day and I really enjoyed it. I know it came out ages ago, but I don't think I was really emotionally mature enough to really appreciate the story. Overall, I am glad I waited until I was a bit older.
Even though it is close to 550 pages, it doesn't feel that long because of the way it is set up. The poetry gives it a fresh perspective and a very interesting storytelling perspective. I absolutely loved the formatting, especially the shapes of the poems.
This book talks a lot about religion, abuse (specially religious and familial abuse), independence, sex, and relationships in a very mature, yet approachable way.
This book supports the idea that you should get help from someone when you need it-even if it is not the authorities.
It was interesting to see Pattyn's development throughout the book, as heartbreaking as it was. She starts off as such a timid, rule-abiding girl, and then turns into someone with her own thoughts and morals. I feel like that as she was able to experience more, she grew into her own person to an extent.
I love Aunt Jeanette-she just wants what is best for Pattyn.
The ending crushed me. I just wanted Pattyn to be happy with Ethan, but no. It just had to come to a horrible end, didn't it?
Sorry this review is pretty short. I can't really find all the right ways to say what I'm thinking about this book.
Overall, I enjoyed the book and I think I will check out more of Ellen Hopkins's books.
LeftSideCut (3776 KP) rated Detroit: Become Human in Video Games
Jul 30, 2019
Leaves Heavy Rain in the dust
The only other Quantic Dream game I have played is 2010s 'Heavy Rain' - a game that I kind of enjoyed, but to me always felt like it was in the cusp of being so much more.
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
LeftSideCut (3776 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
Overkill 2
Games and Entertainment
App
Do you like guns? Then you will love Overkill 2! Over 50 realistic 3D guns are waiting for you in...
