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Villagers is a tableau building and card drafting game for one to five players, set in a faraway...
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LeftSideCut (3776 KP) rated Shadow in the Cloud (2020) in Movies
Sep 7, 2021
Contains spoilers, click to show
In short, Shadow in the Cloud is a whole load of silly, but entertaining nonsense. In all honesty, the opening 30 or so minutes completely grabbed me - it has a foreboding synth heavy soundtrack that's completely at odds with its WWII time period but still works, it has a sort of gothic aesthetic in it's cloudy night sky setting that boasts some wonderful shots, it has a well built up sense of dread, and then, when the penny drops that there's something not quite right, there's a shot that is legitimately chilling. I was hooked and found myself thinking "this is going to be one of my new favourite films", but alas, it wasn't to last.
From the moment the gremlin creature is fully revealed, proceedings get sillier and sillier - there is one bit in particular that is so mind numbingly dumb, I felt some brain cells die off (but it still made me audibly laugh so, every cloud). The silliness isn't even the main problem, it's actually a plus, but it does highlight how shoddy most of the writing is. Chloë Grace Moretz does the best with what she's given, but honestly, Max Landis' claims that 95% of the finished product is still his work despite re-writes isn't something to be proud of. There's just a lot of iffy dialogue, and some narrative twists later down the line that feel forced and unnecessary.
However, all the silliness that I mentioned makes up for it, if that's your kind of thing. I really can't hate on a film too much when it has its lead beating the shit out of a CGI monkey-bat thing that's trying to eat her baby after all.
From the moment the gremlin creature is fully revealed, proceedings get sillier and sillier - there is one bit in particular that is so mind numbingly dumb, I felt some brain cells die off (but it still made me audibly laugh so, every cloud). The silliness isn't even the main problem, it's actually a plus, but it does highlight how shoddy most of the writing is. Chloë Grace Moretz does the best with what she's given, but honestly, Max Landis' claims that 95% of the finished product is still his work despite re-writes isn't something to be proud of. There's just a lot of iffy dialogue, and some narrative twists later down the line that feel forced and unnecessary.
However, all the silliness that I mentioned makes up for it, if that's your kind of thing. I really can't hate on a film too much when it has its lead beating the shit out of a CGI monkey-bat thing that's trying to eat her baby after all.
Bob Mann (459 KP) rated Star Trek - Nemesis (2002) in Movies
Sep 28, 2021
This film should have worked. They had four years to work up the film: the biggest gap between movies in the series to date. The sets and special effects deployed are a notable improvement on “Insurrection” and are, at times, very impressive. It’s a movie that has personal angst for Picard; an epic space battle; and the death of a major character. And a young Tom Hardy turns in a memorable performance, belying what was to come: it’s interesting that this is only Hardy’s third feature (following his debut in “Black Hawk Down” just the year before!). It’s also a full NINE years before he won the BAFTA Rising Star award!
And yet it’s just not very engaging: I find myself fiddling with my phone while its on, which is never a good sign. Gone are any of the comic asides that have tended to lighten the mood of these films: this is dark and plot-heavy throughout. It’s even got a ‘mind-rape’ scene that is quite disturbing.
Naturally, the Enterprise insurance premium has taken another hammering by the end of the film. You can just imagine the discussion back in space dock… “no mate…” – sucking air in through his front teeth “…that whole front bumper’s gonna have to be replaced, and that’ll cost you a pretty packet”!
Combined with poor marketing and fierce competition (the film opening in the same month as “Lord of the Rings: The Two Towers”), this ended up with the worse financial performance of any of the Trek movies (in terms of budget to return ratio). And it killed the franchise. The only option was to be a full reboot: something that was to take another seven years to happen.
And yet it’s just not very engaging: I find myself fiddling with my phone while its on, which is never a good sign. Gone are any of the comic asides that have tended to lighten the mood of these films: this is dark and plot-heavy throughout. It’s even got a ‘mind-rape’ scene that is quite disturbing.
Naturally, the Enterprise insurance premium has taken another hammering by the end of the film. You can just imagine the discussion back in space dock… “no mate…” – sucking air in through his front teeth “…that whole front bumper’s gonna have to be replaced, and that’ll cost you a pretty packet”!
Combined with poor marketing and fierce competition (the film opening in the same month as “Lord of the Rings: The Two Towers”), this ended up with the worse financial performance of any of the Trek movies (in terms of budget to return ratio). And it killed the franchise. The only option was to be a full reboot: something that was to take another seven years to happen.
David McK (3562 KP) rated Death on the Nile (2022) in Movies
Apr 10, 2022
The second of Kenneth Branagh's outing as Agatha Christie's sleuth Poirot, apparently much delayed by the Covid-19 pandemic, and set after The Murder on the Orient Express.
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.
I've never seen that movie.
I have read the book on which it (Murder on Orient Express) is based, though.
As I'm not that big a fan of murder mysteries, I hadn't, however, read the story on which this is based.
Why does that matter?
Simply because it meant I was going into this with no preconceptions; no real idea of what would happen (other than there would be a murder which Poirot has to solve)!
I'm not sure whether the rest of Agatha Christie's Poirot novels are all like this or not - I've only read Murder on Orient Express and Murder of Roger Ackroyd, but I did find heavy similarities between the plots, with both Orient Express and is film largely taking place in a confined location, where there is a limited pool of suspects and where Poirot has to sit down and methodically think his way through.
This movie takes a while to get going, with the first hour or so in particular - I found - dragging quite a bit. I've also heard that there was extensive use of Green screen throughout, which might also explain why some of the Nile scenes just didn't sit quite right.
On the other hand, there is a veritable list of who's who acting talent on the screen: aside from Branagh himself, we have Gal Gadot (as the key victim), Emma Mackey, Arnie Hammer, Russel Brand (surprisingly understated), Annette Benning, Dawn French, Jennifer Saunders (yes, that French and Saunders!), Letitia Wright and Sophie Okonedo - nearly all of whom would have their own motives for the murder.
I absolutely loved Kerry Daynes’s first book, so when I was given the chance by NetGalley to read and review this book I knew that I was in for a treat.
Kerry Daynes gives us an insight into the world of forensic psychology and the different settings that she has worked in, from hospitals to her own private practice to a mother-and-baby unit. Her job is so varied and she talks about a wide range of characters that she has met throughout her career.
Kerry Daynes doesn’t pretend to be a robot and is the first to admit that sometimes her prejudice or feelings do appear during sessions with some of her patients. She says the most important thing is to realise this and to try to put them to one side at that moment in time. I have always been interested in psychology and it is the career I want to go into in the near future, and this book has ignited that passion even further but also put some of my doubts to bed.
I really did enjoy this book, and while I know that statistics and studies are important to back up facts in the book, I did feel that at some points the references and statistics were a bit too heavy, especially if you are not someone who likes to go away and read up on them afterwards. While they didn’t bother me too much, I did sometimes find I was skimming over them a little, so I wonder what people who don’t have any experience of psychology would think of these parts.
Overall, I really did enjoy the book and I enjoyed reading about the patients that Kerry Daynes included and felt satisfied when we found out what happened to them afterwards.
Kerry Daynes gives us an insight into the world of forensic psychology and the different settings that she has worked in, from hospitals to her own private practice to a mother-and-baby unit. Her job is so varied and she talks about a wide range of characters that she has met throughout her career.
Kerry Daynes doesn’t pretend to be a robot and is the first to admit that sometimes her prejudice or feelings do appear during sessions with some of her patients. She says the most important thing is to realise this and to try to put them to one side at that moment in time. I have always been interested in psychology and it is the career I want to go into in the near future, and this book has ignited that passion even further but also put some of my doubts to bed.
I really did enjoy this book, and while I know that statistics and studies are important to back up facts in the book, I did feel that at some points the references and statistics were a bit too heavy, especially if you are not someone who likes to go away and read up on them afterwards. While they didn’t bother me too much, I did sometimes find I was skimming over them a little, so I wonder what people who don’t have any experience of psychology would think of these parts.
Overall, I really did enjoy the book and I enjoyed reading about the patients that Kerry Daynes included and felt satisfied when we found out what happened to them afterwards.
Betron B25 In Ear Headphones
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Heavy bass with sparking clear highs that appeal. An all-rounded pair of earphones that look as good...
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Merissa (12934 KP) rated Thorn of Secrets (My Darkest Secret #2) in Books
Jan 25, 2022 (Updated Jul 18, 2023)
THORN OF SECRETS is the second book in the My Darkest Secret series and we return to Madi's life as she tries to continue after the events of book one. And you REALLY need to read that for this one to make any sense.
Both Madi and Justin have someone else, and yet their bond refuses to be broken. They ignore it, or put it under the heading of 'family relations' but it is obvious that isn't what it is, and you read to find out just when they both stop fighting the inevitable.
Madi is determined not to let what happened with Jackson ruin her life. She is in college; Justice is being raised with a loving mom and family on hand to help, and Madi meets a new man, Chauncey, who allows her to feel comfortable.
Once again, told from Madison's perspective, you are with her through every situation, every emotion. As with the first book, this deals with some heavy topics so please be aware if you have any triggers. We reunite with old characters as well as meet new ones. You see Madi in different situations, although her inner core doesn't change.
There were parts of the book that didn't do anything for me - some of which are personal preferences, and some I felt had no bearing on moving the story forward - but overall, I enjoyed the story and felt it to be a good continuation of Madi's story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 25, 2022
Both Madi and Justin have someone else, and yet their bond refuses to be broken. They ignore it, or put it under the heading of 'family relations' but it is obvious that isn't what it is, and you read to find out just when they both stop fighting the inevitable.
Madi is determined not to let what happened with Jackson ruin her life. She is in college; Justice is being raised with a loving mom and family on hand to help, and Madi meets a new man, Chauncey, who allows her to feel comfortable.
Once again, told from Madison's perspective, you are with her through every situation, every emotion. As with the first book, this deals with some heavy topics so please be aware if you have any triggers. We reunite with old characters as well as meet new ones. You see Madi in different situations, although her inner core doesn't change.
There were parts of the book that didn't do anything for me - some of which are personal preferences, and some I felt had no bearing on moving the story forward - but overall, I enjoyed the story and felt it to be a good continuation of Madi's story.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 25, 2022
Merissa (12934 KP) rated Where There's a Will (Dads & Adages #1) in Books
Aug 3, 2023
WHERE THERE'S A WILL is the first book in the Dads & Adages series, and it's definitely one I'll be reading more in. It is also the first book by this author I have read.
This deals with some heavy subjects, so please take note of the trigger warnings. For myself, I thought they were incredibly well handled, providing depth and detail to the story.
Con is thirty-two, with a sister, Daisy, who is twenty-two and pregnant when we first meet them. Con is in a relationship but the cracks are showing and you know it won't last. Will is his sexy silver fox fireman neighbour who lives upstairs. Tragedy strikes early on and Daisy is killed, leaving Con in charge of her newborn baby.
Considering the topics, I found this book to be fairly low-angst. If Con and Will have a problem, they talk it through. Of course, this doesn't work out in every situation, but it was nice to see it happen. What was also nice was the support system both Con and Will had, both together and separately. Having Will's adult sons in here in a supportive role, rather than antagonistic, made it a great read.
If I had anything negative to say, it would be that I was left wondering about Daisy's accident. Why did she get in the car? Was it to see Con? What happened? Small things, I know.
Full of real-life problems with no magic answers, I was completely involved with this story. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2023
This deals with some heavy subjects, so please take note of the trigger warnings. For myself, I thought they were incredibly well handled, providing depth and detail to the story.
Con is thirty-two, with a sister, Daisy, who is twenty-two and pregnant when we first meet them. Con is in a relationship but the cracks are showing and you know it won't last. Will is his sexy silver fox fireman neighbour who lives upstairs. Tragedy strikes early on and Daisy is killed, leaving Con in charge of her newborn baby.
Considering the topics, I found this book to be fairly low-angst. If Con and Will have a problem, they talk it through. Of course, this doesn't work out in every situation, but it was nice to see it happen. What was also nice was the support system both Con and Will had, both together and separately. Having Will's adult sons in here in a supportive role, rather than antagonistic, made it a great read.
If I had anything negative to say, it would be that I was left wondering about Daisy's accident. Why did she get in the car? Was it to see Con? What happened? Small things, I know.
Full of real-life problems with no magic answers, I was completely involved with this story. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 3, 2023
Lyndsey Gollogly (2893 KP) rated The Pawn and the Puppet (Book 1) in Books
Aug 10, 2023
Comes with some pretty heavy trigger warnings so please check before reading.
105 of 235
Kindle
The Pawn and the Puppet (Book 1)
By Brandi Elise Szeker
⭐️⭐️⭐️⭐️⭐️
The Emerald Lake Asylum is not a place most desire to go. Nineteen-year-old, Skylenna, however, made a promise that she must keep. Once hired, she only has one purpose—prove to the council that barbaric treatments, such as waterboarding, scalding baths, and beatings, are no longer the answer. But that all takes pause when she meets the source of terror in the asylum. A patient with a split personality—on one side, he’s the bloodthirsty genius, Dessin. On the other, a hidden persona that is buried deep in his subconscious.
When Dessin is caught in an attempted cell break, he faces execution if Skylenna can’t bring out his core personality and reveal his humanity. She has ninety days to save his life, and the only way to do that is to let him consume her into his world of moves, counter-moves, and master puppeteering.
With each passing day, their bond deepens, a forbidden attraction forming against her best judgments. Little by little, Skylenna uncovers the sinister secrets of his past that turned him into the monster everyone else fears. And Dessin proves to have one weakness despite the terrifying, indestructible persona he presents to the world: her.
I can and will only ever review a book based on how I find it! I never read the drama surrounding it or the author so here goes. Was I hooked? Yes. Did I enjoy the world building ? Yes. Did I find the characters interesting? Yes. So this is why it’s a 5⭐️ for me I didn’t want to put it down I really can’t wait for book 2.
105 of 235
Kindle
The Pawn and the Puppet (Book 1)
By Brandi Elise Szeker
⭐️⭐️⭐️⭐️⭐️
The Emerald Lake Asylum is not a place most desire to go. Nineteen-year-old, Skylenna, however, made a promise that she must keep. Once hired, she only has one purpose—prove to the council that barbaric treatments, such as waterboarding, scalding baths, and beatings, are no longer the answer. But that all takes pause when she meets the source of terror in the asylum. A patient with a split personality—on one side, he’s the bloodthirsty genius, Dessin. On the other, a hidden persona that is buried deep in his subconscious.
When Dessin is caught in an attempted cell break, he faces execution if Skylenna can’t bring out his core personality and reveal his humanity. She has ninety days to save his life, and the only way to do that is to let him consume her into his world of moves, counter-moves, and master puppeteering.
With each passing day, their bond deepens, a forbidden attraction forming against her best judgments. Little by little, Skylenna uncovers the sinister secrets of his past that turned him into the monster everyone else fears. And Dessin proves to have one weakness despite the terrifying, indestructible persona he presents to the world: her.
I can and will only ever review a book based on how I find it! I never read the drama surrounding it or the author so here goes. Was I hooked? Yes. Did I enjoy the world building ? Yes. Did I find the characters interesting? Yes. So this is why it’s a 5⭐️ for me I didn’t want to put it down I really can’t wait for book 2.