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TravelersWife4Life (31 KP) rated Oliver the Ornament Boxed Gift Set in Books
Feb 24, 2021
<i>Oliver the Ornament </i>touched me in ways I cannot even explain. From the feel of the paper to the colorful illustration, to the thoughtful words. This book pulls you in and stays with you long after you have read it. Todd M. Zimmermann did a phenomenal job with the ideas he conveys in this book and I know it will be one I pass down for many generations to come.
When I first picked up <i>Oliver the Ornament </i> to read, I expected just another book about Christmas. What I got was so much more. Oliver pulled me into his story with his friends and family so much so that by the time I was done I could not stop thinking about my own cherished Christmas ornament memories. The story was easy to read, although more of a 7+ age range in terms of page length, but so engaging and colorful. I loved the page layouts and enjoyed the twists the author/illustrator used to interactively engage with the audience. The themes of always having something positive to say to others, the consequences of bullying, and remembering to hold on to memories no matter how small they may seem combined made this an endearing story. I also am thankful for the author's thoughtfulness in providing a place to write my own ornament stories in the back of the book. But I cannot forget one of the most important interactive aspects of the story, Oliver the ornament himself! He is well made, heavy-duty, and when I look at my tree now, I am reminded that <i>“Every Ornament Tells A Story”</i>.
This is one of my favorite Christmas stories ever as it encourages remembrance, communication between parents and their kids, and the themes of forgiveness, dealing with bullying, and the art of storytelling. I <b>HIGHLY</b> recommend this book for any age to read and enjoy. 5 out of 5 stars.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
When I first picked up <i>Oliver the Ornament </i> to read, I expected just another book about Christmas. What I got was so much more. Oliver pulled me into his story with his friends and family so much so that by the time I was done I could not stop thinking about my own cherished Christmas ornament memories. The story was easy to read, although more of a 7+ age range in terms of page length, but so engaging and colorful. I loved the page layouts and enjoyed the twists the author/illustrator used to interactively engage with the audience. The themes of always having something positive to say to others, the consequences of bullying, and remembering to hold on to memories no matter how small they may seem combined made this an endearing story. I also am thankful for the author's thoughtfulness in providing a place to write my own ornament stories in the back of the book. But I cannot forget one of the most important interactive aspects of the story, Oliver the ornament himself! He is well made, heavy-duty, and when I look at my tree now, I am reminded that <i>“Every Ornament Tells A Story”</i>.
This is one of my favorite Christmas stories ever as it encourages remembrance, communication between parents and their kids, and the themes of forgiveness, dealing with bullying, and the art of storytelling. I <b>HIGHLY</b> recommend this book for any age to read and enjoy. 5 out of 5 stars.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Matthew Krueger (10051 KP) rated the Xbox One version of Outlast in Video Games
Nov 7, 2020
Survivor The Asylum
Outlast- is a excellent survival first person horror game set inside a asylum.
The game revolves around a freelance investigative journalist, Miles Upshur, who decides to investigate a remote psychiatric hospital named Mount Massive Asylum, located deep in the mountains of Lake County, Colorado.
Outlast, the player assumes the role of investigative journalist Miles Upshur, as he navigates a dilapidated psychiatric hospital in Leadville, Colorado that is overrun by homicidal patients. The game is played from a first-person perspective and features some stealth gameplay mechanics. The player can walk, run, crouch, jump, climb ladders and vault over objects. Unlike most games, however, the player doesn't have a visible health bar on the screen and is unable to attack enemies. The player must instead rely on stealth tactics such as hiding in lockers, sneaking past enemies, staying in the shadows and hiding behind or under things in order to survive. Alternatively, the player can attempt to outrun their pursuer. If the player dies, the game will reset to the most recent checkpoint.
Most of the hospital is unlit, and the only way for the player to see while in the dark is through the lens of a camcorder equipped with night vision. Using the night vision mode will slowly consume batteries, forcing the player to scavenge for additional batteries found throughout the asylum. Outlast makes heavy use of traditional jump scares and audio cues, which alert the player if an enemy has seen them.
GameSpot gave the game a positive review as well stating that "Outlast isn't really a game of skill, and as it turns out, that makes sense. You're not a cop or a soldier or a genetically enhanced superhero. You're just a reporter. And as a reporter, you don't possess many skills with which you can fend off the hulking brutes, knife-wielding stalkers, and other homicidal maniacs who lurk in the halls of the dilapidated Mount Massive Asylum. You can't shoot them, or punch them, or rip pipes from the walls to clobber them with. You can only run and hide".
The aslyum setting is creepy, horrorfying, scary and terrorfying.
Its a excellent survival horror game.
The game revolves around a freelance investigative journalist, Miles Upshur, who decides to investigate a remote psychiatric hospital named Mount Massive Asylum, located deep in the mountains of Lake County, Colorado.
Outlast, the player assumes the role of investigative journalist Miles Upshur, as he navigates a dilapidated psychiatric hospital in Leadville, Colorado that is overrun by homicidal patients. The game is played from a first-person perspective and features some stealth gameplay mechanics. The player can walk, run, crouch, jump, climb ladders and vault over objects. Unlike most games, however, the player doesn't have a visible health bar on the screen and is unable to attack enemies. The player must instead rely on stealth tactics such as hiding in lockers, sneaking past enemies, staying in the shadows and hiding behind or under things in order to survive. Alternatively, the player can attempt to outrun their pursuer. If the player dies, the game will reset to the most recent checkpoint.
Most of the hospital is unlit, and the only way for the player to see while in the dark is through the lens of a camcorder equipped with night vision. Using the night vision mode will slowly consume batteries, forcing the player to scavenge for additional batteries found throughout the asylum. Outlast makes heavy use of traditional jump scares and audio cues, which alert the player if an enemy has seen them.
GameSpot gave the game a positive review as well stating that "Outlast isn't really a game of skill, and as it turns out, that makes sense. You're not a cop or a soldier or a genetically enhanced superhero. You're just a reporter. And as a reporter, you don't possess many skills with which you can fend off the hulking brutes, knife-wielding stalkers, and other homicidal maniacs who lurk in the halls of the dilapidated Mount Massive Asylum. You can't shoot them, or punch them, or rip pipes from the walls to clobber them with. You can only run and hide".
The aslyum setting is creepy, horrorfying, scary and terrorfying.
Its a excellent survival horror game.
Nick McCabe recommended Halloween by John Carpenter in Music (curated)
LoganCrews (2861 KP) rated Superbad (2007) in Movies
Sep 20, 2020
It's been about ten years to the day that me and my middle school friends saw this for the first time on television, naturally it became a classic from there since we were the embodiment of all of these guys, in spades - their demeanors, writerly crassness, even their *looks*. Plus it was just funnier than hell on top of that. At the time we saw college and the possible divide of our respective friendships as something that was untouchable, so far away that you couldn't even picture it if you tried. Ten years later, now in my fourth year of college and no longer friends with any of those guys, I view this through a completely different lens - and it's even better now than it was back then. This is still, and forever will be, one of the greatest comedies of all time - nay - one of the greatest *movies* of all time. The way as a middle schooler it depicted what was to come, and now the way it depicts what was - both nostalgic for the past and for the future, it's no wonder every teen sex comedy from then on copied this because it's a goddamned fully optimized template to use. Comedies that touch the two hour mark better be funny as sin and/or at least do some decent emotional heavy lifting. This does both with a colossal ease. I can wax lyrical about my love for this all day: the amount of respect it has for and in spite of all its (totally realistic) crudeness, the way I'm always doubled over in crippling laughter from Cera singing "These Eyes", Christopher Mintz-Plasse giving the Holy Grail of teen sex comedy performances (though... everyone is spotless), the picturesque time capsule of being in that awkward high school/college transition that's done so effectively that we as middle schoolers couldn't see at the time even though now as a college student I can see it depicted right there before my very eyes a la real life, etc. I really don't think a single element is done any lesser than it should be. Hope to still be watching this expertly-made masterpiece again another ten years from now. Comedy perfection.
Debbiereadsbook (1617 KP) rated Daddy's Girl in Books
Jan 29, 2021
Gotta Love Total Surprises!
I love it when a book surprises me and I've only my self to blame! And the clue to what surprises me, is in the title, and that's all I'll say about that!
Kyron needs an omega to get him pregnant, ASAP. Tolly needs money ti keep a roof over his and his fathers heads. Perfect solution? Kyron pays Tolly to give him a son, so he can inherit the vineyard as is written in the will, and then part ways. But the longer they spent together, the more they think that neither will be able to walk away.
Kyron had a bad experience with an omega, and he doesn't WANT one, but he NEEDS one, else he will lose everything. Tolly has also had a negative experience with alphas. The animosity between them is so heavy in the beginning, you can almost taste it. But that melts as time goes on and it was so wonderful watching the ice thaw around both their hearts.
I LOVED not being able to put all the clues together as to the who was wrecking everything for Kyron. LOVED that. Got it totally wrong so well played there, Ms Sue! The WHY as well threw me!
The clues are there, people, they really are, as to what might happen and I was not putting them together fast enough, nor correctly. I loved the references to the history of this world, and the people in it, and what happened before. I loved that for some random reason Tolly is the way forward for these people. I am curious as to whether this will be a series, and I might have missed that announcement, somehow, but I feel there is more to come from this world and the people in it.
I didn't find it overly explicit, but I liked that it wasn't. It's more about the falling for each other, what happens to the vineyard, and the missing pieces of their history that matter here.
And then that surprise! *Enough said!*
5 full and shiny stars, here's hoping for more!
**same worded review will appear elsehwere*
Kyron needs an omega to get him pregnant, ASAP. Tolly needs money ti keep a roof over his and his fathers heads. Perfect solution? Kyron pays Tolly to give him a son, so he can inherit the vineyard as is written in the will, and then part ways. But the longer they spent together, the more they think that neither will be able to walk away.
Kyron had a bad experience with an omega, and he doesn't WANT one, but he NEEDS one, else he will lose everything. Tolly has also had a negative experience with alphas. The animosity between them is so heavy in the beginning, you can almost taste it. But that melts as time goes on and it was so wonderful watching the ice thaw around both their hearts.
I LOVED not being able to put all the clues together as to the who was wrecking everything for Kyron. LOVED that. Got it totally wrong so well played there, Ms Sue! The WHY as well threw me!
The clues are there, people, they really are, as to what might happen and I was not putting them together fast enough, nor correctly. I loved the references to the history of this world, and the people in it, and what happened before. I loved that for some random reason Tolly is the way forward for these people. I am curious as to whether this will be a series, and I might have missed that announcement, somehow, but I feel there is more to come from this world and the people in it.
I didn't find it overly explicit, but I liked that it wasn't. It's more about the falling for each other, what happens to the vineyard, and the missing pieces of their history that matter here.
And then that surprise! *Enough said!*
5 full and shiny stars, here's hoping for more!
**same worded review will appear elsehwere*
LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Hazel (1853 KP) rated Janna of Castle Ambrose in Books
Sep 10, 2019
Janna of Castle Ambrose is the first book in The Serpent Riders series by the versatile Jordan Elizabeth. Set in the fictional land of Hamlin, Janna, who lives in Castle Ambrose, loses her father, brother and sister when an usurper invades the kingdom and slaughters hundreds of people. From then on, Janna has vows that the new king will be destroyed, however, it is not until she is 18 and discovers two of her friends are alive and imprisoned in the capital city that Janna finds the will-power to escape her tattered home and put the world to rights.
With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.
The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.
Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.
Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
With the aid of a secret ability to freeze people and being the only person in the country to know of the existence of sea serpents, Janna sets off to the capital where she worms her way into the castle by becoming the apothecary's apprentice. To save her friends and defeat the usurper, Janna must round up rebels across Hamlin. Yet, as she adjusts to her life in the city, Janna realises there are two sides to every story and she may not be on the right side after all. With the rebels rallying troops from across the sea, she may be too late to prevent another civil war.
The story ends with one side becoming the victors and Janna's sea serpents earning their right to come out of hiding and being accepted by human society. The narrative is fast-paced with days, weeks and months speeding past within each chapter. There is an eclectic mix of characters whose personalities pull the story in different directions.
Janna of Castle Ambrose contains some adult scenes that may be unsuitable for younger readers. Although no sex scenes occur per se, they are eluded to in heavy detail. This is a new aspect to Jordan Elizabeth's writing, however, the young adult writing style clashes with the adult material.
Being the first book in a series, it is clear the story is going to continue, however, as the main issue has been resolved, the plot of the next book is unguessable. We shall just have to wait and see.
Gareth von Kallenbach (980 KP) rated Angel Has Fallen (2019) in Movies
Aug 21, 2019
It is hard to believe that it has been six years since Gerard Butler introduced audiences to Special Agent Mike Banning. Over the course of the film and its sequel; Banning kept the President safe against a never-ending barrage of threats both home and abroad.
For the new film “Angel Has Fallen”; Banning must protect a new President (Morgan Freeman) and clear his name when he is framed after a devastating attack on the President.
When he is suddenly the most wanted man in the country; Banning must use all his skills when he is abducted and subsequently escapes while be transported to a detention facility.
The movie takes a bit of time getting up to speed but wisely has some good action along the way to setup the film and increase the tension levels. Once the action revs up, it is full on pedal to the floor action with Butler throwing himself into the fray against heavy odds no matter the cost.
What makes this film stand out from the others is that narrative is more plausible than other action films and you do see Butler dealing with the results of his profession. This is not a Teflon Super Hero who has bullets bounce off his chest. This is a man who bears his physical and psychological scars from his years in service and has a hard time letting go of the work even though it is what he believes he is best suited for.
Morgan Freeman gives a very strong performance as does Nick Nolte who stole many of the scenes in which he was in and provided some real Wild Card comic relief and action to the film.
In the end it is Gerard’s picture and he throws himself into the part without becoming repetitive of his past films and giving Banning a relatable and sympathetic quality that is often lacking in films of this type.
In a summer of many films Over Promising and Under-Delivering: “Angel Has Fallen” is a refreshing exception as it was an enjoyable thrill ride from start to finish and I sure hope we have not seen the last of Agent Banning.
4 stars out of 5
http://sknr.net/2019/08/21/angel-has-fallen/
For the new film “Angel Has Fallen”; Banning must protect a new President (Morgan Freeman) and clear his name when he is framed after a devastating attack on the President.
When he is suddenly the most wanted man in the country; Banning must use all his skills when he is abducted and subsequently escapes while be transported to a detention facility.
The movie takes a bit of time getting up to speed but wisely has some good action along the way to setup the film and increase the tension levels. Once the action revs up, it is full on pedal to the floor action with Butler throwing himself into the fray against heavy odds no matter the cost.
What makes this film stand out from the others is that narrative is more plausible than other action films and you do see Butler dealing with the results of his profession. This is not a Teflon Super Hero who has bullets bounce off his chest. This is a man who bears his physical and psychological scars from his years in service and has a hard time letting go of the work even though it is what he believes he is best suited for.
Morgan Freeman gives a very strong performance as does Nick Nolte who stole many of the scenes in which he was in and provided some real Wild Card comic relief and action to the film.
In the end it is Gerard’s picture and he throws himself into the part without becoming repetitive of his past films and giving Banning a relatable and sympathetic quality that is often lacking in films of this type.
In a summer of many films Over Promising and Under-Delivering: “Angel Has Fallen” is a refreshing exception as it was an enjoyable thrill ride from start to finish and I sure hope we have not seen the last of Agent Banning.
4 stars out of 5
http://sknr.net/2019/08/21/angel-has-fallen/
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