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Cry Cry Cry by Wolf Parade
5.0
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Album Watch
The band's first album produced by Pacific Northwest legend John Goodmanson (Bikini Kill,...
alternative rock
Cryptoriana: The Seductiveness of Decay by Cradle Of Filth
5.5
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For the last quarter of a century, Cradle Of Filth have assumed the role of dark metal diarists,...
metal
Shonen Jump Manga Reader
Book and Magazines & Newspapers
App
The official English source to read Weekly Shonen Jump, the world's most popular manga magazine! You...
Georgia Travel Guide and Offline Street Map
Navigation and Travel
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SPECIAL FEATURES - STOP CARRYING BOOK GUIDES!!! - 100% OFFLINE TRAVEL GUIDE - ZOOMABLE 100%...
The Bringer of Wrath (The King & Alpha #2)
8.0
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Book
Shifter and Vampire True Mates story. Alek’s older brother, Justice—the Alpha Zenith—was...
MM Paranormal Romance Vampires Shifters
LeftSideCut (3776 KP) rated Train to Busan Presents: Peninsula (2020) in Movies
Aug 11, 2021
Peninsula is by no means a bad movie, but from start to finish, it never manages to step out of the shadow of it's older sibling. It doesn't help that Train to Busan is as near-perfect as the zombie sub-genre gets, and it's imprint is felt all over this follow up, and that's where the main problem lies.
The film starts with an incredibly powerful opening, and initially seems like it's going to deliver the same emotional hellscape that it's predecessor did, but alas, the really out of place English exposition dialogue that accompanies the cold open is a sign of things to come.
Peninsula mainly suffers from pacing issues. All too often, it feels drawn out, slows down to a halt, spends too much time with characters that are hard to care about, and ultimately feels overlong.
The claustrophobic setting of a train is replaced by a wide open Korean cityscape, and with that comes a grander vision and an over reliance on CGI, CGI that is shaky at best. The effcts-heavy scenes are thankfully set at night time but it's hard not to notice, especially in the car chase set pieces (that go on for way too long by the way).
And then, when the final act comes a knocking, the events that unfold diver straight back into imitating Train to Busan again, but it completely misses the mark. The emotional closing moments are undercut but just how absurd and over dramatic everything is. There's just no subtlety.
I feel like I've ragged on this movie way more than I intended too, because I did enjoy it more than I didn't. The main group of leads (especially the child actors) are pretty damn good, the zombies themselves are still pretty intense, even if they are more of a background threat this time around, and once again, it's complimented by a wonderful music score, but I don't know, it just left me a little cold after just how much TtB blew me away.
Not good, not bad, just very middle of the road.
The film starts with an incredibly powerful opening, and initially seems like it's going to deliver the same emotional hellscape that it's predecessor did, but alas, the really out of place English exposition dialogue that accompanies the cold open is a sign of things to come.
Peninsula mainly suffers from pacing issues. All too often, it feels drawn out, slows down to a halt, spends too much time with characters that are hard to care about, and ultimately feels overlong.
The claustrophobic setting of a train is replaced by a wide open Korean cityscape, and with that comes a grander vision and an over reliance on CGI, CGI that is shaky at best. The effcts-heavy scenes are thankfully set at night time but it's hard not to notice, especially in the car chase set pieces (that go on for way too long by the way).
And then, when the final act comes a knocking, the events that unfold diver straight back into imitating Train to Busan again, but it completely misses the mark. The emotional closing moments are undercut but just how absurd and over dramatic everything is. There's just no subtlety.
I feel like I've ragged on this movie way more than I intended too, because I did enjoy it more than I didn't. The main group of leads (especially the child actors) are pretty damn good, the zombies themselves are still pretty intense, even if they are more of a background threat this time around, and once again, it's complimented by a wonderful music score, but I don't know, it just left me a little cold after just how much TtB blew me away.
Not good, not bad, just very middle of the road.
Bob Mann (459 KP) rated Army of the Dead (2021) in Movies
Sep 28, 2021
A gory Zombie-rich take on Oceans 11.
Zac Snyder’s glossy zombie flick is a valiant attempt, and it has its moments. The story neatly blends a zombie apocalypse with an “Oceans” heist movie. You even get some stirring “Die Hard”-style vault opening music! But a weak script and a flabby running time make this rather hard work to get through in one sitting. If Snyder could get a bit of self-control and come out with a nice 100-minute movie, he’d get more of my vote.
Positives:
Park brain at door. You gotta love the splatter-fest of a zombie-movie once in a while, and this one delivers a lot of requisite gore and a zombie white tiger to boot! You have to admit that Zack Snyder does have an eye for style. There are some neat moments in this… like when the casino power comes back on and the silence is filled with that familiar slot machine noise and Elvis track that you only ever hear at scale in Vegas!
Dave Bautista is nearly always either in an ensemble piece or a bit-part “heavy” – the only other film I can immediately think of is the (very funny) comedy “Stuber“. He’s seldom the lead. But, understanding that the script is horribly vomit-inducing in places, he’s pretty good in this. I also liked Ella Purnell who plays his daughter, although couldn’t get over how much she looks like Olivia Cooke!
The special effects and prosthetics work is pretty impressive. This would have been good to see on the big screen.
Negatives:
Interspersed amongst the (often entertaining) action sequences are some horribly soupy sections of dialogue where the forward momentum of the movie completely stalls.
Some of the acting is on the decidedly ropey side and makes the glossy piece feel more like a B-movie.
A number of elements of the story really don’t make sense. The most blatant happens at the end: Tanaka could have got the money anyway!
At nearly two and a half hours, it’s another Snyder bladder-tester.
Positives:
Park brain at door. You gotta love the splatter-fest of a zombie-movie once in a while, and this one delivers a lot of requisite gore and a zombie white tiger to boot! You have to admit that Zack Snyder does have an eye for style. There are some neat moments in this… like when the casino power comes back on and the silence is filled with that familiar slot machine noise and Elvis track that you only ever hear at scale in Vegas!
Dave Bautista is nearly always either in an ensemble piece or a bit-part “heavy” – the only other film I can immediately think of is the (very funny) comedy “Stuber“. He’s seldom the lead. But, understanding that the script is horribly vomit-inducing in places, he’s pretty good in this. I also liked Ella Purnell who plays his daughter, although couldn’t get over how much she looks like Olivia Cooke!
The special effects and prosthetics work is pretty impressive. This would have been good to see on the big screen.
Negatives:
Interspersed amongst the (often entertaining) action sequences are some horribly soupy sections of dialogue where the forward momentum of the movie completely stalls.
Some of the acting is on the decidedly ropey side and makes the glossy piece feel more like a B-movie.
A number of elements of the story really don’t make sense. The most blatant happens at the end: Tanaka could have got the money anyway!
At nearly two and a half hours, it’s another Snyder bladder-tester.
Emma @ The Movies (1786 KP) rated Ron's Gone Wrong (2021) in Movies
Oct 14, 2021
Cute animation with funny characters, this seemed like a nice diversion from the usual, mainly heavy, festival lineup.
Barney has an eccentric family. Dad is trying to make ends meet and Gran’s solution is food and a song. But for Barney, who just wants to fit in with his classmates, scraping by means not having the latest “Best friend in a box” robot to hang out with like everyone in his class.
As well as looking for something light hearted to watch, I was a little bit excited to see a children’s film in an adult only screening. I’m easily pleased, it’s the dream screening really.
When kids films from bigger studios don’t appear on my radar well in advance of their release I’m always a little sceptical. But the idea behind Ron’s Gone Wrong sounded like it was going to be a bit of a win, after all, it's either friendship or all out war, there's generally no in between.
Despite it having some bigger names in the cast, I really couldn’t put my finger on any of them as I watched. Performances were a little forgettable if I’m honest, out of everything, it’s the antics that are memorable, not the voices. The dialogue felt a little anaemic and it really just didn’t hit the spot for me.
Then there’s the animation, again, a bit of a shrug. It’s lovely but familiar. The little robots are a fun creation though and the way they interact with their humans and the online world is nicely done. As I watched it though I had flashes of other films. I tried to remember the name of the bots as I wrote the synopsis, but all I could think was PAL… but that’s Mitchell’s vs the Machines, and if you’ve seen that then you’ll more than likely draw some comparisons. That’s not the only film either.
Ron's Gone Wrong has some nice messages about friendship and it tries to shoehorn some ethics in there for the adults, but all in all, despite being a nice film, it doesn’t hold much of a punch to stand out from the crowd.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/rons-gone-wrong-movie-review.html
Barney has an eccentric family. Dad is trying to make ends meet and Gran’s solution is food and a song. But for Barney, who just wants to fit in with his classmates, scraping by means not having the latest “Best friend in a box” robot to hang out with like everyone in his class.
As well as looking for something light hearted to watch, I was a little bit excited to see a children’s film in an adult only screening. I’m easily pleased, it’s the dream screening really.
When kids films from bigger studios don’t appear on my radar well in advance of their release I’m always a little sceptical. But the idea behind Ron’s Gone Wrong sounded like it was going to be a bit of a win, after all, it's either friendship or all out war, there's generally no in between.
Despite it having some bigger names in the cast, I really couldn’t put my finger on any of them as I watched. Performances were a little forgettable if I’m honest, out of everything, it’s the antics that are memorable, not the voices. The dialogue felt a little anaemic and it really just didn’t hit the spot for me.
Then there’s the animation, again, a bit of a shrug. It’s lovely but familiar. The little robots are a fun creation though and the way they interact with their humans and the online world is nicely done. As I watched it though I had flashes of other films. I tried to remember the name of the bots as I wrote the synopsis, but all I could think was PAL… but that’s Mitchell’s vs the Machines, and if you’ve seen that then you’ll more than likely draw some comparisons. That’s not the only film either.
Ron's Gone Wrong has some nice messages about friendship and it tries to shoehorn some ethics in there for the adults, but all in all, despite being a nice film, it doesn’t hold much of a punch to stand out from the crowd.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/10/rons-gone-wrong-movie-review.html
Pete Thompson (4339 KP) Aug 13, 2021