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Darren (1599 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 1, 2019
Verdict: Stunt Work of the Year
Story: Fast & Furious Presents: Hobbs & Shaw starts when MI6 Agent Hattie Shaw (Kirby) is framed for stealing a deadly virus that Brixton (Elba) is after, using her ability to go into hiding comes in handy, Luke Hobbs (Johnson) and Deckard (Statham) are recruited to work together to help find her and get the virus out of her before it becomes a threat to the world.
With the three teaming up, they must use their connections to stay ahead of Brixton who has been enhanced to make a deadly threat that neither can defeat on their own, can they put aside their different and save the world again?
Thoughts on Fast & Furious Presents: Hobbs & Shaw
Characters – Hobbs is still working in the field to hunt down bad guys, but he remains family based with his daughter being the most important part of his life, he gets the call to save the world once again and doesn’t say no, heading to London to team up with an old enemy and friend in Deckard. He does play the I am bigger than you card, as the two constantly try to play the alpha male card. Deckard must come out of hiding to rescue his own little sister, he is better designed to the spy like side of this mission, we do get to learn a lot more about his past in this film too. Brixton is the big bad, he even introduces himself as ‘the bad guy’ he has been enhanced, making him a proper deadly weapon that will win any one on one fight, he isn’t afraid to fight with his men, though he is only part of a bigger plan going on. Hattie is the MI6 agent that gets framed, she is Deckard sister and knows how to get off the grid, she can handle herself in a fight and isn’t afraid to use a few tricks she learnt from her mother to get out of a sticky situation.
Performances – Dwayne Johnson and Jason Statham must be looked at as one, they are excellent when it comes to the action sequences, you wouldn’t expect anything less, when they have a moment of serious material they do well, it is part of the back and forth between them which does get slightly tiresome after a while. It is almost like the film must stop for 30 seconds to a minute so they can go at each with insults. Idris Elba does look like he is having a hell of a time as the villainous figure, while Vanessa Kirby keeps up with the action heavy stars with ease bring another aspect to the styles of the three.
Story – The story here follows Hobbs and Shaw as they must once again put their differences a side to help Shaw’s sister get away from a deadly enhanced soldier and the virus he is threatening the world with. Breaking down this story, it does feel like any Fast & Furious film, there is no questions there, we get everything we expect with cheesy dialogue to match. If we do look at the story it is strange because we could easily have had this as a Hobbs or Shaw solo film with the way everything unfolds, with only one aspect of the film truly needing them to work together. The pair do seem to lose certain parts of the chemistry and respect for one an other they got from Fast 8, which again confuses why we need so much bickering between the two, as they are both the alpha, neither comes off as the comical side of the buddy relationship, meaning a lot of the jokes just hold up the film. It is nice this story could build on both the pairs backgrounds more, with slightly more focus on Deckard. If we are being honest, we don’t need a deep story here, we just come for the action.
Action/Adventure – The action in this film is huge, the fights, the chases and the explosions, though when it comes to the fights we do get a lot of cuts in them, which just doesn’t work as well as other action heavy films. The adventure does take the crew from London, to Russian to Samoa proving it to be an international mission.
Settings – The film uses the tight streets of London for the spy side of the movie, along with one big car chase, we use the other cities for the wide-open big action sequences in the film.
Special Effects – The effects in the film are also a mixed bad, certain bits look wonderful, including how Brixton is almost attached to his motorbike, it is the couple of moments which you can see the CGI effects at work which let it down.
Scene of the Movie – The base escape.
That Moment That Annoyed Me – The bickering gets tiresome.
Final Thoughts – This is everything you expect in a Fast & Furious film, it is big, the action is ridiculous, and you can just sit back and enjoy.
Overall: Big dumb fun
Rating
Story: Fast & Furious Presents: Hobbs & Shaw starts when MI6 Agent Hattie Shaw (Kirby) is framed for stealing a deadly virus that Brixton (Elba) is after, using her ability to go into hiding comes in handy, Luke Hobbs (Johnson) and Deckard (Statham) are recruited to work together to help find her and get the virus out of her before it becomes a threat to the world.
With the three teaming up, they must use their connections to stay ahead of Brixton who has been enhanced to make a deadly threat that neither can defeat on their own, can they put aside their different and save the world again?
Thoughts on Fast & Furious Presents: Hobbs & Shaw
Characters – Hobbs is still working in the field to hunt down bad guys, but he remains family based with his daughter being the most important part of his life, he gets the call to save the world once again and doesn’t say no, heading to London to team up with an old enemy and friend in Deckard. He does play the I am bigger than you card, as the two constantly try to play the alpha male card. Deckard must come out of hiding to rescue his own little sister, he is better designed to the spy like side of this mission, we do get to learn a lot more about his past in this film too. Brixton is the big bad, he even introduces himself as ‘the bad guy’ he has been enhanced, making him a proper deadly weapon that will win any one on one fight, he isn’t afraid to fight with his men, though he is only part of a bigger plan going on. Hattie is the MI6 agent that gets framed, she is Deckard sister and knows how to get off the grid, she can handle herself in a fight and isn’t afraid to use a few tricks she learnt from her mother to get out of a sticky situation.
Performances – Dwayne Johnson and Jason Statham must be looked at as one, they are excellent when it comes to the action sequences, you wouldn’t expect anything less, when they have a moment of serious material they do well, it is part of the back and forth between them which does get slightly tiresome after a while. It is almost like the film must stop for 30 seconds to a minute so they can go at each with insults. Idris Elba does look like he is having a hell of a time as the villainous figure, while Vanessa Kirby keeps up with the action heavy stars with ease bring another aspect to the styles of the three.
Story – The story here follows Hobbs and Shaw as they must once again put their differences a side to help Shaw’s sister get away from a deadly enhanced soldier and the virus he is threatening the world with. Breaking down this story, it does feel like any Fast & Furious film, there is no questions there, we get everything we expect with cheesy dialogue to match. If we do look at the story it is strange because we could easily have had this as a Hobbs or Shaw solo film with the way everything unfolds, with only one aspect of the film truly needing them to work together. The pair do seem to lose certain parts of the chemistry and respect for one an other they got from Fast 8, which again confuses why we need so much bickering between the two, as they are both the alpha, neither comes off as the comical side of the buddy relationship, meaning a lot of the jokes just hold up the film. It is nice this story could build on both the pairs backgrounds more, with slightly more focus on Deckard. If we are being honest, we don’t need a deep story here, we just come for the action.
Action/Adventure – The action in this film is huge, the fights, the chases and the explosions, though when it comes to the fights we do get a lot of cuts in them, which just doesn’t work as well as other action heavy films. The adventure does take the crew from London, to Russian to Samoa proving it to be an international mission.
Settings – The film uses the tight streets of London for the spy side of the movie, along with one big car chase, we use the other cities for the wide-open big action sequences in the film.
Special Effects – The effects in the film are also a mixed bad, certain bits look wonderful, including how Brixton is almost attached to his motorbike, it is the couple of moments which you can see the CGI effects at work which let it down.
Scene of the Movie – The base escape.
That Moment That Annoyed Me – The bickering gets tiresome.
Final Thoughts – This is everything you expect in a Fast & Furious film, it is big, the action is ridiculous, and you can just sit back and enjoy.
Overall: Big dumb fun
Rating
Gareth von Kallenbach (980 KP) rated Bravetown (2015) in Movies
Aug 6, 2019
Today’s movie selection is certainly a ‘heavy’ …. and by heavy I mean 1 half serious and 1 half inspirational. It’s one of those stories where the protagonist has been fighting an uphill battle most of their lives and in the end, being the catalyst for change in the lives of others ends up being that factor which changes their own life for the better.
‘Bravetown’ stars Lucas Till as Josh Harvest. A rising star and one of the best club DJ’s in the New York music scene. Night after night his music draws friends, crowds, promoters, and record producers looking to sign him. By day he sleeps and watches ‘Platoon’ when he’s not skipping school. Just as suddenly as the music starts spinning it all comes crashing down though when Josh overdoses one night and is raced to the hospital. After a confrontation with his mother (Maria Bello) and faced with the alternative choice of arrest and imprisonment,
Josh agrees to be sentenced to court ordered rehab and is sent from the mad streets of New York City to a small town in North Dakota to live with his father.
After the culture shock of going from the ‘city that never sleeps’ to a small town only known for their kids joining the military upon graduation right out of high school and going off to war (many of whom never return) subsides, Josh succumbs to his situation and settles in to his court appointed rehab with Alex (Josh Duhamel) a veteran who’se obsessed with soccer and has a dark past of his own. Sooner or later, everyone’s past catches up to them though .One night after his arrival, Josh’s reputation from New York catches up to him while attending a school dance. Dissatisfied with the music being played, Josh spins one set while the school’s dance team is performing on stage and then abruptly leaves. Unbeknownst to him, a member of the dance team recognized his music, recorded his set which they then used to win a competition.
After reluctantly agreeing to help them, the school’s last place dance team proceeds to win competition after competition and Josh and the dance team’s captain Mary (Kherington Payne). It soon becomes all to clear to Josh though that Mary’s grief is connected to his therapist’s past and that only by confronting it will Mary and Alex be able to come to terms and heal.
There a very few movies that did what this movie his done which is to touch on a subject that very few want to talk about or even acknowledge today in America. The knowledge that most of the people in this country who are sent off to war are young people from small towns or people from low income communities who either have no money to attend college after high school or have no other options for the future except to n the military. Now please don’t misunderstand me. I have nothing but the utmost respect for the men and women who serve and defend our nation and I come from a military family. However, for young people though in the present day …. many really have no other future to look forward too because of the high cost of university or college education. As part of the backstory, this film shines a light on that subject and does so in a respectful way. They way the ‘life in the big city’ merges to that in ‘small town america’ in the movie was done so in such a way that it seems like the two are right next door. As you are watching the film for the first time, the ‘culture shock’ is not so much a ‘shock’ itself but more like a record slowly spinning after the music is over.
Personally, I’m not a fan of any of the dancing shows and movies that have apparently captured the attention of everyone else over the last few years whether it’s ‘Dancing With The Stars’, ‘So You Think You Can Dance?’, ‘Step Up’, ‘Bring It On’, etc. But I freely admit that the dancing in this film was pretty GORRAM awesome and it impressed the heck out of me. The collection of actors and actresses assembled for this film was equally as awesome. Lucas Till (The X-Men Movies), Laura Dern (Jurassic Park), Josh Duhamel (Transformers), and Kherington Payne (True Blood, CSI, Glee) all brought their own serious brand of acting to this film and they don’t disappoint. There no war flashbacks, no car chases, and only one violent scene in the movie. All the action in the movie centers around the music and the brilliantly choreographed dancing. All the drama centers around the characters coming to terms with grief and lose. It’s better than many of the movies you find in theaters right now. Try to find ‘Bravetown’ between all the blockbusters that start hitting theaters in May. Trust me, it’s worth the view and if you can’t find it in theaters, order it online. I’m going this one 4 out of 5 stars. It clocks in at 112 minutes, but it’s worth it.
‘Bravetown’ stars Lucas Till as Josh Harvest. A rising star and one of the best club DJ’s in the New York music scene. Night after night his music draws friends, crowds, promoters, and record producers looking to sign him. By day he sleeps and watches ‘Platoon’ when he’s not skipping school. Just as suddenly as the music starts spinning it all comes crashing down though when Josh overdoses one night and is raced to the hospital. After a confrontation with his mother (Maria Bello) and faced with the alternative choice of arrest and imprisonment,
Josh agrees to be sentenced to court ordered rehab and is sent from the mad streets of New York City to a small town in North Dakota to live with his father.
After the culture shock of going from the ‘city that never sleeps’ to a small town only known for their kids joining the military upon graduation right out of high school and going off to war (many of whom never return) subsides, Josh succumbs to his situation and settles in to his court appointed rehab with Alex (Josh Duhamel) a veteran who’se obsessed with soccer and has a dark past of his own. Sooner or later, everyone’s past catches up to them though .One night after his arrival, Josh’s reputation from New York catches up to him while attending a school dance. Dissatisfied with the music being played, Josh spins one set while the school’s dance team is performing on stage and then abruptly leaves. Unbeknownst to him, a member of the dance team recognized his music, recorded his set which they then used to win a competition.
After reluctantly agreeing to help them, the school’s last place dance team proceeds to win competition after competition and Josh and the dance team’s captain Mary (Kherington Payne). It soon becomes all to clear to Josh though that Mary’s grief is connected to his therapist’s past and that only by confronting it will Mary and Alex be able to come to terms and heal.
There a very few movies that did what this movie his done which is to touch on a subject that very few want to talk about or even acknowledge today in America. The knowledge that most of the people in this country who are sent off to war are young people from small towns or people from low income communities who either have no money to attend college after high school or have no other options for the future except to n the military. Now please don’t misunderstand me. I have nothing but the utmost respect for the men and women who serve and defend our nation and I come from a military family. However, for young people though in the present day …. many really have no other future to look forward too because of the high cost of university or college education. As part of the backstory, this film shines a light on that subject and does so in a respectful way. They way the ‘life in the big city’ merges to that in ‘small town america’ in the movie was done so in such a way that it seems like the two are right next door. As you are watching the film for the first time, the ‘culture shock’ is not so much a ‘shock’ itself but more like a record slowly spinning after the music is over.
Personally, I’m not a fan of any of the dancing shows and movies that have apparently captured the attention of everyone else over the last few years whether it’s ‘Dancing With The Stars’, ‘So You Think You Can Dance?’, ‘Step Up’, ‘Bring It On’, etc. But I freely admit that the dancing in this film was pretty GORRAM awesome and it impressed the heck out of me. The collection of actors and actresses assembled for this film was equally as awesome. Lucas Till (The X-Men Movies), Laura Dern (Jurassic Park), Josh Duhamel (Transformers), and Kherington Payne (True Blood, CSI, Glee) all brought their own serious brand of acting to this film and they don’t disappoint. There no war flashbacks, no car chases, and only one violent scene in the movie. All the action in the movie centers around the music and the brilliantly choreographed dancing. All the drama centers around the characters coming to terms with grief and lose. It’s better than many of the movies you find in theaters right now. Try to find ‘Bravetown’ between all the blockbusters that start hitting theaters in May. Trust me, it’s worth the view and if you can’t find it in theaters, order it online. I’m going this one 4 out of 5 stars. It clocks in at 112 minutes, but it’s worth it.
5 Minute Movie Guy (379 KP) rated 22 Jump Street (2014) in Movies
Jun 26, 2019 (Updated Jun 29, 2019)
22 Jump Street is ingeniously self-aware. (3 more)
It's a fun film with lots of laughs and good action.
Channing Tatum and Ice Cube are both hilarious.
It ends with an unforgettably awesome credits sequence.
22 Jump Street may be a familiar foray, but this summer bromance still manages to be loads of fun and is without a doubt one of the funniest movies of the year.
Officers Schmidt and Jenko are back again for the biggest bromance of the summer. Previously on the film 21 Jump Street, this pair of police officers went undercover, disguised as high school students, to stop the spread of a new drug that was being distributed throughout the campus. Their mission was a success, and now the buddy cop duo returns with a new assignment – or actually the same assignment – but this time they’re going to college! 22 Jump Street has essentially the same exact premise as its predecessor and shamelessly spares no expense in letting you know it. It’s a running joke throughout the film with characters blatantly reminding you of the similarities. It may be a familiar foray, but 22 Jump Street still manages to be loads of fun and is without a doubt one of the funniest movies of the year.
One of the strengths of 22 Jump Street is that it never takes itself too seriously. Right off the bat, it sarcastically sets the stage through a cheesy and overly-dramatic recap of the first film that feels like it’s straight out of a ‘90s TV series. The movie continues to poke fun at itself every step of the way, reminding you that the creators are very much in on the joke. Rather than coming off as a lazy rehash, 22 Jump Street’s self-awareness makes it feel fresh and inviting. The whole movie plays out like a fourth-wall-breaking inside-joke between the actors and the audience. It openly acknowledges that it’s silly and redundant, but in doing so, it encourages us to put that aside and just sit back and have a good time. All in all, I most certainly did have a good time, and 22 Jump Street ended up being far more funny and enjoyable than I ever expected.
As much as I liked the movie, I have to say that it’s awfully heavy on the bromance. Many of the jokes revolve around the relationship between Jonah Hill’s Schmidt and Channing Tatum’s Jenko, and it gets to be pretty excessive and overdone. While Schmidt struggles to fit in at college, Jenko is accepted with open arms and quickly befriends the star quarterback Zook, played by Wyatt Russell, who recruits him to join the university football team. This puts a serious strain on Schmidt and Jenko’s friendship, and the film revels in their troubled relationship, portraying them like a bickering couple. The problem, however, is that it continuously stresses this bromance to the point where it becomes more awkward than funny. Additionally, as Schmidt feels more and more out of place without Jenko, I think Jonah Hill similarly falls more and more out of place in this film.
Jonah Hill and Channing Tatum make for an adequate comedic pair, however I find that Hill struggles in scenes without his co-star. While I respect Hill as an actor, it’s Tatum that truly carries the film, further establishing himself as a Hollywood star. He’s not only the funnier of the two, but he’s also highly entertaining and a perfect fit for an action star. He’s a natural in the movie’s comical action sequences, which include car chases, shootouts, and a well-choreographed fight scene on the beaches of Cancun. The movie drags on through Hill’s mopey solo scenes, only to be reinvigorated by Tatum’s humor and enthusiasm. Though the two of them play well together, I can’t help but feel like perhaps Hill should consider sticking to more dramatic roles.
While some of Hill’s attempts at humor fall flat, most of the comedy in the movie does work. Ice Cube is a stand-out in his return as police captain Dickson and his short temper creates some of the movie’s more memorable scenes. Meanwhile Tatum’s Jenko makes for a perfectly lovable and amusing airhead. The movie is chock-full of clever self-referential jokes and has an elaborate credits scene that expertly basks in its own egotism. 22 Jump Street is a movie that knows full well what it is and is proud of it.
22 Jump Street may be more of the same, but it’s completely content with that and wagers that you will be too. It’s a fun and comical adventure through college, and is coincidentally one of the best comedies of the year.
(This review was originally posted at 5mmg.com on 12.2.14.)
One of the strengths of 22 Jump Street is that it never takes itself too seriously. Right off the bat, it sarcastically sets the stage through a cheesy and overly-dramatic recap of the first film that feels like it’s straight out of a ‘90s TV series. The movie continues to poke fun at itself every step of the way, reminding you that the creators are very much in on the joke. Rather than coming off as a lazy rehash, 22 Jump Street’s self-awareness makes it feel fresh and inviting. The whole movie plays out like a fourth-wall-breaking inside-joke between the actors and the audience. It openly acknowledges that it’s silly and redundant, but in doing so, it encourages us to put that aside and just sit back and have a good time. All in all, I most certainly did have a good time, and 22 Jump Street ended up being far more funny and enjoyable than I ever expected.
As much as I liked the movie, I have to say that it’s awfully heavy on the bromance. Many of the jokes revolve around the relationship between Jonah Hill’s Schmidt and Channing Tatum’s Jenko, and it gets to be pretty excessive and overdone. While Schmidt struggles to fit in at college, Jenko is accepted with open arms and quickly befriends the star quarterback Zook, played by Wyatt Russell, who recruits him to join the university football team. This puts a serious strain on Schmidt and Jenko’s friendship, and the film revels in their troubled relationship, portraying them like a bickering couple. The problem, however, is that it continuously stresses this bromance to the point where it becomes more awkward than funny. Additionally, as Schmidt feels more and more out of place without Jenko, I think Jonah Hill similarly falls more and more out of place in this film.
Jonah Hill and Channing Tatum make for an adequate comedic pair, however I find that Hill struggles in scenes without his co-star. While I respect Hill as an actor, it’s Tatum that truly carries the film, further establishing himself as a Hollywood star. He’s not only the funnier of the two, but he’s also highly entertaining and a perfect fit for an action star. He’s a natural in the movie’s comical action sequences, which include car chases, shootouts, and a well-choreographed fight scene on the beaches of Cancun. The movie drags on through Hill’s mopey solo scenes, only to be reinvigorated by Tatum’s humor and enthusiasm. Though the two of them play well together, I can’t help but feel like perhaps Hill should consider sticking to more dramatic roles.
While some of Hill’s attempts at humor fall flat, most of the comedy in the movie does work. Ice Cube is a stand-out in his return as police captain Dickson and his short temper creates some of the movie’s more memorable scenes. Meanwhile Tatum’s Jenko makes for a perfectly lovable and amusing airhead. The movie is chock-full of clever self-referential jokes and has an elaborate credits scene that expertly basks in its own egotism. 22 Jump Street is a movie that knows full well what it is and is proud of it.
22 Jump Street may be more of the same, but it’s completely content with that and wagers that you will be too. It’s a fun and comical adventure through college, and is coincidentally one of the best comedies of the year.
(This review was originally posted at 5mmg.com on 12.2.14.)
Southern Today (21 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Nov 7, 2017
And I Darken: Audio Book Review
Contains spoilers, click to show
Historical fiction! Heavy on the fiction, light on the historical, and a good young adult. Now, this is young adult fiction, the kind that even adults can appreciate. Though, this is not for YOUNG young adults. If you are wary of what your kids read, stay away from this. I enjoyed this story, and loved the twists and turns the author took us on.
Again, I did not like the voice of the reader for this novel. She was grating, could not do much variation of the voices and I wish she would not have tried, and was the reason I often considered stopping the track. And I have no idea how to spell any of the names without looking them up.
This novel, by Kiersten White, follows Lada and Radu, in the 1400s, in the Ottoman empire as insurances for the Sultan.
I wonder if, like many young adult series, this would have been better as a single book with the next being far in the future or following other characters during the same time frame.
If you enjoy war novels, historically-set novels, or stories of growing up in difficult circumstances will enjoy this.
Alright, SPOILERS BELOW, SPOILERS BELOW, PLEASE SCROLL FOR DISCUSSION there, that is out of the way.
So, this book covers a good lifetime, showing us the development, fully, of characters. Saw the gay man coming as soon as he was born, which is kind of sad. Why, why make the gay man beautiful? Why make it so obvious from the start?
Why have her fall in love with the future Sultan?
I wanted her, based on the description of the book, to be in her homeland more often than they are. The hatred between the siblings isn't what is odd, but what causes it. How Radu doesn't understand Lada's love towards him and what drives her. I do not understand it.
This book is also supposed to be a gender-bend of Dracula the Impaler. Which is interesting, because I did not figure that out from reading it. It is the correct time period, but gender bending DOESN'T WORK historically. I am sorry, it would be far to complicated to do that. It, it just doesn't work. You can write it and ponder what it would have been if one character was different. But not all. So, is that what this is?
I think I will be reading (or listening?) to the second book of this.
THIS VOICE IS TERRIBLE!
Alright, there. Little bits done
Again, I did not like the voice of the reader for this novel. She was grating, could not do much variation of the voices and I wish she would not have tried, and was the reason I often considered stopping the track. And I have no idea how to spell any of the names without looking them up.
This novel, by Kiersten White, follows Lada and Radu, in the 1400s, in the Ottoman empire as insurances for the Sultan.
I wonder if, like many young adult series, this would have been better as a single book with the next being far in the future or following other characters during the same time frame.
If you enjoy war novels, historically-set novels, or stories of growing up in difficult circumstances will enjoy this.
Alright, SPOILERS BELOW, SPOILERS BELOW, PLEASE SCROLL FOR DISCUSSION there, that is out of the way.
So, this book covers a good lifetime, showing us the development, fully, of characters. Saw the gay man coming as soon as he was born, which is kind of sad. Why, why make the gay man beautiful? Why make it so obvious from the start?
Why have her fall in love with the future Sultan?
I wanted her, based on the description of the book, to be in her homeland more often than they are. The hatred between the siblings isn't what is odd, but what causes it. How Radu doesn't understand Lada's love towards him and what drives her. I do not understand it.
This book is also supposed to be a gender-bend of Dracula the Impaler. Which is interesting, because I did not figure that out from reading it. It is the correct time period, but gender bending DOESN'T WORK historically. I am sorry, it would be far to complicated to do that. It, it just doesn't work. You can write it and ponder what it would have been if one character was different. But not all. So, is that what this is?
I think I will be reading (or listening?) to the second book of this.
THIS VOICE IS TERRIBLE!
Alright, there. Little bits done
Jamie (131 KP) rated Dangerous Behavior in Books
May 24, 2017
Extremely slow start (1 more)
Heavy focus on the romance can be off-putting
Killer Couples
I could almost tag this book as a straight up romance given how much time is dedicated to Sam and Jules’ love story. While the romance could be a good hook for some I personally just found it distracting and kind of eye roll worthy. Sam and Jules were high school sweethearts, Sam cheats, and after getting dumped Jules finds her way into the arms of his brother, who took care of her through her family troubles. The book spends an inordinate amount of time on Sam’s miserable love life and how he never got over his first love despite a plethora of women throwing themselves at him. This made the earlier parts of the novel slow down to a crawl as the narrative focus was more about the romance than the actual murder.
It got worse when Jules started getting her memory back and remembers nothing of the love she shared with her husband and instead keeps thinking about Sam and all the great sex they had. Days after her husband is murdered. I groaned. I guess I shouldn’t be surprised and it’s predictable, it’s just so distasteful and was just sort of a big middle finger to Sam’s brother Joe. I couldn’t get behind the romance in the story at all and it really decreased my enjoyment. So much that I actually was really struggling to like the book and had been thinking about rating it lower until I got to the second half of the book.
Thank goodness for the second half, when the mystery really started to come together. The thrill killers were an interesting pair that bring to mind several serial killer couples. It was a confusing twist on an otherwise average murder mystery and at first I had been wondering why they were even in the story at all. As I dug deeper into the story, however, things pulled together nicely and I actually found these characters to be pretty interesting.
This was the part of the book that was actually good, and the ending alone convinced me to push my rating just a little bit higher. It was worth slogging through the romance to get to the good stuff. While I found certain parts predictable and had figured out the dastardly duo immediately when they were introduced I still enjoyed unraveling the mystery and finding a few surprises along the way.
It got worse when Jules started getting her memory back and remembers nothing of the love she shared with her husband and instead keeps thinking about Sam and all the great sex they had. Days after her husband is murdered. I groaned. I guess I shouldn’t be surprised and it’s predictable, it’s just so distasteful and was just sort of a big middle finger to Sam’s brother Joe. I couldn’t get behind the romance in the story at all and it really decreased my enjoyment. So much that I actually was really struggling to like the book and had been thinking about rating it lower until I got to the second half of the book.
Thank goodness for the second half, when the mystery really started to come together. The thrill killers were an interesting pair that bring to mind several serial killer couples. It was a confusing twist on an otherwise average murder mystery and at first I had been wondering why they were even in the story at all. As I dug deeper into the story, however, things pulled together nicely and I actually found these characters to be pretty interesting.
This was the part of the book that was actually good, and the ending alone convinced me to push my rating just a little bit higher. It was worth slogging through the romance to get to the good stuff. While I found certain parts predictable and had figured out the dastardly duo immediately when they were introduced I still enjoyed unraveling the mystery and finding a few surprises along the way.
Ashley Valencia (5 KP) rated Beauty and the Beast (2017) in Movies
Apr 13, 2019
I Wanted to Like It
The animated Beauty and the Beast is one of my favorite movies to this day so i really wanted to like this film and tried to go in with no expectations.
I knew we were in trouble when Emma Watson started her first song of the film HEAVILY autotuned. The practice used to be that if an actor couldnt sing, they would lip sync and have someone else do the singing voice. This was also common practice for the animated films, one actor for singing and another for spoken lines. I wish they would've gone this route. The autotuning is just so heavy I found it cringey.
The film is gorgeous, a lot of pleasing visuals and effects but the Beast just looks, strange. Not really animalistic. Honestly more like if his face was carved out of a tree.
Despite the singing issue I do think the cast was well chosen. They all do a good job with what they have. Especially the actor playing Gaston. It seemed clear that they weren't 100% sure what to do with the character. At a few points it seemed like they were going to try to make him sympathetic but then they'd fall back on him just being awful. Still the actor did an amazing job and really sold it.
For the most part the plot sticks close to the original film though there are a few new elements, some background on Belle's mom, and new songs.
A few weeks before the film's release the director announced that there was definitely a gay character in the film. There are a few implications that there might be but that's it. I think honestly it would've come across better, he would've been given more credit, if he'd just let it be instead of making a big announcement and patting himself on the back. It would've seemed like a subtle nod to the lgbtq community instead of the false disappointing promise it turned out to be. He wanted the credit without actually putting in the work and it shows.
Overall I just didn't care for it. It's fine. Nothing spectacular. The animated film was definitely better. So I'd say stick with the classic however it is worth watching just to see the different interpretation of the story.
If you want a live action version I would recommend La Belle et la Bete, the 2014 French-Germanic version instead. It's a more interesting and visually stunning version of the story.
I knew we were in trouble when Emma Watson started her first song of the film HEAVILY autotuned. The practice used to be that if an actor couldnt sing, they would lip sync and have someone else do the singing voice. This was also common practice for the animated films, one actor for singing and another for spoken lines. I wish they would've gone this route. The autotuning is just so heavy I found it cringey.
The film is gorgeous, a lot of pleasing visuals and effects but the Beast just looks, strange. Not really animalistic. Honestly more like if his face was carved out of a tree.
Despite the singing issue I do think the cast was well chosen. They all do a good job with what they have. Especially the actor playing Gaston. It seemed clear that they weren't 100% sure what to do with the character. At a few points it seemed like they were going to try to make him sympathetic but then they'd fall back on him just being awful. Still the actor did an amazing job and really sold it.
For the most part the plot sticks close to the original film though there are a few new elements, some background on Belle's mom, and new songs.
A few weeks before the film's release the director announced that there was definitely a gay character in the film. There are a few implications that there might be but that's it. I think honestly it would've come across better, he would've been given more credit, if he'd just let it be instead of making a big announcement and patting himself on the back. It would've seemed like a subtle nod to the lgbtq community instead of the false disappointing promise it turned out to be. He wanted the credit without actually putting in the work and it shows.
Overall I just didn't care for it. It's fine. Nothing spectacular. The animated film was definitely better. So I'd say stick with the classic however it is worth watching just to see the different interpretation of the story.
If you want a live action version I would recommend La Belle et la Bete, the 2014 French-Germanic version instead. It's a more interesting and visually stunning version of the story.
Ande Thomas (69 KP) rated The Martian Chronicles in Books
May 30, 2019
I have some feelings about Ray Bradbury.
I understand why he is so well loved. I understand his importance in literature and in science fiction. I just don't like reading him. It's something I can't fully explain. I generally enjoy his stories and his ideas. He paints a beautiful portrait with his words, relying as much on the landscape as he does his characters, which I am normally really into. I like being able to peek into the social structure of the early days of science fiction to see how people envisioned the future and by extension, how they saw themselves. For some unknown reason though, I can never get myself settled and engrossed in a Bradbury story.
The Martian Chronicles has some highlights, to be sure. Favorites include <i>The Earth Men</i>, <i>Way in the Middle of the Air</i> and <i>Usher II</i> come immediately to mind. As simply a collection of short stories, I think I would like it more, but since he decided to thread them loosely together, it causes more trouble than it gains. Because of the nature of the narrative, we get a sort of dreamlike quality to the story. Rules that work in one story may not work in the next. The image of martian life that we are treated to seems a bit arbitrary and dependent on the tale that surrounds it at any given moment. And that's fine! It makes sense given that they were different stories published at different times. But there's nothing that really pulls them together into a cohesive unit.
The characters can at times, be a bit infuriating. The naivety and undisciplined behavior of many of the explorers irked me. <i>The Earth Men,</i> despite being one of my favorite stories, is the most egregious offender. An expedition to a new planet, especially one immediately after a failed one in which everyone died, is upset that none of the natives are thrilled with their presence? Their first and only concern is finding pats on the back? The redeeming factor in this story is the conclusion, which I find justified and well deserved. Maybe Mr. Xxx is right. (Which leads me to my frustration with Martian naming conventions throughout the various stories, but that's neither here nor there.)
Despite my grievances, I still appreciate the lofty ideas Bradbury puts forth and the perspective he brings. Maybe I'm too heavy into modern, harder SF to find solace in the whimsical worlds he presents here. I know it has it's place, that place just isn't with me.
I understand why he is so well loved. I understand his importance in literature and in science fiction. I just don't like reading him. It's something I can't fully explain. I generally enjoy his stories and his ideas. He paints a beautiful portrait with his words, relying as much on the landscape as he does his characters, which I am normally really into. I like being able to peek into the social structure of the early days of science fiction to see how people envisioned the future and by extension, how they saw themselves. For some unknown reason though, I can never get myself settled and engrossed in a Bradbury story.
The Martian Chronicles has some highlights, to be sure. Favorites include <i>The Earth Men</i>, <i>Way in the Middle of the Air</i> and <i>Usher II</i> come immediately to mind. As simply a collection of short stories, I think I would like it more, but since he decided to thread them loosely together, it causes more trouble than it gains. Because of the nature of the narrative, we get a sort of dreamlike quality to the story. Rules that work in one story may not work in the next. The image of martian life that we are treated to seems a bit arbitrary and dependent on the tale that surrounds it at any given moment. And that's fine! It makes sense given that they were different stories published at different times. But there's nothing that really pulls them together into a cohesive unit.
The characters can at times, be a bit infuriating. The naivety and undisciplined behavior of many of the explorers irked me. <i>The Earth Men,</i> despite being one of my favorite stories, is the most egregious offender. An expedition to a new planet, especially one immediately after a failed one in which everyone died, is upset that none of the natives are thrilled with their presence? Their first and only concern is finding pats on the back? The redeeming factor in this story is the conclusion, which I find justified and well deserved. Maybe Mr. Xxx is right. (Which leads me to my frustration with Martian naming conventions throughout the various stories, but that's neither here nor there.)
Despite my grievances, I still appreciate the lofty ideas Bradbury puts forth and the perspective he brings. Maybe I'm too heavy into modern, harder SF to find solace in the whimsical worlds he presents here. I know it has it's place, that place just isn't with me.
Kyera (8 KP) rated Batman: Nightwalker - DC Icons Book 2 in Books
Jan 31, 2018
Batman: Nightwalker gives us an origin story for the Caped Crusader that we didn't know we needed - even if it doesn't feel like the dark, gritty Batman we know from the Dark Knight or the comics. Bruce is an eighteen-year-old boy who is still trying to figure out who he is in a world where his parents were murdered when he was a child and he has just come into their vast fortune. He struggles to figure out how to live up to his parents' legacy and finds himself in a dangerous situation.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
If you go into this book expecting Batman, I'm afraid you're going to be disappointed. This is a teenaged boy who is realizing that he wants to do more for his city and is coming to the conclusion that Bruce Wayne might not be enough. This book is his real origin story and Marie Lu brings his transformation back to its roots. We meet the boy who will one day become Batman, not the man we are familiar with as the Dark Knight.
I really enjoyed getting to know young Bruce in this story, although Alfred certainly stole the show. You could feel the bond that they had with one another, which translated so much more authentically than some of the other relationships in the story. I felt that Diane and Harvey were a little underdeveloped in the story, so I never really formed a connection with them. I really enjoyed the little cameos from characters we're familiar with and the characterization of people that we know are much more important in the Batman mythology in later years.
Superhero books are definitely difficult to write because they're so action heavy and as a result, visual, but I feel that Lu managed to capture the kinesthetic nature of the book well. She definitely delved more into Batman's detective nature, which was really nice because we don't see that as often as his fighting bad guys schtick. If you're interested in seeing the detective Batman dig into mysteries and try to foil a criminal organization than you should enjoy this book - just don't expect giant action-packed fight scenes.
I have really enjoyed the DC Icons series thus far because it brings the characters we've grown familiar with back to their roots. They're teenagers who are still figuring out who they are in the world, regardless of their future superhero journey. They are fragile and unsure, yet with a thirst for justice that one day will allow them to grow into the superheroes we know and love.
Debbiereadsbook (1202 KP) rated Hard To Let Go (Haven's Cove #1) in Books
Mar 6, 2018
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Jumping straight in, cos this is gonna be hard to write, so bare with me, okay??
Freaking LOVED this book! And if THIS class of writing is what a first time author can produce, I so very much want to be on the end of the next book!
Because, let me tell ya, there I was, merrily plodding along, reading away, thinking 4 stars, balancing across between 4 and 5, back to 4. Great book, extremely well written from both Owen and Brody's point of view.
Some sexy parts, some emotional parts, even a few funny ones, with Owen's female family members. A good book, just not quite hitting THAT spot yet, you know??
And then it hits, FULL in the face, just why Brody is back in town. I mean, I READ why he was there, I KNEW why he was there, but for some reason it didn't really sink in, you know?? Am I making sense?? Probably not, but I read the words, and then shit got real. And I was faced with a sledgehammer upside the head and I sobbed my bloody socks off. Because I've been there, where Brody was, that dark place, waiting, waiting. You know what's coming, there ain't nothing you can do to stop that freight train, but Lord you wish you could. Just one more day, one more hug. Just one MORE, you know? And its been 11 years, ELEVEN years since I had to sit through that and still, here I am, sobbing while writing this.
I've read two, very different, emotionally heavy books that connected to me on a very personal level. I had two very fluffy romance books before them, and stoopid me wrote the fluffy reviews before tackling these two heavier ones. So I've spent most of this afternoon in tears!
So, when you've read a book that you CANNOT fault, a book that grabs your heart, chews it up, and spits it out again, a book that does that to its characters too. A book that is FLAWLESS in its delivery, its flow. A book that lays out, very nicely, thank you very much, a view of the second book: a window into what's to come, and please Lord let me get the chance to read it, because Gabe and Nate have a story to tell that I really wanna read.
A book such as that can only get.....
5 full stars! Outstanding debut novel from Ms Quinn!
Jumping straight in, cos this is gonna be hard to write, so bare with me, okay??
Freaking LOVED this book! And if THIS class of writing is what a first time author can produce, I so very much want to be on the end of the next book!
Because, let me tell ya, there I was, merrily plodding along, reading away, thinking 4 stars, balancing across between 4 and 5, back to 4. Great book, extremely well written from both Owen and Brody's point of view.
Some sexy parts, some emotional parts, even a few funny ones, with Owen's female family members. A good book, just not quite hitting THAT spot yet, you know??
And then it hits, FULL in the face, just why Brody is back in town. I mean, I READ why he was there, I KNEW why he was there, but for some reason it didn't really sink in, you know?? Am I making sense?? Probably not, but I read the words, and then shit got real. And I was faced with a sledgehammer upside the head and I sobbed my bloody socks off. Because I've been there, where Brody was, that dark place, waiting, waiting. You know what's coming, there ain't nothing you can do to stop that freight train, but Lord you wish you could. Just one more day, one more hug. Just one MORE, you know? And its been 11 years, ELEVEN years since I had to sit through that and still, here I am, sobbing while writing this.
I've read two, very different, emotionally heavy books that connected to me on a very personal level. I had two very fluffy romance books before them, and stoopid me wrote the fluffy reviews before tackling these two heavier ones. So I've spent most of this afternoon in tears!
So, when you've read a book that you CANNOT fault, a book that grabs your heart, chews it up, and spits it out again, a book that does that to its characters too. A book that is FLAWLESS in its delivery, its flow. A book that lays out, very nicely, thank you very much, a view of the second book: a window into what's to come, and please Lord let me get the chance to read it, because Gabe and Nate have a story to tell that I really wanna read.
A book such as that can only get.....
5 full stars! Outstanding debut novel from Ms Quinn!
Louise (64 KP) rated The Raven Boys in Books
Jul 2, 2018
This book is quite a big deal in the book community at the moment, it appears everyone is reading it and loving it!.... apart from ME! So I don't hate this book and I don't love it..... it was just MEH! Here's why:
Blue was annoying, she has been told by her mother, aunts and other psychics that her first true love will die when she kisses him, to me the idea of this was like ummmm the mum is just saying this so she doesn't kiss any boys at all.
Throughout the whole book she is sort of starting a relationship with Adam the less privileged of the Raven boys although she has seen Gansey's future which is bleak you can tell she doesn't know who decide to fall in love with and it's just annoying, because she know's they will die if she does, it just gets a bit tedious.
Adam is the less privileged of the Raven boys, he is a local boy studying hard and paying his own way through private school and has a pretty rough time with an abusive father (I am starting to see a trend *rolls eyes*). He appears very genuine, not wanting hand outs and to make something of himself.
Ronan is a boy who has some issues, his father was killed on the doorstep of their house. Since then he is a very angry young man, who wants to vent his anger on his brother and not complete his studies, Ronan definitely grew on me by the end of it and has a softer side to him.
Gansey is the leader of the gang, with money, sophistication and an insatiable desire to find they Ley lines and wake the Raven king. He appears to act much older than his years, but a very mysterious character I don't know why but I can't explain him, his moods seem to change all the time.
The book was very slow to start with it was only the last third that it started getting interesting for me, the twist in the book did have my jaw on the floor......WTF!! that was the best bit.
There are fantasy elements to the book but not heavy. The world building in the book was well done and the character development was very strong. Stiefvater did a good job and her writing is very easy to read.
Do I continue with the series? Does it get better? Please tell me I am not the only one that had these thoughts.
Overall I rated this 3.5 stars out of 5
Blue was annoying, she has been told by her mother, aunts and other psychics that her first true love will die when she kisses him, to me the idea of this was like ummmm the mum is just saying this so she doesn't kiss any boys at all.
Throughout the whole book she is sort of starting a relationship with Adam the less privileged of the Raven boys although she has seen Gansey's future which is bleak you can tell she doesn't know who decide to fall in love with and it's just annoying, because she know's they will die if she does, it just gets a bit tedious.
Adam is the less privileged of the Raven boys, he is a local boy studying hard and paying his own way through private school and has a pretty rough time with an abusive father (I am starting to see a trend *rolls eyes*). He appears very genuine, not wanting hand outs and to make something of himself.
Ronan is a boy who has some issues, his father was killed on the doorstep of their house. Since then he is a very angry young man, who wants to vent his anger on his brother and not complete his studies, Ronan definitely grew on me by the end of it and has a softer side to him.
Gansey is the leader of the gang, with money, sophistication and an insatiable desire to find they Ley lines and wake the Raven king. He appears to act much older than his years, but a very mysterious character I don't know why but I can't explain him, his moods seem to change all the time.
The book was very slow to start with it was only the last third that it started getting interesting for me, the twist in the book did have my jaw on the floor......WTF!! that was the best bit.
There are fantasy elements to the book but not heavy. The world building in the book was well done and the character development was very strong. Stiefvater did a good job and her writing is very easy to read.
Do I continue with the series? Does it get better? Please tell me I am not the only one that had these thoughts.
Overall I rated this 3.5 stars out of 5