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JT (287 KP) rated Killer Elite (2011) in Movies

Mar 10, 2020  
Killer Elite (2011)
Killer Elite (2011)
2011 | Action, Mystery
6
6.5 (8 Ratings)
Movie Rating
Just another mindless Statham master-class of ass kicking? Think again people, this one is a whole different ball game, and one that sets this easily one of the Stath’s best to date. Paired alongside Robert De Niro would be an honour in itself for any actor and the rapport between the two was like they had been lifelong friends.

Despite De Niro’s relatively smallish part he still gets his moment in the limelight, and makes the most of the opportunity, with a few witty pieces of dialogue thrown in, we all know he can handle an automatic weapon.

It’s more than just an action film though, it’s part drama part spy thriller

This is all about Danny (Jason Statham) and his group of deadly assassins, Davies, played by Prison Break’s Dominic Purcell and Meier (Aden Young) who set out to take down three former SAS soldiers who are alleged to have killed a dying Sheik’s three sons. All this in return for the release of Hunter, simply put “You do this job, or Hunter’s a dead man.”

Set in the 80s it gives the film a real retro feel to it, and the action is balls and all, there is no CGI here. From an opening sequence centred on a assassination attempt to close hand to hand combat, director McKendry goes a little Bourne-esque with his sharp direction and tight camera shots.

Clive Owen sporting the film’s dodgiest tash is ultra slick and uber cool as the dogsbody of a secret society called The Feather Men which is actually a book by Ranulph Fiennes to which the film is based. Why The Feather Men? Because they have the lightest touch, apt really when Owen goes about his business heavy handed.

It’s more than just an action film though, its part drama part spy thriller. The script is extremely well written with intricate characters that you can care about, rather than go to watch kick the shit out of each other.

The film does jump from a variety of locations, from the Middle East to London to Paris to the outback bush of Australia, it can be hard to follow and keep up with just where they are. But a close eye will leave no confusion whatsoever.

It’s a great debut feature from McKendry and will do his stock no harm at all, and for Statham fans this one has got a bit more meat on it to chew through.
  
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Ross (3284 KP) rated The Shadow Saint in Books

Mar 23, 2020  
The Shadow Saint
The Shadow Saint
Gareth Hanrahan | 2020 | Science Fiction/Fantasy
7
7.0 (1 Ratings)
Book Rating
A struggle but overall good
*Book received from Netgalley and the publishers in exchange for an honest review*
I wanted to love this book. I would have been happy liking it. In reality, I tolerated it.
The sequel to The Gutter Prayer takes us on a different journey, with initially very little familiar ground and people. Over time the story reflects more of the world that was covered in the first book, but it is quite a strange and unnerving start to a sequel.
The narrative follows two new characters, one a spy for a foreign country with numerous personalities at his fingertips, the other a minor noble from another country. Both find themselves in Guerdon, the scene of the first book, the city that has been mostly sheltered from the atrocities of the Godwar. Here we also are reunited with Eladora, the young historian with a hint of magic abilities.
This sees a number of new countries, Gods, races and magic introduced that were not in the first book. While one always expects something new, some of these were fairly major and important aspects of the world and should have been in the first book. For me it just came across as a late decision to write a second book and reluctantly start changing and expanding the world.
The plot is a little flimsy if I'm honest, it is just some people doing some things and then deciding to do other things, with seemingly little logic to it, or overall plot. It was quite a struggle to remember who was doing what and why when switching between PoVs in new chapters. This isn't helped by the number of new characters introduced being largely interchangeable, especially during the minor noble's story (there was one fairly important plot point late in the book where someone he had met turns out to be someone important - I couldn't remember him at all!).
The writing style is a little elaborate for my tastes and made it hard to focus on what was actually happening - there were times an event had been referred to but I hadn't even noticed it because I wasn't able to concentrate. The book is very heavy on narrative with very little dialogue, making it harder to follow the action among the flowery phrasing.
A book of this length should have taken me a little over a week to read, but this took me almost 4 weeks. Admittedly part of this was due to events in the world and at work, but also my motivation to read it was eroded and I struggled through about 5% a day.
  
Pitch Perfect 2 (2015)
Pitch Perfect 2 (2015)
2015 | Comedy, Musical
For those, like me, who fell in love with the sleeper hit that Pitch Perfect was 3 years ago, Pitch Perfect 2 delivers the “more” we clamored for. In that regard, it’s as good if not better than the first. Sure, it’s missing that surprise factor that charmed even the most jaded critics. But those who wanted more a capella mash-ups from the Bellas and Treblemakers, more audacity from Fat Amy, puzzling confessions from whispering Lilly, off-color commentary from John and Gail and brash riff-offs with other a capella crews – rookie director Elizabeth Banks delivers.

There may be complaints that she offers just more of the same, but that’s what the fans wanted, right? That message was delivered a bit heavy-handedly, especially when the Barden Bellas, three-time defending champions, appeared to be losing their way with more convoluted productions and choreography that detracted from their singing. When one particular performance goes mortifyingly sideways, or in this case upside down, in front of the President and First Lady no less, the Bellas are stripped of their championship tour and threatened with disbanding. To keep their charter they have to be the first U.S. team to win the world championships. Hanging their hopes on a world title, they have to beat the ridiculous perfection that is the German team, Das Sound Machine. To beat the Germans, they need to find their sound again and deliver more of what got them there in the first place.

Anna Kendrick returns as adorably a ca-awkward Beca, but this time around instead of finding her place in college, she’s preparing to find her place in the music industry, unbeknownst to the rest of the Bellas. She’s ready to move on with life after a capella competition, while Brittany Snow’s Chloe isn’t quite there yet. Skylar Astin is back as boyfriend Jesse who now leads Treblemakers with Benji (Ben Platt) whose magic skills improved more than his ability to speak to women.

As in the first movie, Elizabeth Banks and John Michael Higgins deliver the absurd observations with perfect aplomb. Rebel Wilson, Ester Dean and Hana Mae Lee reprise their respective roles as fat Amy, butch Cynthia, and weird Lilly. Adam Devine also returns as Bumper while Oscar-nominee Hailee Steinfeld is the new kid on the block as a legacy Bella, courtesy of her mom Katey Sagal, a Bella in the 80s.

While the storyline is predictable, Pitch Perfect 2 is still entertaining and comes with some fun surprises. Fans will not be disappointed. And stay through the credits.
  
Angel Has Fallen (2019)
Angel Has Fallen (2019)
2019 | Action, Drama, Thriller
Honestly, if you put a gun to my head and asked me to recite what actually happens either Olympus Has Fallen or London Has Fallen, then I'd be shit out of luck. The recent third entry Angel Has Fallen will be no different in a week or two...
It's not awful (some of the action is fairly entertaining) but it's so by the numbers and boring. Jesus Christ, even Nick Nolte doing his by-now-expected-crazy-old-guy schtick is tiresome after roughly 5 seconds.

The plot revolves around Gerard Butler's Mike Banning, who is high up in the White Houses security detail, being framed for an assassination attempt on the President (Morgan Freeman). He is then chased down by the FBI, whilst he tries to figure out who is actually behind it, take them down, and clear his name.
I don't even need to spoil who the bad guys are because it's painfully obvious from the precise second we meet them.
I don't mind Gerard Butler by any means, but he seems to be phoning it in at this point, as he goes through the motions and runs through a gauntlet of action movie cliches - including but not limited to:
- a dramatic dimly lit and gun heavy opening scene that is blatantly a training excercise
- the hero throwing down an effective weapon to face of with the villain in hand to hand
- the hero walking away from an important family conversation at a pivotal moment to go and do hero stuff
- Danny Huston playing a smug arsehole
- A political sub plot involving Russia that doesn't actually go anywhere
Etc, etc.

I, like most people, love a good bit of Morgan Freeman, but unfortunately, they did a Leia on him and just had him in a coma for most of the film, yaaaaay. Jada Pinkett-Smith is in here somewhere as well, but I can't even remember what happens to her.
Just to top it all off, some of the effects work in this is terrible by any standard, but considering it's a big budget action film, it's pretty embarrassing.

I mean, I can be a miserable bastard sometimes, and I appreciate that maybe I'm railing too hard on a film that should just be a dumb popcorn film, but honestly, Angel Has Fallen feels like the result of someone forcing a bot to sit through the first two, and then produce a script for a sequel.
  
What Momma Left Behind
What Momma Left Behind
8
8.0 (1 Ratings)
Book Rating
<a href="https://travelingwife4life.wordpress.com/2020/06/24/what-momma-left-behind-lone-star-lit">Travelers Wife 4 Life</a>
A new to me author Cindy K. Sproles created a vivid view of life on the Appalachian Mountains. Her descriptions of the scenery, the mountains, and the geographical location of the characters were very engaging and interesting to read. I enjoyed Cindy K. Sproles's way of engaging my imagination with the world she created for her characters, it reminded me of Pepper D. Basham and Joanne Bischof’s style of writing. I truly loved the environment she created and was sorry to see the story come to an end.

The plot was very unexpected for me. Whether due to the synopsis not doing the story justice, or my preconceptions going into the book. Either way, it was a surprising storyline that turned out to be a sweet and encouraging read on how to find your place in this world, and where you should place your trust.

Favorite Quote:
“The mountain air brings newness, seeps down deep, and cleans out the things that weigh heavy on a body’s soul. Despite how hard things are, it’s like the mountain is forgivin’. It demands a man’s hard work to survive, but then it wraps its soul and spirit around you, claimin’ you as its own child.”

The characters in this story were interesting and relatable. I enjoyed getting to read about Worie Dressar and loved seeing her growth progress throughout the story, I thought she was a unique character and I enjoyed her journey. Throughout the story, she overcomes much sorrow and pain, mixed in with some truly joyful moments. Worie learns who God wants her to be and the plans that He has for her and her family. The other secondary characters added some much-needed layers to this story, they were interesting, and I would love to read more about their personal stories as well (Hint, hint). Worie Dressar has some very thought-provoking thoughts in this book, and I have written down many of them as reminders for when I need God’s guidance in something. A good book overall.

I give this book 4 out of 5 stars for the deep thought-provoking lessons, the vivid descriptions of mountain hardships, and the moral of trusting God through it all. The only thing I would have like to see more of would have been a better developed secondary character for Worie Dressar.

*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
  
C is for Comfort (The Alphabet of Desire #3)
C is for Comfort (The Alphabet of Desire #3)
Colette Davison | 2021 | Contemporary, LGBTQ+, Romance
8
8.0 (1 Ratings)
Book Rating
the most emotional of the three.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

This is book 3 in the Alphabet of Desire series. Its not necessary to read book 1, A is for Aftercare, or book 2, B is for Beg, before this one. All three books run concurrently, so you get these guys falling fast and falling HARD, in all three books, and I really loved that! It was great watching Archie, Blake and Corey falling in love from each of the other brother's perspective, it really was.

Corey is the last to fall, and he does so beautifully! And I think, he's the most emotional of the three brothers, but doesn't always show it. Spence, though, he can read Corey like a book, or a painting, very quickly and Spence calls Corey out a time or two.

Corey wants what's best for his daughter, Lexi, and his brothers have been a godsend in helping him do that, but now Archie and Blake are leaving, he's not sure he can cope; at home or at work. But Spence? Spence helps him get clarity. He helps him see that just because the brothers won't be living together, they are still close, and they will always be. Spence helps Corey to relax about work, teaching is a stressful enough job, so adding your own pressure on yourself? Recipe for disaster, especially for a first year teacher.

Spence's job is stressful too, he's an A&E doctor, so he knows all about pressure. But Corey helps HIM see that he needs something more than a hook up every now and then. Corey helps Spence see he needs a family, even if he didn't know he did. He has his sister and her kids, but with Corey and Lexi, Spence sees he needs more; wants more.

It's not heavy on the BDSM, more the care a Daddy gives. It's smexy and sweet, and emotional. I cried a bit, at Corey, and I don't quite know why!

It's been fun watching these guys, all seven of them, fall hard and fall fast. In ways they did not see coming, at all! That they run concurrently was different, but I liked it once I realised that's how they were written. It's different, I do enjoy different.

All three books are wonderful reads with book 2, Beg, being my favourite. If you enjoy low angst books, I would HIGHLY recommend these!

4 paint splattered stars

**same worded review will appear elsewhere**
  
My Dinner with André (1981)
My Dinner with André (1981)
1981 | Comedy, Drama
(0 Ratings)
Movie Favorite

"Since my films consist entirely of 16 mm urban landscapes and voice-over, I have always been fascinated by the many ways that other films utilize voice-over. Generally, I think the use of voice-over in film gets an unjustly bad rap. It is one of the most effective and evocative ways to connect the audience directly to a character. Both of these films incorporate innovative first-person monologue. While I admire My Dinner with André for its formal ambitiousness, I confess I don’t really enjoy the bulk of the film itself. But I love the opening and closing, especially the simple shots of New York City and Wallace Shawn’s concluding narration: “I treated myself to a taxi. I rode home through the city streets. There wasn’t a street, there wasn’t a building, that wasn’t connected to some memory in my mind. There, I was buying a suit with my father. There, I was having an ice cream soda after school. When I finally came in, Debbie was home from work. And I told her everything about my dinner with André.” Similarly, the best thing about Days of Heaven is the spectacularly quirky, poignant, complicated, and full-of-life narration by Linda (Linda Manz). Years ago, I had a phone call with the film’s executive producer and second unit director, Jacob Brackman, while I was researching the fabulous 1980 teen runaway adventure Times Square, for which he wrote the screenplay. I don’t recall how we got on the topic of his work on Days of Heaven, but I vividly remember him telling me about how the decision to introduce that voice-over as the primary storytelling vehicle arose out of Brackman and Malick’s realization when watching the dailies that the dramatic dialogue scenes weren’t working. They were in the middle of shooting and had the idea to save the film by sending out a second unit to shoot a ton of natural landscape B-roll and then adding voice-over to the footage. About a year after making Days of Heaven in May 1979, Brackman would go on to complete the screenplay for Times Square, a film that happens to bear an interesting resemblance to Malick’s story of a tough teenage girl with a heavy accent making her way in a hardscrabble environment. Days of Heaven’s Linda claims to be from Chicago, but her at times almost unintelligible accent sounds astoundingly similar to Robin Johnson’s Brooklynese in Times Square."

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