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Sophia (Bookwyrming Thoughts) (530 KP) rated Still Star-Crossed in Books
Jan 23, 2020
Once upon a time I read <em>Romeo and Juliet</em> for English.
It was awful and boring, and I hated it with a passion. I don't know why, but <em>Romeo and Juliet</em> just didn't clash well with me.
<em>Still Star-Crossed</em> isn't exactly like Shakespeare's <em>Romeo and Juliet</em> - definitely not a retelling, though I would read a retelling of the cheese any day over rereading the original. <em>Still Star-Crossed</em> is like <strong>an unwritten sequel - the aftermath of what happens in Shakespeare's Verona after the tragic ending of Romeo and Juliet</strong>. The Capulets and Montagues are in a truce of sorts, but despite the public image, a tension remains between the two families and they're back to their feuds within weeks in the dark of the night. Hoping to diminish the feud altogether, the prince of Verona - Escalus - selects Benvolio (Montague) to marry Rosaline (Capulet).
<strong>Benvolio and Rosaline are an interesting pair to put together</strong> - they're complete opposites of their cousins. Both of them would probably prefer marriage to a literal snake than a forced marriage to each other, and in the hopes to break off the marriage, the two of them try to ease the heavy tensions lurking over the city.
But Benvolio and Rosaline are <strong>so much more entertaining to read about</strong>.
<blockquote>
<h3 style="text-align: center;"><b>THE BETROTHAL: A NUTSHELL</b></h3>
<p style="text-align: left;"><b>Escalus:</b> In order to bring peace to the two families and to Verona, I have decided the Montagues and Capulets will be united through marriage.
<p style="text-align: left;"><b>Rosaline:</b> DUDE. PEACE? I slapped that Montague not too long ago.
<p style="text-align: left;"><b>Benvolio:</b> About an hour ago, in fact.
<p style="text-align: left;"><b>Rosaline:</b> That's five minutes of knowing each other. Imagine a lifetime!
<p style="text-align: left;"><b>Benvolio:</b> A complete life of misery.
<p style="text-align: center;"><i>Pause.</i>
<b>Benvolio: </b>Then again, I guess my misery is yours to command, Your Grace.</blockquote>
They're not hopelessly romantic like their cousins with cheese lined around them! In fact, Benvolio and Rosaline hate being around each other. They only tromp around Veronas streets behind their families backs in the hopes to figure out who is behind trying to start up the feud between their families once more. At the exact same time, Rosaline starts becoming more distant from her sister Livia, and in a way, <strong><em>Still Star-Crossed</em> becomes a tale of a sisterly feud as well</strong>.
I think the only problem I really had with <em>Still Star-Crossed</em> is wanting to slap Escalus upside the head a few times for being figuratively blind. (Also, this is becoming a TV show. SOON. YES PLEASE.)
<a href="https://bookwyrmingthoughts.com/review-still-star-crossed-by-melinda-taub/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It was awful and boring, and I hated it with a passion. I don't know why, but <em>Romeo and Juliet</em> just didn't clash well with me.
<em>Still Star-Crossed</em> isn't exactly like Shakespeare's <em>Romeo and Juliet</em> - definitely not a retelling, though I would read a retelling of the cheese any day over rereading the original. <em>Still Star-Crossed</em> is like <strong>an unwritten sequel - the aftermath of what happens in Shakespeare's Verona after the tragic ending of Romeo and Juliet</strong>. The Capulets and Montagues are in a truce of sorts, but despite the public image, a tension remains between the two families and they're back to their feuds within weeks in the dark of the night. Hoping to diminish the feud altogether, the prince of Verona - Escalus - selects Benvolio (Montague) to marry Rosaline (Capulet).
<strong>Benvolio and Rosaline are an interesting pair to put together</strong> - they're complete opposites of their cousins. Both of them would probably prefer marriage to a literal snake than a forced marriage to each other, and in the hopes to break off the marriage, the two of them try to ease the heavy tensions lurking over the city.
But Benvolio and Rosaline are <strong>so much more entertaining to read about</strong>.
<blockquote>
<h3 style="text-align: center;"><b>THE BETROTHAL: A NUTSHELL</b></h3>
<p style="text-align: left;"><b>Escalus:</b> In order to bring peace to the two families and to Verona, I have decided the Montagues and Capulets will be united through marriage.
<p style="text-align: left;"><b>Rosaline:</b> DUDE. PEACE? I slapped that Montague not too long ago.
<p style="text-align: left;"><b>Benvolio:</b> About an hour ago, in fact.
<p style="text-align: left;"><b>Rosaline:</b> That's five minutes of knowing each other. Imagine a lifetime!
<p style="text-align: left;"><b>Benvolio:</b> A complete life of misery.
<p style="text-align: center;"><i>Pause.</i>
<b>Benvolio: </b>Then again, I guess my misery is yours to command, Your Grace.</blockquote>
They're not hopelessly romantic like their cousins with cheese lined around them! In fact, Benvolio and Rosaline hate being around each other. They only tromp around Veronas streets behind their families backs in the hopes to figure out who is behind trying to start up the feud between their families once more. At the exact same time, Rosaline starts becoming more distant from her sister Livia, and in a way, <strong><em>Still Star-Crossed</em> becomes a tale of a sisterly feud as well</strong>.
I think the only problem I really had with <em>Still Star-Crossed</em> is wanting to slap Escalus upside the head a few times for being figuratively blind. (Also, this is becoming a TV show. SOON. YES PLEASE.)
<a href="https://bookwyrmingthoughts.com/review-still-star-crossed-by-melinda-taub/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Session 9 (2001) in Movies
Mar 10, 2020
Looking back I’ve written a number of horror film reviews which, probably highlights what my favourite genre is? I’ve not been into torture porn or serious amounts of gore. I don’t mind it in small doses, but I prefer films that get under your skin – case in point, Session 9.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
In order to satisfy the millennials the majority of horror films today get their thrills from cheap jump scares. But real terror comes from the things that we can relate to. Things that go ‘bump‘ in the night or the sense that we are being watched. This for me, is real terror. Directed by Brad Anderson, Session 9 embodies all of that to perfection.
Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
An asbestos cleaning crew are set the task of clearing the abandoned Danvers State Hospital, a job that needs to be done within a week. Company owner Gordon (Peter Mullan) has put a lot of pressure on his team, consisting of Mike (Stephen Gevedon), Phil (David Caruso), Hank (Josh Lucas), and Jeff (Brendan Sexton III), to meet the deadline and collect a bonus. It’s pressure that starts to spill over right from the off.
The hospital is creepy as hell and even in the daylight the crew are plunged into darkness, which doesn’t sit well with Jeff who has a serious case of nyctophobia. They also have to deal with in-fighting amongst the group. On top of the tight deadline Gordon is struggling with the stress of raising a newborn child and arguments with his wife have not helped matters and slowly he becomes dissociated from the group. Meanwhile Mike stumbles across some tapes (nine of them) which are session interviews with a former patient called Mary Hobbes who has multiple personalities, that over the course of each session start to come out.
Phil (David Caruso) & Jeff (Brendan Sexton III) investigate the depths of the hospital
Like Stanley Kubrick’s The Shining – the location starts to take hold of each of the men, sending them spiraling into a world of personal madness. A number of subplots become interconnected the longer the film goes on and the pacing, while slow for some horror fans, is brilliantly orchestrated for those with patience. Despite being made in 2001 and with a low return at the box office, it has been able to creep out audiences years later.
What makes the film even more terrifying is the setting. The film was shot in the actual Danvers State Hospital so it needed little doing to it in terms of effects. The hospital was said to be the birth place of the prefrontal lobotomy (something which is referenced in the film), and part of me thinks that the fear on the actors faces as they walk the halls was in fact genuine terror. If that is the case then it only adds to the horror.
Session 9 will stay with you long after the credits. It doesn’t rely on heavy gore or CGI and builds tension with what you think you can see and at times – what you can’t.
Emma @ The Movies (1786 KP) rated Apollo 11 (2019) in Movies
Apr 7, 2020
I was sad to miss this one at the cinema, I imagine having it up on the big screen would have been very impressive, but only one of the mainstream cinemas had it on.
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
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Purple Phoenix Games (2266 KP) rated Hey, That's My Fish! in Tabletop Games
Jul 1, 2020
How do you like your games, reader? Heavy and themeless? Dark and themey? ZANY AND KOOKY?! Well, this game is a combination of several categories of game type. I consider it cute and cutthroat. There aren’t many games that can fall into those two categories simultaneously, and maybe that’s why we like this one. Spoilers, sweetie.
Hey, That’s My Fish! is a game of attempting to gather the most fish possible before climate change engulfs your little penguin minis. I mean, before the land sinks into the sea. To setup, place all the shuffled fish tiles in a grid of alternating 8 and 7-tile rows. Then, each player will, in turn, place their penguins on tiles showing one fish until their play pieces are on the board. That’s the setup. Quick and easy.
Like I said, the idea here is to gather the most fish to be crowned the winner. You can gather fish tiles by simply moving off them and onto another tile. Choose a direction to travel from your hex, and travel to any fish tile along a straight line – stopping before jumping over any penguin and not travelling over a blank space. Collect the fish tile from where you originally left and add it to your pile. Play continues in this fashion until all players are stalemated and can no longer make any further legal moves on the ever-shrinking board of fish snacks.
So here’s the rub with this one. It’s simple. Like, really simple. Pick up your penguieeple (sheesh) and move them to another hex tile in a straight line without jumping over any obstacle. Take the tile from which you left. Repeat. It sounds so stinking boring. But when you actually have your little peng… minis… and you are trying to get those elusive 3-fish tiles, but you have no way of getting there because your dang brother cut off your route so that only he and Josh can get them because they’re jerks – sorry. I got a bit carried away. But it really do be like that sometimes.
Components. This is an easy one. There are a bunch of cardboard hex tiles and some great little penguineeples. The penguins are brightly colored, and the hexes are very easy to understand and read. No issues here at all. Bonus: the pengeeples have such awesome little sassy poses hahahaha!
So what do I think? As a seasoned gamer and the most elder of our group, I absolutely adore it. It’s not the greatest game ever published, but sometimes you want to let off some steam and play a little cutthroat. So don’t let the cute penguins fool you – this is survival and you NEEEEED those little fishies! I have now owned this game twice (which my wife totally loves when she hears that), because I did miss having it available to me. So it is no surprise that we at Purple Phoenix Games give this little darling a fishy-fishy-bite-my-hook 18 / 24. Go on, grab a copy and destroy friendships!
Hey, That’s My Fish! is a game of attempting to gather the most fish possible before climate change engulfs your little penguin minis. I mean, before the land sinks into the sea. To setup, place all the shuffled fish tiles in a grid of alternating 8 and 7-tile rows. Then, each player will, in turn, place their penguins on tiles showing one fish until their play pieces are on the board. That’s the setup. Quick and easy.
Like I said, the idea here is to gather the most fish to be crowned the winner. You can gather fish tiles by simply moving off them and onto another tile. Choose a direction to travel from your hex, and travel to any fish tile along a straight line – stopping before jumping over any penguin and not travelling over a blank space. Collect the fish tile from where you originally left and add it to your pile. Play continues in this fashion until all players are stalemated and can no longer make any further legal moves on the ever-shrinking board of fish snacks.
So here’s the rub with this one. It’s simple. Like, really simple. Pick up your penguieeple (sheesh) and move them to another hex tile in a straight line without jumping over any obstacle. Take the tile from which you left. Repeat. It sounds so stinking boring. But when you actually have your little peng… minis… and you are trying to get those elusive 3-fish tiles, but you have no way of getting there because your dang brother cut off your route so that only he and Josh can get them because they’re jerks – sorry. I got a bit carried away. But it really do be like that sometimes.
Components. This is an easy one. There are a bunch of cardboard hex tiles and some great little penguineeples. The penguins are brightly colored, and the hexes are very easy to understand and read. No issues here at all. Bonus: the pengeeples have such awesome little sassy poses hahahaha!
So what do I think? As a seasoned gamer and the most elder of our group, I absolutely adore it. It’s not the greatest game ever published, but sometimes you want to let off some steam and play a little cutthroat. So don’t let the cute penguins fool you – this is survival and you NEEEEED those little fishies! I have now owned this game twice (which my wife totally loves when she hears that), because I did miss having it available to me. So it is no surprise that we at Purple Phoenix Games give this little darling a fishy-fishy-bite-my-hook 18 / 24. Go on, grab a copy and destroy friendships!
Emma @ The Movies (1786 KP) rated Line of Duty (2019) in Movies
Jul 12, 2020
I know a throwaway action film when I see it and they're usually either brilliant films to relax to or a great opportunity to catch up on your social media feeds.
Frank Penny is bumbling through his life as a cop, a loner, disgraced, but he still knows what's right. When an operation to rescue a kidnap victim goes awry he leaps into the pursuit against orders, cornering the suspect it looks like it's a job well done, until he has to draw his gun. With the suspect down there might not be any way to get the girl back safely.
You'd be forgiven for thinking this was a different film from the outset. It starts with heavy inspirational music over Frank working out, is it a sports movie about redemption? A stylised title comes up, is it a romcom? None of the above, it is of course a crime thriller. After the opening that does thankfully become evident.
When we meet characters that would normally be a time for a slightly slower pace, but Line Of Duty seems to keep everything quick from the very beginning and it doesn't slow as we get further in. The constant action sweeps you along with everything and you really don't notice how long you've been watching for.
Aaron Eckhart in the lead role... makes me pause. It works in a John McClane-esque race against time kind of way but the dynamic with Courtney Eaton is strange. The recklessness that he takes by bringing her along with him (if you ignore the madness of doing it in the first place) makes you think it's going to be a flirty kind of relationship, but he's over twice her age and with his backstory you'd expect a protective father figure... but remember there's all that action and peril so that really doesn't work either.
Eaton gives a fairly solid performance as the intrepid reporter, there's not anything mindblowing mixed in the role but it's nice to have the action broken up with the ongoing commentary and slight touch of humour.
As you'd expect with a fast pace those cameras go running a lot, ugh to jiggly camerawork, but thankfully because it's incorporated with the action you don't notice so much. Along with that you get to see some of Ava's phone camera footage, I think the film could have stood to have more of it, it would have been a relevant change in style and added a little more to spice up the expected elements. I was a little surprised to see some random video game shots creep in, those clips work just fine in things like Guns Akimbo, but in the context of Line Of Duty it didn't make a lot of sense when there was a sensible alternative available.
Line Of Duty is the Ronseal of films, you know what to expect and in that regard it doesn't disappoint. It's got lots of your typical action cliches and if you like the race against time type of storyline then I really don't think you'll have any issue watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/07/line-of-duty-movie-review.html
Frank Penny is bumbling through his life as a cop, a loner, disgraced, but he still knows what's right. When an operation to rescue a kidnap victim goes awry he leaps into the pursuit against orders, cornering the suspect it looks like it's a job well done, until he has to draw his gun. With the suspect down there might not be any way to get the girl back safely.
You'd be forgiven for thinking this was a different film from the outset. It starts with heavy inspirational music over Frank working out, is it a sports movie about redemption? A stylised title comes up, is it a romcom? None of the above, it is of course a crime thriller. After the opening that does thankfully become evident.
When we meet characters that would normally be a time for a slightly slower pace, but Line Of Duty seems to keep everything quick from the very beginning and it doesn't slow as we get further in. The constant action sweeps you along with everything and you really don't notice how long you've been watching for.
Aaron Eckhart in the lead role... makes me pause. It works in a John McClane-esque race against time kind of way but the dynamic with Courtney Eaton is strange. The recklessness that he takes by bringing her along with him (if you ignore the madness of doing it in the first place) makes you think it's going to be a flirty kind of relationship, but he's over twice her age and with his backstory you'd expect a protective father figure... but remember there's all that action and peril so that really doesn't work either.
Eaton gives a fairly solid performance as the intrepid reporter, there's not anything mindblowing mixed in the role but it's nice to have the action broken up with the ongoing commentary and slight touch of humour.
As you'd expect with a fast pace those cameras go running a lot, ugh to jiggly camerawork, but thankfully because it's incorporated with the action you don't notice so much. Along with that you get to see some of Ava's phone camera footage, I think the film could have stood to have more of it, it would have been a relevant change in style and added a little more to spice up the expected elements. I was a little surprised to see some random video game shots creep in, those clips work just fine in things like Guns Akimbo, but in the context of Line Of Duty it didn't make a lot of sense when there was a sensible alternative available.
Line Of Duty is the Ronseal of films, you know what to expect and in that regard it doesn't disappoint. It's got lots of your typical action cliches and if you like the race against time type of storyline then I really don't think you'll have any issue watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/07/line-of-duty-movie-review.html
Night Reader Reviews (683 KP) rated Exile in Books
Nov 24, 2020
Surprise its the first book in a series.
Exile by Sophie Breeze is a great book. It is the first book in a series of unknown length as the second has yet to be released. The cover however says nothing about it being part of a series. Please keep in mind as well that Sophie was only nine years old when she started writing Exile, no small feat.
A group of five kids live on the planet Mellania but are not accepted there. Mellania only accepts those without human DNA and unfortunately these kids are all half human. The kids live with Lucia, a demon whom they believe to be their friend until she takes them to Earth. Upon arrival they are almost immediately attacked and discover Lucia’s true intentions. Now on the run from an evil demon on a planet they are unfamiliar with the kids don’t know who to trust and the stress creates a rift in the group.
Two of the kids go one way and the other three go another, wondering if they will ever see each other again. Soon it is clear that even apart they are not safe as both groups are attacked and tracked down by the SSC. Sadly even once they are with the SSC the kids don’t know who to trust and secrets start revealing themselves. Will they ever be able to feel safe again? Who is really their friends and who is just trying to use them for their own benefit?
The style of this book is rather unique to me as it doesn't seem to hold to any one genre. It starts out as a science fiction heavy in politics and with an assassination. Then as the story moves on it seems to take a more fantasy element with question. While the politics remain through out they do not overpower the rest of the story. The only thing that I really did not like was the surprise factor of learning this is the first in a series. I found myself becoming increasingly confused as I came towards the end and things were no where close to a conclusion.
This book is probably best for young adults with an interest isn’t science fiction/fantasy. They dynamics of the relationships between the hybrids themselves might be a little difficult for young readers to understand. Those who have enjoyed the Percy Jackson and the Olympians series should enjoy this book as well since they share many elements. I rate this book 3 out of 4 or 4 out of 5. I enjoyed this book very much and the twists actually surprised me. The only twist I did not like was how the book turned out to be the beginning of a series. While I have nothing against series I plan when I start a new one carefully and I imagine so do may others, because of this the book lost a point.
A group of five kids live on the planet Mellania but are not accepted there. Mellania only accepts those without human DNA and unfortunately these kids are all half human. The kids live with Lucia, a demon whom they believe to be their friend until she takes them to Earth. Upon arrival they are almost immediately attacked and discover Lucia’s true intentions. Now on the run from an evil demon on a planet they are unfamiliar with the kids don’t know who to trust and the stress creates a rift in the group.
Two of the kids go one way and the other three go another, wondering if they will ever see each other again. Soon it is clear that even apart they are not safe as both groups are attacked and tracked down by the SSC. Sadly even once they are with the SSC the kids don’t know who to trust and secrets start revealing themselves. Will they ever be able to feel safe again? Who is really their friends and who is just trying to use them for their own benefit?
The style of this book is rather unique to me as it doesn't seem to hold to any one genre. It starts out as a science fiction heavy in politics and with an assassination. Then as the story moves on it seems to take a more fantasy element with question. While the politics remain through out they do not overpower the rest of the story. The only thing that I really did not like was the surprise factor of learning this is the first in a series. I found myself becoming increasingly confused as I came towards the end and things were no where close to a conclusion.
This book is probably best for young adults with an interest isn’t science fiction/fantasy. They dynamics of the relationships between the hybrids themselves might be a little difficult for young readers to understand. Those who have enjoyed the Percy Jackson and the Olympians series should enjoy this book as well since they share many elements. I rate this book 3 out of 4 or 4 out of 5. I enjoyed this book very much and the twists actually surprised me. The only twist I did not like was how the book turned out to be the beginning of a series. While I have nothing against series I plan when I start a new one carefully and I imagine so do may others, because of this the book lost a point.
BankofMarquis (1832 KP) rated Pieces of a Woman (2020) in Movies
Apr 16, 2021
Realistic view of Grieving
Films about grief are a tricky proposition, for while they can be cathartic and life-affirming, they can also be dour, depressing experiences that spiral downward under it’s own weight.
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
