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Darren (1599 KP) rated An Acceptable Loss (2018) in Movies
Jul 25, 2019
Story: An Acceptable Loss starts as Libby (Sumpter) takes a new job in education, her former career saw her working under the Vice President Rachel (Curtis) being part of a campaign known as ‘Total Victory’ which saw her career change. Libby’s new job shows how she doesn’t have any forms of communication and one of the students Martin (Tavassoli) has taken an extra interest in her life, following her around, spying her on her.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Rachel now being President sends her Chief of Staff Adrian (Hephner) and former lover of Libby to make sure she isn’t going to spill the beans on what happened in this case, all while Libby is trying to make sure she can just get on with her life.
Thoughts on An Acceptable Loss
Characters – Libby once worked for the Vice President on one of the most controversial projects in defence and dealing with potential terrorist against America, she has left this job because of what happened trying to find a new career in education, she wants to stay off the radar with how she lives, which sees her avoid her former colleagues and fellow members of the faculty. Rachel is the former Vice-President, now President who is trying to tie up the loose ends of operation Total Victory, this will see her challenge Libby on whether she will expose the truth of her actions. Martin is a student that has taken an interest in Libby following her around spying on her looking for some kind of answer. Adrian is the Chief of Staff and former lover of Libby’s, he has been assigned to keep Libby quiet.
Performances – Tika Sumpter does give us a strong performance, we do see how her guilt is controlling her life, while showing how she will do what she can to fix her mistake. Jamie Lee Curtis is the star of the film because every time she is on camera we seeing everything upped to the next level. Ben Tavassoli and Jeff Hepnher both complete the main cast and both do a solid enough role.
Story – The story follows a former staff worker for the Vice President and one of the major parts of a project which saw many people killed, she has moved on with her life away from politics, hoping to one day tell the truth against the now current President. This story is a heavy political set up which shows us just how they will do anything to cover up any secrets, the story does jump around between the two times and careers that Libby has which does just come and go way to often. The problem with this story comes from the fact this could have been a lot more intense because of the subject matter we are going into.
Thriller – The could be a thriller that is truly one of the most intense movies of the year, because the subject could have been showing bigger consequences instead of a couple of friendly conversations.
Settings – The film is set in the everyday location, it shows how easy it could be to get people coming after somebody who might hold a secret.
Scene of the Movie – Jamie Lee Curtis scenes.
That Moment That Annoyed Me – It does become very predictable.
Final Thoughts – This is a predictable thriller that does tackle a bigger subject matter that goes through cover ups, we are saved by Jamie Lee Curtis scene stealing performance.
Overall: Predictable, through entertaining.
Emma @ The Movies (1786 KP) rated Clemency (2019) in Movies
Nov 7, 2019
Clemency was high up on my list to see during the festival so I was slightly annoyed to not get the opportunity to see it initially... but it was day one and I was feeling bold with enthusiasm and joine the queue for last minute tickets. It's a great system if it isn't raining, and after some loitering, chatting, and spotting Wendell Pierce on his way to the cinema for the screening I managed to get a spare ticket.
Bernadine has spent years of her life dedicated to giving prisoners the chance to better themselves and live up to their potential, with the death row inmates she tries to give them respect and comfort in their last days. After an execution goes wrong the whole team is affected and with another coming closer Bernadine starts to feel the pressure.
Her life is turned upside down as she starts to interact with Anthony Woods, she can't sleep, she can't be a wife, her only real escape is drink and her colleagues. Where will everything lead her?
My main pull to this was Aldis Hodge, while I tried to avoid seeing who was in each film when I read the synopsis it was difficult on occasion and so this one zipped to my top picks list. He will always be Hardison to me but I've enjoyed seeing him in films recently.
Anthony Woods is obviously on a rollercoaster of emotions and Hodge brings out the sense of desperation his character is feeling. The swing from hope and emptiness to elation gave him several opportunities to surprise and shock us. One of those moments particularly drew a reaction from a lot of people around me and I'll touch on that in a moment.
Alfre Woodard as Warden Bernadine Williams was very powerful, subtle with her emotions when needed but as the film concludes we see an incredibly difficult moment of pain. That moment is ugly and honest, it really hits you.
The film leaves you with a few uncertain points, you can work things out from context but it never says it outright. It also allows you to slowly unfold what's going on and what's still to come.
As you know, I watch a lot (excessive amounts some might say) of movies and it's very rare from something to surprise me. A lot of things are easy to see coming, a characters's actions can show you something violent coming. There are two moments in Clemency that had the audience react much stronger that I expected, I was also surprised by the reaction of the other press delegates who I thought might be in a similar place a me. Both scenes involved blood and when everyone gasped I actually looked around and wondered how it had earned that reaction. Perhaps I wasn't as engaged with it as they were but I didn't find those moments to be gratuitous or all that shocking given the context and the nature of the scenes. It was this point that I had to ponder the thought that seeing too many films and TV shows might have a detrimental effect on my reactions to some sorts of films.
Clemency deals with some fairly heavy topics but it handles them well and in a captivating way, I've glad I managed to get to see this.
What you should do
It's a moving film and I would recommend trying to catch it.
Movie thing you wish you could take home
Another film where I probably don't need anything to take home from it.
Bernadine has spent years of her life dedicated to giving prisoners the chance to better themselves and live up to their potential, with the death row inmates she tries to give them respect and comfort in their last days. After an execution goes wrong the whole team is affected and with another coming closer Bernadine starts to feel the pressure.
Her life is turned upside down as she starts to interact with Anthony Woods, she can't sleep, she can't be a wife, her only real escape is drink and her colleagues. Where will everything lead her?
My main pull to this was Aldis Hodge, while I tried to avoid seeing who was in each film when I read the synopsis it was difficult on occasion and so this one zipped to my top picks list. He will always be Hardison to me but I've enjoyed seeing him in films recently.
Anthony Woods is obviously on a rollercoaster of emotions and Hodge brings out the sense of desperation his character is feeling. The swing from hope and emptiness to elation gave him several opportunities to surprise and shock us. One of those moments particularly drew a reaction from a lot of people around me and I'll touch on that in a moment.
Alfre Woodard as Warden Bernadine Williams was very powerful, subtle with her emotions when needed but as the film concludes we see an incredibly difficult moment of pain. That moment is ugly and honest, it really hits you.
The film leaves you with a few uncertain points, you can work things out from context but it never says it outright. It also allows you to slowly unfold what's going on and what's still to come.
As you know, I watch a lot (excessive amounts some might say) of movies and it's very rare from something to surprise me. A lot of things are easy to see coming, a characters's actions can show you something violent coming. There are two moments in Clemency that had the audience react much stronger that I expected, I was also surprised by the reaction of the other press delegates who I thought might be in a similar place a me. Both scenes involved blood and when everyone gasped I actually looked around and wondered how it had earned that reaction. Perhaps I wasn't as engaged with it as they were but I didn't find those moments to be gratuitous or all that shocking given the context and the nature of the scenes. It was this point that I had to ponder the thought that seeing too many films and TV shows might have a detrimental effect on my reactions to some sorts of films.
Clemency deals with some fairly heavy topics but it handles them well and in a captivating way, I've glad I managed to get to see this.
What you should do
It's a moving film and I would recommend trying to catch it.
Movie thing you wish you could take home
Another film where I probably don't need anything to take home from it.
Lee (2222 KP) rated Weathering with You (2019) in Movies
Jan 31, 2020
Weathering With You is another beautifully creative romantic fantasy from director Makoto Shinkai, who was responsible for 2016 hit, Your Name. I only recently watched Your Name, and to say that it blew me away would be an understatement - it's a movie I still think about to this day. So, I headed into Weathering With You, perhaps a little unfairly, with some pretty high expectations. Consequently, I came away a little disappointed. But that's not to say that this isn't a great movie.
As with Your Name, one of the core themes behind Weathering With You is the pursuit of true love and it begins by introducing our teen protagonists before they've had a chance to meet. In rain-soaked Tokyo, Hina is attracted to a beam of sunlight that is cutting through the clouds across town, and she rushes off to try and get a closer look. Running up flights of stairs to a building rooftop, she comes across a simple shrine at the spot where the sunlight hits the Earth. Praying hard, she steps slowly through the shrine gate and the rain stops. We then see Hina falling through the sky, observing beautiful, magical weather all around her.
Hodaka is a 16 year old runaway, traveling by ferry boat to Tokyo. While standing out on deck during a powerful storm, flooding almost sends him overboard, but he is rescued by Mr Suga, a magazine publisher who ends up giving him his business card. After arriving in Tokyo and struggling to find work, Hodaka eventually calls upon Mr Suga, who gives him a job. The heavy rain that almost cost Hodaka his life has been persisting for some time now, despite being the middle of summer, and long range forecasts are predicting no real change for the foreseeable future. Storms are also leaving behind fish-like objects and a strange jelly substance, which is leaving experts baffled.
Hodaka first encounters Hina in the McDonalds where she is working, then later on Hodaka rescues Hina from what he believes to be a dangerous situation and the pair find themselves becoming friends. Through his reporting work at the magazine run by Mr Suga, Hodaka had been investigating the mythical "Weather Maidens", and he discovers that Hina is one of them, with the ability to bring about sunshine through prayer. With Hina and Hodaka both in desperate need of money, they go into business together, taking requests online from people wanting rain-free occasions, such as family picnics or weddings and earning Hina the name "Sunshine Girl". The power of a weather maiden comes at a cost though, as they eventually become a human sacrifice to the skies, with each use of their power bringing that moment one step closer.
The larger premise of Weathering With You is obviously climate change - how messing with nature always comes at a cost and how children have real power to influence change. Visually, the movie is simply stunning, and animated rainfall has never looked so beautiful. It's also peppered with a rather distracting and cheesy J-Pop score, made all the worse if you try and follow the on-screen lyrics, which obviously do not have the same impact when translated literally. Sadly, there are far too many plot threads presented throughout without any clarity or resolution and overall the whole thing just felt too long. Admittedly, it was a pretty high bar set by Your Name, but unfortunately Weathering With You doesn't have the emotional weight to meet that, with a narrative that isn't as complex or as engaging.
As with Your Name, one of the core themes behind Weathering With You is the pursuit of true love and it begins by introducing our teen protagonists before they've had a chance to meet. In rain-soaked Tokyo, Hina is attracted to a beam of sunlight that is cutting through the clouds across town, and she rushes off to try and get a closer look. Running up flights of stairs to a building rooftop, she comes across a simple shrine at the spot where the sunlight hits the Earth. Praying hard, she steps slowly through the shrine gate and the rain stops. We then see Hina falling through the sky, observing beautiful, magical weather all around her.
Hodaka is a 16 year old runaway, traveling by ferry boat to Tokyo. While standing out on deck during a powerful storm, flooding almost sends him overboard, but he is rescued by Mr Suga, a magazine publisher who ends up giving him his business card. After arriving in Tokyo and struggling to find work, Hodaka eventually calls upon Mr Suga, who gives him a job. The heavy rain that almost cost Hodaka his life has been persisting for some time now, despite being the middle of summer, and long range forecasts are predicting no real change for the foreseeable future. Storms are also leaving behind fish-like objects and a strange jelly substance, which is leaving experts baffled.
Hodaka first encounters Hina in the McDonalds where she is working, then later on Hodaka rescues Hina from what he believes to be a dangerous situation and the pair find themselves becoming friends. Through his reporting work at the magazine run by Mr Suga, Hodaka had been investigating the mythical "Weather Maidens", and he discovers that Hina is one of them, with the ability to bring about sunshine through prayer. With Hina and Hodaka both in desperate need of money, they go into business together, taking requests online from people wanting rain-free occasions, such as family picnics or weddings and earning Hina the name "Sunshine Girl". The power of a weather maiden comes at a cost though, as they eventually become a human sacrifice to the skies, with each use of their power bringing that moment one step closer.
The larger premise of Weathering With You is obviously climate change - how messing with nature always comes at a cost and how children have real power to influence change. Visually, the movie is simply stunning, and animated rainfall has never looked so beautiful. It's also peppered with a rather distracting and cheesy J-Pop score, made all the worse if you try and follow the on-screen lyrics, which obviously do not have the same impact when translated literally. Sadly, there are far too many plot threads presented throughout without any clarity or resolution and overall the whole thing just felt too long. Admittedly, it was a pretty high bar set by Your Name, but unfortunately Weathering With You doesn't have the emotional weight to meet that, with a narrative that isn't as complex or as engaging.
Neon's Nerd Nexus (360 KP) rated The Invisible Man (2020) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
See no evil
The Invisible Man is not a movie about an Invisible Man and certainly not the horror movie its being promoted as, instead its a tight little scifi esq thriller about domestic violence and the lingering effects domestic abuse can bring. Directed by the same director of the absolutley fantastic film Upgrade The invisible man could almost be a companion piece in a sense or even take place in the same world as Upgrade. From the titles its clear tension and impending dread is absolutely nailed here and as we look in on our lead character we can see just how extreme and unsafe her situation/relationship has become. Shes a victim trapped by an abusive and obsessive partner and before her life becomes any more at risk she escapes, but what she then leaves herself open to is a life of paraninoia, mental scaring, trauma, torture and living life in constant fear that her partner will come for her again. Shes never free from him and the way the film uses the invisible man as a metaphor is extremely clever as it shows her trying to live a normal life while clearly completely damaged by the hold one man had on her and by the echoes of the abuse she recived from him (in a sense its like hes still there constantly breathing over her shoulder). Everything is done well and the film really benefits from its slow pace as it helps us as a viewer really get invested into this character and shows just how damaged she has become from past events. Its score is phenomenal too helping ramp up the fear and tension with its intense futuristic droning and screeching. When violence hits its impactful, brutal and shocking as the long build up for it makes it seem like it comes out of nowhere preserving shock value perfectly. Fight scenes are filmed just like the ones from Upgrade full of energy/style and are just as unique/cool while making subtle nods to that film too. Acting is really good especially Elisabeth Moss watching her evolve as a character and in sense use the traits of the person she hates to become stronger is riviting and Eldis Hodge gives a great support role too. Its to bad at times the acting its hurt unnecessarily however by very exposition heavy dialog. If youve seen the trailer for this movie the invisible man reveal will have been spoilt for you as will too a crucial story point however overall as a film what Leigh Whannell has achieved here with this film is certainly very very brave and vastly diffrent from the way these films usually play out. Hes given a very clever and unique take on a character that has already been done to death in films and while it was predictable to a certain extent I applaud him for not going for the lazy done to death almost supernatural approach to this character. The Invisible man is a breath of fresh air amongst crap like fantasy island/the boy 2 and while by no means perfect its brave and realistic portrayals of the after effects of domestic abuse are shocking, well represented and tuff to watch at times. Invisible man is a pleasant surprise but will no doubt be far to slow and intelligent for those just looking for mere jump scares. That being said if this director keeps up this great track record I wouldnt be surprised if bigger film companies start seeking him out very soon.
Phillip McSween (751 KP) rated Knives Out (2019) in Movies
Mar 6, 2020
Consistent Blast
In the Whodunit drama, detective Benoit Blanc (Daniel Craig) has to uncover who killed famous author Harlan Thrombey (Christopher Plummer).
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Darren (1599 KP) rated The Peanut Butter Falcon (2019) in Movies
Mar 14, 2020
Verdict: Beautiful Movie
Story: The Peanut Butter Falcon starts as we meet a down syndrome young man Zak (Gottsagen) who dreams of being a wrestler, but is stuck in a care home sharing a room with Carl (Dern) under the care of Eleanor (Johnson), he has been trying to escape before and when he finally does, he meets Tyler (LaBeouf) a rebel who is fighting for his place in a fishing world.
As Tyler reluctantly agrees to help Zak, the two go on an adventure through the outdoors to make it to the wrestling school to live his dream of becoming a wrestler like his hero Salt Water Redneck (Church), even though Eleanor is trying to find him before it is too late.
Thoughts on The Peanut Butter Falcon
Characters – Zak is a down syndrome young man that is living in a nursing home with nobody else offering him a place to live, he loves wrestling and wants to make this his dream to become a wrestler, which sees him running away from the nursing home, meeting Tyler and having his first adventure. Tyler is a drifter working on the local fishing area, that has found himself getting into trouble with the locals, needing to go on the run, where he ends up meet Zak, reluctantly teaching him about life. Eleanor is the carer that has always looked after Zak, she has become concerned about his desire to move away and after he runs away, she must go in search of him, needing to learn more about opening up to his own desire in life.
Performances – Zack Gottsagen is wonderful in the leading role showing all the delight and pain his character is going through. Shia LaBeouf is going down the right path here, doing the roles which require him to show his skills rather than cash heavy roles. Dakota Johnson is great too, with the supporting cast that all work wonderfully through the film.
Story – The story here follows a young down syndrome man who decides to run away from the nursing home he is living in, with dreams of becoming a wrestler where he meets a lost drifter who teaches him more about life, while chasing his dream. This is a story that is similar to the story of Mark Twain with a fresh approach, with one of the clear messages being, not to judge somebody on a disability they have, they can achieve as much as anybody else. This is a joy to watch as a story, seeing how the two bond and just have a life adventure.
Adventure/Comedy – The adventure side of this film, sees two unlikely men at different stages of their lives spending a couple of days together learning about life, it is inspiring to see how people might react to life, while getting a couple of laughs along the way, with the friendship.
Settings – The film uses the back-water locations to show the drifter lifestyle to which Zak has fallen into and one that Tyler can navigate.
Scene of the Movie – The match.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful movie that can be enjoyed by all, one that has a clear message about treating everyone equal and one that will leave you feeling good by the end.
Overall: True Delight.
Story: The Peanut Butter Falcon starts as we meet a down syndrome young man Zak (Gottsagen) who dreams of being a wrestler, but is stuck in a care home sharing a room with Carl (Dern) under the care of Eleanor (Johnson), he has been trying to escape before and when he finally does, he meets Tyler (LaBeouf) a rebel who is fighting for his place in a fishing world.
As Tyler reluctantly agrees to help Zak, the two go on an adventure through the outdoors to make it to the wrestling school to live his dream of becoming a wrestler like his hero Salt Water Redneck (Church), even though Eleanor is trying to find him before it is too late.
Thoughts on The Peanut Butter Falcon
Characters – Zak is a down syndrome young man that is living in a nursing home with nobody else offering him a place to live, he loves wrestling and wants to make this his dream to become a wrestler, which sees him running away from the nursing home, meeting Tyler and having his first adventure. Tyler is a drifter working on the local fishing area, that has found himself getting into trouble with the locals, needing to go on the run, where he ends up meet Zak, reluctantly teaching him about life. Eleanor is the carer that has always looked after Zak, she has become concerned about his desire to move away and after he runs away, she must go in search of him, needing to learn more about opening up to his own desire in life.
Performances – Zack Gottsagen is wonderful in the leading role showing all the delight and pain his character is going through. Shia LaBeouf is going down the right path here, doing the roles which require him to show his skills rather than cash heavy roles. Dakota Johnson is great too, with the supporting cast that all work wonderfully through the film.
Story – The story here follows a young down syndrome man who decides to run away from the nursing home he is living in, with dreams of becoming a wrestler where he meets a lost drifter who teaches him more about life, while chasing his dream. This is a story that is similar to the story of Mark Twain with a fresh approach, with one of the clear messages being, not to judge somebody on a disability they have, they can achieve as much as anybody else. This is a joy to watch as a story, seeing how the two bond and just have a life adventure.
Adventure/Comedy – The adventure side of this film, sees two unlikely men at different stages of their lives spending a couple of days together learning about life, it is inspiring to see how people might react to life, while getting a couple of laughs along the way, with the friendship.
Settings – The film uses the back-water locations to show the drifter lifestyle to which Zak has fallen into and one that Tyler can navigate.
Scene of the Movie – The match.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful movie that can be enjoyed by all, one that has a clear message about treating everyone equal and one that will leave you feeling good by the end.
Overall: True Delight.
Kristy H (1252 KP) rated Love at First Like in Books
Mar 19, 2020
First of all, please congratulate me for reading a book on my Netgalley backlist! Go me! Second, congratulate me again for reading a book based on a premise I despise: sitting on a throne of lies! :)
When Eliza discovers via Instagram that her last serious ex-boyfriend, Holden is engaged, she flips out. Despite the fact that she runs a successful business, Brooklyn Jewelers, with her sister, Sophie, Eliza feels as if she's lost the breakup--and life--when Holden gets engaged first. After all, she's still single. To console herself, she takes out some of the jewelry store pieces and snaps some insta-worthy shots of them on her left (ring) finger. This process is accompanied with a little alcohol to soothe the loss. Everything seems fine until she wakes up in the morning and realizes she's posted a shot to the store's page--and it's basically gone viral. From there, Eliza makes the perfectly rational (??!!) decision to pretend she's engaged and line up a free wedding and honeymoon to drum up business for Brooklyn Jewelers. All she needs now is a groom.
"My wedding is exactly six months from tomorrow. All I have to do now is find the groom."
I have no idea why I picked this book, I'm guessing it was a Netgalley widget, because I really really hate books based on lies like this. It truly makes me nervous and on edge. I almost didn't keep reading, but I decided to give it a shot. And I will grudgingly admit that Eliza grew on me, okay? If you aren't as bothered by me by the "throne of lies" concept, you might enjoy this book. And if you are into Instagram and jewelry, you could even love it.
Some pluses... Eliza has a lesbian sister. Sure, it's token lesbian representation, but at least it's there. Eliza pines for a man, but she's also a strong businesswoman and her business is very important to her (so much that she'd go along with this harebrained scheme to keep it). She and her sister are running a fairly successful storefront in New York. They admit part of that is because they received an inheritance, but Eliza also puts a lot of work into it. That's cool.
Some negatives... a lot of the dilemmas and plot points come across as very flat and one dimensional. Oh no, suddenly the rent is being raised, heightening the stakes in Eliza's fake wedding scheme?! Her sister's health insurance no longer covers IVF, so she needs more money to have a baby with her wife? You don't say, etc. At times, the plot feels like a trainwreck, where you know something horrible is going to happen, but you just can't look away. Eliza is determined that she's getting married--no matter the cost to anyone. The book stressed me out a lot. (Just tell people the truth!)
Still, much like a Hallmark movie, I found myself invested. I knew how it would probably all wind up, but I was weirdly captivated by it all. The Instagram heavy scenes, Eliza's dramatics, the looming wedding date. Somehow it worked in the end. It was crazy and ridiculous, but oh well. 3 stars.
When Eliza discovers via Instagram that her last serious ex-boyfriend, Holden is engaged, she flips out. Despite the fact that she runs a successful business, Brooklyn Jewelers, with her sister, Sophie, Eliza feels as if she's lost the breakup--and life--when Holden gets engaged first. After all, she's still single. To console herself, she takes out some of the jewelry store pieces and snaps some insta-worthy shots of them on her left (ring) finger. This process is accompanied with a little alcohol to soothe the loss. Everything seems fine until she wakes up in the morning and realizes she's posted a shot to the store's page--and it's basically gone viral. From there, Eliza makes the perfectly rational (??!!) decision to pretend she's engaged and line up a free wedding and honeymoon to drum up business for Brooklyn Jewelers. All she needs now is a groom.
"My wedding is exactly six months from tomorrow. All I have to do now is find the groom."
I have no idea why I picked this book, I'm guessing it was a Netgalley widget, because I really really hate books based on lies like this. It truly makes me nervous and on edge. I almost didn't keep reading, but I decided to give it a shot. And I will grudgingly admit that Eliza grew on me, okay? If you aren't as bothered by me by the "throne of lies" concept, you might enjoy this book. And if you are into Instagram and jewelry, you could even love it.
Some pluses... Eliza has a lesbian sister. Sure, it's token lesbian representation, but at least it's there. Eliza pines for a man, but she's also a strong businesswoman and her business is very important to her (so much that she'd go along with this harebrained scheme to keep it). She and her sister are running a fairly successful storefront in New York. They admit part of that is because they received an inheritance, but Eliza also puts a lot of work into it. That's cool.
Some negatives... a lot of the dilemmas and plot points come across as very flat and one dimensional. Oh no, suddenly the rent is being raised, heightening the stakes in Eliza's fake wedding scheme?! Her sister's health insurance no longer covers IVF, so she needs more money to have a baby with her wife? You don't say, etc. At times, the plot feels like a trainwreck, where you know something horrible is going to happen, but you just can't look away. Eliza is determined that she's getting married--no matter the cost to anyone. The book stressed me out a lot. (Just tell people the truth!)
Still, much like a Hallmark movie, I found myself invested. I knew how it would probably all wind up, but I was weirdly captivated by it all. The Instagram heavy scenes, Eliza's dramatics, the looming wedding date. Somehow it worked in the end. It was crazy and ridiculous, but oh well. 3 stars.
Gareth von Kallenbach (980 KP) rated Alice Through the Looking Glass (2016) in Movies
Aug 6, 2019
As an Alice in Wonderland enthusiast, I was more than thrilled when Disney announced they were making Alice Through the Looking Glass, since the first film was visually stunning I went into watching the sequel with the same expectation that it would be rich in color and visuals. Visually it did not disappoint, with lavish costumes, and whimsical set design from beginning to end; the film was entertaining to watch. With returning characters such as Alice (Mia Wasikowska), The Mad Hatter (Johnny Depp), The Red Queen (Helena Bonham Carter), and The White Queen (Anne Hathaway); the main story focuses on Alice trying to save the Hatter. With the citizens of Wonderland concerned for the Hatter’s wellbeing they rely on Alice to try to save the Hatter before it is too late, however Alice must race against Time (Sacha Baron Cohen) to try to learn what has happened to the Hatters family. Alice learns you can’t change the past but you can learn from it for the future; but will this knowledge help her save the Hatter or keep her stuck in the past?
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
Alice Through the Looking Glass mainly focuses on the friendship of Alice and the Hatter but also gives background history into the past of the Hatter, The Red Queen, and The White Queen. I found this really insightful and made it easier to get invested into the films plot points. I also found this film much more fast paced then the first film, literally about 10 minutes into the film Alice is jumping through the looking glass into Wonderland and right into the action. The newest addition to this film however is Time; who at first is given the main antagonist slot of the film, but as the story progresses that is not entirely the case. The film really shows good and evil are subjective in a sense, all while giving a good old fashion Disney happy ending.
Tim Burton’s Alice Through the Looking Glass keeps the accomplished directors personal style while keeping the characters of Lewis Carroll’s novel noticeable. However, I will warn you, if you were wanting to see this and hoping it was just like the novel.
It’s not. It’s actually the furthest from the actual book Through the Looking-Glass. The only reason it should probably have this title is due to Alice walking through the looking glass to get to Wonderland, but story wise it has nothing in common story wise. Burton used heavy creative license in the film, and even added Time as a leading role and main plot point that’s not even in Carroll’s novel. While the film is visually stunning and the beloved characters help the audience get invested, the overall plot is somewhat lacking the whimsy that is known in Carroll’s story. While the first film tells the story of Carroll’s novel, the sequel is definitely a story of Burton’s creation. So overall I would say the film is decent; if you enjoyed the first one you should enjoy this one. However, for those who loved the novel and were hoping for an accurate adaptation, this might not be for you. For me personally as a lover of all things “Alice in Wonderland”; I enjoyed it visually, and the portrayal of characters was great, but I felt the story was lacking.
Gareth von Kallenbach (980 KP) rated The Interview (2014) in Movies
Aug 6, 2019
Thanks to the negative attention that “The Interview” received, it will be viewed by many more people than it would have without the controversy. The film, which was almost never released due to a cyberattack on Sony, is now the most widely accessible of this season.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
The comedy follows two average journalists, Aaron Rapoport (Seth Rogan) and David Skylark (James Franco), who become pawns in a CIA plot to assassinate the leader of North Korea.
Skylark is an overzealous news anchor who seems to have no shame in what he reports on. He hosts a celebrity talk show, where he discusses the latest gossip. Fitting perfectly into this scenario are hilarious cameo appearances by Eminem and Rob Lowe.
When Skylark discovers his show is one of Kim Jong-un’s (Randall Park) favorites, he is struck with the genius idea to ask for an interview. Amazingly that request is granted, but attracts the attention of the CIA. Once the two guys are plunged into the outrageous mission, the film carries a fast pace through to the end.
Rogan, who codirected the film with Evan Goldberg, obviously did some real research. Some details are actually based on real world observations.
North Korea is a place shrouded in mystery and little information about the odd dictatorship has surfaced in the outside world. However, there are multiple documentaries by Vice which detail very regimented and monitored trips journalist have taken inside the isolated country.
Elements appearing in the film which are similar to actual documented information about North Korea include: the placement of fake stores with fake food, the discussion of famine and labor camps, and the only pictures allowed on any wall being that of the “supreme leader” or those leaders before him.
Regardless of its very serious political undertones, the film can hardly be taken seriously.
Little touches keep the movie silly and lighthearted. There are quite a few inside jokes that develop throughout the story, cleverly pulling the audience in and making them laugh.
The use of the song “Firework” by Katy Perry is one example. It is established as Kim Jong-un’s favorite song, comedically revealing his “softer” side. It also happens to be Skylark’s favorite song, which creates a common ground between the two characters as they begin to form their own bromance. The song works its way into the plot and reappears at the most mismatched moments, making them that much more absurd.
In general, the execution of the plot and mannerisms of the characters stand out as even cheesier than the past work of Rogan and Franco. The extremely animated facial expressions of Franco in his role as the cocky and lovably stupid reporter, look almost cartoon like. Sex jokes and awkward moments abound. People who do not enjoy that type of comedy will not find much value in this film.
Despite the heavy political attention surrounding “The Interview,” it is one of the most ridiculous comedies to hit theaters. The film has all of the typical features of a Rogan – Franco comedy. It’s filled with over the top raunchy humor, graphic violence, and of course plenty of “bromance.” However this time, it is also a highly entertaining political satire.
I give “The Interview” 3.5 out of 5 stars for quality, and 5 out of 5 stars for becoming an outrageous international controversy.
Gareth von Kallenbach (980 KP) rated A Walk Among the Tombstones (2014) in Movies
Aug 6, 2019
A Walk Among the Tombstones stars Liam Neeson as former cop, and former alcoholic, Matthew Scudder in this adaptation of the tenth novel in Lawrence Block’s long-running series. Set in 1999, amid the Y2K scare, Scudder operates just outside of the law as an unlicensed private investigator. Approached by a fellow AA member, he is tasked with finding the men responsible for kidnapping and murdering the wife of a local drug trafficker. Along the way, he receives help from homeless teen T.J. (played, with admirable restraint in a role easy to overdo, by newcomer Brian ‘Astro’ Bradley) and discovers that the two men he is investigating have killed before, and will do so again.
This is exactly the type of movie that I find myself drawn to, a brooding, hard-edged film-noir, but what stops me from enjoying it more and rating it higher is that right from the opening frames, Tombstones, unlike last year’s Prisoners, which defied all my expectations, doesn’t strive to do anything more than to satisfy the requirements of its genre and lean heavily on the performance of its lead.
That being said, it is another fantastic performance from Neeson and, still sporting that questionable American accent, he brings real weight to the character of Scudder. Don’t expect to see a tour-de-force the likes of Denzel Washington battling alcoholism in Flight, but it is refreshing to see these types of characters humanized and played straight in roles that have previously been over-the-top and laughably romanticized.
Another highlight is the relationship between Scudder and T.J, something that from the outset seems a cliché and had the potential to detract from the plot, it is however surprisingly well-constructed. One scene in particular between them is a stand-out as we see Scudder’s reaction to finding out that T.J. has been carrying a presumably stolen firearm. I will refrain from ruining the punchline, but it is a rare piece of frank dialogue and is deservedly shocking in its delivery.
Where A Walk Among the Tombstones unfortunately falls short is in its lack of subtlety, through a heavy-handed score and, more importantly, a bloated running time. More times than I would have liked, I found myself asking, “Is this scene necessary, or relevant?” Less would have been so much more, especially in the case of the two antagonists, who are set up as being formidable psychopaths for our anti-hero, they are instantly deflated through a single moment that depicts the normality of what we assume is their morning routine. Though it’s not unheard of that the most violent of criminals lead ordinary lives, the tongue-in-cheek nature of the scene does nothing to intensify the fear and dread we are supposed to feel toward these men.
Fans of Liam Neeson should be pleased, but what we’re given here is a solid first act and dialogue that ranges from good to great, but ultimately a predictable, over-long, paint-by-numbers effort. Sure, it hits all the right notes atmospherically, but I can’t expect that it will be more or less memorable than any of the other recent thriller entries in Neeson’s oeuvre (anyone remember 2011’s Unknown?). Between this and knowing that a third Taken is on the way, I now find myself longing for another great dramatic turn from him along the lines of Five Minutes of Heaven, or Kinsey.
This is exactly the type of movie that I find myself drawn to, a brooding, hard-edged film-noir, but what stops me from enjoying it more and rating it higher is that right from the opening frames, Tombstones, unlike last year’s Prisoners, which defied all my expectations, doesn’t strive to do anything more than to satisfy the requirements of its genre and lean heavily on the performance of its lead.
That being said, it is another fantastic performance from Neeson and, still sporting that questionable American accent, he brings real weight to the character of Scudder. Don’t expect to see a tour-de-force the likes of Denzel Washington battling alcoholism in Flight, but it is refreshing to see these types of characters humanized and played straight in roles that have previously been over-the-top and laughably romanticized.
Another highlight is the relationship between Scudder and T.J, something that from the outset seems a cliché and had the potential to detract from the plot, it is however surprisingly well-constructed. One scene in particular between them is a stand-out as we see Scudder’s reaction to finding out that T.J. has been carrying a presumably stolen firearm. I will refrain from ruining the punchline, but it is a rare piece of frank dialogue and is deservedly shocking in its delivery.
Where A Walk Among the Tombstones unfortunately falls short is in its lack of subtlety, through a heavy-handed score and, more importantly, a bloated running time. More times than I would have liked, I found myself asking, “Is this scene necessary, or relevant?” Less would have been so much more, especially in the case of the two antagonists, who are set up as being formidable psychopaths for our anti-hero, they are instantly deflated through a single moment that depicts the normality of what we assume is their morning routine. Though it’s not unheard of that the most violent of criminals lead ordinary lives, the tongue-in-cheek nature of the scene does nothing to intensify the fear and dread we are supposed to feel toward these men.
Fans of Liam Neeson should be pleased, but what we’re given here is a solid first act and dialogue that ranges from good to great, but ultimately a predictable, over-long, paint-by-numbers effort. Sure, it hits all the right notes atmospherically, but I can’t expect that it will be more or less memorable than any of the other recent thriller entries in Neeson’s oeuvre (anyone remember 2011’s Unknown?). Between this and knowing that a third Taken is on the way, I now find myself longing for another great dramatic turn from him along the lines of Five Minutes of Heaven, or Kinsey.