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Bob Mann (459 KP) rated Ocean’s 8 (2018) in Movies
Sep 29, 2021
Can 8 women do the work of 11, 12 or even 13 men?
The female empowerment #SheToo implications of the title are clearly writ large for this movie! The answer of course…. is a major spoiler, so we won’t go there.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
Debbie Ocean (Sandra Bullock, “Gravity“), the previously unreferenced sister of arch-scoundrel Danny Ocean (George Clooney) from the reboot trilogy, is released from prison after a 5 year stretch. This has given her plenty of time to plan her next job – a jewellry heist from the New York Met – in intricate detail. She recruits biker-chick Lou (Cate Blanchett , “Carol“) as her partner and they then proceed to recruit a team of expert crimimals: well… some are not criminals, but soon will be! Will they succeed, or will Debbie have an even longer time to plan her next heist?
Stiff as planks…. Sandra Bullock and Cate Blanchett.
The movie unfortunately is rather like watching paint dry. It’s very glossy and expensive paint, I grant you, but compared to certainly Ocean’s 11 and even Ocean’s 13 it’s not in the premier league. There’s virtually nothing about the plot that leaves you surprised. Even the twists are merely “oh”s rather than “OH!’s”.
Stylistically the film attempts to model the Soderbergh split-screen visuals of his films, doing it quite well, and is accompanied by a similar jazz-style soundtrack which works effectively. Arguably, the well-chosen music by Daniel Pemberton (“King Arthur: Legend of the Sword“) is the best thing in the film.
When they said they were stealing from the Met…. perhaps I misunderstood?
Otherwise though, that’s where most of the similarities end, with there being limited character development to make you really care all that much whether the team win or lose. The script, by director Gary Ross (“The Hunger Games”) and Olivia Milch had a few clever lines that made me smile: but it’s not laugh-out-loud territory. So the story had better be good. Unfortunately, here Gary Ross’s story has so many implausible coincidences and incredulous leaps of intuition – “yeah, I’m from the hood innit but I have a grasp of magnetic resonance couplings learnt the hard way, from the street up!” – that belief is less suspended and more hung, drawn and quartered. This is not saying that the Ocean’s trilogy was without a few similar issues – reaching its nadir with Julia Roberts pretending to be Julia Roberts in “Ocean’s 12” – but this film is more consistently bonkers.
Hang on… I only count seven here?
I have to admit that the build up to the heist through the first half of the film left me sufficiently entertained, but that momentum suddenly fizzles out and the final reel becomes quite tedious. I also expected something to happen at the end, cameo-wise, that never did!
Acting wise, the best turn comes from Anne Hathaway (“Colossal“, “Les Miserables”) as a vainglorious actress but Helena Bonham Carter (“Suffragette“, “Harry Potter”) is also good value as the quirky fashion expert, coming across like some sort of ditzy Fatima Blush.
Good value – Anne Hathaway and Helena Bonham Carter.
I also liked Rihanna’s ‘Nine Ball’ character. Less successful for me was Bullock, who I felt came across as very wooden, and Blanchett, slightly less so. There are also some ‘B-list’ celebrities attending the Met-gala that are fun to watch out for, as well as two members of the earlier films’ cast.
After Diamonds but with nowhere to store an Umbrella: Rihanna knocks them dead on the red carpet.
So, it’s a disappointing effort from Gary Ross. All glitz and glamour but with little substance.
Goddess in the Stacks (553 KP) rated Catwoman: Soulstealer - DC Icons Book 3 in Books
Oct 25, 2018
So I needed a "book about a heist" for the PopSugar 2018 Reading Challenge, and naturally, Catwoman fits the bill. It wouldn't be a Catwoman novel/cartoon/graphic novel without a heist! Several, in fact, in this instance. And she teams up with Poison Ivy and Harley Quinn to pull them off, even though she doesn't seem to actually need the girls in this book. I love that Maas chose to include them, because Ivy/Harley/Catwoman is one of my all-time favorite team-ups. The book also delves into the relationship between Ivy and Harley, and Harley's dysfunctional dependence on the Joker (who's in Arkham for this book). I loved seeing that.
Interestingly, Batman doesn't show, other than a few phone calls with Luke Fox, Lucius Fox's son. Luke takes the traditional role of Batman-as-Catwoman's-love-interest, but as Batwing, a sort-of Robin. (Maybe I read too many comics? Nah.) The switch was surprising; it's always Catwoman and Batman, Selina and Bruce. Except when it's Talia and Bruce, I suppose.
I do wonder if they're going to do an ensemble cast novel after these first four books. (Wonder Woman: Warbringer, Batman: Nightwalker, and Superman: Dawnbreaker being the other three.) Superman doesn't come out until January, but the first three have been very disconnected from one another. Wonder Woman wasn't even mentioned in Batman or Catwoman. It seems odd to have them as a series, but never mention one another in each book? That, or the Superman book is going to tie the other three together, which seems like a disservice to Superman.
Anyway. I really liked Luke Fox as Batwing - the book touched, just a little bit, on racial issues, and how even as an obscenely rich black man he's not entirely exempt from those. In one scene he worries about the color of his skin being seen through damage to his batsuit, and cops realizing he's black. It's a sober reminder that even in a city beset by evil clowns, it's still set in the United States and we still have those racist systems in place.
The banter between Luke and Selina, and Selina and Harley and Ivy, is fantastic. I haven't actually read any of Sarah J. Maas' books - I know, I know - but if they're like Catwoman, I should probably give in and do so. So far, Wonder Woman is still my favorite of the DC Icons series (which is no surprise, as I love Leigh Bardugo) but Catwoman is really good.
You can find all my reviews at http://goddessinthestacks.com
Interestingly, Batman doesn't show, other than a few phone calls with Luke Fox, Lucius Fox's son. Luke takes the traditional role of Batman-as-Catwoman's-love-interest, but as Batwing, a sort-of Robin. (Maybe I read too many comics? Nah.) The switch was surprising; it's always Catwoman and Batman, Selina and Bruce. Except when it's Talia and Bruce, I suppose.
I do wonder if they're going to do an ensemble cast novel after these first four books. (Wonder Woman: Warbringer, Batman: Nightwalker, and Superman: Dawnbreaker being the other three.) Superman doesn't come out until January, but the first three have been very disconnected from one another. Wonder Woman wasn't even mentioned in Batman or Catwoman. It seems odd to have them as a series, but never mention one another in each book? That, or the Superman book is going to tie the other three together, which seems like a disservice to Superman.
Anyway. I really liked Luke Fox as Batwing - the book touched, just a little bit, on racial issues, and how even as an obscenely rich black man he's not entirely exempt from those. In one scene he worries about the color of his skin being seen through damage to his batsuit, and cops realizing he's black. It's a sober reminder that even in a city beset by evil clowns, it's still set in the United States and we still have those racist systems in place.
The banter between Luke and Selina, and Selina and Harley and Ivy, is fantastic. I haven't actually read any of Sarah J. Maas' books - I know, I know - but if they're like Catwoman, I should probably give in and do so. So far, Wonder Woman is still my favorite of the DC Icons series (which is no surprise, as I love Leigh Bardugo) but Catwoman is really good.
You can find all my reviews at http://goddessinthestacks.com
Nick Friesen (96 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jul 23, 2017
New Characters are Excellent (3 more)
God Bless Alan Tudyk
Perhaps the Best Space Battle in Star Wars Yet
The Rebels "Storming the Beach"
A Crazy Caper Set in a Galaxy Far, Far Away
Rogue One is a fantastic film. It feels so fresh, despite being "a Star Wars Story," mostly because it is so different than any of the movies in the main saga. Better yet, it functions as an awesome prequel to the original trilogy. Even if you're of mind to forget Star Wars 1-3, I'm betting you'll be more than willing to add this movie to the start of your Original Trilogy marathons. Rogue One is a delightful mash of a couple genres, most notably spy, heist, and war films, and it works so well. It's a ground level look at the Rebellion and their efforts to steal plans to the Death Star, shown through the point-of-view of regular soldiers with no apparent Force powers to speak of. It's a thrilling ride, and one that also gets you invested in its well-written characters in a fairly short amount of time. Oh, and Disney, is there any way Alan Tudyk can come back to the series?
Nicole Hadley (380 KP) rated Vanished: True Tales of Mysterious Disappearances in Books
Jun 18, 2018
<a href="https://awindowintobooks.wordpress.com">Full Review</a>
Vanished: True Tales of Mysterious Disappearances by Elizabeth MacLeod is a non-fiction book for middle grade readers. The book discusses six stories about mysterious disappearances in chronological order. It starts with the 17th-century in North Carolina with the settlement of Roanoke Island, and ends with a 1990 art heist from Boston’s Isabella Stewart Gardner Art Museum.
The author could have taken on a negative tone with the subject but instead MacLeod is enthusiastic. The upbeat tone draws the reader into each mystery. Each story is filled with interesting facts and information.With each story there are pictures within the design.
The design of the book is uncluttered, featuring sidebars and appropriate images. The design also includes historical photographs, maps, and posters. These visuals add to the overall effectiveness of the book.
Each story begins with a factionalize vignette, which provides some background information about the disappearance. The ending of each section could have ended with a more smooth conclusion instead of abruptly. The combination of MacLeod’s storytelling and the resources included at the back of the book are sure to engage.
I received this book from the publisher via NetGalley in exchange for an honest review.
Vanished: True Tales of Mysterious Disappearances by Elizabeth MacLeod is a non-fiction book for middle grade readers. The book discusses six stories about mysterious disappearances in chronological order. It starts with the 17th-century in North Carolina with the settlement of Roanoke Island, and ends with a 1990 art heist from Boston’s Isabella Stewart Gardner Art Museum.
The author could have taken on a negative tone with the subject but instead MacLeod is enthusiastic. The upbeat tone draws the reader into each mystery. Each story is filled with interesting facts and information.With each story there are pictures within the design.
The design of the book is uncluttered, featuring sidebars and appropriate images. The design also includes historical photographs, maps, and posters. These visuals add to the overall effectiveness of the book.
Each story begins with a factionalize vignette, which provides some background information about the disappearance. The ending of each section could have ended with a more smooth conclusion instead of abruptly. The combination of MacLeod’s storytelling and the resources included at the back of the book are sure to engage.
I received this book from the publisher via NetGalley in exchange for an honest review.
Tim McGuire (301 KP) rated Sushi Girl (2013) in Movies
Mar 14, 2020
Old Movie Revisited: Sushi Girl. Did you ever want to see Luke Skywalker torture Atreyu from Neverending Story? Me either, but if you did, you can see it here. Not only do we have Luke and Atreyu, we get Candyman, Frank from Donnie Darko, and some extremely brief cameos from Kyle Reese, Machete, Frank Lapidus from Lost, the original Streetfighter himself, and White Power Bill. Of course you have to spend a preternatural amount of time in front of the TV to know some of these people, but hey, youre loss... So this is a Quentin Tarantinoesque type gangster flick that revolves around a botched diamond heist and the torture of Atreyu, after he gets out of a six year stint in the joint. And of course a Sushi Girl who is covered with? Anyone? Anyone? Thats right sushi... Yes, Stephanie Golden, she is naked and has a pretty decent rack :) Mark Hamill, er, Luke, does a pretty awesome job doing a 30's type gangster drawl, and seems to enjoy torturing Atreyu (where the hell has that guy been?) So that being said, and you like Tarantinoesques films, and don't mind a little bloody torture fun, check it out, its a pretty decent ride, like your momma! Filmbufftim on FB
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