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Mark @ Carstairs Considers (2204 KP) rated The 19th Christmas in Books

Nov 13, 2019  
The 19th Christmas
The 19th Christmas
James Patterson, Maxine Paetro | 2019 | Mystery
5
8.0 (3 Ratings)
Book Rating
Can Lindsay Stop a Caper at Christmas?
San Francisco Homicide Detective Lindsay Boxer and her partner Rich Conklin are using their lunch hour for a little holiday shopping, and they happen to be on hand to catch a petty criminal. The criminal immediately wants to talk deals. He’s heard rumors that someone named Loman is planning some kind of big heist on Christmas Day. As the tips begin to pour in, the police are left chasing their tails as they try to figure out what Loman really plans. Or who he even really is. Meanwhile, reporter Cindy Thomas has landed the story of an illegal immigrant accused of a murder and gets assistant district attorney Yuki Castellano involved in her attempts to free him. And medical examiner Claire Washburn leaves town to teach a course during Christmas week to college students down in San Diego.

As popular as Christmas books have become, this is one series I hadn’t expected to offer one since some of the storylines in other books don’t lend themselves to the season. These storylines do, but unfortunately, the books is a mixed bag. I didn’t buy their excuse for writing Claire out of the book, and Cindy and Yuki’s sub-plot is undercooked. It felt like it was there more to preach than entertain. Fortunately, the main mystery was entertaining and kept me turning pages, although it relied on the villain taunting police, a trope I have trouble buying. Add in an epilogue that came out of nowhere and left me wondering if they are setting up the next book in the series. On the other hand, I got plenty of Christmas spirit from the book. As I said, this is an average entry in the series.
  
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Kirk Bage (1775 KP) rated Evil Genius in TV

Feb 25, 2021  
Evil Genius
Evil Genius
2018 | Documentary
7
7.5 (24 Ratings)
TV Show Rating
If spending 7 hours in one sitting is still a bit daunting, you can always try this one that comes in at just over 3 hours over 4 easy to digest episodes. It focuses on a crime so bizarre you wouldn’t believe it wasn’t a film plot, unless you already have an understanding from these kind of shows just how bonkers America can be! It describes the events of a bank heist gone wrong in a small town, involving a middle aged man who claimed to have a homemade bomb clamped around his neck that he couldn’t take off… soon into episode one we see that it was real when we (sort of) witness it going off after he is apprehended, killing him instantly.

We then get led down an intriguing web of local suspects, whose motives and probable involvement becomes more and more bizarre and disturbing. The point of it all seems to be how it is possible to be extremely intelligent, manipulative and to an extent organised, whilst at the same time being quite clearly clinically insane. It is shocking to see and hear about the lives of people so off the rails, who believe themselves to be entirely normal. There are a lot of “oh my god” and “wow” moments in a short space of time, but you also feel a little like the case is being exaggerated and heightened for dramatic purposes. In the end it all seems fairly self explanatory, except that the case was never definitively closed because it is impossible to know if the guy with the bomb was part of the plan all along and therefore a willing accomplice, or whether he was entirely innocent and a victim of a very sinister crime. Being left to debate and decide for yourself is half the “fun” sometimes.
  
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Kirk Bage (1775 KP) rated Band a Part (1964) in Movies

Jan 28, 2021  
Band a Part (1964)
Band a Part (1964)
1964 |
7
7.0 (1 Ratings)
Movie Rating
Of all the directors I have flirted with in my opening months with the BFI player, Godard is the one I am finding most accessible and least intimidating. He is the guy whose movies I am most tempted by when I don’t want to think or analyse too much, but simply sit back and enjoy for being cool. I also wanted to see why Quentin Tarantino named his production company after this movie. And now I have seen it his whole oeuvre makes total sense, at last! The exact feel of this Nouvelle Vague cornerstone is exactly what you find in 80% of what Tarantino is trying to do. The plot is incidental, of course. What is happening is only there to pin the characters and quirky dialogue on. Being cool is all. And this mid 60s confection is so cool, so French and so much style over content in the best possible way.

On the surface it is about two dodgy guys who take a shine to a girl and rope her into a heist. But the most memorable moments are the trivialities of them dancing the Maddison in a cafe because they are bored; reading the news aloud from newspapers whilst sat in the woods; driving erratically in a speedy little jalopy with a broken roof; and just making faces at one another as they flirt and express the bittersweet tediousness of being alive. It epitomises the time and place almost more than A Bout de Souffle, and in my opinion is the more mature, more knowing film. Ultimately it means very little, but is impossible not to like. It also sparked a greater interest in Anna Karina as a film icon, being the 2nd film on this list in which she impressed me.