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Debbiereadsbook (1856 KP) rated Lonestar's Lady in Books
Dec 15, 2017
delightful historical romance
I was gifted my copy of this book, that I write a review was not required.
Gussy travels across the country to find the man she was supposed to marry a liar, and a drunken fellow. Max Lonestar offers Gussy an alternative, one that would get them both what they want. Can Gussy see past Max' history, his prison time, his heritage??
I thoroughly enjoyed this!
Gussy is a bit of a headstrong young lady, and for her time, maybe too much, but she wants what every girl of her age wants: a husband, a permanent home, children. Granted, she went across country as a mail order bride to get what she wants, so maybe not the best way, but Lonestar's alternative is better than a trip home. And let's face it, Lonestar is a much better looking man than her original intended! So she puts her heart and soul, and indeed her body, into making this work, even when Lonestar pushes her away when things get dangerous.
Pulled to Augusta like no woman has ever pulled him, he hopes and prays that this will work, that she will give him what he craves. I liked that he gave her an "out" option should they not be able to work it. I liked that he, and he alone called her Augusta.
It's quite obvious who is causing the trouble to Max and Gussy, to me at least, I just didn't think he would go THAT far! I LOVED that the town pulled together, finally, to help Gussy and Max rebuild.
Not overly explicit, it carries the right amount of steamy stuff that is proper for this book, and for the time this was set. Just enough, I thought! It does carry some prejudices but they were common at that time (some still today!)
Not a difficult read, just one of those books you can fall into and lose a couple hours, I managed to read this in one sitting. But well written, from both Gussy and Max' point of view, so you get to hear from both of them.
Thank you to Ms Camp for my copy, I thoroughly enjoyed it!
4 solid stars
**same worded review will appear elsewhere**
Gussy travels across the country to find the man she was supposed to marry a liar, and a drunken fellow. Max Lonestar offers Gussy an alternative, one that would get them both what they want. Can Gussy see past Max' history, his prison time, his heritage??
I thoroughly enjoyed this!
Gussy is a bit of a headstrong young lady, and for her time, maybe too much, but she wants what every girl of her age wants: a husband, a permanent home, children. Granted, she went across country as a mail order bride to get what she wants, so maybe not the best way, but Lonestar's alternative is better than a trip home. And let's face it, Lonestar is a much better looking man than her original intended! So she puts her heart and soul, and indeed her body, into making this work, even when Lonestar pushes her away when things get dangerous.
Pulled to Augusta like no woman has ever pulled him, he hopes and prays that this will work, that she will give him what he craves. I liked that he gave her an "out" option should they not be able to work it. I liked that he, and he alone called her Augusta.
It's quite obvious who is causing the trouble to Max and Gussy, to me at least, I just didn't think he would go THAT far! I LOVED that the town pulled together, finally, to help Gussy and Max rebuild.
Not overly explicit, it carries the right amount of steamy stuff that is proper for this book, and for the time this was set. Just enough, I thought! It does carry some prejudices but they were common at that time (some still today!)
Not a difficult read, just one of those books you can fall into and lose a couple hours, I managed to read this in one sitting. But well written, from both Gussy and Max' point of view, so you get to hear from both of them.
Thank you to Ms Camp for my copy, I thoroughly enjoyed it!
4 solid stars
**same worded review will appear elsewhere**
Uptown Oracle (24 KP) rated The House of Mountfathom in Books
Jun 30, 2017
Family, Adventure and Magic
Family, adventure and magic. A perfect combination for this middle grade book. The House of Mountfathom is set in Ireland during times of unrest. The Driochta, always peacekeepers, must choose a side to survive.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
My favourite aspect was how alive the house felt as it was so full of magic. The House of Mountfathom seemed like another member of the family almost like it had a mind of it's own. There was so much time given to explaining the house, magic and family though, that it reduced the actual plot to the second half of the book.
The House of Mountfathom has a strong focus on family. The Mountfathom family are the protagonists of the book. The Order of Driochta are another kind of family. There's no romance subplot which was a big plus point for me.
Another thing was that the house was in Ireland. I cant think off the top of my head another book I've read based in Ireland. The introduction of both historical aspects and folklore was great. There's also a distinct discussion about class systems. The 'big houses' aka the upper class in Ireland are in trouble, including the Mountfathom house, even though they're trying to keep the peace.
A problem I had was the format seemed odd, I assume it would be best in a printed book. My kindle seemed to push everything together and it was difficult to discern between chapters. The illustrations would have also worked much better within a book. Since this was an e-ARC though, I wouldn't take that into account.
Another problem is the book doesn't seem quite finished. Understandable as Nigel McDowell passed away in February. Although the ambiguous ending does give something towards the mysterious aspect of the book as a whole.
I really enjoyed how McDowell described the hows of magic. The first part of the book follows Luke as he grows up and learns magic. The five principles are distinct in how Luke learns them. I would compare The House of Mountfathom to Lemony Snicket and Neil Gaiman's Coraline. It was a bit dark and creepy in places. Full of intrigue and magic.
Phantom: The Complete Newspaper Dailies and Sundays by Lee Falk and Wilson Mccoy Volume Ten 1950: Volume Ten: The Complete Newspaper Dailies and Sundays by Lee Falk and Wilson McCoy 1950
Lee Falk and Wilson McCoy
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THE PHANTOM the Complete Newspaper Dailies and Sundays by Lee Falk and Wilson McCoy: Volume Ten...
Epic and Romance: Essays on Medieval Literature
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Excerpt: ...the effect of the romantic interludes in Gisli, which is perhaps the most tragic of all...
Shadows of the Wind
8.6
Rate It
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The international literary sensation, about a boy's quest through the secrets and shadows of postwar...
Amy (7 KP) rated Goddess of Troy in Books
Jan 17, 2018 (Updated Jan 17, 2018)
Terrible. Total destruction.
Contains spoilers, click to show
The premise is one that P.C. Cast recycles throughout her work which is of taking modern women and dropping them into the worlds of myth and magic.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
A brilliant idea, occasionally well done in her other novels...not unfortunately for this one.
The problem begins with the plot the goddesses send the women back to end the war...okay, but why not do it themselves? The flimsy excuses just don't hold up. The plot is weakly manipulated and transparently executed to make the neccessity of the modern women going back possible.
Problem 2-is the blatant racism of making the indipendant modern black woman into a white slave girl.
Problem 3- problematic sex scenes which read as thinly disguised rape scenes. A male character is hypnotises and the main female character has sex with him....this is made okay by him giving her consent afterwards. Which is not how consent works. This book being intended for young women just becoming sexual is at best concerning and at most incredibly damaging whilst promoting male rape under the guise of female empowerment.
The dialogue when more old fashioned from the warriors is charming and engaging...from the modern women we are forced to deal with censored cringy curse words, way too much teenage level gossip, and not a smidge of maturity in sight...from grown ass women.
For thirty plus successful women the character profiles should have engaged and fascinated, unfortunately those profiles were ignored during in-story application and replaced with twittering, childish teens who giggle over the word penis and lose their minds over the most vacuous and senseless things.
The plot centres around a boring, romance, and changes the original relationship of Achilles and Patroclus from its canonical implied romance to one of cousins...this at best is a misguided deviation from the canonical Iliad relationship they had.
It could easily be read as a blatant attack and hideous misuse of the original content, that could given the sheer overwhelming heteronormaty we are forced to endure be at its worst an erasure of rare LGBT representation from historical content.
The relationships are forced, and their happy endings so saccharine it hurts to read.
The siege of Troy is horrifically rewritten to make the main female lead the deciding factor that ensured victory and removed nearly all canonical battle events.
Throughout the novel not much happens, and by time something does you just want the novel over with.
It doesn't read as mythology inspired, the myths and characters are used as cheap prop and staging whilst removing the deep themes, and messages that ensured their endurance throughout time.
The vocabulary is below pre-teen level, the grammar is sub-par, and the pacing and plotting absolutely abysmal.
How this book ever made it to print in this state is a large and curious mystery for me.
I cannot urge you to skip this book enough, Margaret George's 'Helen of Troy' is a far more valuable use of your time if you are in want of mythology inspired fantasy...and does so without annihilating the entire original stories.
Hazel (1853 KP) rated Blood for Blood (Wolf By Wolf #2) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Ryan Graudin blew readers away with her alternate historical novel <i>Wolf by Wolf</i>. Now it is time to conclude the imaginative narrative with the highly anticipated sequel, <i>Blood for Blood. </i>Continuing from the precise moment Yael pulled the trigger on the Führer’s doppelgänger, the reader is thrown into a lively story of twists and turns, where danger lives around every corner.
To recap, it is 1956 and Hitler has won the war. Germany, or Germania, is ruling over Europe and many countries in Asia and Africa. Yael is a Jewish girl who a doctor experimented on whilst she was detained in a concentration camp. As a result of the brutal medical treatment, Yael is a successful result of the Doppelgänger Project – she can now change her physical appearance and anatomy at will.<i> Wolf by Wolf</i> focused on Yael and the resistance’s attempt to win a prestigious motorcycle race in order to get close to the Führer and end his life. As it turns out, Yael is not the only person with this skin shifting ability.
On the run with the entire world knowing her secret, Yael is desperate to make contact with the resistance leaders and continue with their plot to assassinate Hitler. However, unable to leave innocent people to suffer at the hands of the National Socialists, Yael ends up being accompanied and hindered by two Aryan boys, Luka and Felix. Yet with no way of knowing who can be trusted, Yael is taking a fatal risk by helping others instead of saving herself.
Despite circumstances, the blossoming romance that began to advance toward the end of the first book continues to feature in <i>Blood for Blood</i> as characters begin to rely on and trust each other. Nonetheless, constant plot developments obstruct all thoughts of a happy ending. Clever twists and gradually emerging truths prevent any opportunity for rest or safety.
<i>Wolf by Wolf </i>was an exciting, new concept for young adult readers, answering a “what if” question about the second world war. Yet the historical setting – albeit fictional – was impeded by the focus on the Axis Tour as characters raced from Germania to Tokyo. In contrast, <i>Blood for Blood</i> leaves all distractions behind, giving full attention to the life and danger under Hitler’s dictatorship. Despite Germany/Germania’s triumphant win, war is still raging throughout Europe. Anyone not meeting the Aryan description is at risk of death or deportment. Strictly speaking, the situation described must look similar, if not the same, as the true result of Nazi ruling.
Ryan Graudin is a formidable writer with the ability to make fiction seem like reality. Despite the added science fiction twist, the imaginative scenario is so well researched and planned that it becomes almost believable. Graudin comes at the story from so many directions, evidencing the effort put into creating the thrilling plot. It is one thing to be able to string words together, but to make them come alive it takes a genius.
<i>Blood for Blood</i> is by far the better of the two novels, making it the perfect conclusion to a fantastic two-part story. Beginning with explosive action and not stopping until its heart-wrenching conclusion, <i>Blood for Blood</i> will satisfy readers of all ages and genres. Those who have read <i>Wolf by Wolf</i> definitely must get their hands on this amazing sequel. You will not be disappointed.
Kara Skinner (332 KP) rated Claiming Her Highway in Books
Sep 10, 2019
Contains spoilers, click to show
Genre: Historical
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
Words: 17,970
Average Goodreads Rating: 3.8/5 stars
My rating: 2/5 stars
Cass runs one of the greatest band of highwaymen around. Despite being a woman, she’s respected by her crew, and every night they return to camp richer than they were and she can enjoy being in the arms of her second-in-command, Will Carpenter. But that all changes when Will accepts a position in the King’s Guard. Cass knows Will wants more than what she can give him. He wants marriage and kids, as well as honest work instead of thieving. But Cass doesn’t know if she can ever give him up.
Claiming Her Highwayman is free on Smashwords.
I found myself underwhelmed by this story. When it starts, Will and Cass are already a couple, and the chemistry between them already feels forced, as well as the heist they’re about to go on. It’s like a bad first draft that hasn’t developed into something greater yet. Cass and Will feel more like paper dolls than people and unfortunately, I never get that attached to them. They just don’t have the chemistry.
It doesn’t help that my suspension of disbelief took a huge beating when Will’s offered a job with the King’s Guard, as the princess’s personal guard. He’s a highwayman! Since when do they let criminals guard princesses? Um, never. Not only that, but he’s still in contact with his old gang, and he’s not even in training to be a soldier! He just is. Apparently the standards for becoming a member of the King’s Guard is really low.
It would make a hell of a lot more sense to me if there was a scarcity of guards for some reason, like the country was at war, and that’s why they’re turning to criminals to keep up with the demand of soldiers. That would flesh out the plot, too. But nope. Apparently we’re supposed to accept that a robber can become a princess’s bodyguard easily after mugging her with his gang of bandits. Oh, and he almost becomes her husband. Because every king wants his little girl to marry a common criminal.
Despite everything wrong with the story, I like Will’s and Cass’s characters. Even though Will only exists to be Cass’s lover, he’s got some pretty charming lines in the story. His need to protect her is incredibly sexy.
Cass’s character is a little more complex. She’s strong and independent, and she knows what she wants in life. She’s the type of girl who would be bored to death in most respectable professions for a woman, instead enjoying being a bandit. But I hated her when Bryce, one of her men, attacked her in her tent. All she did to defend herself was bide her time until she could scream for help
What. The. Fuck.
She’s a damn gang leader and she doesn’t know how to defend herself against one man who gets too handsy? Please. That’s fucking ludicrous, and all of my respect for her is just gone because of that one scene. How the hell did she become a leader in the first place if she needs to scream like a damn damsel whenever she gets attacked? Not cool.
This book really didn’t do much for me. While it’s all right, it’s not that good. The characters aren’t good, and neither is the writing. I suggest you look elsewhere for your historical romance bad boy.
The Last Collection
Book
An American woman becomes entangled in the intense rivalry between iconic fashion designers Coco...
Historical Romance
Hazel (1853 KP) rated The Chilbury Ladies' Choir in Books
May 23, 2017
Wartime Fiction
This eBook was provided by the publisher via NetGalley in exchange for an honest review
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, The Chilbury Ladies’ Choir explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, The Chilbury Ladies’ Choir reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, The Chilbury Ladies’ Choir is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
The Chilbury Ladies’ Choir is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, The Chilbury Ladies’ Choir is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, The Chilbury Ladies’ Choir explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, The Chilbury Ladies’ Choir reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, The Chilbury Ladies’ Choir is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
The Chilbury Ladies’ Choir is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, The Chilbury Ladies’ Choir is of a quality that suggests the author has so much more to deliver in the not-so-distant future.