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    English Spanish Dictionary

    English Spanish Dictionary

    Reference and Education

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    App

    WORKS OFFLINE. By far, the largest Spanish to English and English to Spanish Dictionary App at any...

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Goddess in the Stacks (553 KP) rated The Diabolic in Books

Dec 25, 2018  
The Diabolic
The Diabolic
S.J. Kincaid | 2018 | Fiction & Poetry, Science Fiction/Fantasy, Young Adult (YA)
9
9.5 (4 Ratings)
Book Rating
I really enjoyed this book. There were twists I absolutely did not see coming, and Nemesis's confusion over whether she is truly human or not is an absorbing part of the plotline.

The book opens on Nemesis, an artificially created humanoid, as a child, being bonded to her charge, Sidonia Impyrean. The chemically-induced bonding creates an artificial love from Nemesis towards Sidonia - a love so strong she will kill and die to protect her. Many years later, Diabolics - what Nemesis is - are outlawed. Rather than kill Nemesis, Sidonia's family fakes her death, and eventually sends Nemesis to court masquerading as Sidonia. No one has seen Sidonia before, so the masquerade is fairly easy, other than hiding Nemesis' real abilities as one of the last Diabolics. Thrown into a world of conspiracies and courtly intrigue, Nemesis flails a little bit, but eventually finds her footing, and I can't say anymore than that because that's when the plot twists start!

This is one of the most surprising YA books I've read. I only anticipated one or two of the twists; many of the events revealed themselves to the reader at the same time that Nemesis uncovers them, which makes sense, as the book is told from her point of view.

The bond between Sidonia and Nemesis is strong and intriguing, even across star systems. I wish their relationship had been explored more. Sidonia always believed Nemesis was truly human, even when Nemesis did not. The book did not delve deeply into the actual creation of Diabolics; I'm hoping the sequel does. I'm curious if they are actually created, or if they are genetically modified humans and that's just a closely guarded secret. (Even if they are created, they're human in every way except their strength and endurance - I'm sure they're simply modified in the womb. Or test tube. Whichever. I really hope the sequel gets into that.)

I have the sequel, The Empress, requested from the library, but it's supposed to be a trilogy. I don't know when the third is due out.

This is a fantastic, surprising YA book with interesting politics and world building. I really want to learn more about the history of this world, and hopefully the rest of the trilogy will cover that.

You can find all my reviews at http://goddessinthestacks.com
  
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Sarah (7798 KP) rated The Trial of the Chicago 7 (2020) in Movies

Oct 19, 2020 (Updated Oct 19, 2020)  
The Trial of the Chicago 7 (2020)
The Trial of the Chicago 7 (2020)
2020 | Drama, History, Thriller
8
8.3 (7 Ratings)
Movie Rating Watch
Fascinating
The Trial of the Chicago 7 is Aaron Sorkin’s second foray into directing, a dramatisation of the true story of 7 people on trial following the events at the 1968 Democratic National Convention in Chicago, Illinois.

The film centres around what is effectively a sham of a trial, and aside from a few flashbacks and prep scenes, it is virtually set entirely in the courtroom for the 2+ hour duration. There aren’t many films that can pull this off and aside from a slight lull in the middle, The Trial of the Chicago 7 manages this impressively well and this is mainly down to Aaron Sorkin himself and his rather stellar cast. It also helps that the story itself is a fascinating one. I knew nothing about the trial, the people or even the protests in Chicago, so watching this was a rather disturbing eye opener. It’s a truly compelling and interesting story which has a great deal of relevance to today’s politics – Netflix Ken what they were doing releasing this close to election time!

I’m a long time fan of Sorkin’s writing and alongside his directing, it definitely does not disappoint here. His usual sharp and quick witted dialogue is ever present and is delivered flawless by the marvellous cast. Sorkin even manages to throw in a few laughs which considering the rather serious aspects of the story is no mean feat, and these are often delivered from the ‘bromance’ between Sacha Baron Cohen’s Abbie Hoffman and Jeremy Strong’s Jerry Rubin. However every single member of this ensemble cast shines individually. From Mark Rylance’s exasperated lawyer William Kunstler to Frank Langella’s rather evil and incompetent judge, from Joseph Gordon Levitt’s prosecutor with a conscience to Eddie Redmayne’s intellectual Hayden. Even Michael Keaton who has a blink and you’ll miss it role as a former Attorney General is brilliant. I couldn’t pinpoint a single person in this case who excels above another as they are all fantastic.

I don’t believe this film is perfect. There is a slight lull in the middle due to the mostly courtroom setting, even with the cracking dialogue, and whilst I did enjoy Sorkin’s directing style, I did wonder if this film looked a little too slick and polished overall. The story is dark, gritty and rather disturbing when you think of the political and racial undertones and motivations, and the film itself doesn’t always reflect this – the ending especially is very moving, but feels a little too happy and Hollywood. I’d also question why not all of the major characters were included in the intertitles detailing what happened to the individuals after the events of this film. Considering it was such a balanced cast, it seemed odd not to include all the main characters especially for those who don’t know the real life history.

Overall this is a fantastic dialogue and performance driven film. Sorkin is without a doubt a master of the legal and political drama, and if you’re a fan of his earlier work then this is definitely one worth watching. Whilst “enjoyable” may not be the most appropriate word considering the subject matter, this is a hugely interesting and entertaining watch.