"Imagine being an 18-year-old girl, on holiday with two radical poets, and coming up with an idea for a Gothic horror novel which also more or less invents the genre of science fiction, which then goes on to become such a huge and enduring success, constantly open to reinterpretation and reimagining, that it still seems vivid and alive two hundred years later."

"Roger Ross William’s extraordinary, immersive chronicle of the Apollo Theater affirms that cultural expressions can be and are political action. In a film full of amazing performances, the moment of Billie Holiday singing and performing “Strange Fruit” is so alive, so emotionally open, at once ferocious and calm. Her serenity is profoundly unsettling, and we see not just a genius, but a freedom fighter using her voice as a weapon."

"Roger Ross William’s extraordinary, immersive chronicle of the Apollo Theater affirms that cultural expressions can be and are political action. In a film full of amazing performances, the moment of Billie Holiday singing and performing “Strange Fruit” is so alive, so emotionally open, at once ferocious and calm. Her serenity is profoundly unsettling, and we see not just a genius, but a freedom fighter using her voice as a weapon."

"Coming up to more recent years, I think Meet Joe Black, again, was a tear-jerky chick flick for me that I loved. And the performances…Anthony Hopkins can do no wrong, Brad Pitt‘s become a favorite as well, and Claire Forlani — stop already! All that girl has to do is blink and I’m enraptured. And that was another romance with a sci-fi twist; death coming to take a holiday."