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Collateral Beauty (2016)
Collateral Beauty (2016)
2016 | Drama
Loss is something that all of us must face at one time or another. It affects each person differently. While some seem unfazed, others cannot adjust to life after the death of a loved one.

In Collateral Beauty, Will Smith portrays Howard Arnett, a father and advertising executive who has shut off the world after the loss of his daughter to cancer.

He disconnects from work, friends, and family. He is a shell of himself, not knowing how to find his place in the world now that a major piece of him is missing.

In an attempt to bring normalcy back to his life and save their company, his friends and colleagues band together to devise a plan to hire actors to play the roles of abstract beings that Howard contacts in his distress, hoping that it forces him to confront his feelings about his loss.

Collateral Beauty is more than just your run of the mill Holiday films. The movie is touching, heart-wrenching, and layered. The film is not limited to the growth of Howard.

We witness how each of his friends has a challenge that they must face that they have been putting off, just as their friend has for the past two years. An ensemble cast of Dame Hellen Mirren, Edward Norton, Kate Winslet, Michael Pena, Kiera Knigthley, and Naomie Harris would normally have audiences or critics worried that the film itself may be light on content, plot, or depth. This is not the case.

The film’s cast is outshined by the story that develops as audiences watch and wait for Howard to become unbroken. The film does not overshoot with respect to their expectations or even offer up conflated ideas and developments. Collateral Beauty gives audiences a chance to watch a man deal with loss and reflect on how we all deal with loss in our own ways.

The film is tough to watch in some moments due to its approach to love and death in not simplifying the significance of one’s life. It demonstrates that each person matters and their lives have a lasting impact. Collateral Beauty will leave audiences reflecting on their own circumstances and those of people they know.

At times, the feelings are too real and a deep connection is made between the characters and the audience that will leave many wishing that they had brought boxes of tissue with them as they will find themselves being touched and heavily impacted.
  
Scooby Doo: Return to Zombie Island (2019)
Scooby Doo: Return to Zombie Island (2019)
2019 |
6
6.0 (1 Ratings)
Movie Rating
Characters – Scooby-Doo and Shaggy have both become tired of solving mysteries, they want the team to stop and get their way, they win the holiday for the gang which sees them going to an old location needing to decide whether to let the group solve the mystery on the island. Fred has sold the Mystery Machine, he is having daytime dreams of it returning to him, where he judges most other vehicles for not being on the same level as his beloved. Daphne is here, though we don’t see anything we haven’t seen before from her, while Velma has a blog showing us just how the character has evolved for the time, which does show the frustration here character has when she can’t solve the mysteries anymore. Most of the new characters are left to feel just here with only Alan the hotel manager and Seaver being properly introduced.

Story – The story here follows the mystery inc gang who get invited back to an old location to solve the mystery from their past, only to find themselves needing to fight cat people once again. The story tries to be self-aware of many of the previous films, which has worked before, but for some reason doesn’t quite click this time. The fact we have seen the evolution of Velma and not the rest of the characters disappoints, which also seems to play along the idea of being a film within a film, that just again puts too much wink, wink, nudge, nudge to the audience. If you are a Scooby Doo fan, this story is everything you need, even if it does have a couple of flaws along the way.

Adventure/Comedy – The adventure does see the gang return to one of their most famous locations, which is different to much of what we have seen before, while the comedy does land in a couple of places very well.

Settings – The film does take the gang back to Moonscar island to face a new host of enemies in one of the most famous locations.

Animation – This does have the typical animation you are used to seeing for the Scooby Doo movies, it never lets down and works for the slapstick side of things.


Scene of the Movie – The big jump.

That Moment That Annoyed Me – Daphne is almost just painted background character.

Final Thoughts – This isn’t the best Scooby Doo animated movie, it disappoints in a lot of places with how it handles certain decisions in the story and too many wink wink nudge nudge moments.

Overall: Basic Scooby Doo.
  
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