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Kim Pook (101 KP) rated The Prom (2020) in Movies
Dec 24, 2020
Contains spoilers, click to show
From the get go this movie made me so angry. Basically the PTA of a high school decide to cancel prom rather than allow her to take her girlfriend. Then when we are thrown into a musical number by meryl Streep and James corden, I knew this was going to be fab right after I finished laughing at James corden fake accent of course! Anyway this duo are the star of a Broadway show called 'Eleanor' which closes on opening night due to bad reviews, and not for the first time either. During a long bar scene they decide they want to become activists to regain their fame, their project? Get prom reinstated and ensure Emma can bring her girlfriend.
Considering I thought the whole movie was about giving prom the go ahead, I thought prom was reinstated very quickly, as many dance numbers and 40 minutes later they are successful. As the movie is over 2 hours long though, that obviously meant there is more to the movie, but I'll leave that to you to see what happens. A word of warning though, it is so cruel! In true Hollywood style though it all works out.
I really enjoyed the movie, it has so many catchy and humorous songs. It's funny, emotional and full of pazazz all the way through. Arianna De bose and Jo Ellen pellman as Alyssa and Emma have great chemistry, and who'd have thought James cordon would be so good at playing a camp gay guy! If you love musicals, you will definitely love this.
Considering I thought the whole movie was about giving prom the go ahead, I thought prom was reinstated very quickly, as many dance numbers and 40 minutes later they are successful. As the movie is over 2 hours long though, that obviously meant there is more to the movie, but I'll leave that to you to see what happens. A word of warning though, it is so cruel! In true Hollywood style though it all works out.
I really enjoyed the movie, it has so many catchy and humorous songs. It's funny, emotional and full of pazazz all the way through. Arianna De bose and Jo Ellen pellman as Alyssa and Emma have great chemistry, and who'd have thought James cordon would be so good at playing a camp gay guy! If you love musicals, you will definitely love this.
Coltan
Book
A decade ago no one except geologists had heard of tantalum or 'coltan' - an obscure mineral that is...
Daddy's Girls
Book
Three very different sisters are inspired by a father who has done everything he can to give them...
Ramen Assassin (Ramen Assassin #1)
10.0
Rate It
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When life gives Kuro Jenkins lemons, he wants to make ponzu to serve at his Los Angeles ramen shop. ...
Contemporary MM Romance Mystery
Mark @ Carstairs Considers (2579 KP) rated The Late Show (Renée Ballard, #1) in Books
Sep 7, 2024
Not Sure the Character is New, but Story is Great
LAPD officer Renee Ballard has been demoted to working the overnight shift in the Hollywood division. She’s frustrated that she never gets to work a case to resolution in her current role. Until one night when a series of cases land in her lap. A woman reports a stolen wallet. A transgender individual is left for dead. A shooting incident happens at a bar. As Ballard gets involved in all these cases, can she solve them?
I remember when this book came out how far behind I was on the author’s books and thinking I’d never get to it. And yet here I am. I found that Ballard shared quite a bit with the author’s Harry Bosch character. I’m not saying I didn’t like her, but I felt like she was a bit too familiar. Maybe that will change when I see them together. And again, I did like getting to meet her here and am looking forward to seeing what else happens to her. The mystery was very compelling. I saw a few things coming early, but there were some great twists that took me by surprise as well. I also enjoyed the nod to the Bosch TV show, which I guess means it is time for me to start watching it. Do keep in mind this is a police procedural, so the content is stronger than in the cozies I often read. If you haven’t met Ballard yet, you’ll be happy you picked up this book.
I remember when this book came out how far behind I was on the author’s books and thinking I’d never get to it. And yet here I am. I found that Ballard shared quite a bit with the author’s Harry Bosch character. I’m not saying I didn’t like her, but I felt like she was a bit too familiar. Maybe that will change when I see them together. And again, I did like getting to meet her here and am looking forward to seeing what else happens to her. The mystery was very compelling. I saw a few things coming early, but there were some great twists that took me by surprise as well. I also enjoyed the nod to the Bosch TV show, which I guess means it is time for me to start watching it. Do keep in mind this is a police procedural, so the content is stronger than in the cozies I often read. If you haven’t met Ballard yet, you’ll be happy you picked up this book.
Mark @ Carstairs Considers (2579 KP) rated Dead-Bang Fall in Books
Feb 2, 2023 (Updated Feb 2, 2023)
Helping a Face from His Past
PI Nate Ross thinks he has a simple case when he’s hired for a penny-ante theft caper. But that’s before one of his suspects is killed in a back alley. While Nate didn’t witness the crime, he did see the victim go into the alley with someone that Nate helped put in prison five years ago. However, a few hours later, that man turns up at Nate’s office claiming to be innocent and hiring Nate to clear him before disappearing again. Nate buys most of the story, but he knows he didn’t get the whole truth. That feeling only grows as he starts to investigate. Can he figure out the whole truth?
This is a great trip back to 1939 Hollywood, and the setting comes to life. As a throwback PI novel, it does start out with a little too much jargon of the time, but fortunately, that calms down as we get into the story. It does have a bit more violence and foul language than in one of the cozies I read, but it doesn’t go overboard. The plot is strong with quite a few twists, compilations, and half-truths before we reach the fun climax. Nate much face his past here, and we are reminded about enough to make the growth real. Meanwhile, we get a couple of fun returning characters and a batch of great new ones. If you enjoy PI novels set in this era, this is one to check out.
This is a great trip back to 1939 Hollywood, and the setting comes to life. As a throwback PI novel, it does start out with a little too much jargon of the time, but fortunately, that calms down as we get into the story. It does have a bit more violence and foul language than in one of the cozies I read, but it doesn’t go overboard. The plot is strong with quite a few twists, compilations, and half-truths before we reach the fun climax. Nate much face his past here, and we are reminded about enough to make the growth real. Meanwhile, we get a couple of fun returning characters and a batch of great new ones. If you enjoy PI novels set in this era, this is one to check out.
felt it was a littel unfinished in places.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
I liked this book, but I struggled a bit with it.
I liked that both Henry and Francis had a say, in the third person. I did not like that when Henry spoke, he spoke with a broad Yorkshire accent! I live one county down from Yorkshire, in the UK and it took me a bit of time to figure out what he was saying, so that took some enjoyment out it.
Henry and Francis are from very differing backgrounds, different classes and before WWII this was a major issue. It shows in places. Makes you think, about how things have changed. I didn't much like Francis' mother, but I think that's a generational thing. She came across extremely heavy on Francis and not so much on her brother, but then again, wanting to run away to Hollywood, in that time frame, was probably no more far fetched than it is today!
It felt a little clunky at times, and that made it a bit hard work. Some threads are left....unfinished.....I thought. Bit of tightening up, and I think this might have eeked that 4th star out of me.
BUT
It is well written, and I saw no editing or spelling mistakes, and I did finish it. Whether I will read another by this author remains to be seen.
a GOOD 3 star read
*same worded review will appear elsewhere
I liked this book, but I struggled a bit with it.
I liked that both Henry and Francis had a say, in the third person. I did not like that when Henry spoke, he spoke with a broad Yorkshire accent! I live one county down from Yorkshire, in the UK and it took me a bit of time to figure out what he was saying, so that took some enjoyment out it.
Henry and Francis are from very differing backgrounds, different classes and before WWII this was a major issue. It shows in places. Makes you think, about how things have changed. I didn't much like Francis' mother, but I think that's a generational thing. She came across extremely heavy on Francis and not so much on her brother, but then again, wanting to run away to Hollywood, in that time frame, was probably no more far fetched than it is today!
It felt a little clunky at times, and that made it a bit hard work. Some threads are left....unfinished.....I thought. Bit of tightening up, and I think this might have eeked that 4th star out of me.
BUT
It is well written, and I saw no editing or spelling mistakes, and I did finish it. Whether I will read another by this author remains to be seen.
a GOOD 3 star read
*same worded review will appear elsewhere
Movie Metropolis (309 KP) rated The Meg (2018) in Movies
Jun 10, 2019
Jurassic Shark
Ah the shark attack movie. A genre that has over the years changed itself from impactful horror suspense thriller to cheesy, throwaway popcorn entertainment. Apart from when Steven Spielberg changed cinema forever with his 1975 masterpiece, Jaws, audiences have been given few treats in the decades that followed.
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Lee (2222 KP) rated Despicable Me 3 (2017) in Movies
Jul 14, 2017
Time to stop making these now
The original Despicable Me is a firm favourite in our house. If we come across it while channel hopping, it usually stays on until the end and still manages to raise plenty of laughs. The second Despicable Me was OK, but not very memorable. The Minions movie was a train wreck, and proved that they’re at their best when in short bursts and as part of someone else’s movie. And now we have a third Despicable Me, which continues the trend set by the second of just being OK, but now with the added feeling that they really should stop making these.
A news report introduces us to 80s TV child star Balthazar Bratt. After a successful run of his own TV show, things went badly wrong for Balthazar when puberty hit and the squeaky voice and zits resulted in Hollywood ditching his show. Balthazar disappeared from the public eye and the report then asks the question ‘where is he now?’. Cut to the ocean, and a diamond heist on a ship which, if you’ve seen the relevant trailer, means you’ve pretty much seen the entire scene. Balthazar uses bubblegum as a weapon, along with a keytar, and enjoys tackling his enemies with 80s inspired dance fights. The scene ends with Gru, naked and caught up in the bubblegum, embarrassing himself as he floats through the city for all to see while a couple of minions enjoy themselves at a beach party. Yep, pretty much the whole original trailer has just played for us.
Gru and Lucy both find themselves sacked from the Anti-Villain league for failing to capture Balthazar during the heist but they don’t have long to think about what to do next before Gru discovers that he has a twin brother called Dru, that he knew nothing about. Dru got to live with his dad while Gru got to live with his mum following their parents split. They all then head off to Freedonia for a family reunion.
The rest of the movie is pretty much a big mess, with far too many dull and pointless subplots. The main story involves the two brothers, getting to know each other and eventually teaming up to recover the diamond from Balthazar once again and to finally capture him. But this is all at the expense of pretty much every other character in the movie. The Minions have already gone off on their own subplot, having left Gru to go in search of a more villain-like life. Ending up in jail, they soon decide that they miss Gru, so break out in order to try and get back to him in time for the end of the movie. And as for the girls – Agnes is on the hunt for a unicorn, because a bloke in the pub said there was one in the woods, Margo is trying to avoid a local boy who has a crush on her and Edith just doesn’t really feature very much at all. And after briefly helping Gru out at the start of the movie, the main focus for Lucy throughout the rest of the movie is to try and be accepted as a mum to the three girls.
The final act, with the brothers working together to stop Balthazar from getting his revenge and making a big mess in Hollywood, is fairly entertaining, and the Minions still manage to raise big laughs in pretty much every scene they feature, but overall this was pretty disappointing.
A news report introduces us to 80s TV child star Balthazar Bratt. After a successful run of his own TV show, things went badly wrong for Balthazar when puberty hit and the squeaky voice and zits resulted in Hollywood ditching his show. Balthazar disappeared from the public eye and the report then asks the question ‘where is he now?’. Cut to the ocean, and a diamond heist on a ship which, if you’ve seen the relevant trailer, means you’ve pretty much seen the entire scene. Balthazar uses bubblegum as a weapon, along with a keytar, and enjoys tackling his enemies with 80s inspired dance fights. The scene ends with Gru, naked and caught up in the bubblegum, embarrassing himself as he floats through the city for all to see while a couple of minions enjoy themselves at a beach party. Yep, pretty much the whole original trailer has just played for us.
Gru and Lucy both find themselves sacked from the Anti-Villain league for failing to capture Balthazar during the heist but they don’t have long to think about what to do next before Gru discovers that he has a twin brother called Dru, that he knew nothing about. Dru got to live with his dad while Gru got to live with his mum following their parents split. They all then head off to Freedonia for a family reunion.
The rest of the movie is pretty much a big mess, with far too many dull and pointless subplots. The main story involves the two brothers, getting to know each other and eventually teaming up to recover the diamond from Balthazar once again and to finally capture him. But this is all at the expense of pretty much every other character in the movie. The Minions have already gone off on their own subplot, having left Gru to go in search of a more villain-like life. Ending up in jail, they soon decide that they miss Gru, so break out in order to try and get back to him in time for the end of the movie. And as for the girls – Agnes is on the hunt for a unicorn, because a bloke in the pub said there was one in the woods, Margo is trying to avoid a local boy who has a crush on her and Edith just doesn’t really feature very much at all. And after briefly helping Gru out at the start of the movie, the main focus for Lucy throughout the rest of the movie is to try and be accepted as a mum to the three girls.
The final act, with the brothers working together to stop Balthazar from getting his revenge and making a big mess in Hollywood, is fairly entertaining, and the Minions still manage to raise big laughs in pretty much every scene they feature, but overall this was pretty disappointing.