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Gareth von Kallenbach (980 KP) rated The Book of Eli (2010) in Movies
Aug 8, 2019
In a post apocalyptic future, a loan man travels the desolate roads on a solitary quest. The man known only as Eli (Denzel Washington), has been travelling west for decades on a mission of faith after receiving what he believes to be a mission of divine origin.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
The solitary life of Eli is interrupted now and then by bandits that roam the lands causing death and mayhem to all those unfortunate enough to cross their path.
This often ends very badly for the bandits as Eli is highly skilled at defending himself with all manner of weapons, especially a very large knife.
It is his deadly skills that lands Eli on the radar of as local dictator named Carnegie (Gary Oldman), who desires to add Eli to his army as he plans to restore society under his rule. The town Eli finds himself in is the first in a planned series of towns that Carnegie plans to rule, and a man with the knowledge and skill of Eli is simply too good to let get away.
In an attempt to entice Eli into his service, Carnegie provides Eli with food, water, shelter, and women. When Eli is presented with the lovely Solara (Mila Kunis), he refuses to take advantage of her and instead leads her in a prayer before sharing his food with her.
This kind act touches Solara who recites the mysterious words of the prayer to her mother in an attempt to learn the meaning of what Eli was saying. Carnegie discovers what Eli has said, and learns of a book in Eli’s possession that he has been guarding for many years.
Carnegie is obsessed with obtaining the book as he sees this as the missing piece to his planned empire and will stop at nothing to obtain it.
What follows is a deadly game of cat and mouse as Carnegie and his minions are in hot pursuit of Eli and Solara as the future of humanity rests in the balance.
“The Book of Eli” is a winning mix of action and story that cleverly balances the two so that one side never overshadows the other.
The film is driven by the strong performances of Oldman and Washington as well as the simple yet strong message of faith and determination.
Both lead characters have a mystery to them that is never fully explored as the audience is given only what we need to know about each character for the purpose of the story.
The most surprising thing about the film was the strong and inspirational message it contained that may be too strong for some, but to me was not only inspiring but unexpected in a Hollywood film.
In the end, the strong cast, good action, and story makes this a film worth seeing and a pleasant surprise.
JT (287 KP) rated The Cabin in the Woods (2012) in Movies
Mar 10, 2020
What happens if you took a bunch of stereotypical and archetypal teenagers into the woods and let them party in a small cabin? In the eyes of Joss Whedon and Drew Goddard quite a bit it seems.
The college jock, the stoner, the virgin, the geek and the whore (or slut) are all grouped together ready to be ripped apart by a wide variety of insanely bonkers creatures.
A so called ‘love letter to horror’ Cabin in the Woods encapsulates everything we have ever seen in horror films over there years, and for any fan of the genre its what we all love to see.
What makes this film particularly special and something that sets it apart from all other horror films is apparent in the opening few minutes.
Deep in what seems to be a scientific layer, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford) discuss and mull over the mundane as they make their way to a control centre ready for the days events to unfold. Just another day at the office then?
Meanwhile, the travelling party are making their way to the cabin, and after we see a bird of prey fly into what looks like a force field we known this isn’t going to be your normal run of the mill horror.
OK, move it a little to the right!
In one word its the Truman show with massive amounts of blood, which might be giving too much away for those that haven’t even seen it yet. The film has several nods to a number of past Hollywood horror greats such as Hellraiser and Evil Dead, and carries with it every cliche the genre has to offer.
Whedon’s popularity as a director is high, here though he keeps himself to writing duties only as Goddard gets the gig behind the camera in his first feature. It’s a thoroughly entertaining film, but you need to take it with a pinch of salt and remind yourself that this is a homage to horror with Hostel like tendencies.
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed, with a great cameo thrown in for good measure. I loved every minute of this from start to finish, and it’s a film that doesn’t try and take itself too seriously.
It’s not going to sit with everyone, but for those true horror fans who have watched parties of teenagers getting picked off one by one in a creative way each time it will be one horror film they won’t forget in a hurry.
The college jock, the stoner, the virgin, the geek and the whore (or slut) are all grouped together ready to be ripped apart by a wide variety of insanely bonkers creatures.
A so called ‘love letter to horror’ Cabin in the Woods encapsulates everything we have ever seen in horror films over there years, and for any fan of the genre its what we all love to see.
What makes this film particularly special and something that sets it apart from all other horror films is apparent in the opening few minutes.
Deep in what seems to be a scientific layer, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford) discuss and mull over the mundane as they make their way to a control centre ready for the days events to unfold. Just another day at the office then?
Meanwhile, the travelling party are making their way to the cabin, and after we see a bird of prey fly into what looks like a force field we known this isn’t going to be your normal run of the mill horror.
OK, move it a little to the right!
In one word its the Truman show with massive amounts of blood, which might be giving too much away for those that haven’t even seen it yet. The film has several nods to a number of past Hollywood horror greats such as Hellraiser and Evil Dead, and carries with it every cliche the genre has to offer.
Whedon’s popularity as a director is high, here though he keeps himself to writing duties only as Goddard gets the gig behind the camera in his first feature. It’s a thoroughly entertaining film, but you need to take it with a pinch of salt and remind yourself that this is a homage to horror with Hostel like tendencies.
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed, with a great cameo thrown in for good measure. I loved every minute of this from start to finish, and it’s a film that doesn’t try and take itself too seriously.
It’s not going to sit with everyone, but for those true horror fans who have watched parties of teenagers getting picked off one by one in a creative way each time it will be one horror film they won’t forget in a hurry.
JK
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Felipe (17 KP) rated Chaplin (1992) in Movies
Dec 7, 2020
A modern tragedy meant to be one of the greats
Contains spoilers, click to show
Richard Attenborough delivers another masterpiece of cinematic biography and is a worthy successor to Ghandi. The structure of the film is told as a flashback while Charlie Chaplin is writing his autobiography with a fictional editor that does not exist. We see for the first time the flaws of who Chaplin is as a person and we see him confront his past in a way that is painful not unlike how it is painful when we relive moments in our lives we would rather choose to forget. However, the success of the film is how it strips the illusion of who Chaplin was and presents to us a person who is tragically flawed but who is unbale to appreciate his own genius. An example is when Chaplin's version of the invention of the Tramp is seen for what he imagined it to be an idealized moment in which the character is calling to him except for what it really was, We see the reality of the movies during this time; a hectic spur of the moment improvised invention drawn from real life. Yet we see Chaplin as the midwife to this new artform the movies and we see him develop it for what it is, the highest expression of art that stirs our imagination and makes us believe anything is possible. We even cry during Chaplin's moments of personal tragedy; the insanity and loss of his mother; repeated failed marriages; the death of his best friend, Douglas Fairbanks and finally his tragic and painful exile from America the only place he knew as home all taking place in the backdrop of the invention and evolution of cinema. However, I feel that in the end Chaplin is the one that comes out triumphant. In the last moments of the movie we see how Chaplin despairs that he feels that he has been forgotten and made irrelevant by the changing times; he feels that the weight of not only his age but the weight of the world on his shoulders and yet we see that everything he believes himself to be is completely wrong when Hollywood bestows on him the greatest honor which is not only the special Oscar but also a standing ovation. His final triumph is to be made a knight by Queen Elizabeth II, we are truly made to see that although flawed he is triumphant in the end.
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