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Josh Sadfie recommended Dog Day Afternoon (1975) in Movies (curated)
Zach Smith (62 KP) rated Fantastic Beasts: Crimes of Grindelwald (2018) in Movies
Nov 26, 2018
Not as great as the first but well done sequel.
Contains spoilers, click to show
Ok so this is a great follow up to the first focusing on Johnny Depp's villainous character Grindelwald. But let me stop you there. Wasn't Voldemort supposed to be the worst bad guy in the wizarding world? Not sure because he's followers are pretty nasty killing several people and then a baby. The baby scene could have easily been left out but they included for some reason. Also Grindelwald has a cute evil pet lizard but again for some reason they show him toss it out a door of a carage high in the sky stating it was too clingy. Again there are other ways to do character development without death. Ok and if you don't know that Albus Dumbledore is a homosexual, where have you been living. Instead of stating in the movie that Grindelwald and he were once lovers they tip toe around it with things stated " we were more than friends" WTF say it out loud and proud! Aside from the mild irritation that caused it is really neat how they are connecting this series to the Potter series. You finally are introduced to Nicholas Flemal the chemist. If you don't know who he is go read Harry Potter and the sorcerer's stone.
Lou Grande (148 KP) rated The Covenant (2006) in Movies
Jul 3, 2018
I could watch this on infinite loop until I'm dead
I've watched this movie twice in as many days because it is the kind of bad that is wonderful. I don't know how I missed this one as a teenager, as everything involving witchcraft was interesting to me then. Think of The Covenant as a spiritual successor to The Craft, but with boys. And there are boys. This movie is one fuzzy sex scene away from being a David DeCoteau film. Notable features are an all male shower scene filled with foggy butts, Sebastian Stan (who's nineteen or twenty years old here) stumbling over a line regarding another kid's penis (after being called a homosexual slur) and, last but not least, the line, "I'm going to make you my weyotch." It's a gem.
The plot is blah, the music is alright, and it has the mid-noughts "blue and orange" filter--but that's not why you're watching this movie. You're watching it because the actors are hot, there's not-so subtle gay subtext (though if Sebastian Stan's character kisses another guy, is it really subtext?), and latent homoeroticism. The whole stinkin' thing could be an allegory for homosexuality, but really, I don't think anyone was thinking that far ahead.
Also, there's a character named Pogue Perry. Pogue. As in, rhymes with "vogue." My boyfriend couldn't stop laughing, and he was only half watching it to humor me.
The plot is blah, the music is alright, and it has the mid-noughts "blue and orange" filter--but that's not why you're watching this movie. You're watching it because the actors are hot, there's not-so subtle gay subtext (though if Sebastian Stan's character kisses another guy, is it really subtext?), and latent homoeroticism. The whole stinkin' thing could be an allegory for homosexuality, but really, I don't think anyone was thinking that far ahead.
Also, there's a character named Pogue Perry. Pogue. As in, rhymes with "vogue." My boyfriend couldn't stop laughing, and he was only half watching it to humor me.
Felicia (44 KP) rated People Kill People in Books
Sep 23, 2018
Contains spoilers, click to show
This book first interested me when I read it was a book written about guns and gun control by a person who grew up in a household that supported guns. This is a voice that I had not really heard from in YA literature. Sadly what was given to me was a book that lacked depth for the characters and was quite predictable.
The story follows a group of teen to early adults. 2 of them are white supremacists, 2 are married with a young child, 1 is a homeless teen, 1 is a victim of gun violence who has epilepsy and is also homosexual, and 1 is the greatest person ever. The group itself is so entwined by siblings, marriage, relationships, friendships it isn't weird to wonder just how big of a town it could be they are living in.
The book is full of poor choices, dealing drugs with a toddler present, constant fantasizing about killing a certain person, a lot of time spent in the minds of white supremacists.
The whole book we know someone is going to die. Most of the book is framed to make you think it will be the homeless youth at the hands of the white supremacists. But it is actually the great girl that is anti gun and everyone loves because a toddler got a hold of a gun his parents couldn't be bothered to properly store. The end murder affects the lives of everyone else so they mostly die or want to, to demonstrate that guns aren't the problem. Too bad the gun and people's selfish nature was an unaddressed problem in the whole book full of problems.
The plot was too weighed down for anything to stick and the characters fell very flat despite Hopkins best efforts.
The story follows a group of teen to early adults. 2 of them are white supremacists, 2 are married with a young child, 1 is a homeless teen, 1 is a victim of gun violence who has epilepsy and is also homosexual, and 1 is the greatest person ever. The group itself is so entwined by siblings, marriage, relationships, friendships it isn't weird to wonder just how big of a town it could be they are living in.
The book is full of poor choices, dealing drugs with a toddler present, constant fantasizing about killing a certain person, a lot of time spent in the minds of white supremacists.
The whole book we know someone is going to die. Most of the book is framed to make you think it will be the homeless youth at the hands of the white supremacists. But it is actually the great girl that is anti gun and everyone loves because a toddler got a hold of a gun his parents couldn't be bothered to properly store. The end murder affects the lives of everyone else so they mostly die or want to, to demonstrate that guns aren't the problem. Too bad the gun and people's selfish nature was an unaddressed problem in the whole book full of problems.
The plot was too weighed down for anything to stick and the characters fell very flat despite Hopkins best efforts.
Mark @ Carstairs Considers (2084 KP) rated The Truth We Hide in Books
Apr 12, 2023 (Updated Apr 12, 2023)
Betty Searches for the Truth About Her New Client
It’s May 1943, and Betty Ahern has quit her job at Bell Aircraft to pursue her dream of becoming a private investigator. She’s still studying for her license, but she’s been hired by Edward Kettle to find out who got him fired from his job at American Shipbuilding. Supposedly, he leaked secrets to a reporter, but he claims he is innocent. Then, the next morning, Betty learns that Edward was murdered during the night. It’s only then that Betty learns Edward was a homosexual. Was that the motive for his murder? Or was it something else?
The series has taken a step away from the initial premise, but it is a natural step thanks to the growth we’ve been seeing in Betty. And I also appreciate how it allows Betty to focus on the case, which keeps the pacing strong. There are plenty of suspects who could have done it. I figured it out, but only a few pages before Betty made the same deduction I did. I did miss the supporting characters, who take a back seat here, but Betty is still a great main character, and the suspects are good. I was worried that this book was going to turn into a lecture, but I didn’t find any anachronistic attitudes when it comes to Edward. We do see plenty of negative attitudes, but they are treated as they should be without feeling out of character for our heroes or the time. There are a couple of interesting threads introduced here, and I can’t wait to see if they are continued in future books. As always, the period came fully to life as I read. If you are looking for a strong historical series, be sure to pick this one up. If you are new to the series, you are in for a treat.
The series has taken a step away from the initial premise, but it is a natural step thanks to the growth we’ve been seeing in Betty. And I also appreciate how it allows Betty to focus on the case, which keeps the pacing strong. There are plenty of suspects who could have done it. I figured it out, but only a few pages before Betty made the same deduction I did. I did miss the supporting characters, who take a back seat here, but Betty is still a great main character, and the suspects are good. I was worried that this book was going to turn into a lecture, but I didn’t find any anachronistic attitudes when it comes to Edward. We do see plenty of negative attitudes, but they are treated as they should be without feeling out of character for our heroes or the time. There are a couple of interesting threads introduced here, and I can’t wait to see if they are continued in future books. As always, the period came fully to life as I read. If you are looking for a strong historical series, be sure to pick this one up. If you are new to the series, you are in for a treat.
Hazel (1853 KP) rated As I Descended in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
With this retelling of the famous bard’s tragedy <i>Macbeth</i>, Robin Talley takes steps to add another genre under her belt. Talley is fairly new to the young adult literature scene with <i>As I Descended</i> being her third publication. Many avid readers may already be aware that the author likes to tackle homosexuality and the surrounding stigma, whilst also encompassing other issues, i.e. black civil rights and long distance relationships. This novel is no different, however the other “issue” is on a paranormal level and follows the key themes in the Scottish play.
The story is set in a Virginian private school full of rich adolescents full of high expectations and the desire to be the best. Maria is always coming second best despite all her hard work, and Lily, her girlfriend, thinks this is entirely unfair. The student in first position, and set to win the Kingsley Prize, is Delilah, a popular girl who bullies and manipulates people to get what she wants. Determined to get Maria to see she should be the winner, Lily arranges a séance where she plans to pretend a spirit has contacted her telling Maria to beat Delilah. However the plan falls through when a real spirit begins communicating with them.
Lily is almost as manipulative as Delilah and convinces Maria to cheat her way to the top. Keeping in mind this is a retelling of <i>Macbeth</i>, a play that contains several deaths; you can guess the direction events are going to take. With Delilah out of the picture, Maria’s best friend Brandon and his boyfriend Matteo begin to suspect Maria of foul play.
Due to their initials it is easy to work out which of the original cast each character is representing. Maria, Lily, Delilah, Brandon, Matteo… Macbeth, Lady Macbeth, Duncan, Banquo, McDuff… As a result, the fate of the characters has already been predetermined, causing readers to jump to conclusions about each individual. However the introduction of a supernatural theme gives the storyline an entirely new outlook.
Initially I felt sorry for Maria and Lily, two lovely girls hiding their romantic relationship from the rest of the world. Maria never put a foot wrong, and Lily gets sympathy on account of being disabled. I related a lot to Lily at the beginning as I have also experienced severe leg pain and suffering around on a pair of crutches. However once the actual retelling of <i>Macbeth</i> began I took an instant dislike to the pair. I have never liked people who sabotage other’s lives and successes in order to be the best. This put a damper on the entire novel, making it a lot less interesting as there were no longer any characters I fully respected.
What I did enjoy was they way Talley managed to produce a modern retelling of the play. <i>Macbeth</i> is not the easiest story to bring into a contemporary setting, especially as it is about a King and set in a castle. Talley successfully created a narrative that no one else would have thought of – a particularly clever feat.
Those familiar with the play, especially those who had the opportunity to study it at school, will recognize a lot of the chapter headings as direct quotes from Shakespeare’s writing. It is exciting to find all the references to <i>Macbeth</i> and use your own knowledge to understand where the story is going.
Do not worry if you are unfamiliar with Shakespeare’s works, <i>As I Descended</i> is not reliant on prior knowledge in order to work. Ignoring <i>Macbeth</i>, the book is about greed and perfectionism as well as homosexual relationships and the worries about how others will perceive them, especially homophobic parents.
Overall, <i>As I Descended</i> was not as great as I hoped it would be due to the nature of the characters’ personalities. The risk Talley took in undertaking a retelling of <i>Macbeth</i> however has been an extremely successful accomplishment. It may even be beneficial for students struggling to understand <i>Macbeth</i>. If schools can get over their fear of homosexual content, it would be lovely to see this book being read as part of the curriculum.
Goddess in the Stacks (553 KP) rated Reign of the Fallen in Books
Mar 22, 2018
Reign of the Fallen has a pretty interesting premise - there are a few different school of magic in this world, and our main character is a necromancer. (One of the side characters is a Beast Master, and another is a Healer. We also see Weather Mages.) Necromancers, far from being the mysterious evil mages we see in most fantasy, are revered and noble in this world; they bring souls back from the Deadlands, when they can, so they can continue "living" in the real world. "Living" is a loose term - they must make sure they are completely covered at all times - if a living person sees any of their flesh, they turn - immediately - into terrifying monsters that hunt and kill both the living and the Dead. And the more they kill, the more powerful they become. Thankfully, people are very, very careful, and so Shades are very rare! .....or they were. Now that someone has started to purposefully make them, shit's hitting the fan.
Odessa and her friends - three other Necromancers, a Healer, a Beast Master, and a Princess - set out to solve this mystery and take out the shades wreaking havoc on the kingdom. Entwined in that plot is the near-breaking of Odessa's spirit when one of her friends dies, and the recovery from that, as well as romances with people of both genders. Yay for bisexual representation! (One of her Necromancer friends is also in a homosexual relationship with the Healer, and it's all perfectly normal. I love seeing so many fantasy YA books these days not treating that as something special or other. Yay for culture changing! Maybe someday it won't even be so out-of-the-ordinary that I'll feel the need to point it out!)
The book had a few technical problems - a few scenes where I was confused how a character had gotten someplace when I thought they were somewhere else, some confusion in how a scene was described - but those could be overlooked with how wonderful the rest of the book was.
The plot was wrapped up very nicely by the end of the book, so I don't know if there will be a sequel or not, but I really enjoyed the world and would definitely read one if she writes it!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Odessa and her friends - three other Necromancers, a Healer, a Beast Master, and a Princess - set out to solve this mystery and take out the shades wreaking havoc on the kingdom. Entwined in that plot is the near-breaking of Odessa's spirit when one of her friends dies, and the recovery from that, as well as romances with people of both genders. Yay for bisexual representation! (One of her Necromancer friends is also in a homosexual relationship with the Healer, and it's all perfectly normal. I love seeing so many fantasy YA books these days not treating that as something special or other. Yay for culture changing! Maybe someday it won't even be so out-of-the-ordinary that I'll feel the need to point it out!)
The book had a few technical problems - a few scenes where I was confused how a character had gotten someplace when I thought they were somewhere else, some confusion in how a scene was described - but those could be overlooked with how wonderful the rest of the book was.
The plot was wrapped up very nicely by the end of the book, so I don't know if there will be a sequel or not, but I really enjoyed the world and would definitely read one if she writes it!
You can find all my reviews at http://goddessinthestacks.wordpress.com
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Hazel (1853 KP) rated You Know Me Well in Books
May 25, 2017
LGBT
This ARC was provided by the publisher via NetGalley in exchange for an honest review
David Levithan is a well-known young adult author particularly in the LGBT communities. Throughout his career he has teamed up with other authors to write contemporary fiction that explores romantic relationships and feelings between teenagers. You Know Me Well is the result of a collaboration between Levithan and Nina LaCour, another American YA author.
Alternating between two points of view, You Know Me Well is about two homosexual teenagers, Mark and Katie, who are both going through difficult times in terms of their love life. Mark is in love with his best friend, but clearly the feelings are not reciprocated. On the other hand, Katie has run away from the chance to meet the girl of her dreams. A case of being in the right place at the right time results in a great friendship blooming between the two characters. Whilst relationships are breaking down all around them as a result of their actions, Mark and Katie discover that they understand each other more than anyone else has done in the past. With each other’s help, they begin to repair or come to terms with their current situations.
Although set near San Francisco during Pride Week – a positive festival to promote the stance against discrimination toward homosexuality – Levithan and LaCour write so freely about the topic that it appears a “normal” way of life, which is ultimately what people are campaigning for. Neither of the main characters experience any judgment on account of their sexuality.
Whilst You Know Me Well is a deeply honest novel about coming to terms with the truth and the heartaches of love, it does not particularly work well as a story. The ending feels ambiguous leaving both Mark and Katie in very similar situations to the beginning of the book, although marginally happier. In a way this enforces the point that there are not always “happy ever after” endings, but in terms of literature it does not make much of a story.
You Know Me Well comes with all sorts of messages about love, coming up with plans for the future, running away from your problems etc. but it is arguably a disappointment for readers who want a fictional tale to delve into and take them away from their everyday life. The subject matter, whilst listed as young adult, is more appropriate for school leavers or college students due to the unrealistic lack of parental intervention. On the other hand, if you are already a fan of David Levithan and know what to expect in his novels, You Know Me Well should live up to your anticipations.
David Levithan is a well-known young adult author particularly in the LGBT communities. Throughout his career he has teamed up with other authors to write contemporary fiction that explores romantic relationships and feelings between teenagers. You Know Me Well is the result of a collaboration between Levithan and Nina LaCour, another American YA author.
Alternating between two points of view, You Know Me Well is about two homosexual teenagers, Mark and Katie, who are both going through difficult times in terms of their love life. Mark is in love with his best friend, but clearly the feelings are not reciprocated. On the other hand, Katie has run away from the chance to meet the girl of her dreams. A case of being in the right place at the right time results in a great friendship blooming between the two characters. Whilst relationships are breaking down all around them as a result of their actions, Mark and Katie discover that they understand each other more than anyone else has done in the past. With each other’s help, they begin to repair or come to terms with their current situations.
Although set near San Francisco during Pride Week – a positive festival to promote the stance against discrimination toward homosexuality – Levithan and LaCour write so freely about the topic that it appears a “normal” way of life, which is ultimately what people are campaigning for. Neither of the main characters experience any judgment on account of their sexuality.
Whilst You Know Me Well is a deeply honest novel about coming to terms with the truth and the heartaches of love, it does not particularly work well as a story. The ending feels ambiguous leaving both Mark and Katie in very similar situations to the beginning of the book, although marginally happier. In a way this enforces the point that there are not always “happy ever after” endings, but in terms of literature it does not make much of a story.
You Know Me Well comes with all sorts of messages about love, coming up with plans for the future, running away from your problems etc. but it is arguably a disappointment for readers who want a fictional tale to delve into and take them away from their everyday life. The subject matter, whilst listed as young adult, is more appropriate for school leavers or college students due to the unrealistic lack of parental intervention. On the other hand, if you are already a fan of David Levithan and know what to expect in his novels, You Know Me Well should live up to your anticipations.
Hazel (1853 KP) rated You Know Me Well in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
David Levithan is a well-known young adult author particularly in the LGBT communities. Throughout his career he has teamed up with other authors to write contemporary fiction that explores romantic relationships and feelings between teenagers. <i>You Know Me Well</i> is the result of a collaboration between Levithan and Nina LaCour, another American YA author.
Alternating between two points of view, <i>You Know Me Well</i> is about two homosexual teenagers, Mark and Katie, who are both going through difficult times in terms of their love life. Mark is in love with his best friend, but clearly the feelings are not reciprocated. On the other hand, Katie has run away from the chance to meet the girl of her dreams. A case of being in the right place at the right time results in a great friendship blooming between the two characters. Whilst relationships are breaking down all around them as a result of their actions, Mark and Katie discover that they understand each other more than anyone else has done in the past. With each other’s help, they begin to repair or come to terms with their current situations.
Although set near San Francisco during Pride Week – a positive festival to promote the stance against discrimination toward homosexuality – Levithan and LaCour write so freely about the topic that it appears a “normal” way of life, which is ultimately what people are campaigning for. Neither of the main characters experience any judgment on account of their sexuality.
Whilst <i>You Know Me Well </i>is a deeply honest novel about coming to terms with the truth and the heartaches of love, it does not particularly work well as a story. The ending feels ambiguous leaving both Mark and Katie in very similar situations to the beginning of the book, although marginally happier. In a way this enforces the point that there are not always “happy ever after” endings, but in terms of literature it does not make much of a story.
<i>You Know Me Well </i>comes with all sorts of messages about love, coming up with plans for the future, running away from your problems etc. but it is arguably a disappointment for readers who want a fictional tale to delve into and take them away from their everyday life. The subject matter, whilst listed as young adult, is more appropriate for school leavers or college students due to the unrealistic lack of parental intervention. On the other hand, if you are already a fan of David Levithan and know what to expect in his novels, You Know Me Well should live up to your anticipations.
David Levithan is a well-known young adult author particularly in the LGBT communities. Throughout his career he has teamed up with other authors to write contemporary fiction that explores romantic relationships and feelings between teenagers. <i>You Know Me Well</i> is the result of a collaboration between Levithan and Nina LaCour, another American YA author.
Alternating between two points of view, <i>You Know Me Well</i> is about two homosexual teenagers, Mark and Katie, who are both going through difficult times in terms of their love life. Mark is in love with his best friend, but clearly the feelings are not reciprocated. On the other hand, Katie has run away from the chance to meet the girl of her dreams. A case of being in the right place at the right time results in a great friendship blooming between the two characters. Whilst relationships are breaking down all around them as a result of their actions, Mark and Katie discover that they understand each other more than anyone else has done in the past. With each other’s help, they begin to repair or come to terms with their current situations.
Although set near San Francisco during Pride Week – a positive festival to promote the stance against discrimination toward homosexuality – Levithan and LaCour write so freely about the topic that it appears a “normal” way of life, which is ultimately what people are campaigning for. Neither of the main characters experience any judgment on account of their sexuality.
Whilst <i>You Know Me Well </i>is a deeply honest novel about coming to terms with the truth and the heartaches of love, it does not particularly work well as a story. The ending feels ambiguous leaving both Mark and Katie in very similar situations to the beginning of the book, although marginally happier. In a way this enforces the point that there are not always “happy ever after” endings, but in terms of literature it does not make much of a story.
<i>You Know Me Well </i>comes with all sorts of messages about love, coming up with plans for the future, running away from your problems etc. but it is arguably a disappointment for readers who want a fictional tale to delve into and take them away from their everyday life. The subject matter, whilst listed as young adult, is more appropriate for school leavers or college students due to the unrealistic lack of parental intervention. On the other hand, if you are already a fan of David Levithan and know what to expect in his novels, You Know Me Well should live up to your anticipations.