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Early Years by Roxy Music
Early Years by Roxy Music
1989 | Rock
(0 Ratings)
Album Favorite

"When you listen to a song a lot, it becomes more and more difficult for it to surprise you. But this song is perfectly structured in a way where it overtakes itself. It’s from Roxy Music’s self-titled album from 1972, and it starts out almost hokey, like it’s giving a nod to honky-tonk music. Then the guitar line comes in, and it’s like a fuck-you to the rest of the song. And then Bryan Ferry’s vocals completely change. It becomes so plaintive and emotional. It’s about this intrusion upon one’s own story, which I love. When the song inserts a new sonic quality upon itself, it jars me from whatever I’m doing. I spend so much time trying to remind myself to be present, and this song acts as an aural reminder to do that. I use it almost as a form of meditation. And it’s what I want from music to begin with: It renders me stupid and rudderless, and then it rebuilds an anchor out of notes and melody. It’s like a continual reminder to do that in my life. When I’m busy, listening to the same songs and artists over and over is a way of simplifying my life. I tend to wear the same clothing, everything becomes ritualized. Obviously there are so many new musicians that we can tune in to every day, but I also love finding a new appreciation for those who already exist. Because that’s what our world is: We build upon what’s already there. And I like unearthing as much as I like moving forward."

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Heather Cranmer (2721 KP) created a post

Oct 10, 2020  
Stop by my blog, and read an emotionally charged deleted scene from the literary fiction novel LOW WATER CROSSING by Dana Glossbrenner. Enter the GIVEAWAY to win a signed copy of the book or signed copies of both books in the Sulfur Gap Series - two winners!

https://alltheupsandowns.blogspot.com/2020/10/book-blog-tour-and-giveaway-low-water.html

**BOOK SYNOPSIS**
Low Water Crossing is a tribute to those who endure heartache and nevertheless celebrate, to those who wait—and live full lives while waiting.

A backhoe unearths a human skeleton buried on Wayne Cheadham’s West Texas ranch. The investigation points a grisly finger at Wayne’s first wife. And so begins the wild ride through twenty-five years of love and heartbreak.

Wayne’s a highly eligible bachelor who runs into trouble, first because he’s naïve, and next because, well, life is unpredictable. He’s a loveable guy with a peaceful outlook. Just about anyone wants the best for him, dang it. To cope with sadness, he arranges for an old steel-girded bridge to be placed in the dry pasture in front of his house. Says it helps him adjust his perspective. Others say it’s the world’s largest yard ornament. He takes in stray emus and abandoned horses and becomes a mentor to a loveable little boy without much family. He sits and ponders his plight at a low-water crossing over the creek.

A cast of characters from the fictional small West Texas town of Sulfur Gap—the staff of a high school burger shop hangout on the Interstate, coffee groups at the Navaho Café, hair stylists from the Wild Hare, a local sheriff and his deputies, and the band at the local honky-tonk—knits together the community surrounding Wayne, and all bring their own quirks. People you’d find anywhere, some with thicker Texas twangs than others.

The town, the ranch, and familiar Texas cities such as San Angelo, Abilene, and Austin provide a backdrop for universal themes of love, grief, and loyalty.