
ClareR (5879 KP) rated How It Was in Books
Nov 18, 2019
The 1970s were a time of change for some women, but not the women in this story. Marion is the mother of two children: Sarah, 14 and Eddie, 7. She is unhappy in her life, and has been for many years. We look at her life through a series of flashbacks (and flashbacks through her daughters eyes at the same time) as she sits at the hospital bedside of her dying husband. We learn of the affairs, the terrible relationship with her daughter, and the catastrophic accident that cost the family far more than just a child (although this was quite traumatic enough).
I found it very difficult to empathise with Marion, she’s not a likeable character. She seems self absorbed, I didn’t like how she felt about her daughter (it’s as though she feels repulsed by her), and how she speaks to everyone is simply rude. To me, it seemed to be a mixture of boredom, depression, selfishness and desperation that drove Marion’s actions. Michael, her husband, is endlessly patient, perhaps scared that she will leave him. He puts up with some terrible behaviour from Marion. I really wanted him to stand up for himself.
It doesn’t sound like it, I know, but I really liked this book. It’s a book with a thoroughly unpleasant main character (in fact she’s not on her own on that score - watch out for Adrian!) and they do make for interesting story lines!
This is the first book I’ve read by Janet Ellis, and I will be looking for more.
Many thanks to NetGalley and Two Roads for my copy of this book.

JT (287 KP) rated The Ward (2010) in Movies
Mar 16, 2020
I’m a big fan of his work, but that is his early work with the likes of Halloween and The Thing as my personal favourites, but here Carpenter’s trademark suspense is all but lost in a story that is as predictable as it is stupid.
After setting fire to a barn Kristen (Amber Heard) is sent to a mental hospital, where she is terrorised by a ghost, a hidden past his reflected upon but never fully delved into. There is of course more to it than that, and Heard spends a vast majority of the time either locked in her room or trying to escape while at the same time piecing the puzzle together with the help of some of her fellow inmates.
Carpenter’s use of the wide camera angle is effective in places, and the long cold corridors of the ward are enough to give anyone the chills. However, it is not built on in any way and all the suspense is somewhat lost by the poor acting and monotonous build-up to the next potential terrifying scene. When the ghost is revealed it is, to be honest laughable and not in the least bit frightening which is probably one of the main downfalls of the film.
The twist ending is anything but predictable and you could have spotted it a mile off, it’s a poor effort this perhaps not helped in the writing department, but Carpenter is one of the masters of horror but here he hasn’t even bothered to turn up.

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