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ClareR (5726 KP) rated The Witch Elm: A Novel in Books
Oct 16, 2019 (Updated Oct 16, 2019)
A psychological thriller that had me guessing along with the main character!
After a night out with his friends in Dublin, Toby Hennessy walks home alone and goes to bed. He’s woken up in the early hours by two men burgling his flat and when he confronts them, they attack him viciously and leave him for dead. He doesn’t die, and after a long period of time in hospital, he returns to his flat, clearly suffering from PTSD and a brain injury. Luckily for him (but not so lucky for his uncle) his uncle, Hugo, is diagnosed with terminal brain cancer. So Toby and his girlfriend Melissa move in to help keep him company, and ultimately to care for him.
They’re a close family, who meet every Sunday for dinner, and Toby and his cousins Leon and Susanna spent every summer at their Uncles house, living pretty much unchecked - every teenagers dream.
This idyllic life is brought abruptly to an end when a skeleton is found inside the trunk of one of the Wych elms in the back garden. It’s complicated further by the fact that Toby’s head injury from the burglary means that his memories are ropey, to say the least.
I really liked this book: I liked the slow build up and learning about the family and the relationship between the cousins. As for the skeleton, well that mystery had me guessing right up to the end.
Incidentally, this is sold as ‘The Wych Elm’ in the UK - ‘Wych’ is an alternative spelling in old English of ‘witch’, and it also means pliant or supple. The words ‘wicker’ and ‘weak’ come from this word too (yes, I looked it up, and this will join all of the terribly interesting, yet relatively useless, information that accumulates in my head 🤷🏼♀️).
This is my first Tana French novel, and based on this book, it won’t be my last.
Many thanks to NetGalley and Penguin for my copy of this book.
They’re a close family, who meet every Sunday for dinner, and Toby and his cousins Leon and Susanna spent every summer at their Uncles house, living pretty much unchecked - every teenagers dream.
This idyllic life is brought abruptly to an end when a skeleton is found inside the trunk of one of the Wych elms in the back garden. It’s complicated further by the fact that Toby’s head injury from the burglary means that his memories are ropey, to say the least.
I really liked this book: I liked the slow build up and learning about the family and the relationship between the cousins. As for the skeleton, well that mystery had me guessing right up to the end.
Incidentally, this is sold as ‘The Wych Elm’ in the UK - ‘Wych’ is an alternative spelling in old English of ‘witch’, and it also means pliant or supple. The words ‘wicker’ and ‘weak’ come from this word too (yes, I looked it up, and this will join all of the terribly interesting, yet relatively useless, information that accumulates in my head 🤷🏼♀️).
This is my first Tana French novel, and based on this book, it won’t be my last.
Many thanks to NetGalley and Penguin for my copy of this book.
TacoDave (3643 KP) rated The Fall (2006) in Movies
Aug 8, 2019 (Updated Aug 8, 2019)
Acting (2 more)
Visuals - so amazing!
Story
Unlike any movie you have seen before
Contains spoilers, click to show
I can't really write a review of "The Fall" without spoilers, but this is the kind of movie where spoilers don't necessarily matter. What makes "The Fall" so amazing is much more about the visuals, the mood, and the direction.
Lee Pace plays a Hollywood stuntman in 1920s Los Angeles who was recently injured. He is stuck in bed in a hospital, filled with depression about the current state of his life.
As he lays in bed one day, a young girl with a broken arm enters the room and begins talking to him. They become fast friends, and he begins telling her a fantastical story about five heroes on a quest. The story is told in many sessions over several days, and each time the visual style and costumes and characters change slightly to match what the girl is imagining as she listens.
I won't spoil any more of the story, except to say this: the man has an ulterior motive for telling this particular story, and sometimes the lines between fantasy and reality, between a happy ending and a tragic one, are blurred.
The real star of this movie is the cinematography. The first time I saw it, I literally gasped at one particular scene transition. It was just perfect. The colors are bold, the settings are almost unreal - like nothing I've seen before (even though they exist in the real world) - and the costumes are amazing. I have literally never seen another movie, before or since, that looks like this one. It is stunning.
They say the director, Tarsem Singh, spent years scouting locations to meet his perfect vision. And it was totally worth it.
If you've never seen "The Fall," I wholeheartedly recommend it. I even own it on DVD, so if you want to borrow it, let me know.
Lee Pace plays a Hollywood stuntman in 1920s Los Angeles who was recently injured. He is stuck in bed in a hospital, filled with depression about the current state of his life.
As he lays in bed one day, a young girl with a broken arm enters the room and begins talking to him. They become fast friends, and he begins telling her a fantastical story about five heroes on a quest. The story is told in many sessions over several days, and each time the visual style and costumes and characters change slightly to match what the girl is imagining as she listens.
I won't spoil any more of the story, except to say this: the man has an ulterior motive for telling this particular story, and sometimes the lines between fantasy and reality, between a happy ending and a tragic one, are blurred.
The real star of this movie is the cinematography. The first time I saw it, I literally gasped at one particular scene transition. It was just perfect. The colors are bold, the settings are almost unreal - like nothing I've seen before (even though they exist in the real world) - and the costumes are amazing. I have literally never seen another movie, before or since, that looks like this one. It is stunning.
They say the director, Tarsem Singh, spent years scouting locations to meet his perfect vision. And it was totally worth it.
If you've never seen "The Fall," I wholeheartedly recommend it. I even own it on DVD, so if you want to borrow it, let me know.
JT (287 KP) rated Pet Sematary (2019) in Movies
Mar 10, 2020
I've always said that the vast majority of horror remakes just don’t better the original, and this one can also join that list. Stephen King adaptations are a bit hit and miss and this new incarnation is no different.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel. The film follows the Creed family as they relocate to the outskirts of a quiet town in Maine, called Ludlow. Head of the family Louis (Jason Clarke), is starting a new job at the university hospital and their new home feels like the perfect place to settle.
But it doesn’t take long for things to go pear-shaped when daughter Ellie (Jeté Laurence) stumbles across a Pet Sematary (misspelt). There she meets neighbour Jud Crandall (John Lithgow) who warns her that it is not the place for a young girl to play – despite a procession of creepy children in masks walking through the woods. However, a family tragedy sparks Jud to reach out to Louis and offer him a way to resurrect the past.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel
Co-directed by Kevin Kölsch and Dennis Widmyer Pet Sematary skims over family relationships and races right to the tragedy (which was blatantly given away in the trailer) to satisfy the audience by giving them what they want. However, there is not enough time for Kölsch and Widmyer to delve deeper into the pages of King’s novel to extract parts that could have enhanced the narrative even further.
The ending is unsatisfactory and the directors, looking to impart their take on the story, change and leave out significant parts of King’s book. This is both annoying and surprising. That said, the film is not without the odd positive, despite falling just short of being a decent horror remake.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel. The film follows the Creed family as they relocate to the outskirts of a quiet town in Maine, called Ludlow. Head of the family Louis (Jason Clarke), is starting a new job at the university hospital and their new home feels like the perfect place to settle.
But it doesn’t take long for things to go pear-shaped when daughter Ellie (Jeté Laurence) stumbles across a Pet Sematary (misspelt). There she meets neighbour Jud Crandall (John Lithgow) who warns her that it is not the place for a young girl to play – despite a procession of creepy children in masks walking through the woods. However, a family tragedy sparks Jud to reach out to Louis and offer him a way to resurrect the past.
Providing a few decent scares throughout it never quite lives up to the highs of King’s terrifying novel
Co-directed by Kevin Kölsch and Dennis Widmyer Pet Sematary skims over family relationships and races right to the tragedy (which was blatantly given away in the trailer) to satisfy the audience by giving them what they want. However, there is not enough time for Kölsch and Widmyer to delve deeper into the pages of King’s novel to extract parts that could have enhanced the narrative even further.
The ending is unsatisfactory and the directors, looking to impart their take on the story, change and leave out significant parts of King’s book. This is both annoying and surprising. That said, the film is not without the odd positive, despite falling just short of being a decent horror remake.
Kristy H (1252 KP) rated Behind Every Lie in Books
Mar 19, 2020
When Eva Hansen wakes up in the hospital, burned and battered after being struck by lightening, she learns a horrible fact: her mother, Kat, is dead. Even worse, the police tell her Kat was murdered. It quickly appears Eva is their number one suspect, having been found unconscious down the street from her mother's home. After the lightening strike, Eva can't remember what happened, but some clues from her mother's home lead her to London, her mother's former home, where she works to unravel both Kat's past and her own. But it quickly becomes apparent that someone doesn't want Eva uncovering her mother's secrets. And the more Eva begins to remember the events of that evening, the more danger she is in.
"Memories could be come distorted, twisted to suit the teller, or ignored and forgotten, pushed away. I should know. I'd been doing it for years."
This was my first book by Christina McDonald, but I'll definitely be tracking down her first book now as well. This was a spellbinding thriller, which I found quite difficult to put down. It's told in the alternating perspectives of Eva, in present-day, and her mom, Kat, in the past. The format works quite effectively and somehow gives the book a frenetic, frantic pacing and feel.
It's hard to know if Eva is telling us the truth, as she's been struck by lightning (!) and alludes to previous problems, too. Kat quickly emerges as a mysterious and dynamic character, too. As their stories unfold and start to converge, I was quite fascinated and intrigued, and the pages just flew by. I guessed quite a bit, but it didn't diminish my enjoyment at all, and I enjoyed all the twists and turns. (There's much more than Kat and Eva, but I don't want to spoil anything!)
Overall, I'm glad I followed all the #bookstagram hype and picked this one up. It was a quick, intense read. Different and engaging! 4 stars.
"Memories could be come distorted, twisted to suit the teller, or ignored and forgotten, pushed away. I should know. I'd been doing it for years."
This was my first book by Christina McDonald, but I'll definitely be tracking down her first book now as well. This was a spellbinding thriller, which I found quite difficult to put down. It's told in the alternating perspectives of Eva, in present-day, and her mom, Kat, in the past. The format works quite effectively and somehow gives the book a frenetic, frantic pacing and feel.
It's hard to know if Eva is telling us the truth, as she's been struck by lightning (!) and alludes to previous problems, too. Kat quickly emerges as a mysterious and dynamic character, too. As their stories unfold and start to converge, I was quite fascinated and intrigued, and the pages just flew by. I guessed quite a bit, but it didn't diminish my enjoyment at all, and I enjoyed all the twists and turns. (There's much more than Kat and Eva, but I don't want to spoil anything!)
Overall, I'm glad I followed all the #bookstagram hype and picked this one up. It was a quick, intense read. Different and engaging! 4 stars.
Gareth von Kallenbach (980 KP) rated Demolition (2016) in Movies
Aug 6, 2019
It is often said that when we lose a loved one, we often lose a part of ourselves. In mourning, we have to come to terms with the loss and where we are headed in the future. Who are we now that part of us is gone? Demolition starring Jake Gyllenhaal and Naomi Watts discusses the various aspects with healing and finding oneself. Davis Mitchell (Jake Gyllenhaal) returns to work after losing his wife in a horrific car accident.
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.
While grieving, he writes a complaint letter to a vending machine company about a recent experience he had while waiting in the hospital. Through the letters he lets a stranger and the audience in on his mindset and the reality that he feels disconnected from the world, his wife, and himself. When the company’s customer service rep reads the letters, she feels compelled to contact Davis. She offers a sympathetic ear to his pain and numbness. As their friendship grows, he begins to rebuild his life. The task is large and requires him to follow the advice that his father-in-law passed down to him; In order to fix something, sometimes you need to take it all apart in order to see how it works. Davis begins to deconstruct various pieces of his life in order to find peace with his loss so he can move forward.
Demolition offers a unique and provocative look at loss, grief, and identity. This is a film that will have its audience asking questions about their own lives and if they feel fulfilled or satisfied. The plot stays with you. The performances of each of the characters carries the story and makes us truly connect with them. There isn’t a single moment when you cease to care about who they are or what their lives have in store. There is depth and authenticity throughout this film.
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