"I was in hospital this year and I made a point of listening to Exai and Oversteps, and Oversteps is amazing. I completely missed it at the time because I thought they'd disappeared way up their own arses. Academic music for academics. There is an element of that, I think. But those EPs remind me of walking around London completely off my head. It's the best music for that. For me, they represent coming back to electronic music after doing my homework. I immersed myself so much in the idea of the heritage of where my music came from that I missed out on rave culture and a whole scene that I belonged to, having come out of that whole electro/breakdance thing. I felt like I'd taken a wrong turn. But coming to Autechre… What I heard in them was Sonic Youth in electronic form. You've got that whole thing of mutated music turning itself inside out. Destroying itself as well. It induced a bit of a head rush and a panic that was actually quite enjoyable. Walking around London with a huge pair of headphones on completely off my tits listening to Autechre is the city experience for me. I like the overload of it. But they are also capable of beauty – I think that's what makes them so real. I have struggled with a few of their records. Chiastic Slide was one I bought when I first moved to Kilburn and I really didn't think much of it at the time. But what's amazing about Autechre – even at that point when they hadn't become IDM gods – was you knew that you had to persist with them; that it wouldn't reveal itself on first listen. You had to dig a bit, the same with Sonic Youth. I persevered with Sister and it became a favourite after a while. Chiastic Slide is now my favourite Autechre album. You can't rely on them to just do what's expected. Picking the EPs is a bit of a cheat, but some of my favourite tunes are on them – 'Cichlisuite' and 'Envane'."