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Gareth von Kallenbach (980 KP) rated Wonder Woman (2017) in Movies

Jul 11, 2019  
Wonder Woman (2017)
Wonder Woman (2017)
2017 | Action, Fantasy, War
8
8.2 (517 Ratings)
Movie Rating Watch
The extent of my knowledge of Wonder Woman comes from vague memories of the TV show with Lynda Carter in the 70s and the Super Friends cartoon in the early 80s. So I knew she was an Amazon princess from Paradise Island who flew an invisible plane. I may have been Wonder Woman for Halloween back when you stuck your arms through a plastic sheet with Wonder Woman’s torso painted on it, that tied at the neck like a cheap, hospital gown, with a mask with eyes cutout and a mouth you really couldn’t breathe through. So really, I knew OF her, but I never really actually knew much about Wonder Woman.

Fast forward some 40 years later and I’m in a theater learning Diana is the fiercely spirited daughter of Queen Hippolyta who sculpted her from clay and was brought to life by Zeus. Wait. What? Tell me more! She’s raised on the secluded island of Themyscira where, thanks to her aunt Antiope’s training, Diana develops extraordinary skill in combat.

Those skills come in handy when Steve Trevor somehow crashes through the protective barrier surrounding Themyscira, while trying to escape from the Germans. Suddenly made aware of an outside world, Diana decides to leave Themyscira with Trevor for war-torn Europe believing she must help stop the great war.

Gal Gadot portrays Wonder Woman as a strong-willed, worldly but still naïve force to reckon with. Chris Pine plays a wiley American spy who isn’t immune to Diana’s beauty but remains respectful of the innocence he can see behind her conviction. Together they team up with a motley crew of unlikely heroes to bring down a horrific German, whom Diana believes is Ares, the God of War, reborn.

I wasn’t sure what kept me more riveted, the storyline, the chemistry between Gadot and Pine,or Wonder Woman’s physical beauty and prowess. I can tell you that I never heard a screener audience cheer for Batman or Superman like they did for Wonder Woman, just at the sight of the determined superhero slowly walking towards battle, prompted in part by the pounding opening wails of Wonder Woman’s theme music.

Wonder Woman is an origin story well-told, something I really can’t say for the previous Justice League movies. Where Man of Steel, Batman v Superman and Suicide Squad have left me “meh” for future DC movies, Wonder Woman left me hopeful for Justice League and future DC Extended Universe movies. I hope the directors of DCEU movies take some lessons from Wonder Woman’s director, Patty Jenkins. Simply put, we want to root for a multi-dimensional superhero with a story we can easily follow and get behind. In other words, be like Wonder Woman.
  
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Dianne Robbins (1738 KP) rated Merrily We Go to Hell (1932) in Movies

Sep 3, 2020 (Updated Sep 3, 2020)  
Merrily We Go to Hell (1932)
Merrily We Go to Hell (1932)
1932 | Classics, Comedy, Drama
6
6.0 (1 Ratings)
Movie Rating
Pre-code (4 more)
What's good for the goose is good for the gander.
Skeet Gallagher as Buck, the sidekick
Florence Britton as Charlcie, the female sidekick
Directed by female director Dorothy Arzner
No relationship development between the male and female protagonists. (0 more)
Contains spoilers, click to show
It was an important movie of its time. It is a pre-code movie so it was able to get away with sins such as alcoholism and infidelity of husbands AND wives without making them pay in the end.

Sylvia Sidney plays Joan Prentice, the daughter of the president of Prentice coffee and Fredric March plays Jerry Corbett, a newspaperman who wishes to be a playwright. They meet at a society party where she is trying to ignore the advances of a very handsy older man and he is on the terrace drunk and drinking even more. She somehow finds him charming and he finds her "swell." They make a date to meet up again and romance follows. I mean, allegedly follows though it seems like a huge plot point to me what they see in each other and what kind of substance their relationship has. I've never been a very romantic person but even this seems terribly lacking to me.

Skeets Gallagher plays the sidekick Buck and he's worth his weight in gold. He a drinking buddy and scenes with him often start with the camera panning him tap dancing from behind. He's sweet, sympathetic, charming, and adorable and brings so much life to the role and film. Florence Britton plays the female sidekick to Fredric March's Jerry Corbett and is a bold lady, and kind. She and Buck are so much fun and not sloppy drunk like Corbett. I would much rather watch a movie with the two of them.

Sylvia Sidney, the female protagonist was bold and determined. After her husband cheats on her with his former wife, she goes out to have a little fun, too. She gets tired of her husband's constant drunkenness and leaves him. He seems to come to his senses at the end of the movie and goes to her. Spoiler alert: she is in the hospital having delivered their baby. He didn't know she was pregnant and only learned about the baby after reading the birth announcement in the newspaper. This is a premonition of things to come once the code comes into play as any sin must be paid for with a person's ruin or death. However, it ends on a happy note that their marriage will be better and that they are hopeful for the future.

* Watch for Cary Grant in one of his earliest roles as the male lead in the period drama play towards the end of the film.