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Ari Aster recommended Persona (1966) in Movies (curated)

 
Persona (1966)
Persona (1966)
1966 | Drama
8.5 (2 Ratings)
Movie Favorite

"I love all of Bergman’s films, but his later period has had the biggest impact on me, starting with Persona. The film marked the advent of a new period for him; I know that he wrote it when he was in the hospital and thought he was going to die. It adopts a dream logic in a really forward-thinking way, and like Altman’s Three Women, is an example of a proto-Lynchian dream movie. I was thinking about that when we were making Hereditary, how it gradually adopts a nightmare logic. Cries and Whispers strikes me as the most painful and beautiful film about death . . . and sisterhood. I screened it for the crew when we were making Hereditary, which is also a movie about suffering. Bergman was always wrestling with the big things—family dynamics, one’s relationship to God—but he did it in such an accessible way. His films are entertainments—they’re fun, and they’re beautiful. I feel like he has a reputation for being a forbidding director, but I find him to be as inviting as a filmmaker like that could possibly be."

Source
  
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Ari Aster recommended Cries and Whispers (1972) in Movies (curated)

 
Cries and Whispers (1972)
Cries and Whispers (1972)
1972 | Drama, Romance
(0 Ratings)
Movie Favorite

"I love all of Bergman’s films, but his later period has had the biggest impact on me, starting with Persona. The film marked the advent of a new period for him; I know that he wrote it when he was in the hospital and thought he was going to die. It adopts a dream logic in a really forward-thinking way, and like Altman’s Three Women, is an example of a proto-Lynchian dream movie. I was thinking about that when we were making Hereditary, how it gradually adopts a nightmare logic. Cries and Whispers strikes me as the most painful and beautiful film about death . . . and sisterhood. I screened it for the crew when we were making Hereditary, which is also a movie about suffering. Bergman was always wrestling with the big things—family dynamics, one’s relationship to God—but he did it in such an accessible way. His films are entertainments—they’re fun, and they’re beautiful. I feel like he has a reputation for being a forbidding director, but I find him to be as inviting as a filmmaker like that could possibly be."

Source
  
40x40

Kim Pook (101 KP) rated Irreplaceable You (2018) in Movies

Dec 18, 2020  
Irreplaceable You (2018)
Irreplaceable You (2018)
2018 | Drama
5
5.0 (1 Ratings)
Movie Rating
Most films about cancer end with the patient dying, but this one starts with her already passed. We are then thrown into how Abigail and Sam first met, right back from the first time Abigail bit Sam as a child.
One day when Abigail goes to the Dr's thinking she is pregnant, she learns she is not pregnant but has stage 4 cancer. Even though it's mentioned at the start, you still feel so sad for her as the couple are so young and happy.
After going to a cancer support group, Abi worries that Sam will go through 'a slut phase' after she's gone, so she sets about trying to find him a new girlfriend.
I thought the movie was mediocre at best. There was a few scenes with over the top humour which ruined the feel of the movie for me. For example the scenes with the Dr at the hospital and the support group, the awful cheesy humour was not necessary. I did enjoy the scenes with Abi and Myran though, but I felt there was no chemistry between Abi and Sam which was a real shame.