"Most Americans have never heard of African American chef and cookbook author Edna Lewis. Despite her importance—she inspired culinary luminaries such as Alice Waters, MFK Fisher and James Beard, and is considered the progenitor of the farm-to-table movement—Lewis never became a household name. Though Miss Lewis’s contributions to the food culture of this nation far surpassed those of many of her white contemporaries, she and her work have actively been forgotten. This book is vital, introducing a new generation of readers and eaters to the deeply important life and legacy of Miss Lewis."

"I saw this movie for the first time at the Elgin Theater on Eighth Avenue as part of a double feature with The Tenant a long time ago, when I was young and scared. I didn’t like it. But I was young and scared. Eighth Avenue used to be scary. I honestly don’t remember why I didn’t like it, but just a few years later I would be mocking my younger, uninformed self. I absolutely love everything about this movie, from its cheesiness (camera as murder weapon) to its sheer profundity (camera as murder weapon). Anna Massey should be a household name."

"In 1950s Baltimore, my parents were pretty open. They read The New York Times and listened to Woody Guthrie records, so you can imagine what kind of a household that was. They were immigrants from Scotland, and their taste included a lot of American folk music like, Woody and Pete Seeger, both of whom made children’s albums, so that’s what I would hear. Later, I heard their other songs, which obviously had a political slant and a story to tell and a point of view. That was something to realize at a young age: that a song could do that."