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Gareth von Kallenbach (977 KP) rated Downton Abbey (2019) in Movies
Sep 16, 2019
The King and Queen, His Royal Highness, King George V and Queen Mary are visiting Downton Abbey! This is the premise set for the grand cinematic conclusion of the very popular BBC/PBS series that has told the saga of the Crawley family.
Robert Crawley, the Earl of Grantham (Hugh Bonneville) will host the King and Queen for one night as they tour the country. This starts the frenzy of preparation at Downton Abbey. The entire cast from the television series returns to wrap up the epic tale of the family led by the Dowager Countess of Grantham (Dame Maggie Smith as the stoic, protective and acid tongued head of the Crawley Family). We get to view the intrigue and subterfuge that has been built upon the ages as the players in the game, maneuver their way through the challenges of royal protocol.
The daily run of Downton has been passed down to Lady Mary Talbot (Michelle Dockery), who now needs to insure that the house is in order and passes the inspection of the Royal Servants of the King. The kitchen is all a twitter with plans and preparation for shopping and meals. Come to find that the King and Queen has their own travelling butler and ladies maid that arrive beforehand to establish the household in order to provide the crown with the comforts that they are accustomed.
This film has been eagerly anticipated since the last season had aired. Fans all around the world have been waiting for this to wrap up the loose ends from the closing season of the television series. The film does exactly that. Taking each thread and weaving a complete conclusion of the stories that compelled millions around the world to stay tuned.
For those who have not seen the series but are wrangled to watch the movie, you will find the charm, elegance, humour and wit applied to the story. One is not required to have watched any, if all of the episodes of Downton in order to enjoy the storyline. The film is perfectly entertaining as a standalone film. Each character so well crafted and beautifully acted by the ensemble.
I recommend taking your favorite Downton fan to the cinema for an evening of grand proportions, romantic notions, charm and the glamour of 1927 England. Thoroughly enjoyable with or without previous show knowledge.
5 out of 5 for fans
4 out of 5 for non fans
Robert Crawley, the Earl of Grantham (Hugh Bonneville) will host the King and Queen for one night as they tour the country. This starts the frenzy of preparation at Downton Abbey. The entire cast from the television series returns to wrap up the epic tale of the family led by the Dowager Countess of Grantham (Dame Maggie Smith as the stoic, protective and acid tongued head of the Crawley Family). We get to view the intrigue and subterfuge that has been built upon the ages as the players in the game, maneuver their way through the challenges of royal protocol.
The daily run of Downton has been passed down to Lady Mary Talbot (Michelle Dockery), who now needs to insure that the house is in order and passes the inspection of the Royal Servants of the King. The kitchen is all a twitter with plans and preparation for shopping and meals. Come to find that the King and Queen has their own travelling butler and ladies maid that arrive beforehand to establish the household in order to provide the crown with the comforts that they are accustomed.
This film has been eagerly anticipated since the last season had aired. Fans all around the world have been waiting for this to wrap up the loose ends from the closing season of the television series. The film does exactly that. Taking each thread and weaving a complete conclusion of the stories that compelled millions around the world to stay tuned.
For those who have not seen the series but are wrangled to watch the movie, you will find the charm, elegance, humour and wit applied to the story. One is not required to have watched any, if all of the episodes of Downton in order to enjoy the storyline. The film is perfectly entertaining as a standalone film. Each character so well crafted and beautifully acted by the ensemble.
I recommend taking your favorite Downton fan to the cinema for an evening of grand proportions, romantic notions, charm and the glamour of 1927 England. Thoroughly enjoyable with or without previous show knowledge.
5 out of 5 for fans
4 out of 5 for non fans
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Kim Pook (101 KP) rated Rent-A-Pal (2020) in Movies
Nov 1, 2022
A man sits down to watch a vhs tape, it looks like one of those dating videos you used to be able to get years ago before the Internet. He fast forwards a few women but doesn't find any who takes his interest, so he sets about his daily tasks of taking care of his elderly mother with dementia and the household chores, before heading out to re record his own dating video.
Whilst collecting a few more dating profiles, he finds a tape called 'rent a pal' which promises that whoever watches will have a new best friend. Being someone who is lonely he decides to purchase the tape. He plays a little of the tape when he gets home before stopping it and watching a movie with his mum instead.
After putting his mum to bed he heads back to the basement to continue watching his new tape, he decides to talk to the guy on the tape as if he can hear him and passes out drunk.
The next day he finds out he got a match on his dating profile and goes to the store to collect the video, however, he forgets his wallet and goes back home to collect it, but when he returns, his match had already matched with someone else. He asks to take the video home anyway, so he could see what he missed.
He is devastated to see that the girl had similar interests to him and was also a carer. He soon turns to his rent a pal video again to talk to it like a real person. Eventually he is watching it over and over again each day, to the point where it becomes an obsession. Even when he goes on a date, he comes home to tell the video about his day and starts letting the guy in the video dictate his life.
It is a very strange movie, the guy in the video isn't actually talking to him but he pretends he is and even calls him his best friend!! It is a well acted movie though, especially by the woman playing David's mother, she really is believable in playing a woman with dementia. It's definitely one of those movies where you become drawn in and eager to see how it ends, but I wouldn't watch it again.
Whilst collecting a few more dating profiles, he finds a tape called 'rent a pal' which promises that whoever watches will have a new best friend. Being someone who is lonely he decides to purchase the tape. He plays a little of the tape when he gets home before stopping it and watching a movie with his mum instead.
After putting his mum to bed he heads back to the basement to continue watching his new tape, he decides to talk to the guy on the tape as if he can hear him and passes out drunk.
The next day he finds out he got a match on his dating profile and goes to the store to collect the video, however, he forgets his wallet and goes back home to collect it, but when he returns, his match had already matched with someone else. He asks to take the video home anyway, so he could see what he missed.
He is devastated to see that the girl had similar interests to him and was also a carer. He soon turns to his rent a pal video again to talk to it like a real person. Eventually he is watching it over and over again each day, to the point where it becomes an obsession. Even when he goes on a date, he comes home to tell the video about his day and starts letting the guy in the video dictate his life.
It is a very strange movie, the guy in the video isn't actually talking to him but he pretends he is and even calls him his best friend!! It is a well acted movie though, especially by the woman playing David's mother, she really is believable in playing a woman with dementia. It's definitely one of those movies where you become drawn in and eager to see how it ends, but I wouldn't watch it again.
Merissa (11950 KP) rated Improper Mage in Books
Mar 8, 2022
IMPROPER MAGE is the first book in a new series by a new author, Taylor Westwood.
In a world similar to our own, Liana lives in Triaedian - a land where shifters, vampires, and mages all live in harmony?! As a female, she doesn't have many options, and the only magic she is supposed to know is how to help with her household. Luckily for us, Liana is not content with that and learns as much as she can by herself, being a strong and proficient mage, even if she can never show it.
One night she meets Damien, the King of Triaedian, who is fascinated by her. He has ruled alone for some time but, maybe, it is time for him to find his Queen. Liana is flattered until she finds out he has expressed interest in two others as well. Then she feels betrayed and played.
The interaction between these two is brilliant. Liana is seen as an 'odd' one in that she doesn't abide by society's rules for what a woman should do. Damien sees this and doesn't seem to want to change her, delighting in who she is. The attraction is hot and immediate but, once again due to society's rules, they are forbidden to act upon it until they are married. They do push the boundaries and have one particularly steamy moment, but will he marry her or one of the others?
I found the world-building to be brilliant, giving me enough information to see how the world worked without overloading me all at once. I also adored the hidden depths of others characters that sneaked through every so often. There is an overall story arc here so don't expect a HEA ending. What you do get is a fantastic ending that will definitely leave you wanting more.
I immediately went onto the author's website to see if there was any indication of when the next book was due out. For a debut book, this was amazing and I loved every word. Highly recommended by me!!
ps - and if you find out when Improper Queen is due out before me, please let me know! I need it!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
In a world similar to our own, Liana lives in Triaedian - a land where shifters, vampires, and mages all live in harmony?! As a female, she doesn't have many options, and the only magic she is supposed to know is how to help with her household. Luckily for us, Liana is not content with that and learns as much as she can by herself, being a strong and proficient mage, even if she can never show it.
One night she meets Damien, the King of Triaedian, who is fascinated by her. He has ruled alone for some time but, maybe, it is time for him to find his Queen. Liana is flattered until she finds out he has expressed interest in two others as well. Then she feels betrayed and played.
The interaction between these two is brilliant. Liana is seen as an 'odd' one in that she doesn't abide by society's rules for what a woman should do. Damien sees this and doesn't seem to want to change her, delighting in who she is. The attraction is hot and immediate but, once again due to society's rules, they are forbidden to act upon it until they are married. They do push the boundaries and have one particularly steamy moment, but will he marry her or one of the others?
I found the world-building to be brilliant, giving me enough information to see how the world worked without overloading me all at once. I also adored the hidden depths of others characters that sneaked through every so often. There is an overall story arc here so don't expect a HEA ending. What you do get is a fantastic ending that will definitely leave you wanting more.
I immediately went onto the author's website to see if there was any indication of when the next book was due out. For a debut book, this was amazing and I loved every word. Highly recommended by me!!
ps - and if you find out when Improper Queen is due out before me, please let me know! I need it!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
Ross (3284 KP) rated The Art of Dying in Books
Aug 15, 2019
Another fantastic historical medical thriller
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *
Ambrose Parry returns with a second book set in Victorian Edinburgh during its medical and scientific revolution. Where the first book centred around Sir James Young Simpson (and others!) search for the perfect anaesthetic, this book focuses more on the man and his reputation. Edinburgh is still a thriving centre of medical science, and reputation is everything. The book starts with Simpson's reputation being besmirched by rivals and former colleagues, looking to suggest negligence. Will Raven and Sarah Fisher team up again to gradually peel away at the facts underlying the case in question and reveal some disturbing trends.
While the plot itself, and its numerous twists and turns, is not exactly ground-breaking, it is excellently told, with clues scattered here, there and everywhere. And to weave this tale around actual historic events and cases really appeals to my mind.
This book, and its predecessor, is one of the most immersive books I have read in a long time. The reader really gets to feel as if they are in Victorian era Edinburgh. Admittedly, I read a fair part of this book while commuting to work in Edinburgh (indeed my children were all born in the Sir James Young Simpson maternity unit of the Edinburgh Royal Infirmary), but I feel the reader with less connection to the city would still get that same feeling.
There is again an underlying message of the treatment of women during those times (and indeed today), both how they are treated in the household and society and also their opportunities for a career and to explore their skills. Sarah Fisher is a strong female character who tolerates her place in society but yearns to break through the glass ceiling, proving her worth to all and sundry as she goes.
In contrast, Will Raven is somewhat spineless in this regard. He sees the issues with society but doesn't do much to act on it. Indeed, he starts the book having run away from Edinburgh and his chances of a relationship with a mere housekeeper, for fear of his heart dooming his medical career. Raven does get some amount of development, both in terms of his medical career, and also in terms of becoming the Victorian equivalent of "woke".
Parry's prose is fantastic and she (they?) truly allow the reader to feel the story unfold around them.
An utterly wonderful book with some interesting history lessons and important messages about the past that should help us build a fairer society today.
Ambrose Parry returns with a second book set in Victorian Edinburgh during its medical and scientific revolution. Where the first book centred around Sir James Young Simpson (and others!) search for the perfect anaesthetic, this book focuses more on the man and his reputation. Edinburgh is still a thriving centre of medical science, and reputation is everything. The book starts with Simpson's reputation being besmirched by rivals and former colleagues, looking to suggest negligence. Will Raven and Sarah Fisher team up again to gradually peel away at the facts underlying the case in question and reveal some disturbing trends.
While the plot itself, and its numerous twists and turns, is not exactly ground-breaking, it is excellently told, with clues scattered here, there and everywhere. And to weave this tale around actual historic events and cases really appeals to my mind.
This book, and its predecessor, is one of the most immersive books I have read in a long time. The reader really gets to feel as if they are in Victorian era Edinburgh. Admittedly, I read a fair part of this book while commuting to work in Edinburgh (indeed my children were all born in the Sir James Young Simpson maternity unit of the Edinburgh Royal Infirmary), but I feel the reader with less connection to the city would still get that same feeling.
There is again an underlying message of the treatment of women during those times (and indeed today), both how they are treated in the household and society and also their opportunities for a career and to explore their skills. Sarah Fisher is a strong female character who tolerates her place in society but yearns to break through the glass ceiling, proving her worth to all and sundry as she goes.
In contrast, Will Raven is somewhat spineless in this regard. He sees the issues with society but doesn't do much to act on it. Indeed, he starts the book having run away from Edinburgh and his chances of a relationship with a mere housekeeper, for fear of his heart dooming his medical career. Raven does get some amount of development, both in terms of his medical career, and also in terms of becoming the Victorian equivalent of "woke".
Parry's prose is fantastic and she (they?) truly allow the reader to feel the story unfold around them.
An utterly wonderful book with some interesting history lessons and important messages about the past that should help us build a fairer society today.