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Merissa (12330 KP) rated Improper Mage in Books
Mar 8, 2022
IMPROPER MAGE is the first book in a new series by a new author, Taylor Westwood.
In a world similar to our own, Liana lives in Triaedian - a land where shifters, vampires, and mages all live in harmony?! As a female, she doesn't have many options, and the only magic she is supposed to know is how to help with her household. Luckily for us, Liana is not content with that and learns as much as she can by herself, being a strong and proficient mage, even if she can never show it.
One night she meets Damien, the King of Triaedian, who is fascinated by her. He has ruled alone for some time but, maybe, it is time for him to find his Queen. Liana is flattered until she finds out he has expressed interest in two others as well. Then she feels betrayed and played.
The interaction between these two is brilliant. Liana is seen as an 'odd' one in that she doesn't abide by society's rules for what a woman should do. Damien sees this and doesn't seem to want to change her, delighting in who she is. The attraction is hot and immediate but, once again due to society's rules, they are forbidden to act upon it until they are married. They do push the boundaries and have one particularly steamy moment, but will he marry her or one of the others?
I found the world-building to be brilliant, giving me enough information to see how the world worked without overloading me all at once. I also adored the hidden depths of others characters that sneaked through every so often. There is an overall story arc here so don't expect a HEA ending. What you do get is a fantastic ending that will definitely leave you wanting more.
I immediately went onto the author's website to see if there was any indication of when the next book was due out. For a debut book, this was amazing and I loved every word. Highly recommended by me!!
ps - and if you find out when Improper Queen is due out before me, please let me know! I need it!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
In a world similar to our own, Liana lives in Triaedian - a land where shifters, vampires, and mages all live in harmony?! As a female, she doesn't have many options, and the only magic she is supposed to know is how to help with her household. Luckily for us, Liana is not content with that and learns as much as she can by herself, being a strong and proficient mage, even if she can never show it.
One night she meets Damien, the King of Triaedian, who is fascinated by her. He has ruled alone for some time but, maybe, it is time for him to find his Queen. Liana is flattered until she finds out he has expressed interest in two others as well. Then she feels betrayed and played.
The interaction between these two is brilliant. Liana is seen as an 'odd' one in that she doesn't abide by society's rules for what a woman should do. Damien sees this and doesn't seem to want to change her, delighting in who she is. The attraction is hot and immediate but, once again due to society's rules, they are forbidden to act upon it until they are married. They do push the boundaries and have one particularly steamy moment, but will he marry her or one of the others?
I found the world-building to be brilliant, giving me enough information to see how the world worked without overloading me all at once. I also adored the hidden depths of others characters that sneaked through every so often. There is an overall story arc here so don't expect a HEA ending. What you do get is a fantastic ending that will definitely leave you wanting more.
I immediately went onto the author's website to see if there was any indication of when the next book was due out. For a debut book, this was amazing and I loved every word. Highly recommended by me!!
ps - and if you find out when Improper Queen is due out before me, please let me know! I need it!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Rachel King (13 KP) rated Masquerade in Books
Feb 11, 2019
I was surprised at how much I enjoyed reading this novel by the end of it. The beginning is a bit slow and dry, as Moser sets up the background information and almost struggles to get the reader to "side" with the main character Charlotte Gleason by using her maid's voice to excuse Charlotte's "spoiled rich girl" behavior. I really have a hard time buying the lines that Charlotte really is a good person even though she chooses to be naive about the world she lives in because she feels helpless to enact change. But what happens to her family to force her to travel to America is just the thing to wake her up to the real world and her own responsibilities in it.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
I feel much more sympathetic to Dora Conners' plight, as she has little to no say in her life and what Charlotte forces on her, even if it does seem to benefit Dora in theory. To be forced into a position in which she has to lie about who she is and where she is from by her "boss" is atrocious, no matter how much a "friendship" has been built between them. In addition, the endgame is that she is expected to give of her own body to a man in marriage who does not even know who she really is - it's completely shameful.
The parallel way that the story is told once the girls get to America is quite interesting, especially how their paths intersect in seemingly coincidental ways, such as the sweat shop where Charlotte works temporarily manufacturing the clothes that Dora orders from the Tremaine's department store. The more that Charlotte suffers and the guiltier she feels for the lies she has told and has also forced on Dora makes me like her more for the maturation in character she experiences.
In contrast, I have a hard time blaming Dora for the choices she has to make while living in the Tremaine household given her circumstances. She was made to come to this place and perform to certain expectations, and she has no backup plan should she decide to do otherwise. The guilt she feels despite her lack of personal choice in the matter only make her more likeable to the reader. Given where she is from and what is being handed to her, there are not many who would fault her for going along with the "masquerade."
In the end, the goal of both girls is true love over financial stability, and since I am a romantic at heart, I can't help but approve of the ending.
Ross (3284 KP) rated The Art of Dying in Books
Aug 15, 2019
Another fantastic historical medical thriller
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *
Ambrose Parry returns with a second book set in Victorian Edinburgh during its medical and scientific revolution. Where the first book centred around Sir James Young Simpson (and others!) search for the perfect anaesthetic, this book focuses more on the man and his reputation. Edinburgh is still a thriving centre of medical science, and reputation is everything. The book starts with Simpson's reputation being besmirched by rivals and former colleagues, looking to suggest negligence. Will Raven and Sarah Fisher team up again to gradually peel away at the facts underlying the case in question and reveal some disturbing trends.
While the plot itself, and its numerous twists and turns, is not exactly ground-breaking, it is excellently told, with clues scattered here, there and everywhere. And to weave this tale around actual historic events and cases really appeals to my mind.
This book, and its predecessor, is one of the most immersive books I have read in a long time. The reader really gets to feel as if they are in Victorian era Edinburgh. Admittedly, I read a fair part of this book while commuting to work in Edinburgh (indeed my children were all born in the Sir James Young Simpson maternity unit of the Edinburgh Royal Infirmary), but I feel the reader with less connection to the city would still get that same feeling.
There is again an underlying message of the treatment of women during those times (and indeed today), both how they are treated in the household and society and also their opportunities for a career and to explore their skills. Sarah Fisher is a strong female character who tolerates her place in society but yearns to break through the glass ceiling, proving her worth to all and sundry as she goes.
In contrast, Will Raven is somewhat spineless in this regard. He sees the issues with society but doesn't do much to act on it. Indeed, he starts the book having run away from Edinburgh and his chances of a relationship with a mere housekeeper, for fear of his heart dooming his medical career. Raven does get some amount of development, both in terms of his medical career, and also in terms of becoming the Victorian equivalent of "woke".
Parry's prose is fantastic and she (they?) truly allow the reader to feel the story unfold around them.
An utterly wonderful book with some interesting history lessons and important messages about the past that should help us build a fairer society today.
Ambrose Parry returns with a second book set in Victorian Edinburgh during its medical and scientific revolution. Where the first book centred around Sir James Young Simpson (and others!) search for the perfect anaesthetic, this book focuses more on the man and his reputation. Edinburgh is still a thriving centre of medical science, and reputation is everything. The book starts with Simpson's reputation being besmirched by rivals and former colleagues, looking to suggest negligence. Will Raven and Sarah Fisher team up again to gradually peel away at the facts underlying the case in question and reveal some disturbing trends.
While the plot itself, and its numerous twists and turns, is not exactly ground-breaking, it is excellently told, with clues scattered here, there and everywhere. And to weave this tale around actual historic events and cases really appeals to my mind.
This book, and its predecessor, is one of the most immersive books I have read in a long time. The reader really gets to feel as if they are in Victorian era Edinburgh. Admittedly, I read a fair part of this book while commuting to work in Edinburgh (indeed my children were all born in the Sir James Young Simpson maternity unit of the Edinburgh Royal Infirmary), but I feel the reader with less connection to the city would still get that same feeling.
There is again an underlying message of the treatment of women during those times (and indeed today), both how they are treated in the household and society and also their opportunities for a career and to explore their skills. Sarah Fisher is a strong female character who tolerates her place in society but yearns to break through the glass ceiling, proving her worth to all and sundry as she goes.
In contrast, Will Raven is somewhat spineless in this regard. He sees the issues with society but doesn't do much to act on it. Indeed, he starts the book having run away from Edinburgh and his chances of a relationship with a mere housekeeper, for fear of his heart dooming his medical career. Raven does get some amount of development, both in terms of his medical career, and also in terms of becoming the Victorian equivalent of "woke".
Parry's prose is fantastic and she (they?) truly allow the reader to feel the story unfold around them.
An utterly wonderful book with some interesting history lessons and important messages about the past that should help us build a fairer society today.
ClareR (5779 KP) rated Beneath the Surface in Books
Jul 9, 2019
A family’s destructive secrets
All families have secrets, but it’s highly likely that not all families have secrets that are quite as huge as those that the Vermuydens are keeping from one another.
Grace had grown up in a very chaotic household and she doesn’t want that for her daughters. But when 17 year old Lilly collapses at school, it triggers a chain of events where the family members realise that there are consequences to keeping their secrets.
I actually liked the Vermuyden family. Grace is a mother trying her utmost to give her daughters all the things she never had. She can come across as a pushy ‘helicopter’ mother, but as the story progresses, we realise that there’s no wonder that she tries so hard. However, it can’t be easy for Lilly, who all of her efforts are directed at. She has a great responsibility: mainly to achieve all of the academic things that her mother didn’t have the chance to achieve.
Mia, who is 10/11, has a much easier time of it with regards to her mother. I don’t actually think that her parents expect much of her at all. She’s quirky, really not the same as her peers - something which we seem to value as an adult, but dread when we’re children.
Patrick, the father, is the hardest character for me to warm to. He’s having huge financial problems which are impacting on his family, yet he is keeping the extent of these difficulties from his wife. If it were me, I’d be livid!
This is a great book. I read it within two days because I just couldn’t put it down. I really enjoy these kinds of books - books about families and their issues. The style in which it was written really worked well for me too - I felt as though I was there in person, watching the story unfold (I suppose as a reader, I was!). They were all very human, relatable characters. The teenagers were well written as well. All too often teenagers are written as unpleasant, selfish and calculating, but here we could see their more sensitive, caring sides. They were all just trying to fit in, deal with growing up and their impending adulthood.
I’d recommend this book, there’s just so much to think about - and there’s such a good ending!
Many thanks to NetGalley and the publishers Michael Joseph for sending me a copy of this . It’s not a book that I would have immediately chosen to read, but I’m so glad that I did!
Grace had grown up in a very chaotic household and she doesn’t want that for her daughters. But when 17 year old Lilly collapses at school, it triggers a chain of events where the family members realise that there are consequences to keeping their secrets.
I actually liked the Vermuyden family. Grace is a mother trying her utmost to give her daughters all the things she never had. She can come across as a pushy ‘helicopter’ mother, but as the story progresses, we realise that there’s no wonder that she tries so hard. However, it can’t be easy for Lilly, who all of her efforts are directed at. She has a great responsibility: mainly to achieve all of the academic things that her mother didn’t have the chance to achieve.
Mia, who is 10/11, has a much easier time of it with regards to her mother. I don’t actually think that her parents expect much of her at all. She’s quirky, really not the same as her peers - something which we seem to value as an adult, but dread when we’re children.
Patrick, the father, is the hardest character for me to warm to. He’s having huge financial problems which are impacting on his family, yet he is keeping the extent of these difficulties from his wife. If it were me, I’d be livid!
This is a great book. I read it within two days because I just couldn’t put it down. I really enjoy these kinds of books - books about families and their issues. The style in which it was written really worked well for me too - I felt as though I was there in person, watching the story unfold (I suppose as a reader, I was!). They were all very human, relatable characters. The teenagers were well written as well. All too often teenagers are written as unpleasant, selfish and calculating, but here we could see their more sensitive, caring sides. They were all just trying to fit in, deal with growing up and their impending adulthood.
I’d recommend this book, there’s just so much to think about - and there’s such a good ending!
Many thanks to NetGalley and the publishers Michael Joseph for sending me a copy of this . It’s not a book that I would have immediately chosen to read, but I’m so glad that I did!
JT (287 KP) rated Halloween (1978) in Movies
Mar 10, 2020
Without a doubt Halloween was one of the finest horror films ever made, John Carpenter was spot on with his portrayal of a serial killer descending on a small American town.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Michael Myers was to become a horror icon and even though it spanned seven sequels, the original will always be the best in many people’s eyes. It is certainly my all time favourite horror film. Carpenter’s cinematic vision of Halloween was brilliant right from the opening credits. The long and short camera angles coupled with the “was he there or wasn’t he” shots of Myers were sublime.
The sinister musical score as well is paramount in making this film a household name in its genre. Jamie Lee Curtis was a scream queen for the 70s and although the acting talents were not up to scratch, it made no difference to the overall outcome of the film. Michael Myers was a disturbed child and after committing a horrific murder when he was just six years old he was committed to a mental institution where he escaped to stalk Laurie Strode, his long lost sister.
His the perfect boogeyman, and during the first part of the film he stalks Laurie sometimes just appearing out of shot as a blur between trees of a faceless driver passing by in his car. Laurie of course has no idea who he is but starts to feel like she is being watched, and her fears are finally realised one night descends and Carpenter ramps up the tension to breaking point.
What I love about this film is the pure simplicity of it, with a budget of just $320,000 it grossed $60m world world and was a massive hit with horror fans the world over. It didn’t want for fancy special effects, and the musical score was hardly a masterpiece but it did the job and it did it well. It is the model slasher flick and most of what has preceded it (maybe with the exception of the first Scream) have not been able to stand up in competition.
We’ve had Freddy and Jason, and we’re still having to sit and watch teenagers heading to remote and desolate locations to be butchered in a variety of unique ways while pints of blood are splashed across the screen. Halloween doesn’t require that, it will have you jumping out of your seat at least more than once and it just goes to prove that simple scares are the most effective.
Sleep Science HQ: alarm clock
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Wake up gently, track and improve your sleep. Feel refreshed and rejuvenated every morning! Tired...
Writing on the Road: Campervan Love and the Joy of Solitude
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This book is not just funny (or sad) stories of campervan trips in Scotland; it is not just 'Zen and...
LeftSideCut (3776 KP) rated Guardians of the Galaxy (2014) in Movies
Nov 13, 2020
2014 was a damn fine year for Marvel Studios in terms of quality, their two outputs being The Winter Soldier and Guardians of the Galaxy. They're just a big double-whammy example of how comic book movies can get things right.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
GOTG was a very niche property before hand. A bunch of little know Marvel characters galavanting around space, with revolving line ups involving inconsistent degrees of absurdity. The fact that batshit crazy characters such as Groot and Rocket Raccoon are now household names is an indication of just how effective this movie was.
James Gunn proves that he is the man for the job by melding together his own signature style (alongside his regular collaborator Michael Rooker of course) with the tried and tested Marvel formula of big action, and frequent humour. It's a toss up between this and Thor Ragnarok for funniest MCU movie for sure. Nearly every joke lands well, and unlike the sequel, the humour is never overdone. The balance is near perfect.
The cast are mainly to thank for that of course. Chris Pratt, Zoe Saldana, Dave Bautista, and the voice talents of Bradley Cooper and Vin Diesel make up the titular Guardians, and they are all unique and have intriguing back stories. They are well developed as the film plays out, and together make for an irreplaceable band of misfits.
The supporting cast include the aformentioned Michael Rooker, Karen Gillan, John C. Reilly, Lee Pace, Glenn Close, Peter Serafinowicz, Sean Gunn, Djimon Hounsou, Benicio Del Toro, and a first appearance by Josh Brolin as Thanos... It's another undeniably impressive ensemble cast for the MCU.
The special effects on display here are incredible. The whole film looks amazing and the big set pieces are hugely entertaining, and emotionally charged...These characters make a quick impression!
The only real criticism I have is that Ronan the Accuser, this films main antagonist, feels a little wasted. He looks great, and Lee Pace does the best with what he's given, but by the time the credits roll, he unfortunately joins the big pile of disposable MCU villains.
It's a small gripe when compared to all the good in this movie - that includes it's fantastic soundtrack by the way.
Guardians of the Galaxy is wonderful. It's proof that studios no longer have to rely on the big A-list names to make a great film, and as a result, this opened the doors for even more weird and wonderful characters to make their way into this behemoth of a series. One of my personal favourite MCU entries.
The Chocolate Lady (94 KP) rated Nine Folds Make a Paper Swan in Books
Oct 6, 2020
Okay, so I didn't actually finish reading this book. You see, I really wanted to like this book, because I think that Gillian is a talented writer. Unfortunately, I was unable to finish reading this book. On the plus side, the contemporary parts of this book were very interesting, if not compelling. Aisling's slow discovery of the Jewish world, while fighting the urge to get more committed to it was very nicely done. However, the historical parts put me off most of the time. I didn't understand the characters - either their language, or their motivations. I realize that had I finished this book, some of these questions might have been answered, but I just couldn't get past the fact that I found myself wanting to skip over large chunks of the narrative.
I think the problem was that Gillian's inexperience made her try a bit too hard to impress the Jewish and Irish aspects of this book. I've read quite a few books by Irish authors, and I've never felt like I was overwhelmed with jargon and slang, some of which I didn't understand. Unfortunately, these interjections came far too often, and they were jarring, to say the least. Certainly, her editor should have realized this, and toned it down - unless that person too was worried that the book wouldn't sound either Jewish or Irish enough for the American public.
For me, the heavy use of Irish and Yiddish slang words feels pretentious. More importantly, if your story doesn't sound Irish or Jewish enough so that you have to throw these in at every turn, then maybe you've not chosen the right subject matter.
I might have continued on, doing my best to ignore this, but the final death knell for me came when she broke my #1 cardinal rule of writing Jewish characters - a glaring mistake on a simple point of Judaism. I am willing to forgive a whole lot, but when someone describes a strict Jewish household having lamb with a side dish of potatoes, dripping with butter in the same meal (i.e., she mixed milk and meat, and it is the most basic of all things that Jewish dietary laws forbid), that's a bridge too far. No one who goes to the amount of trouble she describes in this book to get their house Kosher and ready for Passover, would ever in their right mind put butter on potatoes for a meat meal.
If any of this can be fixed before publication, I would be thrilled to read a new version of this book.
I think the problem was that Gillian's inexperience made her try a bit too hard to impress the Jewish and Irish aspects of this book. I've read quite a few books by Irish authors, and I've never felt like I was overwhelmed with jargon and slang, some of which I didn't understand. Unfortunately, these interjections came far too often, and they were jarring, to say the least. Certainly, her editor should have realized this, and toned it down - unless that person too was worried that the book wouldn't sound either Jewish or Irish enough for the American public.
For me, the heavy use of Irish and Yiddish slang words feels pretentious. More importantly, if your story doesn't sound Irish or Jewish enough so that you have to throw these in at every turn, then maybe you've not chosen the right subject matter.
I might have continued on, doing my best to ignore this, but the final death knell for me came when she broke my #1 cardinal rule of writing Jewish characters - a glaring mistake on a simple point of Judaism. I am willing to forgive a whole lot, but when someone describes a strict Jewish household having lamb with a side dish of potatoes, dripping with butter in the same meal (i.e., she mixed milk and meat, and it is the most basic of all things that Jewish dietary laws forbid), that's a bridge too far. No one who goes to the amount of trouble she describes in this book to get their house Kosher and ready for Passover, would ever in their right mind put butter on potatoes for a meat meal.
If any of this can be fixed before publication, I would be thrilled to read a new version of this book.
Catholic Short Prayers
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Helping you to pray at all times with these short prayers ready at hand. "Pray without ceasing. In...