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Becs (244 KP) rated The Book Thief in Books
Oct 2, 2019
I have no idea why I didn’t pick The Book Thief up sooner. It was honestly one of the best novels I’ve read so far this year. Scratch that, probably even one of the best novels I’ve read in my entire lifetime. Well, it might actually be a very close second to Six of Crows by Leigh Bardugo haha.
One thing that I enjoyed while reading was the narrator of the story (death himself) and all the little bits that are thrown throughout the text like this:
***THE ONLY THING WORSE THAN A BOY WHO HATES YOU***
A boy who loves you.
The author takes such a serious and sad topic and throws in love, sarcasm, and happiness. This was such a well rounded, beautiful and classic novel that I just couldn’t put it down. I loved every second of it, even though at first I was a little skeptical. But that’s only because I was in such a sour mood and reading slump when I started The Book Thief.
If you’re looking for a fast read, don’t read this. This took time to read and to understand. To process all that was going on. Markus Zusak doesn’t write The Book Thief in a morbid way that most books about the Holocaust are written, but instead with humor and love and happiness. The good and the bad all intermingled together to create an amazing book that I will be recommending to everybody from now on.
I cried. I laughed. I got pissed. I was stricken with grief, with pain, and with love. I felt that I went through almost every emotion that my body has while reading The Book Thief. And I honestly wanted more.
I wanted more of Liesel’s story after being the only one to survive on Himmel Street. I wanted spin-offs of Rudy and Liesel developing a relationship as they became teenagers and giving me that love story with a tragic back story. I wanted so much more but at the same time, I was content and happy with how the novel ended. I wouldn’t have changed anything about The Book Thief and I will most definitely be rereading it very soon. This is a book that will be cherished for an eternity.
If you haven’t picked up The Book Thief yet, please drop what you’re doing and read it. It will most defiantly change your life.
“And it would show me, once again, that one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.”
One thing that I enjoyed while reading was the narrator of the story (death himself) and all the little bits that are thrown throughout the text like this:
***THE ONLY THING WORSE THAN A BOY WHO HATES YOU***
A boy who loves you.
The author takes such a serious and sad topic and throws in love, sarcasm, and happiness. This was such a well rounded, beautiful and classic novel that I just couldn’t put it down. I loved every second of it, even though at first I was a little skeptical. But that’s only because I was in such a sour mood and reading slump when I started The Book Thief.
If you’re looking for a fast read, don’t read this. This took time to read and to understand. To process all that was going on. Markus Zusak doesn’t write The Book Thief in a morbid way that most books about the Holocaust are written, but instead with humor and love and happiness. The good and the bad all intermingled together to create an amazing book that I will be recommending to everybody from now on.
I cried. I laughed. I got pissed. I was stricken with grief, with pain, and with love. I felt that I went through almost every emotion that my body has while reading The Book Thief. And I honestly wanted more.
I wanted more of Liesel’s story after being the only one to survive on Himmel Street. I wanted spin-offs of Rudy and Liesel developing a relationship as they became teenagers and giving me that love story with a tragic back story. I wanted so much more but at the same time, I was content and happy with how the novel ended. I wouldn’t have changed anything about The Book Thief and I will most definitely be rereading it very soon. This is a book that will be cherished for an eternity.
If you haven’t picked up The Book Thief yet, please drop what you’re doing and read it. It will most defiantly change your life.
“And it would show me, once again, that one opportunity leads directly to another, just as risk leads to more risk, life to more life, and death to more death.”
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Gareth von Kallenbach (980 KP) rated Thor: Love and Thunder (2022) in Movies
Jul 5, 2022
The God of Thunder returns in Marvel Studios’ “Thor: Love and Thunder” and audiences find that Thor (Chris Hemsworth), has been doing missions with the Guardians of the Galaxy while he works himself back into shape and looks to find a new purpose in life.
Thor has been taking the spotlight in many of the missions and when multiple calls for help arise, Thor opts to go off on his own to address a particular call for help while the Guardians head on their way to help others.
It is learned that a being named Gorr (Christian Bale) has been killing Gods and Thor is eager to put a stop to him before he can do more damage. His mission soon puts him on a collision course with Gorr and The Mighty Thor (Natalie Portman) who being his ex and wielding his former weapon causes more than a few funny and awkward moments.
In a race to save captured children, rally the gods, and defeat Gorr, Thor, and Jane along with Korr (Taika Waititi) and Valkyrie (Tessa Thompson), embark on an epic adventure in a race against time.
While audiences have come to expect Marvel films to be epic cinematic events, this film is less on the over-the-top action sequences in favor of establishing new circumstances and challenges for the characters going forward.
While there are indeed action sequences and plenty of VFX, it does not have the action or intensity of several of the past films. What it does offer is a good mix of action and humor with enjoyable characters old and new and establishes scenarios for the MCU going forward.
Bale is very good as Gorr and you understand his motivations clearly as while evil, he has a degree of sympathy towards his character which makes his creepy performance all the more compelling.
The cast works very well with one another and there are two scenes in the credits which open up all kinds of possibilities for the future as we are told Thor will return before the credits even begin to roll.
The film also has considerable music and I joked to myself that Guns and Roses are going to be getting a big check due to their music being used frequently during the film as well as that of other artists which helps make the film an enjoyable outing from start to finish which should delight fans as we wait to see for the next cinematic offering from Marvel.
4 stars out of 5
Thor has been taking the spotlight in many of the missions and when multiple calls for help arise, Thor opts to go off on his own to address a particular call for help while the Guardians head on their way to help others.
It is learned that a being named Gorr (Christian Bale) has been killing Gods and Thor is eager to put a stop to him before he can do more damage. His mission soon puts him on a collision course with Gorr and The Mighty Thor (Natalie Portman) who being his ex and wielding his former weapon causes more than a few funny and awkward moments.
In a race to save captured children, rally the gods, and defeat Gorr, Thor, and Jane along with Korr (Taika Waititi) and Valkyrie (Tessa Thompson), embark on an epic adventure in a race against time.
While audiences have come to expect Marvel films to be epic cinematic events, this film is less on the over-the-top action sequences in favor of establishing new circumstances and challenges for the characters going forward.
While there are indeed action sequences and plenty of VFX, it does not have the action or intensity of several of the past films. What it does offer is a good mix of action and humor with enjoyable characters old and new and establishes scenarios for the MCU going forward.
Bale is very good as Gorr and you understand his motivations clearly as while evil, he has a degree of sympathy towards his character which makes his creepy performance all the more compelling.
The cast works very well with one another and there are two scenes in the credits which open up all kinds of possibilities for the future as we are told Thor will return before the credits even begin to roll.
The film also has considerable music and I joked to myself that Guns and Roses are going to be getting a big check due to their music being used frequently during the film as well as that of other artists which helps make the film an enjoyable outing from start to finish which should delight fans as we wait to see for the next cinematic offering from Marvel.
4 stars out of 5
Jamie (131 KP) rated What To Do With A Duke in Books
Jul 22, 2017
Mild humor (1 more)
Some good discussion about marriage and women
Unstable plot (2 more)
Frustrating characters
Vulgar male lead
A misguided curse
When it comes to historical romance, I look for one of two things: one, a compelling love story with some scenes that make me blush and fan myself; or two, a light and fluffy clean romance, sometimes with a touch of humor. What I demand from all historical romances is for both the romance and the setting to be believable. I’ve started to wonder if my standards are too high. When I went into this book, with the cute cover and hints at a curse, I figured this one might fall on the fluffy side of the spectrum (the cat on the cover may have influenced this assumption). I was sadly mistaken.
The characters seem so non-committal, not just with each other, but with upholding any of the values they claim to have. Catherine was constantly complaining about how she needed peace and solitude to write, but in the first half of the novel whenever she had it she didn’t do it. She blames family for her difficulties with not being able to be the next great novelist, but the problem was really with the fact that she was not all that committed to doing it. Just like she apparently was not all that committed to being a spinster, despite preaching about it constantly. I found Catherine’s character to be frustrating at every turn and had a hard time rooting for her.
Unfortunately, the other half of this love story was hardly any better. Marcus is dreamy for all of a few minutes, until he started talking about his manhood… Which he proceeded to do all the time. Every time the narration would switch to him, inevitably a thought would end with some note about what his cock wants. I suppose Marcus’ raw desire was supposed to be tantalizing, but I honestly just found it vulgar. It didn’t help that everything about Marcus and Catherine’s romance was a lust at first sight sort of scenario. I didn’t feel any real chemistry between them, even by the end when they are apparently in love with each other I still wasn’t feeling it. Literally everything always boiled back down to sex. The rest of the story and dialogue was not even all that funny, clever, or witty, it was just two stubborn people wanting to get in each other’s pants the entire book while being really over dramatic about, well, everything.
Then there is the curse plot line, which I could suspend my belief and go with it for a while, but even that felt like it was poorly thought out. Marcus has to control his desires and avoid marriage because he’s fearful of accidentally impregnating a woman, thus ending his life. Though somehow, he has no problem with brothel women and the risk of impregnating any of them? Because bastard children can’t be heirs? Sure, at that time period they certainly had a harder go of it, but it wasn’t unheard of. And even if that was the case, didn’t the curse start with an illegitimate child born to a woman jilted by her lover? The number of plot holes was staggering and it wouldn’t have been such a big deal if it wasn’t the central focus of the story.
I also didn’t buy the mildly magical ending with the cat. No I don’t hate the cat, on the contrary the cat was perhaps the best character in the entire book. It just seemed too convenient, too hastily put together. I was also bothered by the fact that, in order to I guess create some tension, Marcus had absolutely no interest in finding out the truth about the curse. That alone basically undid all of the effort, all of the worry, all of the focus this character had on this family curse that has weighed so heavily on him for his entire life. It made absolutely no sense for his character. I don’t even want to go into how his character contradicts himself again once the mystery is solved. I hated Marcus.
I almost put this book down after the first couple of chapters, but things picked up around the half way mark. After one scene that actually made me chuckle with the eye brow waggling old ladies, I had hope that maybe the story would redeem itself with the added bit of comedy. I was disappointed that things started to go downhill again once the book attempted to flesh out the curse and develop the romance between Catherine and Marcus. Which, while I’m on that subject – I absolutely hated how that turned out. Catherine spends the entire novel preaching about never wanting to get trapped in a marriage and to never have children, then finds herself trapped. It wasn’t romantic, it was just frustrating.
On a slightly random note, I also noticed at one point an expletive is used that I was fairly certain did not exist in the context that it was used during that time period. After looking it up my assumption was correct – while the word had existed in the more vulgar sense that it is commonly used, as a curse or slang word it didn’t come about until the 1920’s. I know it’s being overly nit picky, but things like that really ruin the immersion in the time period for me.
The characters seem so non-committal, not just with each other, but with upholding any of the values they claim to have. Catherine was constantly complaining about how she needed peace and solitude to write, but in the first half of the novel whenever she had it she didn’t do it. She blames family for her difficulties with not being able to be the next great novelist, but the problem was really with the fact that she was not all that committed to doing it. Just like she apparently was not all that committed to being a spinster, despite preaching about it constantly. I found Catherine’s character to be frustrating at every turn and had a hard time rooting for her.
Unfortunately, the other half of this love story was hardly any better. Marcus is dreamy for all of a few minutes, until he started talking about his manhood… Which he proceeded to do all the time. Every time the narration would switch to him, inevitably a thought would end with some note about what his cock wants. I suppose Marcus’ raw desire was supposed to be tantalizing, but I honestly just found it vulgar. It didn’t help that everything about Marcus and Catherine’s romance was a lust at first sight sort of scenario. I didn’t feel any real chemistry between them, even by the end when they are apparently in love with each other I still wasn’t feeling it. Literally everything always boiled back down to sex. The rest of the story and dialogue was not even all that funny, clever, or witty, it was just two stubborn people wanting to get in each other’s pants the entire book while being really over dramatic about, well, everything.
Then there is the curse plot line, which I could suspend my belief and go with it for a while, but even that felt like it was poorly thought out. Marcus has to control his desires and avoid marriage because he’s fearful of accidentally impregnating a woman, thus ending his life. Though somehow, he has no problem with brothel women and the risk of impregnating any of them? Because bastard children can’t be heirs? Sure, at that time period they certainly had a harder go of it, but it wasn’t unheard of. And even if that was the case, didn’t the curse start with an illegitimate child born to a woman jilted by her lover? The number of plot holes was staggering and it wouldn’t have been such a big deal if it wasn’t the central focus of the story.
I also didn’t buy the mildly magical ending with the cat. No I don’t hate the cat, on the contrary the cat was perhaps the best character in the entire book. It just seemed too convenient, too hastily put together. I was also bothered by the fact that, in order to I guess create some tension, Marcus had absolutely no interest in finding out the truth about the curse. That alone basically undid all of the effort, all of the worry, all of the focus this character had on this family curse that has weighed so heavily on him for his entire life. It made absolutely no sense for his character. I don’t even want to go into how his character contradicts himself again once the mystery is solved. I hated Marcus.
I almost put this book down after the first couple of chapters, but things picked up around the half way mark. After one scene that actually made me chuckle with the eye brow waggling old ladies, I had hope that maybe the story would redeem itself with the added bit of comedy. I was disappointed that things started to go downhill again once the book attempted to flesh out the curse and develop the romance between Catherine and Marcus. Which, while I’m on that subject – I absolutely hated how that turned out. Catherine spends the entire novel preaching about never wanting to get trapped in a marriage and to never have children, then finds herself trapped. It wasn’t romantic, it was just frustrating.
On a slightly random note, I also noticed at one point an expletive is used that I was fairly certain did not exist in the context that it was used during that time period. After looking it up my assumption was correct – while the word had existed in the more vulgar sense that it is commonly used, as a curse or slang word it didn’t come about until the 1920’s. I know it’s being overly nit picky, but things like that really ruin the immersion in the time period for me.