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BankofMarquis (1832 KP) rated Mission impossible dead reckoning part one (2023) in Movies
Jul 14, 2023
What A Summer Blockbuster Movie Should Be
Boy, that Tom Cruise sure knows how to make a crowd-pleasing, summer blockbuster movie.
Fresh off his cinema-saving success with TOP GUN: MAVERICK, Cruise (and Director Christopher McQuarrie) comes back with another giant summer tentpole film - MISSION IMPOSSIBLE: DEAD RECKONING, PART ONE - and they hit it out of the park again.
The 7th film in the Mission Impossible franchise (which debuted, incredibly, 27 years ago), DEAD RECKONING, PART ONE reunites Ethan Hunt (Tom Cruise) with his band of hero/outlaws to stop yet another world-wide crisis. It’s familiar ground but it is the journey not the destination that makes these types of films work and the journey (which, to be honest, is just an excuse to jump from action set piece to action set piece) is a fun one filled with comfortable characters/actors both old and new.
Besides Cruise (who’s got the Ethan Hunt character down), DR1 is filled with Hunt’s “regular” crew, Luther (Vingh Rhames - the only other actor besides Cruise to be in every MI film), Benji (SImon Pegg - around since MI 3) and Ilsa Faust (Rebecca Ferguson - on board since film 5). These are all familiar, comfortable characters and when the band gets back together about 1/2 way through the film, it felt liking sinking into your couch after a long, hard (but good) day of work to watch your favorite comfort show.
McQuarrie, wisely, populates the rest of the film with new, but comfortably familiar, faces such as Haley Atwell (Agent Carter in the MCU), Shea Wigham (ironically, he played Atwell’s boss in the Agent Carter TV Series), Pom Klementieff as Paris (the name of the character Leonard Nimoy played in the TV Series). Klementieff is also a veteran of the MCU having played Mantis in the Guardians of the Galaxy films, Esai Morales (one of the bosses in NYPD BLUE) and Cary Elwes (the Princess Bride). All bring their “A” game to the adventure and all of them acquit themselves just fine.
Oh…and Henry Czerny reprises his role as Kittridge from the first Mission Impossible film - and it was good to see him, too as was Vanessa Kirby’s re-appearance as Hunt’s “frenemie”, The White Widow (in a role that is a bit more expanded).
But, of course, all of these actors/performances takes a back seat to the action sequences and McQuarrie and Cruise are at the top of their game here. The big action set pieces are a marvel to watch - very enjoyable, exciting, nerve-wracking and easy to follow with some sense of humor rolled in. Unlike another big action flick (that leaned more towards the over-the-top comic-book type action), this Mission Impossible film relies on tension to make these action scenes pop off the screen - and McQuarrie succeeds.
Since this film is labeled as “Part One” you would expect to this film to end on a cliff-hanger and McQuarrie/Cruise were smart about that, too. It is more of “the mission isn’t finished” than a cliff-hanger, which helps this film hold together on it’s own and not just “Part One of a two-parter”.
Very smart, indeed.
A fun romp at the cinema - head out to the biggest screen possible to immerse yourself into this mission, you’ll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
A fun, escapist, action film that is satisfying (and not dumb), MISSION IMPOSSIBLE: DEAD
Fresh off his cinema-saving success with TOP GUN: MAVERICK, Cruise (and Director Christopher McQuarrie) comes back with another giant summer tentpole film - MISSION IMPOSSIBLE: DEAD RECKONING, PART ONE - and they hit it out of the park again.
The 7th film in the Mission Impossible franchise (which debuted, incredibly, 27 years ago), DEAD RECKONING, PART ONE reunites Ethan Hunt (Tom Cruise) with his band of hero/outlaws to stop yet another world-wide crisis. It’s familiar ground but it is the journey not the destination that makes these types of films work and the journey (which, to be honest, is just an excuse to jump from action set piece to action set piece) is a fun one filled with comfortable characters/actors both old and new.
Besides Cruise (who’s got the Ethan Hunt character down), DR1 is filled with Hunt’s “regular” crew, Luther (Vingh Rhames - the only other actor besides Cruise to be in every MI film), Benji (SImon Pegg - around since MI 3) and Ilsa Faust (Rebecca Ferguson - on board since film 5). These are all familiar, comfortable characters and when the band gets back together about 1/2 way through the film, it felt liking sinking into your couch after a long, hard (but good) day of work to watch your favorite comfort show.
McQuarrie, wisely, populates the rest of the film with new, but comfortably familiar, faces such as Haley Atwell (Agent Carter in the MCU), Shea Wigham (ironically, he played Atwell’s boss in the Agent Carter TV Series), Pom Klementieff as Paris (the name of the character Leonard Nimoy played in the TV Series). Klementieff is also a veteran of the MCU having played Mantis in the Guardians of the Galaxy films, Esai Morales (one of the bosses in NYPD BLUE) and Cary Elwes (the Princess Bride). All bring their “A” game to the adventure and all of them acquit themselves just fine.
Oh…and Henry Czerny reprises his role as Kittridge from the first Mission Impossible film - and it was good to see him, too as was Vanessa Kirby’s re-appearance as Hunt’s “frenemie”, The White Widow (in a role that is a bit more expanded).
But, of course, all of these actors/performances takes a back seat to the action sequences and McQuarrie and Cruise are at the top of their game here. The big action set pieces are a marvel to watch - very enjoyable, exciting, nerve-wracking and easy to follow with some sense of humor rolled in. Unlike another big action flick (that leaned more towards the over-the-top comic-book type action), this Mission Impossible film relies on tension to make these action scenes pop off the screen - and McQuarrie succeeds.
Since this film is labeled as “Part One” you would expect to this film to end on a cliff-hanger and McQuarrie/Cruise were smart about that, too. It is more of “the mission isn’t finished” than a cliff-hanger, which helps this film hold together on it’s own and not just “Part One of a two-parter”.
Very smart, indeed.
A fun romp at the cinema - head out to the biggest screen possible to immerse yourself into this mission, you’ll be glad you did.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
A fun, escapist, action film that is satisfying (and not dumb), MISSION IMPOSSIBLE: DEAD
BankofMarquis (1832 KP) rated Morbius (2022) in Movies
Jul 7, 2022
It's Not Bad...It's Stupid
“It’s not as bad as you heard”, is certainly the very definition of damning something with faint praise, but that is exactly the right thing to say about the 2022 Sony Comic Book Film Adaptation of MORBIUS.
Starring Jared Leto, MORBIUS follows the origin story - and first adventure - of Spiderman villain Morbius who, inexplicably, becomes the hero in this story.
While, ultimately, not a good film, there are some good things happening here, so let’s begin there.
The lead performance by Jared Leto as Dr. Michael Morbius is - very surprisingly - somewhat grounded in reality. Leto is not one to be subtle in his character choices (see HOUSE OF GUCCI) but in this one, he is (somewhat) reserved. It would have been easy for Leto to go over the top with this character, but he wisely chooses the opposite route…and it works. The always watchable Jared Harris (CHERNOBYL) is on-board in the “mentor” role while Tyrese Gibson and Al Madrigal bring some humor to the proceedings as “Agents” who are chasing after Morbius. The rest of the cast are benign - neither adding nor detracting from the proceedings - with the exception of Matt Smith (LAST NIGHT IN SOHO) who’s character is so badly written that he flounders under the weight of the absurdity of what his character is tasked with.
Trying to overcome the ridiculousness of the story is the Direction by Daniel Espinosa (the Denzel Washington action flick SAFE HOUSE). He moves the action along quickly, never really lingering on the absurdities of the events going on (and there are PLENTY of absurdities to avoid - more on that later) and Espinosa actually has an artistic vision of what he wanted to accomplish visually in this comic-book film, freezing many frames when the picture on the screen looked like a page from a graphic novel. It’s a smart choice for a film that can only be described as dumb.
And dumb this film is. I kept feeling any sense of common sense and reality slip away as this film - written by Matt Sazama and Burk Sharpless - quickly devolved into the absurd and ridiculous. One does have to suspend belief when watching Comic Book films (how else are we going to believe that a man can turn into a human spider) but in this case, the suspension is mighty - it is one of the dumbest films ever made (in terms of plot and situations) and that is saying something. The makers of this film really stretch the term “go with me here” as Morbius is constantly chasing and evolving and being chased in the most absurd ways throughout this film with special effects that add to the absurdity of the proceedings. To be fair, this film never falls into the “so bad it’s good” range, it hovers just above that line.
The end credits scenes start to setup a “Sinister Six” Spiderman film, so there is some hope for this - it would be interesting to see Leto’s Morbius team up with some other Spiderman villains (who’s names would be a spoiler), provided the script is better. There’s no way that it can be worse.
MORBIUS is not a bad film - it just will insult your intelligence.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Jared Leto, MORBIUS follows the origin story - and first adventure - of Spiderman villain Morbius who, inexplicably, becomes the hero in this story.
While, ultimately, not a good film, there are some good things happening here, so let’s begin there.
The lead performance by Jared Leto as Dr. Michael Morbius is - very surprisingly - somewhat grounded in reality. Leto is not one to be subtle in his character choices (see HOUSE OF GUCCI) but in this one, he is (somewhat) reserved. It would have been easy for Leto to go over the top with this character, but he wisely chooses the opposite route…and it works. The always watchable Jared Harris (CHERNOBYL) is on-board in the “mentor” role while Tyrese Gibson and Al Madrigal bring some humor to the proceedings as “Agents” who are chasing after Morbius. The rest of the cast are benign - neither adding nor detracting from the proceedings - with the exception of Matt Smith (LAST NIGHT IN SOHO) who’s character is so badly written that he flounders under the weight of the absurdity of what his character is tasked with.
Trying to overcome the ridiculousness of the story is the Direction by Daniel Espinosa (the Denzel Washington action flick SAFE HOUSE). He moves the action along quickly, never really lingering on the absurdities of the events going on (and there are PLENTY of absurdities to avoid - more on that later) and Espinosa actually has an artistic vision of what he wanted to accomplish visually in this comic-book film, freezing many frames when the picture on the screen looked like a page from a graphic novel. It’s a smart choice for a film that can only be described as dumb.
And dumb this film is. I kept feeling any sense of common sense and reality slip away as this film - written by Matt Sazama and Burk Sharpless - quickly devolved into the absurd and ridiculous. One does have to suspend belief when watching Comic Book films (how else are we going to believe that a man can turn into a human spider) but in this case, the suspension is mighty - it is one of the dumbest films ever made (in terms of plot and situations) and that is saying something. The makers of this film really stretch the term “go with me here” as Morbius is constantly chasing and evolving and being chased in the most absurd ways throughout this film with special effects that add to the absurdity of the proceedings. To be fair, this film never falls into the “so bad it’s good” range, it hovers just above that line.
The end credits scenes start to setup a “Sinister Six” Spiderman film, so there is some hope for this - it would be interesting to see Leto’s Morbius team up with some other Spiderman villains (who’s names would be a spoiler), provided the script is better. There’s no way that it can be worse.
MORBIUS is not a bad film - it just will insult your intelligence.
Letter Grade: C
4 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Transformers Rise of the Beasts (2023) in Movies
Jun 6, 2023
The latest in the long-running and popular Transformer series has arrived with “Transformers: Rise of the Beasts”. Taking a cue from the recent “Bumblebee” movie, the movie cleverly serves not only as a prequel but as a platform to introduce a series of stories leading up to the original films.
It is learned that a planet-destroying evil is fixated on obtaining a key that will allow it to travel to any point in the universe to continue its reign of destruction. The animal-based Maximals are able to escape with the key and hide it on Earth where they will also remain in secret as guardians.
Flash forward to 1994 when Noah Diaz (Anthony Ramos), following his stint in the Army is looking to find gainful employment to help his mother as well as his ailing brother. Despite being a wizard with electronics Noah is not considered to be a team player which has hampered his job prospects and leads him to consider criminal activities in an effort to obtain much-needed funds for his brother's medical bills.
In a moment of desperation, Noah attempts to steal a loaded Porsche but finds he is unable to follow through on the act as it is against his moral compass. Unknown to Noah the car is actually an Autobot named Mirage (Pete Davidson), who soon enlists Noah to help them find the key which they have recently detected.
This does not sit well with Optimus Prime (Peter Cullen), who believes that humanity will only act in your best interests and that his crew needs to find the key so that they can return to their war-ravaged, Cybertron.
It is learned that a crafty but perpetually overlooked museum intern named Elena (Dominique Fishback), has accidentally activated the key and in doing so has allowed the evil Scourge (Peter Dinklage), and his minions to zero in on its location as he attempts to obtain the key for his master and is willing to destroy all were in his way.
Noah and Elena soon find themselves paired with their unexpected allies as they race to stop the evil from obtaining both parts of the key and find themselves with some unexpected allies in the form of the Maximals.
What follows is a frantic action-adventure film that cleverly combines humor, action, dazzling visual effects, and a tail that is part Indiana Jones, and Transformers with a surprising amount of humanity.
It would be easy for the human cast the overshadowed by the massive and visually spectacular creations that frequently transform and battle it out across numerous action sequences. However, director Steven Caple Jr. takes advantage of his young talent both of whom are clearly potential stars in the making as they provide a grounding humanity to the film which makes it more than a lavish FX showcase.
The film also has an impressive era-specific soundtrack and a scene near the end that offers up some intriguing and exciting possibilities for the future. "Transformers: Rise of the Beasts" is a highly enjoyable summer action adventure as well as one the more enjoyable films in the franchise and should delight fans of the franchise and has me for the first time in a long time eagerly awaiting what comes next.
4 stars out of 5
It is learned that a planet-destroying evil is fixated on obtaining a key that will allow it to travel to any point in the universe to continue its reign of destruction. The animal-based Maximals are able to escape with the key and hide it on Earth where they will also remain in secret as guardians.
Flash forward to 1994 when Noah Diaz (Anthony Ramos), following his stint in the Army is looking to find gainful employment to help his mother as well as his ailing brother. Despite being a wizard with electronics Noah is not considered to be a team player which has hampered his job prospects and leads him to consider criminal activities in an effort to obtain much-needed funds for his brother's medical bills.
In a moment of desperation, Noah attempts to steal a loaded Porsche but finds he is unable to follow through on the act as it is against his moral compass. Unknown to Noah the car is actually an Autobot named Mirage (Pete Davidson), who soon enlists Noah to help them find the key which they have recently detected.
This does not sit well with Optimus Prime (Peter Cullen), who believes that humanity will only act in your best interests and that his crew needs to find the key so that they can return to their war-ravaged, Cybertron.
It is learned that a crafty but perpetually overlooked museum intern named Elena (Dominique Fishback), has accidentally activated the key and in doing so has allowed the evil Scourge (Peter Dinklage), and his minions to zero in on its location as he attempts to obtain the key for his master and is willing to destroy all were in his way.
Noah and Elena soon find themselves paired with their unexpected allies as they race to stop the evil from obtaining both parts of the key and find themselves with some unexpected allies in the form of the Maximals.
What follows is a frantic action-adventure film that cleverly combines humor, action, dazzling visual effects, and a tail that is part Indiana Jones, and Transformers with a surprising amount of humanity.
It would be easy for the human cast the overshadowed by the massive and visually spectacular creations that frequently transform and battle it out across numerous action sequences. However, director Steven Caple Jr. takes advantage of his young talent both of whom are clearly potential stars in the making as they provide a grounding humanity to the film which makes it more than a lavish FX showcase.
The film also has an impressive era-specific soundtrack and a scene near the end that offers up some intriguing and exciting possibilities for the future. "Transformers: Rise of the Beasts" is a highly enjoyable summer action adventure as well as one the more enjoyable films in the franchise and should delight fans of the franchise and has me for the first time in a long time eagerly awaiting what comes next.
4 stars out of 5
Mommy May Bloops - A Farting Tale in Rhyme (Mariana Books Rhyming #10)
8.0
Rate It
Book
Mommy May is a perfect mom in nearly every way. She loves her kids, like every mother would. She is...
Children Humor Farting
Charlie Cobra Reviews (1840 KP) rated Resident Alien in TV
Apr 14, 2021 (Updated Apr 14, 2021)
Laugh out loud funny (3 more)
Excellent mix of comedy, drama, and sci-fi
Full of unique and different characters
Decent special effects and CGI
Not for everyone kind of show (2 more)
Sometimes the CGI and effects can be lacking
Some characters can be a little annoying at times
A Comedy That's Out Of This World Funny
https://youtu.be/v9iwDu2OP3E
This show is just great and a real treat. I have to admit that I had no idea what I was in store for watching this show and I think that was half the fun of watching it. This show is part mystery and part CSI but also equal parts comedy and drama. It's full of scenes that are laugh out loud funny and some that are quite drama filled and serious in-tone at times. I really like the way it balances them and how each episode gets us a little bit further into the mystery of who killed the town doctor and if anyone is close to finding out the alien's secret identity or his secret mission. The character of the alien; who takes on the name Harry, after the doctor whose identity he steals, Dr. Harry Vanderspiegle, is a pretty funny character. It really shows in how he is trying his best to navigate through everyday situations with no prior knowledge of how or what it is to be human and really understand the subtle nuances of human nature and interaction while having a superiority complex and believing all humans are barely smarter than lizards in his opinion. He is totally oblivious to many things that are second nature to people like sarcasm and sense of humor. There are actually quite a few likeable characters on the show like Asta Twelvetrees played by Sara Tomko who is arguably the heart of the show, a central and integral character and super relatable. She is an important character to "Harry" learning to be more human. Also there's Sheriff Mike who is played by Corey Reynolds and is full of catch-phrases and just ridiculous things he says that are funny as hell. His completely blunt personality and no non-sense approach to crime leaves him to rub people the wrong way but he never apologies for himself or tries to tip-toe around people either. Then there's D'arcy who's played by Alice Wetterlund who is the town's bar owner and ex-Olympic athlete. She's a pretty cool character and quite different from the others and really kind of compliments the other characters by rounding them out. The whole mix of characters in the show are pretty diverse personality wise and how the show revolves around them and it's just a really funny show that's also full of alien sci-fi things going on at the same time but manages to ring through on an emotional level as "Harry" the alien begins to understand more and more about humans. I'll go over more in the spoiler section but I give this show a 8/10 and you should definitely check it out, especially if you are into sci-fi and looking for something that'll make you laugh at the same time too.
-------------------------------------------------------
Spoiler Section Review:
This show is just one of those shows that you don't expect for it to be as good as it is. I was really surprised when I saw the first episode and decided that I had to show my brother the first episode too and we actually got our dad into it too. I really like Alan Tudyk and how he not only plays the alien "Harry" but also the actual Dr. Harry Vanderspeigle in the flashbacks that happen as well. He's pretty talented and extremely funny in playing the alien, especially the parts where he's learning how to walk and talk and watching "Law & Order". So the whole thing with the show is that "Harry" is an alien that has crash-landed on Earth before he could finish his mission and is looking for his ship or parts of it that he needs to recover so he can finish his mission. He wakes up and searches the mountainside where he believes it is and pretty much avoids all human contact. That's when things change and the local authorities seek him out because the person whose identity he has taken is a known doctor and they need him to investigate the death of the town doctor. He now has to not only go into town where there are humans everywhere but also interact with them and hope that no one can tell that he's really an alien in disguise. The storytelling, plot and character development in the show are done in such a great way in how it progresses forward but also shows things that occurred earlier in flashbacks and you get to know or see things that make the characters more 3-dimensional and feel more realistic. Harry is very smart for an alien but has no clue when it comes to a lot of the things we take for granted when it comes to being human, things like sarcasm, humor, and more. So his behavior is off-putting but tolerated and accepted for the most part. He reluctantly takes on the job of the town doctor when asked because he doesn't want for anyone to suspect anything which makes it harder for him especially when he learns the Mayor's son Max can see his true identity, something like only one in a million humans might be able to do. The head nurse Asta Twelvetrees make his job easier by assisting him and they bond rather quickly when he takes her up on the offer to go for a drink after work to the local bar. That's where they meet D'arcy the bartender and owner of the bar who is also Asta's best friend and they have fun drinking and dancing and "Harry" drinks heavily to fit in. There's some pretty funny scenes of the alien dancing too. The next day Asta asks "Harry" to help her get somethings from her abusive ex-boyfriend Jimmy's house and "Harry" saves her from him when begins attacking her. He helps her to leave and she confides in him, that she had a child with Jimmy when she was really young but gave it up for adoption as they were too young to take care of it. Like I said in the non-spoiler section this show has a good mix of mystery, comedy and drama and does it in a really good way. Just as it pulls you in one direction like the drama part about Asta's child then it steers you in a completely different direction like comedy again when you find out at the end of the first episode that "Harry's" first patient is Max, the Mayor's son who can see that he's really an alien. I really enjoyed this show and I'm so glad that they decided to renew it for another season and there will be a season 2 coming soon. I liked it so much that I'm actually thinking about checking out the comic books by Dark Horse comics to see how good they are too. Anyways I give this show a 8/10 and can't wait for it to return.
This show is just great and a real treat. I have to admit that I had no idea what I was in store for watching this show and I think that was half the fun of watching it. This show is part mystery and part CSI but also equal parts comedy and drama. It's full of scenes that are laugh out loud funny and some that are quite drama filled and serious in-tone at times. I really like the way it balances them and how each episode gets us a little bit further into the mystery of who killed the town doctor and if anyone is close to finding out the alien's secret identity or his secret mission. The character of the alien; who takes on the name Harry, after the doctor whose identity he steals, Dr. Harry Vanderspiegle, is a pretty funny character. It really shows in how he is trying his best to navigate through everyday situations with no prior knowledge of how or what it is to be human and really understand the subtle nuances of human nature and interaction while having a superiority complex and believing all humans are barely smarter than lizards in his opinion. He is totally oblivious to many things that are second nature to people like sarcasm and sense of humor. There are actually quite a few likeable characters on the show like Asta Twelvetrees played by Sara Tomko who is arguably the heart of the show, a central and integral character and super relatable. She is an important character to "Harry" learning to be more human. Also there's Sheriff Mike who is played by Corey Reynolds and is full of catch-phrases and just ridiculous things he says that are funny as hell. His completely blunt personality and no non-sense approach to crime leaves him to rub people the wrong way but he never apologies for himself or tries to tip-toe around people either. Then there's D'arcy who's played by Alice Wetterlund who is the town's bar owner and ex-Olympic athlete. She's a pretty cool character and quite different from the others and really kind of compliments the other characters by rounding them out. The whole mix of characters in the show are pretty diverse personality wise and how the show revolves around them and it's just a really funny show that's also full of alien sci-fi things going on at the same time but manages to ring through on an emotional level as "Harry" the alien begins to understand more and more about humans. I'll go over more in the spoiler section but I give this show a 8/10 and you should definitely check it out, especially if you are into sci-fi and looking for something that'll make you laugh at the same time too.
-------------------------------------------------------
Spoiler Section Review:
This show is just one of those shows that you don't expect for it to be as good as it is. I was really surprised when I saw the first episode and decided that I had to show my brother the first episode too and we actually got our dad into it too. I really like Alan Tudyk and how he not only plays the alien "Harry" but also the actual Dr. Harry Vanderspeigle in the flashbacks that happen as well. He's pretty talented and extremely funny in playing the alien, especially the parts where he's learning how to walk and talk and watching "Law & Order". So the whole thing with the show is that "Harry" is an alien that has crash-landed on Earth before he could finish his mission and is looking for his ship or parts of it that he needs to recover so he can finish his mission. He wakes up and searches the mountainside where he believes it is and pretty much avoids all human contact. That's when things change and the local authorities seek him out because the person whose identity he has taken is a known doctor and they need him to investigate the death of the town doctor. He now has to not only go into town where there are humans everywhere but also interact with them and hope that no one can tell that he's really an alien in disguise. The storytelling, plot and character development in the show are done in such a great way in how it progresses forward but also shows things that occurred earlier in flashbacks and you get to know or see things that make the characters more 3-dimensional and feel more realistic. Harry is very smart for an alien but has no clue when it comes to a lot of the things we take for granted when it comes to being human, things like sarcasm, humor, and more. So his behavior is off-putting but tolerated and accepted for the most part. He reluctantly takes on the job of the town doctor when asked because he doesn't want for anyone to suspect anything which makes it harder for him especially when he learns the Mayor's son Max can see his true identity, something like only one in a million humans might be able to do. The head nurse Asta Twelvetrees make his job easier by assisting him and they bond rather quickly when he takes her up on the offer to go for a drink after work to the local bar. That's where they meet D'arcy the bartender and owner of the bar who is also Asta's best friend and they have fun drinking and dancing and "Harry" drinks heavily to fit in. There's some pretty funny scenes of the alien dancing too. The next day Asta asks "Harry" to help her get somethings from her abusive ex-boyfriend Jimmy's house and "Harry" saves her from him when begins attacking her. He helps her to leave and she confides in him, that she had a child with Jimmy when she was really young but gave it up for adoption as they were too young to take care of it. Like I said in the non-spoiler section this show has a good mix of mystery, comedy and drama and does it in a really good way. Just as it pulls you in one direction like the drama part about Asta's child then it steers you in a completely different direction like comedy again when you find out at the end of the first episode that "Harry's" first patient is Max, the Mayor's son who can see that he's really an alien. I really enjoyed this show and I'm so glad that they decided to renew it for another season and there will be a season 2 coming soon. I liked it so much that I'm actually thinking about checking out the comic books by Dark Horse comics to see how good they are too. Anyways I give this show a 8/10 and can't wait for it to return.
Kristy H (1252 KP) rated After the Fall in Books
Dec 24, 2017
lovely (1 more)
poignant
There are all sorts of falls.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. I adored this book so much. I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended.
Jamie (131 KP) rated The Ready-Made Thief in Books
Aug 15, 2017
Narrative flow (2 more)
Wonderful ode to Duchamp
Intense story premise makes it hard to put down
Plot felt a little weak with many aspects that are just plain illogical (1 more)
Science conspiracy was quite frankly boring
A love letter to Marcel Duchamp
Well this book is certainly interesting, so much so that I still don’t fully know what to make of it. The Readymade Thief is a love letter to Marcel Duchamp, a French-American artist that became famous in the early twentieth century for his influence on conceptual art. He is most famous for his readymades, manufactured pieces that he turned into art. His stance on what constituted art is an idea that could be applied to the novel.
“An ordinary object elevated to the dignity of a work of art by the mere choice of an artist.”
It’s art if the artist says that it is art. There are connections if that’s what you want to see. Duchamp’s life and work are threaded throughout the story, even some very small references that are easy to miss, and this was actually pretty awesome. The study of Duchamp’s work I think made for an interesting aspect of the story, and I liked the ideas about the fanatical secret society and the dark sort of humor to the plot.
I have to commend Augustus Rose for his skill in creating a narrative flow that was so easy to take in. For the first half of the book Lee appears lost, like she’s treading water. It had a dream-like feel to it as Lee drifts in and out of different events. As the story goes on and the mystery starts to unravel Lee finds herself completely immersed. This steady shift in tone is reflected beautifully in both the pacing and the prose, from a drug-fueled haze to cold sobriety.
So why do I feel so undecided about this book? The devil is in the plot itself, which to me felt like it had too many holes and not well developed enough at points. Most of the Crystal Castle plot feels like it was thrown out of the window and I found it underwhelming. Then there was Tomi, the hacker. If there is one thing that is difficult to write about hackers and the deep web. I won’t go into many details about it due to spoilers, but there were a lot of pieces of this portion of the plot that was just plain illogical and almost pointless. I even checked with a friend of mine that is a student in cyber security to be sure. Frankly the deep web is almost romanticized in the book when it really shouldn’t be.
Also while I know that convenience was important for creating the dreamy flow that I mentioned earlier, a lot of things seemed a little bit too convenient to be believable a lot of the time. A good portion of the plot was easy to predict, but I was still compelled to read because I wanted to know more of the why than the what.
This book was a pretty cool read overall if you can get over the hangups that I had. It is the type of book that will leave you feeling confused right along with the main character throughout the entire book. All in all it was a mixed bag of mostly good things. It’s definitely an experience and worth the read in the very least to appreciate the tone and the feel of the writing which was really great. It’s the type of story I could easily see adapted to a television drama that I would watch in a heartbeat.
“An ordinary object elevated to the dignity of a work of art by the mere choice of an artist.”
It’s art if the artist says that it is art. There are connections if that’s what you want to see. Duchamp’s life and work are threaded throughout the story, even some very small references that are easy to miss, and this was actually pretty awesome. The study of Duchamp’s work I think made for an interesting aspect of the story, and I liked the ideas about the fanatical secret society and the dark sort of humor to the plot.
I have to commend Augustus Rose for his skill in creating a narrative flow that was so easy to take in. For the first half of the book Lee appears lost, like she’s treading water. It had a dream-like feel to it as Lee drifts in and out of different events. As the story goes on and the mystery starts to unravel Lee finds herself completely immersed. This steady shift in tone is reflected beautifully in both the pacing and the prose, from a drug-fueled haze to cold sobriety.
So why do I feel so undecided about this book? The devil is in the plot itself, which to me felt like it had too many holes and not well developed enough at points. Most of the Crystal Castle plot feels like it was thrown out of the window and I found it underwhelming. Then there was Tomi, the hacker. If there is one thing that is difficult to write about hackers and the deep web. I won’t go into many details about it due to spoilers, but there were a lot of pieces of this portion of the plot that was just plain illogical and almost pointless. I even checked with a friend of mine that is a student in cyber security to be sure. Frankly the deep web is almost romanticized in the book when it really shouldn’t be.
Also while I know that convenience was important for creating the dreamy flow that I mentioned earlier, a lot of things seemed a little bit too convenient to be believable a lot of the time. A good portion of the plot was easy to predict, but I was still compelled to read because I wanted to know more of the why than the what.
This book was a pretty cool read overall if you can get over the hangups that I had. It is the type of book that will leave you feeling confused right along with the main character throughout the entire book. All in all it was a mixed bag of mostly good things. It’s definitely an experience and worth the read in the very least to appreciate the tone and the feel of the writing which was really great. It’s the type of story I could easily see adapted to a television drama that I would watch in a heartbeat.
Haley Mathiot (9 KP) rated A Distant Melody (Wings of Glory, #1) in Books
Apr 27, 2018
Allie has never been able to please her parents, so she’ll do anything to make them happy, even if it means marrying a man she doesn’t love. But when she goes to visit her best friend for her wedding, she meets Walter Novak, flyer in the Air Force, and her heart begins to open to him. Allie and Walter write letters while he’s oversees, and Allie tries to anticipate her wedding with her promised fiancé, but as she gets to know Baxter more and more, she begins to have doubts about God’s will for her life—obey and honor her parents and marry a non-Christian in hopes of leading him to Christ, or disobey her parents and refuse to be “unevenly yoked?” And the fact that she’s falling in love with Walt isn’t helping things any.
I adored A Distant Melody. From the second I opened it, it captured my imagination and swept me away.
The plot seemed simple at first, but it kept taking little twists and turns that I didn’t expect. It was suspenseful, but not in a thriller kind of way. There were times when Walt was flying that were very exciting and thrilling, but it wasn’t enough to put it in that genre. It had just enough. The pacing itself was perfect—nothing felt rushed. I hate a rushed romance, it’s implausible. A Distant Melody is the perfect speed. I devoured it within a few hours.
I love these characters! I want more with them!!! One awesome aspect about A Distant Melody is it is not a victim of “happy-land syndrome,” or “perfect plot” syndrome. The story didn’t seem to work out just perfect with everyone happy all the time, and everyone talking about God all the time, and everyone acting like perfect Christians all the time. No, they were real people who sinned and suffered the consequences, both from other people and from their guilt and grief. There were times and parts where you say “Oh no! Now he’s going to think this!” or “Oh no she hasn’t gotten his letter yet!” and so on. However, their confessions of said sins were also such a key part of the story, and made you love them so much more.
I liked the writing a lot. Sundin has a clear concise way with words, and paints a picture without being poetic. I also loved her wit and humor, and those Sarah-Dessen-like running jokes. You have to love those running jokes that run through the whole book, that make you feel like you’re part of the character’s life.
I know I usually don’t say anything about the cover because generally I don’t care about the cover. In this case, the cover is perfect. It has every detail mentioned in the book, from the right clothing and hairstyles of the characters to the detail work on the air plane.
A very important thing about a Christian novel is it shouldn't feel like it’s preaching at you. There was prayer, Bible verses, hymns and such. But it didn’t feel cheesy and fake: partially because of the characters (as I mentioned above) and partially because although they were mentioned and discussed, they weren’t hammered. Basically, this was not Sundin’s way of publishing a theology book. It’s a novel, and it feels like one.
I think I loved everything about this book. I loved the characters, I loved the writing, I loved the plot and the pacing, I loved the jokes, I even love the cover. I can’t think of one thing that I didn’t like, or that distracted me from the story. I devoured A Distant Melody, thoroughly enjoyed every part of it, and I cannot wait for the next book.
I adored A Distant Melody. From the second I opened it, it captured my imagination and swept me away.
The plot seemed simple at first, but it kept taking little twists and turns that I didn’t expect. It was suspenseful, but not in a thriller kind of way. There were times when Walt was flying that were very exciting and thrilling, but it wasn’t enough to put it in that genre. It had just enough. The pacing itself was perfect—nothing felt rushed. I hate a rushed romance, it’s implausible. A Distant Melody is the perfect speed. I devoured it within a few hours.
I love these characters! I want more with them!!! One awesome aspect about A Distant Melody is it is not a victim of “happy-land syndrome,” or “perfect plot” syndrome. The story didn’t seem to work out just perfect with everyone happy all the time, and everyone talking about God all the time, and everyone acting like perfect Christians all the time. No, they were real people who sinned and suffered the consequences, both from other people and from their guilt and grief. There were times and parts where you say “Oh no! Now he’s going to think this!” or “Oh no she hasn’t gotten his letter yet!” and so on. However, their confessions of said sins were also such a key part of the story, and made you love them so much more.
I liked the writing a lot. Sundin has a clear concise way with words, and paints a picture without being poetic. I also loved her wit and humor, and those Sarah-Dessen-like running jokes. You have to love those running jokes that run through the whole book, that make you feel like you’re part of the character’s life.
I know I usually don’t say anything about the cover because generally I don’t care about the cover. In this case, the cover is perfect. It has every detail mentioned in the book, from the right clothing and hairstyles of the characters to the detail work on the air plane.
A very important thing about a Christian novel is it shouldn't feel like it’s preaching at you. There was prayer, Bible verses, hymns and such. But it didn’t feel cheesy and fake: partially because of the characters (as I mentioned above) and partially because although they were mentioned and discussed, they weren’t hammered. Basically, this was not Sundin’s way of publishing a theology book. It’s a novel, and it feels like one.
I think I loved everything about this book. I loved the characters, I loved the writing, I loved the plot and the pacing, I loved the jokes, I even love the cover. I can’t think of one thing that I didn’t like, or that distracted me from the story. I devoured A Distant Melody, thoroughly enjoyed every part of it, and I cannot wait for the next book.
Phillip McSween (751 KP) rated Weekend at Bernie's (1989) in Movies
May 1, 2018
Could Have Been Better
Two friends show up at their boss Bernie's beachhouse for a weekend retreat only to find Bernie dead. To maintain innocence, they decide to go through with the weekend while hiding Bernie in plain sight for all to see.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
Acting: 10
One of the highlights of the film. Terry Kiser owns the role of Bernie Lomax, playing a man you love to hate. There's never a point where you like this guy and of course that's the whole idea.
My personal favorite role came from Jonathan Silverman who plays Richard Parker--a play-by-the-rules kind of guy that just wants to do the right thing. His humor, similar to Cameron Frye in Ferris Bueller's Day Off shines most when his character is inserted into situations he desperately wants to get out of. I enjoyed watching how frantic he would get in certain scenes.
Beginning: 10
Characters: 5
Outside of Bernie and Richard, there weren't any characters that grabbed my interest. Larry (Andrew McCarthy) was written way too douchey which I'm guessing was for the purpose of being the balance to Richard. I hated Larry's character but not for the same reason I hated Bernie. Larry had zero redeeming qualities and his willingness to throw Richard under the bus at any given moment bugged the crap out of me. I get it, he's a jerk, but sheesh. A little overboard for my taste.
Cinematography/Visuals: 5
Not a whole lot of moments that stood out. I did like the contrast of how the lighting changed with them being in the city versus at the beach. Shots of Bernie doing various things (washing up on the beach, waterskiing) were shining points in an otherwise dull movie.
Conflict: 3
The preposterous premise eventually overwhelmed me. You've got two guys running around trying to show everyone this guy is still alive when I'm thinking the whole time, "What would be the harm in telling the truth?" One or two funny moments don't make up for the fact that the film probably should have ended twenty minutes in.
Genre: 4
Considering most of the jokes fell flat for me and this film is supposed to be a comedy, I don't think I need to expand further here.
Memorability: 7
In the few moments where the film was funny, it was really funny. When the hitman that killed Bernie originally kept finding him alive, I would crack up everytime he would have to kill Bernie again. It's memorable moments like these that make me think about the handful of tweaks they could have made to really push the film over the top.
Pace: 5
When a comedy isn't very funny, you better believe it's going to move at a slow pace. It wasn't unbearable, but I was definitely ready for the film to be over by the time it reached the end. Inconsistencies and bad comedic choices made for a very wavy pace.
Plot: 8
Love it or hate it, I can't deny that it's at least unique. And furthermore, if you were going to parade your boss around pretending he was alive, I imagine it probably would have gone the same way with one crazy antic happening after another. My subtraction of two came from this mere fact that I couldn't shake: Eventually, Bernie's going to smell. And it should have been all downhill from there.
Resolution: 6
Overall: 63
Glad I saw it once. No need to ever see it again. It's very much a bucket list film that I can now bury and erase from my memory.
BankofMarquis (1832 KP) rated Bird Box (2018) in Movies
Feb 1, 2019
Almost a good movie
One of my favorite films of 2018 is A QUIET PLACE where aliens with extreme hearing can get you if you make a noise. It is a quite interesting and well made film (with a bravura performance by Emily Blunt), so when I heard there was a variant of this theme (this time you can't use your eyes), I decided to check it out and to see if Sandra Bullock could pull off the same sort of bravura performance as Blunt.
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)