Search
Search results
Hazel (1853 KP) rated Deep Blue (Waterfire Saga, #1) in Books
Dec 17, 2018
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Mermaids are perhaps one of the least written about mythical creature in novels. On the occasions that they are referred to they are often represented as evil siren-like females luring sailors to their deaths. The mermaids in Jennifer Donnelly’s <i>Waterfire Saga</i> are not like that at all, in fact their lives are not dissimilar to that of humans.
<i>Deep Blue</i> is the first novel in this saga but felt like it was mostly setting the scene for the yet-to-be-published sequels. It begins with Serafina, the Principessa of the House of Merrow, preparing for the Dokimí or betrothal ceremony occurring that evening. Although her songspell, a particularly difficult task, goes perfectly, assassins gatecrash the ceremony. The black-clad mermen fire poison arrows at the crowd, killing Sera’s father and fatally injuring her mother, the Regina.
Along with her best friend Neela, Serafina flees the city but it is not long before their assailants catch up with them. Throughout all this destruction the two mermaids discover that they have been having the same dream about being summoned by the Iele – a legendary group of river witches – and with no where else to go they head to the river Olt in Romania in order to find them and discover what they are being called upon for. As it turns out they are not the only girls heading that way. Six mermaids in total have been having the same dream and they eventually meet up on their way to the Iele.
Although the end of <i>Deep Blue</i> revealed the girls’ purposes, it will not be until the second book that this task is carried out. Due to this it feels as though the main storyline of the <i>Waterfire Saga</i> is yet to begin properly. Having said that, <i>Deep Blue</i> was still an entertaining read. It may take a while for readers to get into the story but the later half is full of action and even contains the odd humorous pun, which prevents the book from becoming too dark.
It must be difficult to write about mermaids as the setting is, naturally, deep under the surface of oceans, seas, rivers and lakes. The writer would need to think carefully about what is possible underwater, and remember to use words such as “swim” instead of “walk”. Even though Donnelly did a fantastic job there were occasions where the characters could easily be mistaken for humans with legs rather than fish tails.
There were lots of made up words and names used in this book which some people may find confusing thus making it difficult to keep track of who is who. The author has helpfully included a glossary of these terms and names which readers can refer to as and when they need to. It does not, however, include a pronunciation guide, which is a shame as some of the words have an Eastern European look to them and readers unfamiliar with those types of dialects may struggle with some of the expressions: for example, Baba Vrăja.
Overall this saga has the potential to become a magnificent set of books with a uniqueness setting them apart from other popular fantasy stories of today.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Mermaids are perhaps one of the least written about mythical creature in novels. On the occasions that they are referred to they are often represented as evil siren-like females luring sailors to their deaths. The mermaids in Jennifer Donnelly’s <i>Waterfire Saga</i> are not like that at all, in fact their lives are not dissimilar to that of humans.
<i>Deep Blue</i> is the first novel in this saga but felt like it was mostly setting the scene for the yet-to-be-published sequels. It begins with Serafina, the Principessa of the House of Merrow, preparing for the Dokimí or betrothal ceremony occurring that evening. Although her songspell, a particularly difficult task, goes perfectly, assassins gatecrash the ceremony. The black-clad mermen fire poison arrows at the crowd, killing Sera’s father and fatally injuring her mother, the Regina.
Along with her best friend Neela, Serafina flees the city but it is not long before their assailants catch up with them. Throughout all this destruction the two mermaids discover that they have been having the same dream about being summoned by the Iele – a legendary group of river witches – and with no where else to go they head to the river Olt in Romania in order to find them and discover what they are being called upon for. As it turns out they are not the only girls heading that way. Six mermaids in total have been having the same dream and they eventually meet up on their way to the Iele.
Although the end of <i>Deep Blue</i> revealed the girls’ purposes, it will not be until the second book that this task is carried out. Due to this it feels as though the main storyline of the <i>Waterfire Saga</i> is yet to begin properly. Having said that, <i>Deep Blue</i> was still an entertaining read. It may take a while for readers to get into the story but the later half is full of action and even contains the odd humorous pun, which prevents the book from becoming too dark.
It must be difficult to write about mermaids as the setting is, naturally, deep under the surface of oceans, seas, rivers and lakes. The writer would need to think carefully about what is possible underwater, and remember to use words such as “swim” instead of “walk”. Even though Donnelly did a fantastic job there were occasions where the characters could easily be mistaken for humans with legs rather than fish tails.
There were lots of made up words and names used in this book which some people may find confusing thus making it difficult to keep track of who is who. The author has helpfully included a glossary of these terms and names which readers can refer to as and when they need to. It does not, however, include a pronunciation guide, which is a shame as some of the words have an Eastern European look to them and readers unfamiliar with those types of dialects may struggle with some of the expressions: for example, Baba Vrăja.
Overall this saga has the potential to become a magnificent set of books with a uniqueness setting them apart from other popular fantasy stories of today.
Gareth von Kallenbach (980 KP) rated Mr. & Mrs. Smith (2005) in Movies
Aug 14, 2019
Not since the film The War of the Roses has the silver screen portrayed marital discord in such as humorous and violent fashion as it does in Mr. and Mrs. Smith.
The film stars Brad Pitt and Angelina Jolie as the title characters who are approaching their sixth year of marriage, though Mr. Smith seems to be convinced it has only been five.
Tedium has set into their suburban lives, and the couple has entered counseling in an effort to help their lack of communication. The story of how they met and various aspects of their lives with one another paints the picture of how much the flame has dulled after such an explosive start for the couple.
As routine has their home lives have become, one thing that has not changed is their work. Unknown to each other, the Smiths are actually assassins for competing firms. Both Smiths are convinced that their spouse works in other fields and manage to complete most of their missions during the day or night under the guise of work for the cover careers.
Things change when both agents are assigned by their firms to a mission where they end up encountering each other from a distance. Unsure of whom the person they spotted is, they are ordered to eliminate the person in order to protect their cover.
This begins a rapid series of events that, as anyone who has seen the trailer will realize, the Smiths will figure out that the person they have been seeking is their very own spouse. While this destination is inevitable to the plot is not a surprise, the trip leading up to it, and the whirlwind of events that follows this discovery, is what really makes this film such an enjoyable ride.
Naturally when the two uncover their spouse’s true identity, the instincts of their professions as well as their pent up frustrations come out in an orgy of passion and violence that leaves a trail of devastation. The various encounters between the Smiths not only escalate on the violence scale, but due to issue such as pride, reputations, and betrayal, the objectivity and impersonal nature of their work are abandoned.
I think Shakespeare put it best when he said that “Hell hath no fury like a woman scorned”, as the scenes of Jane Smith unloading her pent up fury are almost as hysterical as the segments where John Smith takes his turn at the plate.
A prime example of the films ability to mix action and comedy to perfection is the classic dance scene where the two attempt to disarm one another in an effort to get the upper hand. Pitt and Jolie dance and exchanges barbs, as they keep the beat and discard the weapons they find, as they plot to gain the upper hand.
The film did lose a bit of its amazing momentum about a third of the way in, before regrouping and bringing the film to an action packed and very satisfying conclusion. The supporting work of Vince Vaughn is very funny, but sadly his presence is limited. The films works very well because the chemistry between the two leads is very strong, as are the action and humor sequences. Without a doubt one of the best movies of the summer and one not to be missed
The film stars Brad Pitt and Angelina Jolie as the title characters who are approaching their sixth year of marriage, though Mr. Smith seems to be convinced it has only been five.
Tedium has set into their suburban lives, and the couple has entered counseling in an effort to help their lack of communication. The story of how they met and various aspects of their lives with one another paints the picture of how much the flame has dulled after such an explosive start for the couple.
As routine has their home lives have become, one thing that has not changed is their work. Unknown to each other, the Smiths are actually assassins for competing firms. Both Smiths are convinced that their spouse works in other fields and manage to complete most of their missions during the day or night under the guise of work for the cover careers.
Things change when both agents are assigned by their firms to a mission where they end up encountering each other from a distance. Unsure of whom the person they spotted is, they are ordered to eliminate the person in order to protect their cover.
This begins a rapid series of events that, as anyone who has seen the trailer will realize, the Smiths will figure out that the person they have been seeking is their very own spouse. While this destination is inevitable to the plot is not a surprise, the trip leading up to it, and the whirlwind of events that follows this discovery, is what really makes this film such an enjoyable ride.
Naturally when the two uncover their spouse’s true identity, the instincts of their professions as well as their pent up frustrations come out in an orgy of passion and violence that leaves a trail of devastation. The various encounters between the Smiths not only escalate on the violence scale, but due to issue such as pride, reputations, and betrayal, the objectivity and impersonal nature of their work are abandoned.
I think Shakespeare put it best when he said that “Hell hath no fury like a woman scorned”, as the scenes of Jane Smith unloading her pent up fury are almost as hysterical as the segments where John Smith takes his turn at the plate.
A prime example of the films ability to mix action and comedy to perfection is the classic dance scene where the two attempt to disarm one another in an effort to get the upper hand. Pitt and Jolie dance and exchanges barbs, as they keep the beat and discard the weapons they find, as they plot to gain the upper hand.
The film did lose a bit of its amazing momentum about a third of the way in, before regrouping and bringing the film to an action packed and very satisfying conclusion. The supporting work of Vince Vaughn is very funny, but sadly his presence is limited. The films works very well because the chemistry between the two leads is very strong, as are the action and humor sequences. Without a doubt one of the best movies of the summer and one not to be missed
Pumpka (57 KP) rated Cards Against Humanity in Tabletop Games
Aug 15, 2019
Humour (2 more)
player count is high
a game specifically tailored to party people
creativity is limited (2 more)
often a popularity contest
multiple plays decreases the enjoyment of play
Here comes an unpopular opinion - hear me out
now - don't get me wrong, my first time playing Card against Humanity was hilarious! I loved it, I was in. The concept is very simple, you're presented with a silly, funny or rude situation and you have to fill in the blanks using the inappropriate cards from your hand to make the others laugh.
NOW
On MANY plays later, I see the flaw in this design. I've realised this is more of an activity than a game as such. Again, don't go pointing fingers too fast, I did enjoy the game at the start remember? Now, theres an AI built into the game called 'Rando' he can play too for various reasons and he can often win. As suggested, random cards are drawn, and because it usually doesn't make sense, its funny, and therefore wins! This made me realise that I'm not funny. Damn, I've been caught in this web of lies cards against humanity had me caught in. I have very limited choice and often my choices are a result of a card "dump" where really nothing was funny nor fit. A well thought out game might have a mechanic that allows me to do something else with these cards that maybe I don't see use for. So I'm not the one being funny, the predisposed topics and cards are just used as a shock factor -
which promptly brings me to my next point, these things and statements are often funny because you're shocked! THAT is in a card game, woaaah I'm such an adult, wow. No. sadly this may be funny the first time but there's only so many times I can see the "chunks of a dead hooker" card before it looses it's humorous effect. I've played with all of the expansions (which were available before I quit on this game) which was a fair few, and even then it wasn't enough.
The buzz was gone, and I no longer enjoy this game, I've not grown out of it, I'm not a humour buzzkill. There are many other similar style games that provide ample creativity. Now before one of you thinks it, yes, there are blank cards to write on, but it's often not enough to change and sustain the games core.
One more thing before I sign off on this one, it's often a popularity contest. I'm not the most popular in our gaming group, there are certainly people who will favour others and thats normal and fine. BUT when games like this swing around and the winner is essentially cast on a vote of the other players choosing. The winner can often be the same person again, and again and again. Because them putting cards down that were drawn out of a stack randomly and they had no input into the outcome of what those cards says was totally hilarious. They win again.
To summerise, creativity is so limited, it's not YOU being funny, it's the cards. It's not really that re-playable and it's often a popularity contest,
there are many other games of this genre that do it better.
NOW
On MANY plays later, I see the flaw in this design. I've realised this is more of an activity than a game as such. Again, don't go pointing fingers too fast, I did enjoy the game at the start remember? Now, theres an AI built into the game called 'Rando' he can play too for various reasons and he can often win. As suggested, random cards are drawn, and because it usually doesn't make sense, its funny, and therefore wins! This made me realise that I'm not funny. Damn, I've been caught in this web of lies cards against humanity had me caught in. I have very limited choice and often my choices are a result of a card "dump" where really nothing was funny nor fit. A well thought out game might have a mechanic that allows me to do something else with these cards that maybe I don't see use for. So I'm not the one being funny, the predisposed topics and cards are just used as a shock factor -
which promptly brings me to my next point, these things and statements are often funny because you're shocked! THAT is in a card game, woaaah I'm such an adult, wow. No. sadly this may be funny the first time but there's only so many times I can see the "chunks of a dead hooker" card before it looses it's humorous effect. I've played with all of the expansions (which were available before I quit on this game) which was a fair few, and even then it wasn't enough.
The buzz was gone, and I no longer enjoy this game, I've not grown out of it, I'm not a humour buzzkill. There are many other similar style games that provide ample creativity. Now before one of you thinks it, yes, there are blank cards to write on, but it's often not enough to change and sustain the games core.
One more thing before I sign off on this one, it's often a popularity contest. I'm not the most popular in our gaming group, there are certainly people who will favour others and thats normal and fine. BUT when games like this swing around and the winner is essentially cast on a vote of the other players choosing. The winner can often be the same person again, and again and again. Because them putting cards down that were drawn out of a stack randomly and they had no input into the outcome of what those cards says was totally hilarious. They win again.
To summerise, creativity is so limited, it's not YOU being funny, it's the cards. It's not really that re-playable and it's often a popularity contest,
there are many other games of this genre that do it better.
Gareth von Kallenbach (980 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 17, 2019
It is hard to believe it has been ten years since audiences were introduced to the hysterical yet violent Post-Apocalypse world of Zombieland; but thankfully the crew is back again with the highly enjoyable “Zombieland: Double Tap”.
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
The story begins with Columbus (Jesse Eisenberg), bringing the audience up to speed on what has happened since the last film. The Zombies have evolved into different classes of abilities and Columbus and his ersatz family have taken up residence in The White House.
Columbus and Wichita (Emma Stone) are still dating; well at least as best as one can do in a Zombie Apocalypse which is painfully short on options. This situation does not seem to bother Tallahassee (Woody Harrelson), as he is happy to work on his loaded vehicle dubbed “The Beast” but for Little Rock (Abigail Breslin), the situation has become intolerable.
Little Rock is eager to find someone to have a relationship with and when her frustrations combine with Wichita’s insecurities; the girls take off leaving the men to fend for themselves.
While Tallahassee has no issues with this, Columbus is a moping mess and even a trip to the local mall cannot lighten his mood. Things change when they meet the ditzy and clueless Madison (Zoey Deutch); who steals her scenes with her Clueless Pop Culture Princess who is as oblivious to their situation as a person can be.
When Wichita returns to tell them that Little Rock has run off with a guy she met, the crew load up and take to the road to save the day but are blissfully unaware of the new dangers waiting for them.
This is the rare sequel that is as good if not better than the original. The cast works very well with one another and the introduction of new characters brought some additional comedy to the film as well as enhancement to the action sequences.
While the film is at times very gory; it is done in a humorous way that balances the dangers the characters are in with a wink and smile to let the audience know that this is still an Action/Comedy that is light on the darkness and big on the levity.
The film has some great continuity with the original film without repeating itself as Columbus’s rules for survival still pop up when they are used and we also get some hysterical new updates to the coveted Zombie Kill of the Week.
Director Ruben Fleischer knows what audiences want and does a great job giving them more of what he gave them in the first film without being gratuitous or heavy handed with the material.
The new cast works well with the returning players especially Rosario Dawson and the previously mentioned Zoey Deutch who fit seamlessly into the comedic Zombie mayhem.
You will want to make sure to stay into the credits for a fantastic bonus scene which puts a great capper on the film which was one of the best times I have had at the movies in recent years and one of the better movies of 2019.
Hopefully this is not the last outing for the crew as I would love to see further adventures in Zombieland but hopefully we will not have to wait 10 years for the next chapter.
4 stars out of 5
Sophia (Bookwyrming Thoughts) (530 KP) rated Love Me Never (Lovely Vicious #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Love Me Never</i> is such a risky read for me, but the synopsis screamed, "I'M INTERESTING. TAKE A CHANCE ON ME." It might not be <a title="Imperfect Chemistry by Mary Frame" href="http://www.bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame"; target="_blank" rel="noopener">cute and adorable</a>, but it has the best tagline ever: <i>Don't love your enemy. Declare war on him.</i>
Thus resulting in a person who avoids contemporary taking a plunge (I seem to be doing this a lot lately...) and hoping for the best. <i>Love Me Never</i> isn't a book I would go for – we have a main character who obviously has a horrific past and a guy who is a popular douche bag. Put them together in a high school and they hate each other's guts and attempt to ruin each other's lives.
<em>BUT THE TAGLINE, THOUGH. It screams next favorite contemporary book, self!</em> This coming from frantic little brain cells while deciding whether or not I want to read the book.
It didn't go bad at all. In fact, I think I spent more time giggling over the book than actually analyzing it with my reviewing lenses. I spent more time writing laughing emojis than actually writing legit notes. And I spent more time late at night trying not to laugh so hard and waking up my mom in the process.
Definitely a sign of a good book when I'm rendered into a puddle of giggles.
From early on in the book, Isis Blake comes across as someone extremely sarcastic and snarky. She comes across as someone who is always angry and bitter with the world. But inside, Isis is a girl who encountered someone who hurt her emotionally and possibly physically, and as a result, Isis comes out of that event as someone with very low self-esteem.
Jack Hunter, on the other hand... is quite similar to Isis in terms of personality, although his self-esteem is on the opposite end of the spectrum. In the few pages of the book where Sara allows a peek into Jack's mind and thoughts, he comes across as someone covering up sadness – he's not as angry and bitter as he wants the rest of the world to think.
And then there's the revenge. It is definitely petty revenge – Isis launches a war on Jack all because of an apology who reminds Isis of her past self. Some of the things Isis and Jack put upon each other is so ridiculous and stupid, but their reactions and words makes it humorous and enjoyable. The best kind of pettiness to read about.
<i>Love Me Never</i> is vengeful, dark, hilarious – cliché as this may sound, it is definitely a book worth reading.
<blockquote>A first kiss... that's something a girl should cherish. It's something you should share with someone you really love. You shouldn't lose it in a petty high school battle of wills to someone you hate.</blockquote>
<a href="https://bookwyrmingthoughts.com/blog-tour-love-me-never-by-sara-wolf-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Love Me Never</i> is such a risky read for me, but the synopsis screamed, "I'M INTERESTING. TAKE A CHANCE ON ME." It might not be <a title="Imperfect Chemistry by Mary Frame" href="http://www.bookwyrmingthoughts.com/review-imperfect-chemistry-by-mary-frame"; target="_blank" rel="noopener">cute and adorable</a>, but it has the best tagline ever: <i>Don't love your enemy. Declare war on him.</i>
Thus resulting in a person who avoids contemporary taking a plunge (I seem to be doing this a lot lately...) and hoping for the best. <i>Love Me Never</i> isn't a book I would go for – we have a main character who obviously has a horrific past and a guy who is a popular douche bag. Put them together in a high school and they hate each other's guts and attempt to ruin each other's lives.
<em>BUT THE TAGLINE, THOUGH. It screams next favorite contemporary book, self!</em> This coming from frantic little brain cells while deciding whether or not I want to read the book.
It didn't go bad at all. In fact, I think I spent more time giggling over the book than actually analyzing it with my reviewing lenses. I spent more time writing laughing emojis than actually writing legit notes. And I spent more time late at night trying not to laugh so hard and waking up my mom in the process.
Definitely a sign of a good book when I'm rendered into a puddle of giggles.
From early on in the book, Isis Blake comes across as someone extremely sarcastic and snarky. She comes across as someone who is always angry and bitter with the world. But inside, Isis is a girl who encountered someone who hurt her emotionally and possibly physically, and as a result, Isis comes out of that event as someone with very low self-esteem.
Jack Hunter, on the other hand... is quite similar to Isis in terms of personality, although his self-esteem is on the opposite end of the spectrum. In the few pages of the book where Sara allows a peek into Jack's mind and thoughts, he comes across as someone covering up sadness – he's not as angry and bitter as he wants the rest of the world to think.
And then there's the revenge. It is definitely petty revenge – Isis launches a war on Jack all because of an apology who reminds Isis of her past self. Some of the things Isis and Jack put upon each other is so ridiculous and stupid, but their reactions and words makes it humorous and enjoyable. The best kind of pettiness to read about.
<i>Love Me Never</i> is vengeful, dark, hilarious – cliché as this may sound, it is definitely a book worth reading.
<blockquote>A first kiss... that's something a girl should cherish. It's something you should share with someone you really love. You shouldn't lose it in a petty high school battle of wills to someone you hate.</blockquote>
<a href="https://bookwyrmingthoughts.com/blog-tour-love-me-never-by-sara-wolf-arc-review-and-giveaway/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kristy H (1252 KP) rated The Jetsetters in Books
Mar 19, 2020
Charlotte Perkins is 71, and her best friend has just died. Long single, she longs to be touched and loved again, so she writes an essay (a rather racy one at that) to the "Become a Jetsetter" contest to win a trip for her entire family (and to perhaps meet someone). Charlotte is shocked and elated when she actually wins, earning the the chance to take her three children to Athens, Greece and on a nine-day cruise to Barcelona, Spain. Lee, a struggling actress who has just returned home on a "break" from acting (and from her famous ex-boyfriend) figures she has nothing better to do. Cord, her son, a wealthy New Yorker, isn't thrilled about being trapped on a ship while he struggles with his sobriety. And Regan, an exhausted mother of two daughters, can't believe it when her irritating husband Matt joins the group. This will be a particularly fun trip since Lee and Regan haven't spoken in ten years. Trapped on this adventure together, secrets come out and the Perkins family suddenly learns more than they ever wanted to know about each one another.
It took me a while to process this one. I really enjoy Amanda Eyre Ward's writing, and I have such a soft spot for her book, The Same Sky, which is one of my absolute favorite novels. This book is very different from that one, and it took me some time to warm to the pacing and the characters. Charlotte turned me off in the beginning, and I was just slow to get into the book. We learn that the Perkins kids had a rough childhood, but one that also bonded them together. Yet when the book opens, none of them are particularly close to each other--or their mother.
"This day, and the two more excruciating days that followed--days of sand and beer-scented misery--would be the last time Lee went on vacation with her mother and siblings. Until thirty-two years later, when they became jetsetters."
The book presents the story from not only Charlotte's point of view, but that of each of her wayward children. None of the kids are easy to like at first, but Ward's prose makes them come to life before our eyes. They are fallible, for sure, and it's hard not to feel a bit sorry for everyone. I for one am not sure I could handle being trapped on a cruise ship with a group of unhappy family members.
"Oh. Charlotte's children. To her great sadness and bewilderment, Charlotte's three adult children were lost to her, and perhaps to themselves."
The novel does an excellent job at portraying all the difficult relationships in the book, giving us an in-depth portrait of a complicated family. While the story is told solely over the span of their trip, we learn all about Charlotte's life--much of it hidden away from her children--and the lives of her three kids, even bits and pieces of their childhood and backstories. No one has had an easy go of it, for sure. How much do parents, and their actions, affect their kids, the book asks. How do families in general influence the people we become. They have so much power: both to help and to hurt.
It's funny, this wasn't always a story I enjoyed, even though there are humorous and touching moments, but I recognized its powerful parts too. Overall, I would rate this at 3.75 stars, rounded up to 4 stars here. It's worth a read.
It took me a while to process this one. I really enjoy Amanda Eyre Ward's writing, and I have such a soft spot for her book, The Same Sky, which is one of my absolute favorite novels. This book is very different from that one, and it took me some time to warm to the pacing and the characters. Charlotte turned me off in the beginning, and I was just slow to get into the book. We learn that the Perkins kids had a rough childhood, but one that also bonded them together. Yet when the book opens, none of them are particularly close to each other--or their mother.
"This day, and the two more excruciating days that followed--days of sand and beer-scented misery--would be the last time Lee went on vacation with her mother and siblings. Until thirty-two years later, when they became jetsetters."
The book presents the story from not only Charlotte's point of view, but that of each of her wayward children. None of the kids are easy to like at first, but Ward's prose makes them come to life before our eyes. They are fallible, for sure, and it's hard not to feel a bit sorry for everyone. I for one am not sure I could handle being trapped on a cruise ship with a group of unhappy family members.
"Oh. Charlotte's children. To her great sadness and bewilderment, Charlotte's three adult children were lost to her, and perhaps to themselves."
The novel does an excellent job at portraying all the difficult relationships in the book, giving us an in-depth portrait of a complicated family. While the story is told solely over the span of their trip, we learn all about Charlotte's life--much of it hidden away from her children--and the lives of her three kids, even bits and pieces of their childhood and backstories. No one has had an easy go of it, for sure. How much do parents, and their actions, affect their kids, the book asks. How do families in general influence the people we become. They have so much power: both to help and to hurt.
It's funny, this wasn't always a story I enjoyed, even though there are humorous and touching moments, but I recognized its powerful parts too. Overall, I would rate this at 3.75 stars, rounded up to 4 stars here. It's worth a read.
Gareth von Kallenbach (980 KP) rated Madagascar 3: Europe's Most Wanted (2012) in Movies
Aug 7, 2019
After being shipped from New York to Madagascar and then leaving Madagascar only to end up stranded in Africa, our four favorite zoo animals are back and causing a ruckus once again, but this time in Europe.
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Madagascar 3: Europe’s Most Wanted starts off where Madagascar: Escape 2 Africa left off, with Alex the lion(Ben Stiller), Marty the zebra(Chris Rock), Gloria the hippo (Jada Pinkett Smith) and Melman the giraffe (David Schwimmer) are stranded in Africa longing to get back to their beloved zoo in New York City. They realize the only way they will be able to return home is by relying on their super competent penguin buddies who have made their way to Monte Carlo with their chimp powered plane and the loot of jewels and money they squandered upon in Africa during the second movie.
So the quartet of four legged lovable characters along with a few familiar lemurs, King Julien (Sacha Baron Cohen), the self proclaimed King of Madagascar and his assistants Maurice (Cedric the Entertainer) and Mort (Andy Richter), decide to make their way to Monte Carlo, find the penguins, the chimpanzees, and head to New York.
Once the gang arrives in Monte Carlo it doesn’t take long for them to incite panic. Enter Captain Chantal Dubois (Francis McDormand), an impassive, somewhat indestructible animal control officer, who wants nothing more than to add a lion to her already impressive collection of animal heads mounted on her office wall. Due to her relentless pursuit and unconventional hunting techniques the animals are forced to take refuge aboard a circus train where they are welcomed by a simple-minded sea lion named Stefano (Martin Short). Stefano introduces the group to the rest of the animal circus performers and they each demonstrate their amazing tricks. The train is on its way to London and the circus crew hopes their show will garner the attention of a big time U.S. circus promoter looking to bring a show to New York. This was Alex and company’s ticket home! But would they be up to the challenge of putting on the greatest show anyone has ever seen AND evade Dubois who is hot on their tails every step of the way?
The simple storyline of animals wanting to get home has been the common thread in all three Madagascar movies. Dreamworks Animation rarely reaches the emotional expertise of Pixar, but they always manage to create movies that are still very much engaging, humorous and visually stunning. Eric Darnell and Tom McGrath, who directed the first two movies, come together once again and steer clear from the choppy, thrown together sequence of events that have plagued some sequels and trilogies. I truly believe that keeping with the same directoral chemistry plays a big part in this movie’s well-paced and entertaining storyline.
This movie is definitely geared toward the kindergarten and preschool aged audience with much of the action in the movie involving the circus performance and its Cirque du Soleil-type entertainment. Let’s add the 3D component and voila! An amazing, kaleidoscope of lights and pyrotechnics along with wonderful performances of acrobats, seal shot from cannon, high wire dancing giraffe and hippo, and flying penguins. It’s like a box of animal crackers come to life!
Gareth von Kallenbach (980 KP) rated Limitless (2011) in Movies
Aug 7, 2019
After years of hearing women saying this I can now agree that Bradley Cooper does indeed have beautiful eyes. If you don’t believe me go see his new movie Limitless based on the 2001 novel The Dark Fields by Alan Glynn. The movie has so many close-ups of Bradley’s face that you find yourself staring into these blue orbs of beauty, approximately 6 feet across, that utterly mesmerize you and take you to a peaceful place where mice, cats and dogs get along.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
But enough about his incredibly enchanting eyes let’s talk about the movie.
The thriller Limitless is about an unemployed struggling writer Eddie Morra (Bradley Cooper) who, after being dumped by his girlfriend Lindy (Abbie Cornish), bumps into his ex-brother-in-law Vernon (Johnny Whitworth). After talking over a few beers, Vernon realizes that Eddie needs help and gives him one pill of a supposedly FDA-approved, soon-to-be-released brain boosting drug called NZT. Eddie is skeptical but upon returning to his apartment building he tries the pill. And. It. Is. Awesome!
The drug allows a person to access every bit of information locked away in their brain. It gets all the neurons in their brain kicked into high gear, allows them to learn anything very quickly, makes a person more focused, perceptive, confident, driven and gives them a boost of energy. So when Eddie takes the NZT pill (close up) he helps his landlord’s attractive wife write her term paper, sleeps with her, cleans his apartment (close up) and writes a good chunk of his book for his publisher (close up). The next morning he is back to his normal self, so he goes to Vernon for more pills, events happen and Eddie ends up with a lot more pills plus a large sum of money.
With the help of NZT he begins to turn his life around. He finishes his book, gets in shape, gets a haircut, still not clean-shaven though (don’t look at the stubble, look at his eyes), learns new things, makes new friends, has lots of nooky (because women dig smart guys), travels and multiple close ups. But soon he realizes that he wants to do something meaningful with his life. As he works to achieve his dream and also get back with his ex-girlfriend, he crosses paths with a mysterious man, Russian mobster Gennady (Andrew Howard), shifty lawyers, police, corporate fat cats like Carl Van Loon (Robert De Niro), gets more random close ups and soon starts running out of pills. Will he do something meaningful with his life? Will he jump off of a building? Can his dreamy eyes get any bluer?
Right from the start the movie grabs your attention by throwing you into the action (and blue eyes) and it gently holds it in a soft blue embrace until the end. The movie has an intelligent and, at the appropriate times, humorous dialogue that flowed very smoothly and naturally. Robert De Niro and Bradley Cooper definitely brought their A game (Bradley’s eyes A+) and their on-screen chemistry is one of the best I have seen. Both Abbie Cornish and Andrew Howard were great throughout the film but each of them had their own individual scenes where they really shined. There are some plot holes but they do not detract from this very enjoyable film.
CCNA Routing and Switching 200-120 Exam Cram
Michael H. Valentine, Keith Barker and Andrew Whitaker
Book
Prepare for Cisco CCNA Routing and Switching 200-120 exam success with this Cisco Exam Cram from...
Gareth von Kallenbach (980 KP) rated Irresistible (2020) in Movies
Jun 23, 2020
Jon Stewart has been fairly quiet since his retirement from The Daily Show. In a recent interview with Howard Stern he talked about being content on a farm for rescued animals and enjoying more time with his family. He also sent to that he would be doing projects that interested him. In “Irresistible” Stewart working as both Writer and Director has crafted a funny, informative, and expansive look at the political process.
Steve Carell stars as Gary Zimmer; a senior advisor to the Clinton’s who is still smarting over the recent election particularly his insistence that the “Rust Belt” was firmly in their hands and therefore opted not to devote a significant amount of time campaigning there which in turn was a key reason for their defeat.
An online video from a small farming community in Wisconsin catches Gary’s eye as it shows a former Marine farmer named Jack Hastings (Chris Cooper) challenging the local mayor at a town hall over immigration related issues and other hot topics.
Convinced that he can bring Jack over to the Democratic Party and use him as a starting point to restore the party in Wisconsin; Gary heads to the small town to make his pitch.
He quickly finds himself out of his element as the small-town community with friendly townsfolk to watch out for one another is very different than what he is used to. Gary eventually convinces Jack to run for Mayor and his involvement soon attracts the big money from the opposing side that seem to be rattled by what appears to be an insignificant small-town campaign.
Gary soon realizes that his nemesis Faith (Rose Byrne) who is his opposite for the Republican Party.
Gary and Faith have a clear history with one another and there is clearly plenty of animosity between them as each one is determined to succeed and broke their success in the face of the other.
As the campaign unfolds viewers are given a very direct look at how the political machine works from polling, demographics, special interests, fund raising, campaigning, muckraking, and using the media.
While this is often presented in a humorous way; Stewart uses a lot of simple but direct approaches to the various topics as he did on The Daily Show as a basis for further discussion.
The film takes some unexpected twists as it unfolds and the conclusion helps underscore that all parties involved often have an angle that they’re trying to work. One of the biggest messages that I took from the film was that the amount of money poured into campaigns has become more about one side beating the other rather than addressing the issues and putting the best possible people forward to represent the population.
Stewart handles the very complicated topics of the film through humor but above all used generally likable characters on all sides. Nobody was truly evil and you could clearly see much of their motivations.
The closing credits contains an interview with a political expert who discusses Superpacs and their lack of oversight and how people with ulterior motives can generate large amounts of money by manipulating the system completely within the law.
From a strong cast and entertaining story. Stewart has crafted a very solid and enjoyable film that will make you think.
Steve Carell stars as Gary Zimmer; a senior advisor to the Clinton’s who is still smarting over the recent election particularly his insistence that the “Rust Belt” was firmly in their hands and therefore opted not to devote a significant amount of time campaigning there which in turn was a key reason for their defeat.
An online video from a small farming community in Wisconsin catches Gary’s eye as it shows a former Marine farmer named Jack Hastings (Chris Cooper) challenging the local mayor at a town hall over immigration related issues and other hot topics.
Convinced that he can bring Jack over to the Democratic Party and use him as a starting point to restore the party in Wisconsin; Gary heads to the small town to make his pitch.
He quickly finds himself out of his element as the small-town community with friendly townsfolk to watch out for one another is very different than what he is used to. Gary eventually convinces Jack to run for Mayor and his involvement soon attracts the big money from the opposing side that seem to be rattled by what appears to be an insignificant small-town campaign.
Gary soon realizes that his nemesis Faith (Rose Byrne) who is his opposite for the Republican Party.
Gary and Faith have a clear history with one another and there is clearly plenty of animosity between them as each one is determined to succeed and broke their success in the face of the other.
As the campaign unfolds viewers are given a very direct look at how the political machine works from polling, demographics, special interests, fund raising, campaigning, muckraking, and using the media.
While this is often presented in a humorous way; Stewart uses a lot of simple but direct approaches to the various topics as he did on The Daily Show as a basis for further discussion.
The film takes some unexpected twists as it unfolds and the conclusion helps underscore that all parties involved often have an angle that they’re trying to work. One of the biggest messages that I took from the film was that the amount of money poured into campaigns has become more about one side beating the other rather than addressing the issues and putting the best possible people forward to represent the population.
Stewart handles the very complicated topics of the film through humor but above all used generally likable characters on all sides. Nobody was truly evil and you could clearly see much of their motivations.
The closing credits contains an interview with a political expert who discusses Superpacs and their lack of oversight and how people with ulterior motives can generate large amounts of money by manipulating the system completely within the law.
From a strong cast and entertaining story. Stewart has crafted a very solid and enjoyable film that will make you think.