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Strategies for Success in Musical Theatre: A Guide for Music Directors in School, College, and Community Theatre
Book
In Strategies for Success in Musical Theatre, veteran musical director and teacher Herbert Marshall...
The Chicago Guide to Fact-Checking
Book
"A column by Glenn Garvin on Dec. 20 stated that the National Science Foundation 'funded a study on...
Little Red Hood
Sarah Ardizzone and Marjolaine Leray
Book
She started life as a little red scribble and then, there she was: a little red hood. The wolf is...
The Girl Who Saved the King of Sweden
8.0
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Written with the same light-hearted satirical voice as Jonas Jonasson's bestselling debut novel,...
The Shooting Party
John Sutherland, Ronald Wilks and Anton Pavlovich Chekhov
Book
Anton Chekhov's only full-length novel, this Penguin Classics edition of The Shooting Party is...
There But for the
6.0
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Ali Smith, twice shortlisted for both the Man Booker and the Orange Prizes, is back with the...
LeftSideCut (3776 KP) rated Jojo Rabbit (2019) in Movies
Jun 21, 2020
I was not expecting to love Jojo Rabbit as much as I did. I would argue that it's one of the best films of 2019!
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
The subject of Nazis and Hitler is a touchy one to say the least, but it's also a subject that is ripe for satire, and one of the many aspects that stands out here, is how Taika Waititi has managed to craft a film that is absolutely hilarious, but never undermines how horrible this part of history was.
I laughed (a lot) before being slapped with a reminder of how bleak war is.
The main plot revolves around Jojo (Roman Griffin Davis), a 10 year old boy who looks up to Hitler, and is part of the Nazi Youth. He finds out that his mother Rosie (Scarlett Johansson) is hiding a Jewish girl, Elsa (Thomasin McKenzie) in the attic of their house. Initially hostile, they begin to form a friendship as the Nazi regime begins to crumble.
Underneath all the goofiness, this main narrative is radiating in both warmth and sadness. I legit had a bit of a cry at one point.
The cast are brilliant. Roman Griffin Davis is one of the most likable protagonists in recent memory. His innocence and blind devotion to the war is humorous, and weirdly sweet. Thomasin McKenzie is great alongside him as well.
As well as directing, Taika Waititi also plays a version of Hitler, sort of like Jojo's imaginary friend, and he's honestly just the best, and provides the majority of the films comedy.
Elsewhere, Scarlett Johansson, Sam Rockwell, Alfie Allen, and Stephen Merchant all make up a pretty rock solid cast.
Screw it, I even liked Rebel Wilson (she usually makes me want to play in traffic.)
Jojo Rabbit is a truly wonderful experience. It evokes a whole range of emotions effortlessly, looks incredible throughout, and deserves all the praise thrown it's way.
Bostonian916 (449 KP) rated We've Got Balls (2013) in Movies
Jun 26, 2020
I tend to go out of my way to enjoy movies that might not have too many redeeming qualities, just because I don't want to walk away feeling like I have wasted my time or energy on something and not gotten anything in return. As a result, I've found redeeming qualities in some pretty poor films in the past.
Finding that type of quality in this movie proved to be very difficult.
The first thing that I noticed was the production quality. Now, I completely understand that everybody has to start somewhere. I can overlook poor production quality when warranted. In order to do that though, there has to be exceptional praise elsewhere. Unfortunately, that wasn't the case here.
The premise seemed alright, if not generic. A small town (population 52, which is mentioned several times) bowling alley is at risk of closing down to make room for a new casino that the land owner wants to put in that location. The city bonds together to prevent this from happening. And that's where things start to go off the rails.
I try not to include spoilers as a rule, so I will abide by that here. But I will say that the story doesn't improve from there. It's about as generic as they come with very little exception. One interesting element is the tournament that takes place in an effort to save the building. It starts as a humorous prospect but fails to launch from there.
I appreciate the film makers efforts here, which is why I have this as a four star rating. I hope that they learned from making this movie and can apply that to other projects going forward.
This film is currently available as part of Amazon Prime Video or for purchase. Clocks in around an hour and a half, but frankly, it's a VERY LONG hour and a half.
Finding that type of quality in this movie proved to be very difficult.
The first thing that I noticed was the production quality. Now, I completely understand that everybody has to start somewhere. I can overlook poor production quality when warranted. In order to do that though, there has to be exceptional praise elsewhere. Unfortunately, that wasn't the case here.
The premise seemed alright, if not generic. A small town (population 52, which is mentioned several times) bowling alley is at risk of closing down to make room for a new casino that the land owner wants to put in that location. The city bonds together to prevent this from happening. And that's where things start to go off the rails.
I try not to include spoilers as a rule, so I will abide by that here. But I will say that the story doesn't improve from there. It's about as generic as they come with very little exception. One interesting element is the tournament that takes place in an effort to save the building. It starts as a humorous prospect but fails to launch from there.
I appreciate the film makers efforts here, which is why I have this as a four star rating. I hope that they learned from making this movie and can apply that to other projects going forward.
This film is currently available as part of Amazon Prime Video or for purchase. Clocks in around an hour and a half, but frankly, it's a VERY LONG hour and a half.
Matt Geiger (15 KP) rated Cars (2006) in Movies
Jun 27, 2020
There really is no such thing as a perfect film. Ergo, there really is no such thing as a perfect film studio. After 11 years of winning the world over, Pixar was due for a slip-up at some point. Enter this lowbrow, highly unremarkable passion project from Pixar creative giant John Lasseter. CARS is admittedly a highly nostalgic film, not just in the sense that it pays tribute to the quaint, remote, and practically undiscovered sections of the world we wish had more notoriety in the face of progress, but its swelling commercialism reflects an entire generation of young boys who had nothing better to do than play with their matchbox cars and Hot Wheels all day long. Just think: this trilogy has made more moolah from their merchandise than a franchise that has the word “toy” in its frickin’ title. As a narrative, in the same vein as the franchise’s final installment, there really is nothing abhorrently wrong with CARS. It adds onto its aura of nostalgia by remaining consistently harmless and humorous thanks to its well-chosen cast, with Paul Newman standing out in his cinematic swan song, one of the most underrated vocal performances in animation history. Though CARS often feels like the first Pixar film targeting a specific target audience, Newman’s gruff, yet somber voice resonates with older viewers, the thought of what could’ve been and now is always on his mind. Then again, how ironic it is that a film that very much centralizes the concept of missed opportunities is itself a missed opportunity. CARS is a predictable, if not enjoyable, family-friendly romp that doesn’t have the unforeseeable on its mind. While it is quite literally the most inhuman of Pixar films, it at least is not quite as inhuman on a metaphorical and emotional level. And hey, stock car racing is not as accessible as other sports, but this film manages to make it look more entertaining, especially for younger viewers. What more do you really need?
Kristy H (1252 KP) rated The Postscript Murders in Books
Mar 4, 2021
Witty mystery with lots of bookish references
When the elderly Peggy Smith passes away, her carer, Natalka, is convinced the death was suspicious. While helping clean out Peggy's flat, she finds a variety of books--all crime novels--dedicated to Peggy. Then a gunman breaks into Peggy's flat to steal only a book. DS Harbinder Kaur is not convinced at first about Peggy's death, but she cannot deny everything that begins to happen after Peggy's death. After another death occurs, DS Kaur is convinced writers are being targeted.
This is such a fun book. Not only is it an engaging mystery, it's truly a wonderfully bookish book for people who love reading, especially mysteries. This is Griffiths' second book featuring Harbinder Kaur, the Best Gay Sikh Detective in West Sussex--the "first out of a field of one," as she puts it. It's wonderful to have a crime series with a lesbian lead, especially one as intelligent and witty as Harbinder. She notices everything and offers some humorous insights into her life living with her parents and working with her rodent-like partner, Neil.
POSTSCRIPT is written in truly Elly Griffiths fashion. It's incredibly easy to read and everyone just embodies their characters so effortlessly. The supporting cast here is excellent: a former monk; Peggy's elderly neighbor; Natalka; and a host of folks spread across the writing community. The wonderful inside jokes and asides about writing, publishing, and books are so much fun.
Overall, I quite enjoyed this book. The mystery of what happened to Peggy and the subsequent sequence of events is interesting while the story and characters are witty and diverse. Elly Griffiths remains my go-to author. I highly recommend you read both Harbinder books, but this one does stand-alone.
I received a copy of this book from Netgalley and Houghton Mifflin Harcourt in return for an unbiased review. The U.S. version releases 03/02/2021.
This is such a fun book. Not only is it an engaging mystery, it's truly a wonderfully bookish book for people who love reading, especially mysteries. This is Griffiths' second book featuring Harbinder Kaur, the Best Gay Sikh Detective in West Sussex--the "first out of a field of one," as she puts it. It's wonderful to have a crime series with a lesbian lead, especially one as intelligent and witty as Harbinder. She notices everything and offers some humorous insights into her life living with her parents and working with her rodent-like partner, Neil.
POSTSCRIPT is written in truly Elly Griffiths fashion. It's incredibly easy to read and everyone just embodies their characters so effortlessly. The supporting cast here is excellent: a former monk; Peggy's elderly neighbor; Natalka; and a host of folks spread across the writing community. The wonderful inside jokes and asides about writing, publishing, and books are so much fun.
Overall, I quite enjoyed this book. The mystery of what happened to Peggy and the subsequent sequence of events is interesting while the story and characters are witty and diverse. Elly Griffiths remains my go-to author. I highly recommend you read both Harbinder books, but this one does stand-alone.
I received a copy of this book from Netgalley and Houghton Mifflin Harcourt in return for an unbiased review. The U.S. version releases 03/02/2021.