"This would be from when I did 'Sisters Of Mercy' for the film Leonard Cohen: I'm Your Man. I was so happy to be given that song. I love Leonard Cohen; I've always loved him, grew up around that music. He is the most extraordinary lyricist, but he, as well, creates such a mood with his music. It's like nothing else. He belongs in my life as a writer and as a singer. I suppose this record, again, it's actually quite similar to Joni Mitchell; not brilliantly imaginative on my part to begin with, but just every single song is a classic. I've read bits and pieces of his poetry and he's an extraordinary poet. It's poignant, and there's humour, coupled with the pathos. He's a poet, he's an extraordinary writer and singer and beautiful man, and, what can I say? Is that enough?"

"Hearing this Leonard Cohen stuff, after listening to the Red Hot Chilli Peppers it was like ‘this sounds like bullshit!’, I didn’t understand the layers of intellect that had gone into making that record, and the large element of humour. My dad is into Leonard Cohen, I remember hearing the older stuff, then my sister was getting into it because she was becoming very literary. I was basically absorbing Leonard Cohen but I wasn’t crazy about it. I remember hearing ‘The Story Of Isaac’ as a child and thinking ‘god, this is fully intense, it’s so bare’. I remember hearing I’m Your Man it and at first finding it a really odd, unenjoyable experience, but now I realise that it’s a very curious idea, this industrial Leonard Cohen record, it’s really cool! ‘First We Take Manhattan’, imagine being a musician and being able to put a song like that out."