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Merissa (13866 KP) rated Shatter Me in Books

Dec 17, 2018 (Updated Apr 11, 2023)  
Shatter Me
Shatter Me
Alex Grayson | 2014 | Fiction & Poetry
10
10.0 (2 Ratings)
Book Rating
I received this book from the author in return for a fair and honest review.

There is a trigger warning at the start of this book and with good reason. The images that Alex Grayson conjures within your mind are horrific and heartbreaking. They will make your heart pound faster as the adrenaline pumps through your veins, your breath hitching as you read faster and faster, praying that the main female is going to be okay, even though you 'see' most of it through flashbacks so that you know she is... sort of.

This is also a story about trust, hope and friendship and the love that can follow if someone is prepared to be patient and help someone who is suffering from trauma instead of riding roughshod over them. There is darkness, there is beauty. There is horror and humour.

Shatter Me will make you sob, not just cry. There will be big, fat, ugly tears rolling down your face but you won't want to stop reading. I read this in one sitting as there was no way I was going to bed halfway through.

This is an exceedingly well-written and well-paced story that will blow your socks off. When I found out that this was a debut novel, I was astounded! I honestly can't wait for the next but at the same time am dreading it (if that makes any sense).

If you can read 'dark' subjects then I highly recommend this. However, please heed the trigger warning!

December 18, 2018
  
The Twist of a Knife (Hawthorne & Horowitz Mystery #4)
The Twist of a Knife (Hawthorne & Horowitz Mystery #4)
Anthony Horowitz | 2022 | Crime, Mystery
8
8.0 (1 Ratings)
Book Rating
Getting back into a Hawthorne & Horowitz mystery is like meeting up with an old friend you haven't seen for ages but it's as if you saw them yesterday so if you haven't read any of the previous in the series, don't worry, you will fall into the story and the characters quickly.

Once again, Mr Horowitz provides a treat of a murder/mystery staring himself as one of the main characters alongside the enigmatic and mysterious Daniel Hawthorne. Are they friends or do they just tolerate each other? I'm still trying to work that one out but Hawthorne is the one Anthony turns to when he is accused of the murder of a theatre critic who panned his play Mindgame.

With an eclectic and wonderful cast of characters, Hawthorne sets about trying to find the murderer amongst a host of viable suspects (Anthony included) in his own inimitable way whilst the evidence stacks up against Anthony and an arrest by the police appears to be inevitable and imminent.

Written at a great pace, this is full of humour, mystery and is thoroughly enjoyable and I loved it. What I particularly like about this series is the lack of violence which makes a nice change to what I usually read and I am looking forward to (hopefully) the next in the series and that more details are revealed about Hawthorne!

Thanks to Random House UK, Cornerstone and NetGalley for enabling me to read The Twist of a Knife and share my thoughts.
  
Rhubarb 2 Go (The Rhubarb Effect #2)
Rhubarb 2 Go (The Rhubarb Effect #2)
JP Sayle, Sue Brown | 2024 | LGBTQ+, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
Burke just wants to be wooed!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.


This is book 2 in The Rhubarb Effect series, and you should probably read Sticky for You, book 1, before this one. There is a bit of an ongoing story arc and that book sets the scene for this one. And you know, it's a FUN read!


As is this one! THis is Ricky and Burke's story. Ricky is a pole dancing rhubarb stalk and Burke is a mini bull. There are lots and LOTS of one liners in this book. Full of rhubarb jokes again, but also with poles, and balls and bull jokes. SOme very funny moments, but also some emotional ones.


Burke is very sensitive and Ricky is a bit like a (I apologise for using this, but I really couldn't find any other words that would fit!) bull in a china shop! He wants Burke, balls and all, and Burke just wants to be wooed.


I'm loving these books. They really are perfect for just having a quick, slightly silly read. Smexy, yes but with humour, and a touch of drama.


The monsters are still about, and no one knows who they are, but Max has a clue who they might be. I'm looking forward to finding out!


Book 3 is set up nicely, with that one about Apollo, another lion like Max and a rather grumpy rhubarb stalk!


4 insane stars (cos, I mean, where do they get these ideas from!)


*same worded review will appear elsewhere
  
The Predator (2018)
The Predator (2018)
2018 | Action, Horror
A soft reboot that actually works
1987; feels like a long time ago doesn’t it? In fact, most of you reading this I imagine weren’t even born way back in the late 80s. I mean, I was only a twinkle in my parents’ eyes at that time. But I digress.

What’s so special about 1987? Well, it was the year that Arnold Schwarzenegger kicked serious alien butt in the first Predator movie. Of course, the franchise’s now infamous fall from grace is the stuff of legend, and along with Alien, the original remains a true high point in the sci-fi horror genre.

Rebooted for 2018 with Iron Man 3 director Shane Black at the helm, The Predator aims to revitalise the public’s interest in this flagging horror franchise. Looking at Shane Black’s unusual resume, he seems a strange choice to take charge here, but we’ll give him the benefit of the doubt for now. But just how good, or bad, is The Predator?

From the outer reaches of space to the small-town streets of suburbia, the hunt comes home. The universe’s most lethal hunters are stronger, smarter and deadlier than ever before, having genetically upgraded themselves with DNA from other species. When a boy accidentally triggers their return to Earth, only a ragtag crew of ex-soldiers and an evolutionary biologist can prevent the end of the human race.

The aforementioned ragtag crew of ex-soldiers includes Boyd Holbrook, a vastly underused presence in last year’s Logan, that thankfully receives much higher billing here. Trevante Rhodes, Keegan-Michael Key, Thomas Jane and Augusto Aguilera make up the rest of the team and whilst their backstories are limited to one scene on a bus, they feel fleshed out enough to carry the film.

Less successful is Olivia Munn’s Casey Bracket. Biologist and when required by the screenwriters, experienced military personnel, she’s probably the most badass biologist you’ll see on screen this decade, when the script requires it of course.

Finally, we have the ridiculously talented Jacob Tremblay as Holbrooks son, Rory. His subplot which surrounds his daily struggles with autism is poorly realised but should be praised for bringing awareness to the condition in a mainstream Hollywood film.

Thankfully, Shane Black injects his trademark dark humour throughout and surprisingly, it works better than I had anticipated. The jokes are well-placed across the running time and each one manages to at least raise a titter.

Now let’s get to the part everyone reading this is interested in; the Predator’s return. Portrayed by stuntman Brian A. Prince, this Predator is virtually identical to the 1987 original in every way. And that’s a good thing, because when the 11ft hybrid shows up, it spoils the party a little. Rendered in CGI, rather than practical effects, its movements are a little too fluid and lack that sense of realism you get with a real man in a suit. The addition of the Predator Dogs however is an inspired choice and they work well despite some sloppy CG at times.

The Predator is a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards
Nevertheless, the film is shot very well and the copious amounts of gore are both restrained and animalistic. It earns its 15 rating most definitely as the Predator works its way through a massive number of victims, but it never crosses the line in which you’d have people saying ‘enough is enough’.

The special effects are on the whole, very good indeed. Considering a relatively modest $88million budget, there are only a few instances of poor CGI and the practical effects used throughout are a nice touch. It’s a shame then that there are some case of poor editing in the film however. A couple of character decisions will leave you scratching your head as you wonder how on earth our band of heroes managed to figure out certain problems.

But this is very much fan service to the original and for that, you’ll either love or hate it. There are many references to its predecessors, some subtle, some smack you in the face obvious. The classic Arnie line “get to the chopper” is there, but that’s definitely in the latter camp, and it’s one reference that doesn’t quite hit the spot.

Overall, The Predator is definitely the best film since the original, although that really isn’t saying much. And that’s a little bit of a disservice to what Shane black and the cast has managed to achieve. It’s a confident film with a cracking sense of humour, good special effects and just enough call-backs to please series diehards. Is it a horror movie like the original was classed to be? Absolutely not. But it’s worth a watch for both Predator fans and those looking to scratch their sci-fi itch.

https://moviemetropolis.net/2018/09/14/the-predator-review-a-soft-reboot-that-actually-works/