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Kale and Coffee: A Renegade's Guide to Health, Happiness and Longevity
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After realizing that he may have a hereditary cancer risk, Kevin Gianni was intent on finding the...
The Upside of Downtime: Why Boredom is Good
Book
Are we living in an age where we are more boredom-prone? Or are other people boring us? Or could we...
Willpower For Dummies
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Develop rock-solid willpower with evidence-based techniques Willpower For Dummies shows you how to...
LeftSideCut (3776 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2021
I've got a lot a love for the first Thor movie, but like many others, the second one is probably my least favourite of the whole franchise. So, when one of the mightiest Avengers threatens to become stale, what is the solution? Taika fucking Waititi is the solution.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
Leanne Crabtree (480 KP) rated Becoming Red (The Becoming #1) in Books
Jan 7, 2021
3.5 stars
love the cover of this and its sequel Becoming Bad; both are amazing and grab your attention straight away.
As for the story, well, I have to admit it took me a while to get into it. I think it was down to all the description and the changes in time at the beginning; Connal’s POV and then switching to Ash’s but it occurring before Connal’s. It was a bit confusing to start with, but it got better as the two met and interacted.
I was intrigued where the story was going from early on and it wasn’t until nearly half way through where I figured it out (maybe I was just slow :S) but after that point I was really into it. The whole chemistry between Connal and Ash was quite fun to read about, how she’d rather not have him following her but at the same time she was attracted to him. The authors’ reference’s to “Little Red” and “Big Bad” also added a bit of humour.
Ash was a woman who didn’t mess around; she carried a knife and told people what she thought of them if they messed around with her and I liked her attitude. Though sometimes, her actions were a bit questionable.
Connal; a dread haired mountain of a man, just seemed to ooze sex and I liked how protective he was of Ash, if only, at the start, because his employer told him to.
It was an interesting story and something different to what I normally read, or should I say a different take on it, and I enjoyed it: A woman being the last carrier of a gene that could mean the repopulation of a dying breed.
love the cover of this and its sequel Becoming Bad; both are amazing and grab your attention straight away.
As for the story, well, I have to admit it took me a while to get into it. I think it was down to all the description and the changes in time at the beginning; Connal’s POV and then switching to Ash’s but it occurring before Connal’s. It was a bit confusing to start with, but it got better as the two met and interacted.
I was intrigued where the story was going from early on and it wasn’t until nearly half way through where I figured it out (maybe I was just slow :S) but after that point I was really into it. The whole chemistry between Connal and Ash was quite fun to read about, how she’d rather not have him following her but at the same time she was attracted to him. The authors’ reference’s to “Little Red” and “Big Bad” also added a bit of humour.
Ash was a woman who didn’t mess around; she carried a knife and told people what she thought of them if they messed around with her and I liked her attitude. Though sometimes, her actions were a bit questionable.
Connal; a dread haired mountain of a man, just seemed to ooze sex and I liked how protective he was of Ash, if only, at the start, because his employer told him to.
It was an interesting story and something different to what I normally read, or should I say a different take on it, and I enjoyed it: A woman being the last carrier of a gene that could mean the repopulation of a dying breed.
Leanne Crabtree (480 KP) rated So This is Christmas (The Adrien English Mysteries, #5.5) in Books
Jan 7, 2021
This has been borrowed from the Kindle Unlimited Library.
It has been 8 years - possibly more since I joined Goodreads in 2012 - since I read books five and six in this series - and I should point out, they were the only two books I DID read in this series after getting them free one Christmas from AllRomanceeBooks before the website shut down
did fall in love with Adrien and Jake despite not knowing all the stuff they had been through in the previous books so when I saw this, I had to read it. They do rehash a lot of what happened in the past and god, I was getting emotional reading it - so in a way I'm glad I didn't - but they are such a good couple.
Well this wouldn't be an Adrien English mystery without a mystery and this one involves an old acquaintance whose boyfriend has gone missing after visiting his family for the holidays. His old fashioned, well off family. Both sides are saying the other had something to do with his disappearance and Adrien is tasked with helping to track him down, while Jake is hired by the family to do the same.
There's some other drama going on at Cloak & Dagger, the bookshop Adrien owns and we see some sweet moments and sometimes some hot moments between Jake and Adrien. It had me laughing at times with Adrien's humour.
I do like this series and quite a few of this authors other series like Holmes and Moriarity - of which Moriarity got a mention in this as an ex cop turned author and I will be reading more of his books at a later date.
It has been 8 years - possibly more since I joined Goodreads in 2012 - since I read books five and six in this series - and I should point out, they were the only two books I DID read in this series after getting them free one Christmas from AllRomanceeBooks before the website shut down
did fall in love with Adrien and Jake despite not knowing all the stuff they had been through in the previous books so when I saw this, I had to read it. They do rehash a lot of what happened in the past and god, I was getting emotional reading it - so in a way I'm glad I didn't - but they are such a good couple.
Well this wouldn't be an Adrien English mystery without a mystery and this one involves an old acquaintance whose boyfriend has gone missing after visiting his family for the holidays. His old fashioned, well off family. Both sides are saying the other had something to do with his disappearance and Adrien is tasked with helping to track him down, while Jake is hired by the family to do the same.
There's some other drama going on at Cloak & Dagger, the bookshop Adrien owns and we see some sweet moments and sometimes some hot moments between Jake and Adrien. It had me laughing at times with Adrien's humour.
I do like this series and quite a few of this authors other series like Holmes and Moriarity - of which Moriarity got a mention in this as an ex cop turned author and I will be reading more of his books at a later date.
Hazel (1853 KP) rated This Shining Life in Books
Feb 15, 2021
Ollie's Dad died. Richard had an incurable brain tumour, and before he passed away, he sent everyone a special present. He also told Ollie that "being alive was like a puzzle and it was all falling into place." Ollie is autistic. He thinks his father left him a puzzle to solve. Could it involve the gifts? Why won't anyone help him solve the puzzle?
This Shining Life by Harriet Kline is a heartbreaking tale about a family coming to terms with death. Told from several people's point of view, Kline explores different portrayals of grief. Ollie's mum wants to stay in bed; his aunt wants life to carry on; his maternal grandmother tries to exert control; his paternal grandmother wishes she could understand her grandson; and his grandfather has no idea what is going on. No one has time for Ollie and his obsession with his puzzle.
Before Richard's death, Ollie dominated family life. Ollie had a strict routine, always had a few spare pairs of socks with him because he hated dirty ones, and had meltdowns if his parents used the "wrong" tone of voice. Without his familiar habits, Ollie's life was a mass of confusion - an apt metaphor for the grief the rest of the family experienced.
With a contemporary novel such as This Shining Life, there is no "happy ever after". People do not come back from the dead. There is no answer to the meaning of life. Grief is a long process and different for everyone. It causes depression, anger and confusion, but hidden under all these negative feelings is love.
Harriet Kline takes death and grief seriously but adds a touch of humour to the narrative for the reader's benefit. It is not a light read, nor is it markedly profound. Instead, This Shining Life is painfully honest, and for that reason, it is beautiful.
This Shining Life by Harriet Kline is a heartbreaking tale about a family coming to terms with death. Told from several people's point of view, Kline explores different portrayals of grief. Ollie's mum wants to stay in bed; his aunt wants life to carry on; his maternal grandmother tries to exert control; his paternal grandmother wishes she could understand her grandson; and his grandfather has no idea what is going on. No one has time for Ollie and his obsession with his puzzle.
Before Richard's death, Ollie dominated family life. Ollie had a strict routine, always had a few spare pairs of socks with him because he hated dirty ones, and had meltdowns if his parents used the "wrong" tone of voice. Without his familiar habits, Ollie's life was a mass of confusion - an apt metaphor for the grief the rest of the family experienced.
With a contemporary novel such as This Shining Life, there is no "happy ever after". People do not come back from the dead. There is no answer to the meaning of life. Grief is a long process and different for everyone. It causes depression, anger and confusion, but hidden under all these negative feelings is love.
Harriet Kline takes death and grief seriously but adds a touch of humour to the narrative for the reader's benefit. It is not a light read, nor is it markedly profound. Instead, This Shining Life is painfully honest, and for that reason, it is beautiful.
Bob Mann (459 KP) rated Thunder Force (2021) in Movies
May 9, 2021
Terrible and unfunny script (1 more)
Wasted talent.
Getting the crabs is never a laugh.
Positives:
- I laughed three times:
o Jason Bateman's "Crab-man" talking about his ironic star-sign;
o Jason Bateman and Melissa McCarthy's love-making scene: the most
innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
because it looks just like me these days trying to get in and out of my wife's
Mazda MX5!
Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.
Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
- I laughed three times:
o Jason Bateman's "Crab-man" talking about his ironic star-sign;
o Jason Bateman and Melissa McCarthy's love-making scene: the most
innovative use of butter since "Last Tango in Paris"!
o The duo struggling to get in and out of their Lamborghini supercar: purely
because it looks just like me these days trying to get in and out of my wife's
Mazda MX5!
Negatives:
- It singularly fails my "six laughs" test for a comedy. The script by Ben Falcone - McCarthy's husband - is just eye-rollingly unfunny. The pair must have laughed themselves silly over their own jokes. It's just a shame that their sense of humour diverges so wildly from mine (or indeed anyones?)
- Melissa McCarthy must be an acquired taste - one I've never acquired. "Can You Ever Forgive Me?" proves what a class act she can be.... but this does her reputation no good at all.
- It's criminal to have actors of the quality of Octavia Spencer, Jason Bateman and Melissa Leo and use them in such a poor way. Bateman is actually the funniest turn in the piece, but that's not saying much.
Summary Thoughts on "Thunderforce":
There are some movies that you just wish had been drowned at birth. This is one. I normally don't regret spending two hours watching a movie, but this one felt like wasted time. With "Twist" I thought I might have found my worst film of the year. But no, there's a new contender in town.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/09/thunderforce-getting-the-crabs-is-never-a-laugh/ . Thanks).
