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Bad writing (1 more)
Mostly romance
Drowning is one of the top fears in the world, and it's also one of the top ways to cover up a murder. In Lie to Me, Ward's fourth YA novel, she uses drowning as the basis of the story. Yet, this book fell very short in the thriller/mystery genre: Ward gives away too many hints at the beginning of the book, that most readers will have the murderer figured out by chapter 7; she also focuses too much on romance, something that should have caused this story to be filed under a different category other than mystery/thriller. But luckily she didn't bring in a wide circle of characters to cause confusion, using only one view point from the main character of Lie to Me: Amelia- - - a teen girl who believes she was pushed down a ravine to be left for dead in the raging water below.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
Besides her 'accident,' Amelia leads a normal life with her mother, father and brother, Hunter - - - she also has a small group of friends. After her 'fall,' a body of a teen girl from the same town is found in a nearby river, but the town gossips, and makes it seem that this girl committed suicide, leaving Amelia worried that her family would think the same thing about her. Depression is something that Amelia's family has had to deal with before, but the talk of depression is candid and not very enlightening; her brother, Hunter, who is in therapy for such doesn't even talk about it, instead he's usually seen playing soccer or Fortnite, this seems to be a broad attempt to bring mental health into the story,but without going into that subject, it failed as a story line. Yet, one of the main causes of depression today is social media, which we find Amelia stalking one of her best friends/love interest on- - -if Ward was trying to reach the YA community about depression, she went the wrong way about it.
Another mistake that Ward made was when Amelia receives an anonymous text message from someone telling her to 'Just let it go,Amelia,' this occurs after she has started investigating whether her 'accident' was an accident. Amelia tells us that she is always suspicious of everyone, but when this text message comes around, it's as if she could care less. She even tries to take the anonymous message as advice: " 'Or it's advice.' I feel backed into a corner. It's one thing to believe someone hurt me and another thing to have proof of it. I don't want this to be proof. 'I mean, Sky's always telling me I should let my life get back to normal, and she doesn't even know I'm thinking any of this. Maybe someone else feels that way,too.' " In reality, if you believed that someone attempted to murder you, and suddenly you are receiving a cryptic message about letting it go, wouldn't the logic thing to do is go to the police?? Amelia doesn't!
Ward has written three other YA novels, 'Lie to Me' being her fourth. The writing in this story is bad in some places, for example, a scene with Amelia and her best friend, Sky, meeting up at the 'screen' (technically a giant drive-in movie theater screen); Amelia thinks about how this town is a haven for her, that everyone feels safe, but the very next paragraph, she's stating she doesn't feel safe anymore. This makes sense if you haven't read it, but the way it's written could have been in a much better and concise way. This and most scenes makes the story read like a sloppy diary entry. That, and the killer being predictable so early on in the story made me very disappointed with this book. 'Lie to Me' had great potential from the synopsis, but it lacked story, mystery, suspense and diverse characters.
I can't recommend this book to people who love horror stories, like I do. I think the only ones who would enjoy this story are the die-hard YA fans. It has everything that YA is known for: romance and teen drama, but it's lacking in everything else. Other than that, I don't think I'll read another book by Ward, but as far as Point horror books go, I will still give them a shot.
BankofMarquis (1832 KP) rated The Tragedy of Macbeth (2021) in Movies
Jan 25, 2022
Good...not Great...kind of like Macbeth
The history of cinema is littered with adaptations of William Shakespeare plays. Some are very successful - Olivier’s HAMLET (1948), Zeffirelli’s ROMEO & JULIET (1968) and, especially, Kenneth Branagh’s HENRY V (1989), my favorite film Shakespeare adaptation. And, of course, some are less than successful, like HAMLET starring Mel Gibson (1990).
Joel Cohen’s adaptation of MACBETH falls somewhere in between, more for the former but veering towards the latter.
Based on my favorite Shakespeare play, THE TRAGEDY OF MACBETH follows the rise and fall of a Scottish Thane who becomes King thanks to the help (and backstage machinations) of his wife…and a murderous deed. This adaptation should really be called “THE BEST OF MACBETH” as it takes a fairly lengthy stage play and compresses it into 1 hour and 47 minutes of Cinema time.
There is plenty here that works, starting with the sense of unreality that Cohen sets this version of this story in. He filmed the entire movie on a soundstage that has a constant haziness to the background, making one think that everything going on is a dream…or maybe a memory…or maybe taking place on some parallel ethereal plane and the black and white cinematography emphasizes this point to a perfect degree.
The performances are stellar - starting with the choice to cast both Macbeth and Lady with older actors. Usually, these 2 are cast as “ambitious up and comers” in their late 20’s/early 30’s, but by using 60-something actors Denzel Washington and Frances McDormand, it makes these 2 characters more desperate for one last chance at the brass ring and makes the choices these 2 make more understandable. Of course, having Denzel and Frances play these 2 certainly helps, as both are superb thespians who are mesmerizing in their speeches (such as Macbeth’s “Is this a dagger I see before me” and Lady Macbeth’s “Out, out damn spot”).
Along for the ride - and performing strongly in this film - is Brendan Gleeson (King Duncan), Corey Hawkins (MacDuff), Bertie Carvel (Banquo) and Harry Melling (yes, Dudley Dursley of Harry Potter fame) as Malcolm. Also…it was fun to see Ralph Ineson (the Captain that pretty much starts the show), Stephen Root (the Porter) and Jefferson Mayes (the Doctor) showing up in brief, one scene cameos along the way.
But, special notice needs to be paid to Kathryn Hunter (the Witches) and Alex Hassell (Ross) who elevate both of these roles to something more than I’ve seen previously. Sure, the Witches…with such speeches as “Bubble, Bubble, Toil and Trouble”…are the “showey” roles in this script, but in the hands of veteran Stage Actor Hunter, it turns into something much, much more. Cohen does more with the Witches than I’ve seen previously done and it works well - quite possibly to the tune of an Academy Award Nomination as Best Supporting Actress for her. Also working well is the use of the character Ross as sort of an “agent” of the Witches. This role, as written by The Bard of Avon, is pretty much a throw away, but Cohen uses it as something more and Hassell delivers the goods in an interesting way.
So, if the acting is good, the setting appropriately mysterious and the Direction generally strong, why did I not connect more with this film? I think it falls to the adaptation of the play by Mr. Cohen. By necessity, he pares down the film and it feels like it just jumps from speech to speech. As I’ve said earlier, each speech is terrific and the performers present these words very, very well, but they didn’t coalesce into anything whole that I could get emotionally attached to. This film is an “abridged” version of the Scottish play and it shows, Cohen opts to keep in the speeches (as is necessary) but that comes at the cost of losing the scenes between characters that would more strongly tie this film apart.
It’s still a worthy entry in the “Shakespeare on Film” canon - and one that is “above average” but falls far short of greatness - kind of like Macbeth himself.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Joel Cohen’s adaptation of MACBETH falls somewhere in between, more for the former but veering towards the latter.
Based on my favorite Shakespeare play, THE TRAGEDY OF MACBETH follows the rise and fall of a Scottish Thane who becomes King thanks to the help (and backstage machinations) of his wife…and a murderous deed. This adaptation should really be called “THE BEST OF MACBETH” as it takes a fairly lengthy stage play and compresses it into 1 hour and 47 minutes of Cinema time.
There is plenty here that works, starting with the sense of unreality that Cohen sets this version of this story in. He filmed the entire movie on a soundstage that has a constant haziness to the background, making one think that everything going on is a dream…or maybe a memory…or maybe taking place on some parallel ethereal plane and the black and white cinematography emphasizes this point to a perfect degree.
The performances are stellar - starting with the choice to cast both Macbeth and Lady with older actors. Usually, these 2 are cast as “ambitious up and comers” in their late 20’s/early 30’s, but by using 60-something actors Denzel Washington and Frances McDormand, it makes these 2 characters more desperate for one last chance at the brass ring and makes the choices these 2 make more understandable. Of course, having Denzel and Frances play these 2 certainly helps, as both are superb thespians who are mesmerizing in their speeches (such as Macbeth’s “Is this a dagger I see before me” and Lady Macbeth’s “Out, out damn spot”).
Along for the ride - and performing strongly in this film - is Brendan Gleeson (King Duncan), Corey Hawkins (MacDuff), Bertie Carvel (Banquo) and Harry Melling (yes, Dudley Dursley of Harry Potter fame) as Malcolm. Also…it was fun to see Ralph Ineson (the Captain that pretty much starts the show), Stephen Root (the Porter) and Jefferson Mayes (the Doctor) showing up in brief, one scene cameos along the way.
But, special notice needs to be paid to Kathryn Hunter (the Witches) and Alex Hassell (Ross) who elevate both of these roles to something more than I’ve seen previously. Sure, the Witches…with such speeches as “Bubble, Bubble, Toil and Trouble”…are the “showey” roles in this script, but in the hands of veteran Stage Actor Hunter, it turns into something much, much more. Cohen does more with the Witches than I’ve seen previously done and it works well - quite possibly to the tune of an Academy Award Nomination as Best Supporting Actress for her. Also working well is the use of the character Ross as sort of an “agent” of the Witches. This role, as written by The Bard of Avon, is pretty much a throw away, but Cohen uses it as something more and Hassell delivers the goods in an interesting way.
So, if the acting is good, the setting appropriately mysterious and the Direction generally strong, why did I not connect more with this film? I think it falls to the adaptation of the play by Mr. Cohen. By necessity, he pares down the film and it feels like it just jumps from speech to speech. As I’ve said earlier, each speech is terrific and the performers present these words very, very well, but they didn’t coalesce into anything whole that I could get emotionally attached to. This film is an “abridged” version of the Scottish play and it shows, Cohen opts to keep in the speeches (as is necessary) but that comes at the cost of losing the scenes between characters that would more strongly tie this film apart.
It’s still a worthy entry in the “Shakespeare on Film” canon - and one that is “above average” but falls far short of greatness - kind of like Macbeth himself.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
honingwords (32 KP) rated No Good Reason in Books
Jul 5, 2018
Cari Hunter is most definitely as top notch a writer as you are going to find in crime/thriller writing.
Cari Hunter’s Dark Peak crime series, starting with No Good Reason, was recommended to me by a Lesfic author. I reckon you have to be pretty good for your peers to claim you are ‘top notch’ and after reading four of her books in quick succession I can guarantee that Cari is most definitely as top notch a writer as you are going to find in crime/thriller writing.
Let me admit to you that I generally find crime novels too much hard work to follow. I like my books to be romances, and the sexier the better. I’m surprised as all get out to find I love Cari’s thrilling ride through these Police stroke Hospital novels. Especially as there is almost no juicy sex to lubricate the grit. The infrequency of sex scenes is because the main characters, Sanne and Meg, aren’t officially a couple. Or maybe they are. It’s entirely possible everyone knows they are, except themselves.
The story isn't necessarily about their sexual tension, but it was always in the back of my mind that they would see sense in the end and I patiently waited them out.
I have found in the last few years that there are many padded-out books on the market by well-respected authors, where you can skip through whole pages at a time without losing any real sense of the plot. Not so with No Good Reason which kept me riveted through each paragraph and exquisite word right from the tense prologue.
Cari definitely makes every single word count and I felt engaged in the story and with her main characters within the first few pages.
I’d already read Snowbound, which was a fantastic debut novel, but the characters in No Good Reason are one smidge more sophisticatedly written.
Sanne and Meg go back a very long time, from before their first kiss at the age of twelve, and they know each other better than they know themselves. They have generated a world around them where they are each others’ support and comfort. They are BFFs, they are Friends With Benefits, but somehow Cari has written them as even more than these things. They are each others’ absolute other halves.
These two girls have aches and bruises, and tears and emotions, and genuine exhaustion from their ridiculously long work hours.
They do things like accidentally drop perishable shopping on the floor, but eat it anyway; burn their tea; and turn the shower off when the toilet flushes for fear of being scalded.
I love details like these. I love that they can have a discussion about putting the bins out and HobNobs can fall in their tea the same as they do for you and me, without making the whole book boring and mundane. It simply endears the characters to me all the more.
They made me smile a lot. Meg prefers ham and quaver butties, for goodness sake, what’s not to love?
It doesn’t take long for Cari to completely draw you into their world in Northern England, around the Manchester area, and mainly in the Peak District which is where Cari lives and I feel like I have travelled the hills and crunched the snow and tramped through the same streets as she has now.
This area has its own accent, Northern English, and it is noticeable that she uses phrases and words particular to there. I can’t remember which words I picked up on first, probably some dialogue, but you quickly become used to the fact this is not written by an American. It’s refreshing to have only regional UK main characters: no Londoners; no Americans.
Don’t let the idea of a local accent and local characters put you off, there is nothing in the book you wouldn’t understand, it is still all ‘plain English’ and if you come across a word you can’t decipher I will more than happily translate for you!
Other than the almost-a-romance-but-so-much-more between the two girls there is also this whole other kidnapping / crime malarkey going on. Sanne is a little too personally involved in the case right from the beginning, being caught up in the initial rescue of the victim. She and her police partner, the sensitive, caring, supportive, gorgeously written Nelson, are embroiled in working the case together. Needless to say they spend a lot of time visiting Meg in her role as A&E Doctor in the local hospital for one reason or another. Nelson is a beautiful soul and just the kind of partner Sanne needs, but that writers seldom allow their straight characters to be, especially in Police fiction.
The kidnapping plot is fast paced and exciting. The characters on both sides of the investigation were all believable and there was an audible ‘Huh!’ out of me with the final twist at the end. I really didn’t see that coming. Such a simple way to pull the whole plot together. Chilling!
Cari has a remarkable flair for descriptive writing and she pays particular attention to details like sounds and how things feel against skin. You are left in no doubt every time a character is sore, almost feeling the pain and peeling off the scabs with them.
Sometimes you have to reread a passage to understand the gist of what an author means, or furrow your brow over a combination of words because they just don’t make sense or even belong together, but with Cari Hunter the only thing I can point out to her is ‘Try feeding goldfinches niger seeds instead of nuts.’ That’s it. No other tweaking or corrections required. Nothing. Cari Hunter writes sheer perfection.
My favourite line in the book is the first one I stopped at, blinked appreciatively and re-read.
“Sanne ran her fingertips across the gritstone, letting it wear away her skin like an over-keen emery board.”
From that point on I knew I was going to love not only the book, but also Cari’s style and I wasn’t disappointed with further chapters.
I have a simple test for new authors, to find out how much I like them. The test is ‘how sick has this author made me?’ By that I mean - how long did they keep me awake reading when I ought to have been asleep for work the next day. If I am awake too long it makes me sick for several days after - it shouldn’t be something I am proud of but
Let me admit to you that I generally find crime novels too much hard work to follow. I like my books to be romances, and the sexier the better. I’m surprised as all get out to find I love Cari’s thrilling ride through these Police stroke Hospital novels. Especially as there is almost no juicy sex to lubricate the grit. The infrequency of sex scenes is because the main characters, Sanne and Meg, aren’t officially a couple. Or maybe they are. It’s entirely possible everyone knows they are, except themselves.
The story isn't necessarily about their sexual tension, but it was always in the back of my mind that they would see sense in the end and I patiently waited them out.
I have found in the last few years that there are many padded-out books on the market by well-respected authors, where you can skip through whole pages at a time without losing any real sense of the plot. Not so with No Good Reason which kept me riveted through each paragraph and exquisite word right from the tense prologue.
Cari definitely makes every single word count and I felt engaged in the story and with her main characters within the first few pages.
I’d already read Snowbound, which was a fantastic debut novel, but the characters in No Good Reason are one smidge more sophisticatedly written.
Sanne and Meg go back a very long time, from before their first kiss at the age of twelve, and they know each other better than they know themselves. They have generated a world around them where they are each others’ support and comfort. They are BFFs, they are Friends With Benefits, but somehow Cari has written them as even more than these things. They are each others’ absolute other halves.
These two girls have aches and bruises, and tears and emotions, and genuine exhaustion from their ridiculously long work hours.
They do things like accidentally drop perishable shopping on the floor, but eat it anyway; burn their tea; and turn the shower off when the toilet flushes for fear of being scalded.
I love details like these. I love that they can have a discussion about putting the bins out and HobNobs can fall in their tea the same as they do for you and me, without making the whole book boring and mundane. It simply endears the characters to me all the more.
They made me smile a lot. Meg prefers ham and quaver butties, for goodness sake, what’s not to love?
It doesn’t take long for Cari to completely draw you into their world in Northern England, around the Manchester area, and mainly in the Peak District which is where Cari lives and I feel like I have travelled the hills and crunched the snow and tramped through the same streets as she has now.
This area has its own accent, Northern English, and it is noticeable that she uses phrases and words particular to there. I can’t remember which words I picked up on first, probably some dialogue, but you quickly become used to the fact this is not written by an American. It’s refreshing to have only regional UK main characters: no Londoners; no Americans.
Don’t let the idea of a local accent and local characters put you off, there is nothing in the book you wouldn’t understand, it is still all ‘plain English’ and if you come across a word you can’t decipher I will more than happily translate for you!
Other than the almost-a-romance-but-so-much-more between the two girls there is also this whole other kidnapping / crime malarkey going on. Sanne is a little too personally involved in the case right from the beginning, being caught up in the initial rescue of the victim. She and her police partner, the sensitive, caring, supportive, gorgeously written Nelson, are embroiled in working the case together. Needless to say they spend a lot of time visiting Meg in her role as A&E Doctor in the local hospital for one reason or another. Nelson is a beautiful soul and just the kind of partner Sanne needs, but that writers seldom allow their straight characters to be, especially in Police fiction.
The kidnapping plot is fast paced and exciting. The characters on both sides of the investigation were all believable and there was an audible ‘Huh!’ out of me with the final twist at the end. I really didn’t see that coming. Such a simple way to pull the whole plot together. Chilling!
Cari has a remarkable flair for descriptive writing and she pays particular attention to details like sounds and how things feel against skin. You are left in no doubt every time a character is sore, almost feeling the pain and peeling off the scabs with them.
Sometimes you have to reread a passage to understand the gist of what an author means, or furrow your brow over a combination of words because they just don’t make sense or even belong together, but with Cari Hunter the only thing I can point out to her is ‘Try feeding goldfinches niger seeds instead of nuts.’ That’s it. No other tweaking or corrections required. Nothing. Cari Hunter writes sheer perfection.
My favourite line in the book is the first one I stopped at, blinked appreciatively and re-read.
“Sanne ran her fingertips across the gritstone, letting it wear away her skin like an over-keen emery board.”
From that point on I knew I was going to love not only the book, but also Cari’s style and I wasn’t disappointed with further chapters.
I have a simple test for new authors, to find out how much I like them. The test is ‘how sick has this author made me?’ By that I mean - how long did they keep me awake reading when I ought to have been asleep for work the next day. If I am awake too long it makes me sick for several days after - it shouldn’t be something I am proud of but
Annie Chanse (15 KP) rated The Last American Vampire in Books
May 25, 2018
A Rare Case of The Sequel Being Better than the First Book
I loved this book. Honestly, I'm not certain that I didn't like it even more than "Abraham Lincoln: Vampire Hunter." One of my favorite things about both of these books is that Smith writes them like history books (complete with footnotes and actual photographs of things like Teddy Roosevelt posing with an elephant he'd just killed and Jack Ruby with his gun jammed into Lee Harvey Oswald's stomach). The facts he uses in his book are so... FACTUAL! I mean, seriously, the only thing keeping a person from reading these books as absolute truth is the fact that s/he doesn't believe vampires actually exist. But if a person DID believe in vampires? Oh yes, everything in these books is absolutely plausible. I can honestly see some confused people who are on the fence about whether or not vampires are real reading this book, finishing it, slamming it down, and saying, "I KNEW IT! I -KNEW- THEY WERE REAL!" Ha. Seriously though, the realism in these books is what makes them so much fun and so wonderful.
The thing I like about this book so much -- the thing that very possibly makes me enjoy this one more than the original -- is all that cameos in the book -- Mark Twain, Howard Hughes, Arthur Conan Doyle, Bram Stoker, Henry Irving, Eliot Ness.... I mean, HELLO?! What a stellar, badass cast of cameo characters. Although, honestly, "cameo" is not the most appropriate word because some of these characters played pretty major roles in the novel. It was fantastic. Viewing Howard Hughes' eccentricities and insanities through vampire-colored glasses is simply... perfect. It doesn't seemed forced at all. Wait, after a plane crash, Howard Hughes was turned into a vampire? ... Yeah, I can see that. That makes perfect sense. And it DOES! It is such an easy transition from mentally ill billionaire to crazy vampire. Not such a stretch. And Rasputin? OH yeah. That guy was TOTALLY a vampire. :-p
Anyway. Now I'm kind of rambling. But seriously, this book was fantastic, so much fun. There wasn't a single part of this book that I didn't love.
The thing I like about this book so much -- the thing that very possibly makes me enjoy this one more than the original -- is all that cameos in the book -- Mark Twain, Howard Hughes, Arthur Conan Doyle, Bram Stoker, Henry Irving, Eliot Ness.... I mean, HELLO?! What a stellar, badass cast of cameo characters. Although, honestly, "cameo" is not the most appropriate word because some of these characters played pretty major roles in the novel. It was fantastic. Viewing Howard Hughes' eccentricities and insanities through vampire-colored glasses is simply... perfect. It doesn't seemed forced at all. Wait, after a plane crash, Howard Hughes was turned into a vampire? ... Yeah, I can see that. That makes perfect sense. And it DOES! It is such an easy transition from mentally ill billionaire to crazy vampire. Not such a stretch. And Rasputin? OH yeah. That guy was TOTALLY a vampire. :-p
Anyway. Now I'm kind of rambling. But seriously, this book was fantastic, so much fun. There wasn't a single part of this book that I didn't love.
graveyardgremlin (7194 KP) rated What's a Ghoul to Do? (Ghost Hunter Mystery, #1) in Books
Feb 15, 2019
I was really excited to read this book because I love the Psychic Eye Mysteries Victoria Laurie also writes. I'm not a picky reader, but I'm sorry, this didn't quite do it for me and I ended up very disappointed.
I was hoping they'd be different from the P. E. Mysteries, but still have similar elements of style. Even though I like romance, this book was supposed to be a mystery, hence A Ghost Hunter Mystery on the cover, but the mystery is thrown in around the rather awkwardly written romance between M. J. and Steven. I did think the first chapter was good because I thought M. J. would be different than Abby and more antisocial and a bit cranky (at least that's what I got from the first chapter), but then she ended up giggling throughout the whole book (seriously). What I like about the P. E. Mysteries are that they are fresh, fun, very well written, and the characters are (for the most part) believable. Not to mention, I got extremely tired of reading Steven's choppy English ('what do you say...?', 'Yes, that too', etc.), which made the dialogue even choppier and flatter than it already was, not to mention irritating as all get out. I don't know why V. L. couldn't have made him more fluent in English, especially since he was so well educated, it would only have been a small tweak in the plot. But I've noticed Ms. Laurie has a bit of a redundancy problem in her books, even if I do love Abby Cooper, Psychic Eye, which has the 'liar, liar, pants on fire' repetition, where when someone lies, Abby's 'inborn lie detector' goes off with that chant.
Overall, the dialogue was choppy, the plot and mystery were subpar, the characters were clichés and unbelievable (Doc was a nice addition though), and the whole book badly needed editing. I would not recommend this, although I'm sure many (as seen in the numerous four and five star ratings) would like this as it's not completely horrible; it's just not very fresh even if the subject is interesting. I haven't quite made up my mind if I'll pick up the next in the series.
I was hoping they'd be different from the P. E. Mysteries, but still have similar elements of style. Even though I like romance, this book was supposed to be a mystery, hence A Ghost Hunter Mystery on the cover, but the mystery is thrown in around the rather awkwardly written romance between M. J. and Steven. I did think the first chapter was good because I thought M. J. would be different than Abby and more antisocial and a bit cranky (at least that's what I got from the first chapter), but then she ended up giggling throughout the whole book (seriously). What I like about the P. E. Mysteries are that they are fresh, fun, very well written, and the characters are (for the most part) believable. Not to mention, I got extremely tired of reading Steven's choppy English ('what do you say...?', 'Yes, that too', etc.), which made the dialogue even choppier and flatter than it already was, not to mention irritating as all get out. I don't know why V. L. couldn't have made him more fluent in English, especially since he was so well educated, it would only have been a small tweak in the plot. But I've noticed Ms. Laurie has a bit of a redundancy problem in her books, even if I do love Abby Cooper, Psychic Eye, which has the 'liar, liar, pants on fire' repetition, where when someone lies, Abby's 'inborn lie detector' goes off with that chant.
Overall, the dialogue was choppy, the plot and mystery were subpar, the characters were clichés and unbelievable (Doc was a nice addition though), and the whole book badly needed editing. I would not recommend this, although I'm sure many (as seen in the numerous four and five star ratings) would like this as it's not completely horrible; it's just not very fresh even if the subject is interesting. I haven't quite made up my mind if I'll pick up the next in the series.
Merissa (12066 KP) rated Scrying for Summer (Philadelphia Coven Chronicles #2) in Books
Mar 21, 2018
Scrying for Summer (Philadelphia Coven Chronicles #2) by Katherine McIntyre
Scrying for Summer is the second book in the Philadelphia Coven Chronicles, and we meet back up with the little powerhouse known as Jev, and the turncoat with soul, Liam. Brenna and Conor are out of town, and Liam doesn't know where else to turn. His friend is in trouble, with the same organisation Liam is trying to escape from. He asks for Jev's help, not realising the danger he would be asking her to face.
Liam shows a different side to himself in this book, one that Jev finds hard to resist. He is no longer the simple, one dimensional, turncoat she thought he was. Instead, she finds out more about his reasons for what he did, and also asks herself the question about what would she do in the same situation? Once she realises that the answer isn't as easy as she thought, as well as some wise words from Sam the Djinn, her view changes of Liam. He is busy fighting his attraction for Jev. He is a Hunter, and their lives are dangerous. However, no one tells Jev what she can or can't do, and her help with the situation regarding his mom breaks down some of the walls that Liam holds onto so tightly.
Whilst you don't have to read book one to enjoy this one, I would still recommend you do. You will get a much better picture of who Jev and Liam are, plus why they both feel the way they do at the beginning. This was an excellent addition to the series, and Katherine McIntyre continues with her fantastic world and character building. There were no editing or grammatical errors that disrupted my reading flow, and I was thoroughly engrossed with the story from start to finish. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://erotic.theromancereviews.com/viewbooks.php?bookid=22742
Liam shows a different side to himself in this book, one that Jev finds hard to resist. He is no longer the simple, one dimensional, turncoat she thought he was. Instead, she finds out more about his reasons for what he did, and also asks herself the question about what would she do in the same situation? Once she realises that the answer isn't as easy as she thought, as well as some wise words from Sam the Djinn, her view changes of Liam. He is busy fighting his attraction for Jev. He is a Hunter, and their lives are dangerous. However, no one tells Jev what she can or can't do, and her help with the situation regarding his mom breaks down some of the walls that Liam holds onto so tightly.
Whilst you don't have to read book one to enjoy this one, I would still recommend you do. You will get a much better picture of who Jev and Liam are, plus why they both feel the way they do at the beginning. This was an excellent addition to the series, and Katherine McIntyre continues with her fantastic world and character building. There were no editing or grammatical errors that disrupted my reading flow, and I was thoroughly engrossed with the story from start to finish. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://erotic.theromancereviews.com/viewbooks.php?bookid=22742
Nicole Hadley (380 KP) rated The Blessing (The Amish Cooking Class #2) in Books
Jun 18, 2018
The Blessing by Wanda E. Brunstetter is the second book in the series The Amish cooking class. In the first book Heidi and Lyle open their home up at the Troyer Amish Farm for cooking classes that Heidi teaches. In this second book Heidi teaches were second cooking class. I read the Brunstetter's first book in The Amish cooking class series and this book did not disappoint.
Just like the first book, Heidi's students in The Blessing are facing a variety of needs. Aa young teenage who is struggling with life after her mother, an alcoholic, abandon her family. A mailman who wants to learn to cook. A wife who's husband is a policeman and gives her this gift to learn to cook. A caterer who wants to learn new recipes for her business and a hunter who wants to learn to cook for his buddies. The story bring in some of the characters from the first book in the series, which is an added bonus to see how the first set of doing are doing.
Heidi seems to be a compassionate and thoughtful young woman, with a good sense of humor who genuinely loves sharing her love of cooking and of God with her students. It is heartwarming to see how Heidi is able to reach her students hearts when they are suffering, particularly teenage Nicole, who is struggling with forgiving her mother for leaving the family.
At the classes Heidi teaches her student to cook good Amish food and always sends them home with a Bible verse on the back of the recipe card. The story shows how each person needs something in there lives and Heidi is able to help them.
The story has feelings of hope, love, friendship, forgiveness and trust in God. Heidi shares a scripture with each of her recipe cards. This touching story left me wanting for more. I hope there will be more additions to her Cooking Class series. The stories are uplifting and enjoyable to read.
I received an ARC from Shiloh Run Press via NetGalley in exchange for an honest review.
Just like the first book, Heidi's students in The Blessing are facing a variety of needs. Aa young teenage who is struggling with life after her mother, an alcoholic, abandon her family. A mailman who wants to learn to cook. A wife who's husband is a policeman and gives her this gift to learn to cook. A caterer who wants to learn new recipes for her business and a hunter who wants to learn to cook for his buddies. The story bring in some of the characters from the first book in the series, which is an added bonus to see how the first set of doing are doing.
Heidi seems to be a compassionate and thoughtful young woman, with a good sense of humor who genuinely loves sharing her love of cooking and of God with her students. It is heartwarming to see how Heidi is able to reach her students hearts when they are suffering, particularly teenage Nicole, who is struggling with forgiving her mother for leaving the family.
At the classes Heidi teaches her student to cook good Amish food and always sends them home with a Bible verse on the back of the recipe card. The story shows how each person needs something in there lives and Heidi is able to help them.
The story has feelings of hope, love, friendship, forgiveness and trust in God. Heidi shares a scripture with each of her recipe cards. This touching story left me wanting for more. I hope there will be more additions to her Cooking Class series. The stories are uplifting and enjoyable to read.
I received an ARC from Shiloh Run Press via NetGalley in exchange for an honest review.
Ross (3284 KP) rated The Traitor God in Books
Jun 19, 2019
Fantastic gritty dark magical fantasy
The Traitor God is a book set in a world which has seen its fair share of turmoil. The once powerful Escharric empire crumbled centuries ago and their achievements and discoveries are still sought after. Magic plays a large part in this world, with some people born with a Gift (an affinity for a certain strain of magic), able to work their way up through the ranks (assuming they survive their tests) and hope for a place in leadership of Setharis, the most civilised of the remaining cities.
The magic used here feels similar to that in Brandon Sanderson's Mistborn series, with some people able to increase their strength or size, manipulate fire, water or air, or in Edrin Walker's case - control people's minds.
Walker starts off the story in a far flung city on the run from magical bounty hunter beasts and savage invaders. There is a "bad thing" in his past that he has only a vague memory of (like anyone who has woken up fully clothed with a dreadful hangover), and though he knows he cannot return to Setharis, he finds himself compelled to.
The book follows Walker's investigation to identify his friend's killer, and he gradually reveals a plot to destroy the city. As his power would normally see him imprisoned as a tyrant, he has to keep his abilities under wraps as much as possible. I have seen a few fantasy tales recently try to have more of a mystery angle, almost being a crime novel in a fantasy setting. This is the first time I have seen it delivered so well that it manages to cover both genres without compromise.
The story and writing here are truly fantastic. It has been quite some time since I have been able to rattle through a book with an amazing narrative tone, excellent gritty dialogue and a thrilling story. You are never more than a few pages away from a major revelation or exciting conflict.
I have the follow-up book to read and will delve into that with relish very soon.
The magic used here feels similar to that in Brandon Sanderson's Mistborn series, with some people able to increase their strength or size, manipulate fire, water or air, or in Edrin Walker's case - control people's minds.
Walker starts off the story in a far flung city on the run from magical bounty hunter beasts and savage invaders. There is a "bad thing" in his past that he has only a vague memory of (like anyone who has woken up fully clothed with a dreadful hangover), and though he knows he cannot return to Setharis, he finds himself compelled to.
The book follows Walker's investigation to identify his friend's killer, and he gradually reveals a plot to destroy the city. As his power would normally see him imprisoned as a tyrant, he has to keep his abilities under wraps as much as possible. I have seen a few fantasy tales recently try to have more of a mystery angle, almost being a crime novel in a fantasy setting. This is the first time I have seen it delivered so well that it manages to cover both genres without compromise.
The story and writing here are truly fantastic. It has been quite some time since I have been able to rattle through a book with an amazing narrative tone, excellent gritty dialogue and a thrilling story. You are never more than a few pages away from a major revelation or exciting conflict.
I have the follow-up book to read and will delve into that with relish very soon.
BookwormMama14 (18 KP) rated A Noble Masquerade (Hawthorne House, #1) in Books
Jan 2, 2019
Living the life of nobility can be oppressive and demanding. There are restrictions for every aspect of life. Lady Miranda longs to be free of the expectations placed on her, but will she have the courage to stand up to her mother and her "lady lessons"?
"A lady never posted letters to an unrelated male. But the very writing of his name made her feel dangerous."
Lady Miranda Hawthorne has been raised to be the epitome of poise and grace, but everything inside of her screams to rebel. She pours her heart out on paper, in letters she never sends, to her brother's childhood friend, the Duke of Marshington. She is approaching her fourth London season when Marlow, the handsome new valet to Lady Miranda's brother, accidentally mails one of these letters. She is mortified, until she receives a reply. Conflicted with her growing attraction for two men, her life is quickly changing in ways she never thought possible. She soon realises however, that there is more at stake than her heart. Miranda has had to hide behind the mask she have been expected to wear for so long. Hiding her true personality and identity. But the time has come for her to become the person she was created to be.
"'A Lady never sits on the floor.' A lady probably wasn't supposed to crawl on her belly through the dirt either."
A Noble Masquerade is a fabulous story from beginning to end! Kristi Ann Hunter has done a marvelous job with her debut novel! I was completely captivated by the intrigue and espionage. I was surprised more than once when the story line went in a different direction than I anticipated. The faith was natural and the romance genuine and clean. Kidnappings, traitors, witty humour and masquerades will keep you turning the pages of this remarkable story. This is a book that I will enjoy reading over and over again. I can not wait for Mrs. Hunter's next book!
I received a free advanced reading copy of A Noble Masquerade from Bethany House Publishers through Library Thing in exchange for my honest review.
"A lady never posted letters to an unrelated male. But the very writing of his name made her feel dangerous."
Lady Miranda Hawthorne has been raised to be the epitome of poise and grace, but everything inside of her screams to rebel. She pours her heart out on paper, in letters she never sends, to her brother's childhood friend, the Duke of Marshington. She is approaching her fourth London season when Marlow, the handsome new valet to Lady Miranda's brother, accidentally mails one of these letters. She is mortified, until she receives a reply. Conflicted with her growing attraction for two men, her life is quickly changing in ways she never thought possible. She soon realises however, that there is more at stake than her heart. Miranda has had to hide behind the mask she have been expected to wear for so long. Hiding her true personality and identity. But the time has come for her to become the person she was created to be.
"'A Lady never sits on the floor.' A lady probably wasn't supposed to crawl on her belly through the dirt either."
A Noble Masquerade is a fabulous story from beginning to end! Kristi Ann Hunter has done a marvelous job with her debut novel! I was completely captivated by the intrigue and espionage. I was surprised more than once when the story line went in a different direction than I anticipated. The faith was natural and the romance genuine and clean. Kidnappings, traitors, witty humour and masquerades will keep you turning the pages of this remarkable story. This is a book that I will enjoy reading over and over again. I can not wait for Mrs. Hunter's next book!
I received a free advanced reading copy of A Noble Masquerade from Bethany House Publishers through Library Thing in exchange for my honest review.
BookwormMama14 (18 KP) rated An Uncommon Courtship (Hawthorne House, #3) in Books
Jan 2, 2019
When I first read A Noble Masquerade (book one of the series), I knew that Kristi Ann Hunter was unique. Little did I know that her books would be able to twist and pull on my heart and emotions in such a strong way. An Uncommon Courtship is a story filled with sweetness that will make you sigh, rogues that will make you shudder, scheming women that will make your blood boil, and passion that will make you swoon.
Trent and Adelaide make such an adorable pair. They complement each other beautifully. Watching their "courtship" progress, witnessing their hearts opening, and learning what it means to love and be loved is a precious thing. This is a Christian novel and the passion and discussions are clean and appropriate by my standards. However, there are conversations that you may or may not feel are suitable for younger readers. One of the messages that continued to speak to me throughout the story is that, "God doesn't make mistakes." I have been reminded of this several times over the last couple of months, and it is so very true. No matter what we go through we must trust that He knows what He is doing. Even through the pain of shattered dreams, He does not make mistakes. Whatever He gives us, He gives us for a reason. The other thread that really stuck with me through this book is, love. True love, the love of the Father, the love He created between husband and wife. Kristi broaches this subject in a pure and Biblical way. It breaks my heart to see our society searching for and demonstrating love in all the wrong ways. His love is perfect and loving each other the way God intended is such a beautiful thing.
If you haven't read the rest of the books in the series I would recommend you do so before you jump into this one. The novella, Lady of Esteem, is available as a free ebook. I highly recommend this book and the series.
I received a complimentary copy of An Uncommon Courtship from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.
Trent and Adelaide make such an adorable pair. They complement each other beautifully. Watching their "courtship" progress, witnessing their hearts opening, and learning what it means to love and be loved is a precious thing. This is a Christian novel and the passion and discussions are clean and appropriate by my standards. However, there are conversations that you may or may not feel are suitable for younger readers. One of the messages that continued to speak to me throughout the story is that, "God doesn't make mistakes." I have been reminded of this several times over the last couple of months, and it is so very true. No matter what we go through we must trust that He knows what He is doing. Even through the pain of shattered dreams, He does not make mistakes. Whatever He gives us, He gives us for a reason. The other thread that really stuck with me through this book is, love. True love, the love of the Father, the love He created between husband and wife. Kristi broaches this subject in a pure and Biblical way. It breaks my heart to see our society searching for and demonstrating love in all the wrong ways. His love is perfect and loving each other the way God intended is such a beautiful thing.
If you haven't read the rest of the books in the series I would recommend you do so before you jump into this one. The novella, Lady of Esteem, is available as a free ebook. I highly recommend this book and the series.
I received a complimentary copy of An Uncommon Courtship from Bethany House Publishers. I was not required to write a positive review. All opinions expressed are mine alone.