Search
Search results
Lottie disney bookworm (1056 KP) rated Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr in Books
Dec 29, 2020
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
Emma @ The Movies (1786 KP) rated Home Alone (1990) in Movies
Sep 25, 2019
It's not Christmas until Kevin says "I've made my family disappear." In fact, it's probably one of the few that I actively watch every year, and it's one of two that I'll happily watch at any time of the year. (The other being Die Hard... don't get on my case, you know it's a Christmas film.)
On December 7th Home Alone turned 28 in the UK. 1990... just wow. I'm feeling old enough without films I grew up with being called classics.
If you haven't considered your own Home Alone plan... well, what have you been doing with your life?! As a tip, if you already have a zombie apocalypse plan in place then it's very easily adapted, you just need a little less lethal force. And it's probably best for me to remind you not to actually try this at home, because I'm not convinced that Harry and Marv would have survived. (And if we take the results from Better Watch Out then you're probably looking at some kind of murder charge.)
In December they were showing Home Alone a few times at Cineworld so it would have been rude not to go at least once to see it. I'm really getting into the classic releases on the big screen, it's so much fun. The show I picked was basically populated by adults, just two children brought along by their parents. We were all roaring with laughter, the comedy never gets old.
The music of Home Alone is instantly recognisable and yet I always forget that it's one of John Williams' epic creations. You can't hear it without thinking of the specific scene in the film it relates to, and it's certainly influences a lot of films since. Something that again I hadn't really noticed until I watched the Christmas horror film, Secret Santa (review coming soon).
It always fills me with questions though... Do all Americans have telephones with cords that are about 20 feet long? How did Buzz manage to shove that entire pizza slice in his mouth? Why did Leslie ever marry Frank? Why is Jimmy in the shop so over enthusiastic? How does Kevin manage to create all his traps in such a short amount of time? And who on Earth leaves their house that tidy when they're leaving for holiday? Especially when you consider they left in such a hurry!
The idea is such a fun one, I can see why it's so popular all this time later. Watching it more and more though you do realise that Culkin's acting was pretty bad, but that just adds to its charm.
Watching it with a group of people who already love the film really made it a better viewing. We all laughed at the amazing prat falls from Joe Pesci on the ice and the walls of the cinema caved in slightly as we all took a sharp intake of breath as Marv stood on that nail. It's genuinely more fun to roar with laughter with other fans.
It's sad to think that Home Alone could never happen these days. (Although Google did bring us an advert that gave us a peak at what might happen. I've put the video at the end of the post.) Kevin probably has several smart devices that they could contact or track, the house would also likely be equipped with state of the art surveillance and alarm systems that would have alerted someone to movement and doors opening. On the flip side though it's quite fun to think about what sort of traps Kevin could be creating with the wonders of modern technology. I'd say lets get a petition going to see that happen but while Home Alone 4 was passable I don't think we really need any more of them.
What you should do
This should be in everyone's Christmas film rotation. If you don't watch it at least once a year... well... *shakes head*.
Movie thing you wish you could take home
Everyone needs those quick inventing skills, but I'm actually going to go with Kevin's other superpower... his amazing ability to make epic ice cream sundaes.
On December 7th Home Alone turned 28 in the UK. 1990... just wow. I'm feeling old enough without films I grew up with being called classics.
If you haven't considered your own Home Alone plan... well, what have you been doing with your life?! As a tip, if you already have a zombie apocalypse plan in place then it's very easily adapted, you just need a little less lethal force. And it's probably best for me to remind you not to actually try this at home, because I'm not convinced that Harry and Marv would have survived. (And if we take the results from Better Watch Out then you're probably looking at some kind of murder charge.)
In December they were showing Home Alone a few times at Cineworld so it would have been rude not to go at least once to see it. I'm really getting into the classic releases on the big screen, it's so much fun. The show I picked was basically populated by adults, just two children brought along by their parents. We were all roaring with laughter, the comedy never gets old.
The music of Home Alone is instantly recognisable and yet I always forget that it's one of John Williams' epic creations. You can't hear it without thinking of the specific scene in the film it relates to, and it's certainly influences a lot of films since. Something that again I hadn't really noticed until I watched the Christmas horror film, Secret Santa (review coming soon).
It always fills me with questions though... Do all Americans have telephones with cords that are about 20 feet long? How did Buzz manage to shove that entire pizza slice in his mouth? Why did Leslie ever marry Frank? Why is Jimmy in the shop so over enthusiastic? How does Kevin manage to create all his traps in such a short amount of time? And who on Earth leaves their house that tidy when they're leaving for holiday? Especially when you consider they left in such a hurry!
The idea is such a fun one, I can see why it's so popular all this time later. Watching it more and more though you do realise that Culkin's acting was pretty bad, but that just adds to its charm.
Watching it with a group of people who already love the film really made it a better viewing. We all laughed at the amazing prat falls from Joe Pesci on the ice and the walls of the cinema caved in slightly as we all took a sharp intake of breath as Marv stood on that nail. It's genuinely more fun to roar with laughter with other fans.
It's sad to think that Home Alone could never happen these days. (Although Google did bring us an advert that gave us a peak at what might happen. I've put the video at the end of the post.) Kevin probably has several smart devices that they could contact or track, the house would also likely be equipped with state of the art surveillance and alarm systems that would have alerted someone to movement and doors opening. On the flip side though it's quite fun to think about what sort of traps Kevin could be creating with the wonders of modern technology. I'd say lets get a petition going to see that happen but while Home Alone 4 was passable I don't think we really need any more of them.
What you should do
This should be in everyone's Christmas film rotation. If you don't watch it at least once a year... well... *shakes head*.
Movie thing you wish you could take home
Everyone needs those quick inventing skills, but I'm actually going to go with Kevin's other superpower... his amazing ability to make epic ice cream sundaes.
Cooking Games Pizza Fast Food Maker & Kitchen Chef
Games and Food & Drink
App
Cooking Games Fever Kitchen Food Maker become a chef master & cook tasty dishes and become a the...
Bob Mann (459 KP) rated I, Tonya (2017) in Movies
Sep 29, 2021
Some Darwin award winners.
Man, I personally found this one to be an exceedingly uncomfortable watch.
“I, Tonya” is cleverly filmed as a pseudo-documentary, featuring re-enactments of the real-life interviews of most of the participants in this true-life drama. I recently bitterly criticised some film critics for spoiling the story of Donald Crowhurst, the subject of the recent “The Mercy”. But I was about to do exactly the same here, *assuming* that you all know the lurid tale of the rivalry between Tonya Harding and Nancy Kerrigan that led up to an ‘event’ in 1994 that shocked the world. And of course, many of you younger folk don’t know: case in point my 26 year old son who I went to see this with, and who went into the story blissfully blind of the drama about to unfold. So I will try to keep this review spoiler-free.
Playing Tonya from a (not very credible!) 15 years old to her mid-20’s is Margot Robbie (“The Wolf of Wall Street”, “Suicide Squad”) in what is a BAFTA and Oscar nominated performance. And for good reason: the performance is raw, visceral and disturbing in reflecting a victim who still thinks everything at heart is her own fault.
Also BAFTA and Oscar nominated is Allison Janney (“The Girl on the Train”) as Tonya’s obnoxious chain-smoking mother LaVona. Janney is truly terrifying as the mother who abuses her daughter both physically and mentally in a driven attempt to make her the best ice-skater in the world.
Victims seem to attract abusers, and Tonya is surrounded by people who are just plain bad for her: notably her husband Jeff (Sebastian Stan, “The Martian”, “Captain America: Winter Soldier”) and his slimy and pitifully self-deluded friend Shawn (Paul Walter Hauser). The end credits video footage of the real-life players show just how well these parts were cast.
Why so uncomfortable to watch? There is a significant degree of domestic abuse featured in the film, both in terms of LaVona on her child and Jeff on his wife. This is something I abhor in general, having been brought up to believe it is never EVER acceptable to lay a hand on a woman. To have these cowardly individuals sensationalised in the movie I found to be really upsetting. I strongly feel, for this reason alone, that the film should have had an 18 certificate. Violence in film should be related to the context as well as the severity. (Note that this is in stark contrast to my comments of recent BBFC decisions to make “Phantom Thread” and “Lady Bird” 15-certificates when I believe they should have been 12A).
The film is executed extremely well, with 4:3 framing for the staged interviews, and ice skating scenes that seamlessly cut between the professional clearly doing the stunts and Robbie (who must also be a half decent skater too). The soundtrack is nicely littered – “Guardians of the Galaxy” style – with classic hits of the early 90’s.
To think that this story actually unfolded in this way is nothing short of astounding… but it did! There is an astonishing video clip here (#spoilers) of the run up to, and the immediate aftermath of, the Kerrigan incident. I came out of the film with a deep feeling of sadness for Harding (at least, as portrayed) and utter disgust that the villains of this piece could be a) so cruel and out of control and b) so utterly stupid. These are individuals who really should have been sterilised to stop them polluting the gene pool any further.
Written by Steven Rogers (“Stepmom”) and directed by Australian Craig Gillespie, there is no doubting that this is a powerful film: played to an absolutely silent and gripped Saturday night cinema audience. And it has truly dynamite performances from Allison Janney and Margot Robbie. But be warned that you’ll need a strong stomach to go and see it without being affected by it afterwards. It’s a mental keeper.
“I, Tonya” is cleverly filmed as a pseudo-documentary, featuring re-enactments of the real-life interviews of most of the participants in this true-life drama. I recently bitterly criticised some film critics for spoiling the story of Donald Crowhurst, the subject of the recent “The Mercy”. But I was about to do exactly the same here, *assuming* that you all know the lurid tale of the rivalry between Tonya Harding and Nancy Kerrigan that led up to an ‘event’ in 1994 that shocked the world. And of course, many of you younger folk don’t know: case in point my 26 year old son who I went to see this with, and who went into the story blissfully blind of the drama about to unfold. So I will try to keep this review spoiler-free.
Playing Tonya from a (not very credible!) 15 years old to her mid-20’s is Margot Robbie (“The Wolf of Wall Street”, “Suicide Squad”) in what is a BAFTA and Oscar nominated performance. And for good reason: the performance is raw, visceral and disturbing in reflecting a victim who still thinks everything at heart is her own fault.
Also BAFTA and Oscar nominated is Allison Janney (“The Girl on the Train”) as Tonya’s obnoxious chain-smoking mother LaVona. Janney is truly terrifying as the mother who abuses her daughter both physically and mentally in a driven attempt to make her the best ice-skater in the world.
Victims seem to attract abusers, and Tonya is surrounded by people who are just plain bad for her: notably her husband Jeff (Sebastian Stan, “The Martian”, “Captain America: Winter Soldier”) and his slimy and pitifully self-deluded friend Shawn (Paul Walter Hauser). The end credits video footage of the real-life players show just how well these parts were cast.
Why so uncomfortable to watch? There is a significant degree of domestic abuse featured in the film, both in terms of LaVona on her child and Jeff on his wife. This is something I abhor in general, having been brought up to believe it is never EVER acceptable to lay a hand on a woman. To have these cowardly individuals sensationalised in the movie I found to be really upsetting. I strongly feel, for this reason alone, that the film should have had an 18 certificate. Violence in film should be related to the context as well as the severity. (Note that this is in stark contrast to my comments of recent BBFC decisions to make “Phantom Thread” and “Lady Bird” 15-certificates when I believe they should have been 12A).
The film is executed extremely well, with 4:3 framing for the staged interviews, and ice skating scenes that seamlessly cut between the professional clearly doing the stunts and Robbie (who must also be a half decent skater too). The soundtrack is nicely littered – “Guardians of the Galaxy” style – with classic hits of the early 90’s.
To think that this story actually unfolded in this way is nothing short of astounding… but it did! There is an astonishing video clip here (#spoilers) of the run up to, and the immediate aftermath of, the Kerrigan incident. I came out of the film with a deep feeling of sadness for Harding (at least, as portrayed) and utter disgust that the villains of this piece could be a) so cruel and out of control and b) so utterly stupid. These are individuals who really should have been sterilised to stop them polluting the gene pool any further.
Written by Steven Rogers (“Stepmom”) and directed by Australian Craig Gillespie, there is no doubting that this is a powerful film: played to an absolutely silent and gripped Saturday night cinema audience. And it has truly dynamite performances from Allison Janney and Margot Robbie. But be warned that you’ll need a strong stomach to go and see it without being affected by it afterwards. It’s a mental keeper.
Haley Mathiot (9 KP) rated The Ice Twins in Books
Apr 27, 2018
This was literally the most depressing book I’ve ever read. Like, literally. The writing was lyrical and descriptive (almost too much so), and it was hard to listen to because of the emotional devastation of the characters. It was a rollercoaster because out of the three main characters (daughter, husband, wife) you loved all of them, you hated all of them, but you weren’t sure which one was the bad guy (and there was definitely a bad guy). And then once you figured out which one you hated the most, it would switch on you. Suffice to say, this made it an emotional trip.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
As I said, the writing was almost so descriptive that it was annoying. And it wasn’t all of it, there were just some parts where I thought “Okay, I get it, move on with the story please.” Another thing was some of the dialogue was redundant. I realize you’re dealing with a traumatized child here, and they tend to repeat themselves and not elaborate, but there are artful ways of writing that without driving your reader crazy. (Example, thought not a direct quote: “tell me what happened?” “Nothing.” “Tell me?” “no. nothing.” “Please?” “Nothing.” “Please sweetheart.” “No! Nothing.” and on and on we go.)
But the story itself wrapped up with an intensely confusing and fulfilling climax, and even a week later it is still haunting me… the ghost may never go away.
The narration was combined: there were three people reading. Rawlins for the voice of Sarah, the mother; Duncan for the voice of Angus before the climax; King for the voice of Angus after the climax (which I thought was really weird, honestly). I liked Rawlins and King, but not Duncan at all. I also would have liked Rawlins to do the voice of the daughter for the whole thing, not just her chapters, since her voice was really good for it. It would have been so much editing though.
The Ice Twins was an overall good reading experience and despite it’s minor flaws I would recommend it to anyone who likes drama, romance, or general fiction.
Ross (3284 KP) rated The Witchwood Crown in Books
May 1, 2019
700 pages that feel like so much more
I haven't read the preceding series but had researched and general consensus was that it was not mandatory. This was my first experience of Tad Williams. And indeed, I did not feel I was missing out on any information - there is enough discussion of past events to make me want to read that series, but it is done in such a way as to give the new reader enough insight.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
As with so much epic fantasy, this book covers a large world, with numerous PoV characters, different cultures, creatures and races. In this regard, Williams has shown himself to be a true master - he really has built a new world that feels so well embedded and thought-through.
The plot, however, was quite well hidden in the book. The High King and Queen seem to uncover possible rumours of evil sorcery within the kingdom and there is a hint of the evil Norn rising up again. But that is such a small part of the book, so much of it is simply chatting, moaning about things, going ice skating and hill-climbing and healing people from injury/poison. With such a time commitment from readers there is a need to make every chapter count, and I felt at times the reader was being somewhat let down with needless scenes and interactions.
The battle scenes were rare exceptions, being exciting and well narrated.
I felt one major part of the book was going to be the coming-of-age and maturity of Prince Morgan, the heir to the high throne. However at the end of the book he is still an obnoxious, alcoholic arse.
This book had to be either a bridge between the old and the new series, or the start of the new one, and somehow it manages to be neither. I don't feel enough of what is surely to follow has been set up, but likewise I don't feel I know enough of what happened before and how it will influence what comes later.
A large commitment that has yet to pay off.
Merissa (11950 KP) rated Rising for Autumn (Philadelphia Coven Chronicles #3) in Books
Mar 21, 2018
Rising for Autumn (Philadelphia Coven Chronicles #3) by Katherine McIntyre
Rising for Autumn is my favourite book so far in the Philadelphia Coven Chronicles. We meet the woman behind the Ice Queen mask and it is Sam, the djinn, who is there to help with the unmasking - but only in private! After all, Alanna is the leader of the coven, and a heavy weight rests on her shoulders with every decision she makes. If everyone knew how these decisions cost her, their unwavering faith in her may change. The Order of the Serpent rears its ugly head again, in fact, Alanna is correct in saying it should be a hydra! Thrown together, Sam and Alanna realise neither is quite what the other one thought.
I loved the approach in this book. Alanna is a strong woman, and makes no bones or apologies for that. There are not many who are prepared to look for the woman though, and that made me quite sad as I felt how lonely she was. Sam has tried to live as normal a life as he can, being a djinn tied to a lamp. Alanna constantly surprises him, and he sees the weight she carries. These two end up leaning on each other, as well as brainstorming and verbal sparring!
An excellent story, wrapped up in a tidy bundle with no editing or grammatical errors that disrupted my reading flow. The characters come to life and jump off the page, making you feel their highs and lows. I also love the season in each book. Katherine McIntyre is exceptional at placing the season without it being overpowering. It's subtle, and yet there for the seeing. I absolutely loved this story, and can't wait to continue with the series, although I also don't want it to end. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://erotic.theromancereviews.com/viewbooks.php?bookid=24219
I loved the approach in this book. Alanna is a strong woman, and makes no bones or apologies for that. There are not many who are prepared to look for the woman though, and that made me quite sad as I felt how lonely she was. Sam has tried to live as normal a life as he can, being a djinn tied to a lamp. Alanna constantly surprises him, and he sees the weight she carries. These two end up leaning on each other, as well as brainstorming and verbal sparring!
An excellent story, wrapped up in a tidy bundle with no editing or grammatical errors that disrupted my reading flow. The characters come to life and jump off the page, making you feel their highs and lows. I also love the season in each book. Katherine McIntyre is exceptional at placing the season without it being overpowering. It's subtle, and yet there for the seeing. I absolutely loved this story, and can't wait to continue with the series, although I also don't want it to end. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
http://erotic.theromancereviews.com/viewbooks.php?bookid=24219
Debbiereadsbook (1166 KP) rated The Right Fit in Books
Aug 9, 2018
a nice easy read
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
If you follow my reviews, you'll know I have a particular hatred of using the word NICE to describe a book. But sometimes, it's the only word my brain will use for a book and I can't spit any other word out.
So, this is a NICE book. A GOOD book.
Maxine sees Anthony when she's waiting for a blind date, who turns up but pretends he's not her date. They *literally* dump into each at a night club, when Maxine was dragged out by her sisters for some rebound sex. Anthony is a professional ice hockey player but Maxine doesn't have a clue who he is, so when she assumes he's a mechanic, he runs with it. When She finds out the truth, ALL the truth, can Maxine forgive him? Can she really allow herself to be happy??
This is, from what I can see, the first book by Dubois I've read; indeed, I *think* this is her first novel. And for the most part, I did enjoy it. And I'm stuck with that N word a the back of my throat!
I don't mean this in a negative way, not at all, it's just I can't find any other word that projects my feelings bout this book and you all know, I'm all about sharing my book feelings!
I liked the way the story flowed. We don't get all of Anthony's history in one go, you get hints and clues, and I put them altogether so wrong. You don't get all of Maxine's pain at her break up, the whole story comes in snippets along the way.
Some of the dialogue is amusing, with Anthony's English not quite up to speed yet, but I liked that he flipped between English and French, and his English is portrayed in a way I remember the French students from school speaking.
So, for the most part, I DID enjoy it, but I can't get past the *Nice Book* title.
3.5 stars, rounded up to 4 for the blog
**same worded review will appear elsewhere**
If you follow my reviews, you'll know I have a particular hatred of using the word NICE to describe a book. But sometimes, it's the only word my brain will use for a book and I can't spit any other word out.
So, this is a NICE book. A GOOD book.
Maxine sees Anthony when she's waiting for a blind date, who turns up but pretends he's not her date. They *literally* dump into each at a night club, when Maxine was dragged out by her sisters for some rebound sex. Anthony is a professional ice hockey player but Maxine doesn't have a clue who he is, so when she assumes he's a mechanic, he runs with it. When She finds out the truth, ALL the truth, can Maxine forgive him? Can she really allow herself to be happy??
This is, from what I can see, the first book by Dubois I've read; indeed, I *think* this is her first novel. And for the most part, I did enjoy it. And I'm stuck with that N word a the back of my throat!
I don't mean this in a negative way, not at all, it's just I can't find any other word that projects my feelings bout this book and you all know, I'm all about sharing my book feelings!
I liked the way the story flowed. We don't get all of Anthony's history in one go, you get hints and clues, and I put them altogether so wrong. You don't get all of Maxine's pain at her break up, the whole story comes in snippets along the way.
Some of the dialogue is amusing, with Anthony's English not quite up to speed yet, but I liked that he flipped between English and French, and his English is portrayed in a way I remember the French students from school speaking.
So, for the most part, I DID enjoy it, but I can't get past the *Nice Book* title.
3.5 stars, rounded up to 4 for the blog
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated A Dog's Way Home (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Being by the same author as A Dog's Purpose you basically know the sort of film you're going to be getting and it doesn't disappoint on that front.
All the real life floofs were amazing and Shelby as Bella obviously gets five stars. The CGI floofs however should probably get a minus amount of stars. You notice it right from the start but once you get to that cougar that's when you think "oh it really is that bad!" It kind of feels like they found a cartoon of a cougar instead of a photo of one to work from.
I don't know where Ashley Judd has been hiding but it was good to see her back in a film. It was a nice little role and she did well with what she was given.
Bryce Dallas Howard was the voice of Bella and she does manage to give her the right tone for all the different situations. It's exactly what you think a dog would sound like if it could talk.
Bella's script is quite fun. Snow is ice cream falling from the sky and cutting the grass is indeed taking the mower for a walk, she even dislikes playing "go to work"... so do we Bella, so do we.
This had potential to be a 3.5/4 star film if it hadn't been for the frankly awful CGI, but I don't think I could see my way clear to give it more than that. It's predictable, just from the synopsis above you can make guesses at what's going to happen... something/someone is the reason Bella is far from home, she'll run away the first chance she gets, danger and camaraderie will be the themes while she's on her journey, she will somehow make it back even though it looks like everything is lost and they'll all live happily ever after.
What you should do
There are probably a lot of classic family films to stream or you already own which do the same job so there's probably no rush to see this one at the cinema. If you do though... take tissues.
Movie thing you wish you could take home
Any amount of floofs will do me!
All the real life floofs were amazing and Shelby as Bella obviously gets five stars. The CGI floofs however should probably get a minus amount of stars. You notice it right from the start but once you get to that cougar that's when you think "oh it really is that bad!" It kind of feels like they found a cartoon of a cougar instead of a photo of one to work from.
I don't know where Ashley Judd has been hiding but it was good to see her back in a film. It was a nice little role and she did well with what she was given.
Bryce Dallas Howard was the voice of Bella and she does manage to give her the right tone for all the different situations. It's exactly what you think a dog would sound like if it could talk.
Bella's script is quite fun. Snow is ice cream falling from the sky and cutting the grass is indeed taking the mower for a walk, she even dislikes playing "go to work"... so do we Bella, so do we.
This had potential to be a 3.5/4 star film if it hadn't been for the frankly awful CGI, but I don't think I could see my way clear to give it more than that. It's predictable, just from the synopsis above you can make guesses at what's going to happen... something/someone is the reason Bella is far from home, she'll run away the first chance she gets, danger and camaraderie will be the themes while she's on her journey, she will somehow make it back even though it looks like everything is lost and they'll all live happily ever after.
What you should do
There are probably a lot of classic family films to stream or you already own which do the same job so there's probably no rush to see this one at the cinema. If you do though... take tissues.
Movie thing you wish you could take home
Any amount of floofs will do me!
Gareth von Kallenbach (977 KP) rated The Last Airbender (2010) in Movies
Aug 8, 2019
The four elemental nations once got along thanks to the help of the master of the elements, the Avatar. But that was in the past. Long ago the Avatar disappeared and the power hungry Fire Nation has since been destroying all other nations in an attempt to develop their natural element wielding skills. But the discovery of a mysteriously tattooed boy, Aang, found in the ice by a young waterbender, Katara, and her brother, Sokka, may mean there is a way to achieve peace and once again unite the elements.
The first Avatar movie very closely follows the story of the first season, called Book One, of the original television show. However the translation of the beloved Nickelodeon cartoon into film has taken some very serious criticism for changes made in the race of the actors who portray the lead characters.
To make fans further iffy about the film the plot moves so quickly that at times the lead characters directly state the story to one another, a distracting and very obvious plot device. Furthering the film’s strange execution is the poor over-acting that fills almost every “emotional” scene. While this strong form of drama is very accurate to the original cartoon, the impact is lost in the translation to the big screen.
Still some things about seeing “The Last Airbender” as a film are really fun. The costumes and environments are both true to the original story. Adding to the fun are clever real world adaptations of the original show’s details, such as Aang’s Airbender tattoos. But where the film really excels is in the elemental battles that define the frequent and large-scale action sequences. Part fantasy and part martial art inspired, these fight scenes help to define the characters while providing visual speed to the otherwise overly paced film.
Fans will enjoy seeing the ideas of “The Last Airbender” executed in live action, but there is no real need for 3D. The film does show some of the character developing talent M. Night Shyamalan is known for, but the rushed pace and forced drama is hard to ignore.
The first Avatar movie very closely follows the story of the first season, called Book One, of the original television show. However the translation of the beloved Nickelodeon cartoon into film has taken some very serious criticism for changes made in the race of the actors who portray the lead characters.
To make fans further iffy about the film the plot moves so quickly that at times the lead characters directly state the story to one another, a distracting and very obvious plot device. Furthering the film’s strange execution is the poor over-acting that fills almost every “emotional” scene. While this strong form of drama is very accurate to the original cartoon, the impact is lost in the translation to the big screen.
Still some things about seeing “The Last Airbender” as a film are really fun. The costumes and environments are both true to the original story. Adding to the fun are clever real world adaptations of the original show’s details, such as Aang’s Airbender tattoos. But where the film really excels is in the elemental battles that define the frequent and large-scale action sequences. Part fantasy and part martial art inspired, these fight scenes help to define the characters while providing visual speed to the otherwise overly paced film.
Fans will enjoy seeing the ideas of “The Last Airbender” executed in live action, but there is no real need for 3D. The film does show some of the character developing talent M. Night Shyamalan is known for, but the rushed pace and forced drama is hard to ignore.