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JT (287 KP) rated Escape Room (2019) in Movies
Mar 10, 2020
Escape rooms are all the rage at the moment. The premise is simple, a group of people are trapped inside a confined space full of clues and puzzles in order to find a way out – so it was only a matter of time before the horror genre got hold of it.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
There have been a few incantations of this new age idea already; Escape Room (2017) & No Escape Room, but this one is probably the best of a bad bunch.
Six strangers each receive a cryptic puzzle box, which once opened invites them to compete for a $10,000 prize – if they can get through a series of deviously constructed rooms. The group comes from all walks of life, a gifted maths student, an Iraq War vet a blue collar trucker to name a few, each with a seemingly interconnected past.
After a frantic flash-forward where we see someone coming unstuck in one of the rooms, we are introduced to each of the characters one by one. There isn’t enough time to go into massive details, so it feels like we only scratch the surface as to what makes them tick.
Meeting in a plush reception area the game begins – although none of them realise it at first. The room starts to get hot and they soon discover that they are about to get burnt alive – unless they can work out the clues to escape.
The group quickly realise that they will have to work together in order to survive.
Aside from getting burnt alive they also face a winter themed room where the ice cracks beneath them, an upside down bar where the floor drops away and a hallucinogenic trip fest which is extremely freaky to watch.
During proceedings, in which there is a lot of infighting and panic, you half expect Billy the Puppet to come peddling out on his tricycle and explain the next part of the game. There are definite similarities to Saw, people are in a race against time before they ultimately meet a grizzly end, but because many people have experienced this style of entertainment before the reality is unnerving.
While the gore doesn’t reach Saw levels it provides enough tension, but it then starts to tail off a little towards the end. The conclusion is far too predictable although there is just enough intrigue to see what they will conjure up next.
LeftSideCut (3776 KP) rated Love, Death & Robots - Season 1 in TV
Apr 9, 2020
The beauty of Love, Death and Robots is it's format. An eclectic collection of animated short films, some genuinely brilliant, with a handful of duds, truly gives something for everyone.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
There are 18 films on show here, all with something different to offer.
Firstly there were 3 that failed to really resonate with me - Sucker of Souls, When the Yoghurt Took Over, and Alternate Histories. I found these three either slightly boring, or silly for the sake of being silly. There were 2 that sort of floated in the middle - The Dump, and Blind Spot, not bad by any means (none of the shorts are truly bad) but just were sort of there.
Leaving a grand total of 13 shorts that I thought were really really great.
A handful of these realistic CGI entries - namely, Sonnie's Edge, Three Robots, Beyond the Aquila Rift, Shape Shifters (one of the highlights for me), Helping Hand (reminded me of Gravity, in a great way), Lucky 13, and The Secret War.
These lot are lengthier offerings, and boast some good looking CGI animation, bordering on photo realism at times. The run time gives an opportunity for some decent fleshed out stories.
The Secret War in particular is nothing short of breath taking, and may well be my top pick of the whole season.
Elsewhere, we have more cartoony offerings - Suits, a loud animation that features farmers in mech suits fighting aliens. Zima Blue, a beautifully touching story of how a simple robot transcends existence itself - another highlight of the season. Fish Night, a short desert based drama bursting with colour. The animation of this one reminded me of A Scanner Darkly. Good Hunting, a collision of Ancient Chinese stories and a Bioshock style steampunk future. Hard to watch at times, but stunning also - easily would have been my top pick if The Secret War wasn't included.
Rounding it off we have The Witness, and animation that looks like a moving oil painting and reminded me of Mirror's Edge, and Ice Age, a fun short that's the only live action inclusion with CGI flourishes about a civilisation growing in a couple freezer.
It's an ambitious collection of shorts for sure, but like I said, there's something here for everyone. Even the ones that I liked the least are a 6/10 at worst. If you like sci-fi or animation in any shape or form, then check this series out.
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Hazel (1853 KP) rated Ancient Fall in Books
Jun 28, 2019
Jaime Lee Mann continues to enchant readers in the seventh book in the Legend of Rhyme series.Ancient Fall begins with the characters in various states of confusion. Twins, Ariana and Asher, find themselves lost in an ice-covered land and their mentors have vanished into thin air. Other characters are desperately trying to return to the magical realm of Coraira, however, the land appears to have died. Not only has Coraira been destroyed, but the Earth is not faring much better.
The Ancients have failed to look after the world and the humans, under a dark curse, have been abusing the planet for centuries. Mother Earth has decided to fight back. If she wins, it will mean the end of human life. By removing the powerful Ancients, Mother Earth does not think anyone will be able to stop her, however, she underestimates the heirs of Elora and Larque who join together to attempt to lift the curse. The only problem is, they are running out of time.
In the previous books, the main goal has been to protect the twins - of which there is more than one set - because they have a vital role in the future of the land of Rhyme. The fight has always been between good and evil, however, things are different in this final(?) book. Most of the baddies have been defeated and it is Mother Earth that is the antagonist. But is Mother Earth really evil? For years, humans have been polluting the world beyond repair and destroying everything is the only way Mother Earth can end her pain.
Although Ancient Fall is a work of fiction, it strikes close to the truth of the current predicament our own world is facing. Unless we completely change our ways, we will destroy the Earth and everything on it. Unfortunately, unlike Ariana, Asher and friends, we do not have magic on our side.
Admittedly, the last few books of the series have felt a little tedious, the story being dragged out to involve more and more characters. Once reading the seventh installation, however, the importance of each character becomes clear as they join together in a battle against nature.
Until now, Jaime Lee Mann has subtly alluded to issues relating to pollution and climate change, however, now the references are obvious. Children (or adults) will be thinking about the planet whilst they read and enjoy the storyline. If only Ariana and Asher were real!
The Ancients have failed to look after the world and the humans, under a dark curse, have been abusing the planet for centuries. Mother Earth has decided to fight back. If she wins, it will mean the end of human life. By removing the powerful Ancients, Mother Earth does not think anyone will be able to stop her, however, she underestimates the heirs of Elora and Larque who join together to attempt to lift the curse. The only problem is, they are running out of time.
In the previous books, the main goal has been to protect the twins - of which there is more than one set - because they have a vital role in the future of the land of Rhyme. The fight has always been between good and evil, however, things are different in this final(?) book. Most of the baddies have been defeated and it is Mother Earth that is the antagonist. But is Mother Earth really evil? For years, humans have been polluting the world beyond repair and destroying everything is the only way Mother Earth can end her pain.
Although Ancient Fall is a work of fiction, it strikes close to the truth of the current predicament our own world is facing. Unless we completely change our ways, we will destroy the Earth and everything on it. Unfortunately, unlike Ariana, Asher and friends, we do not have magic on our side.
Admittedly, the last few books of the series have felt a little tedious, the story being dragged out to involve more and more characters. Once reading the seventh installation, however, the importance of each character becomes clear as they join together in a battle against nature.
Until now, Jaime Lee Mann has subtly alluded to issues relating to pollution and climate change, however, now the references are obvious. Children (or adults) will be thinking about the planet whilst they read and enjoy the storyline. If only Ariana and Asher were real!
Virtual City Playground®: Building Tycoon HD
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