"[Taxi Driver is] a film that really kind of struck me on an emotional level and as somebody who works and can kind of appreciate how films are made. I remember when I saw Taxi Driver for the first time, and I saw the creativity and the imagination that went into the shots that Scorsese chose, and to really kind of capture a very particular kind of New York. I thought it was really wonderful. You know, you can watch certain films and there are certain things that will stick out for you. It can be a great character or a performance or an ensemble performance or whatever, but when everything seems to come into play, it’s always really impressive, I think, when every single cast member is very strong. So I felt like with this film, cinematically, it just kind of ticked all those boxes for me."

"I think A Matter of Life and Death is one of the great works of imagination in cinema. It’s a brilliant story. David Niven could not be more charming in it if he tried. He starts off, you know, as a World War II pilot about to crash his plane whilst quoting Andrew Marvell down the phone to the mayday operator, who he then falls in love with. There is one shot in it, actually, of the heavenly court before it goes into session, which we absolutely — and I haven’t actually spoken to Mike Newell about this — but we lifted almost identically for the start of the Triwizard tournament in Potter, in the fourth film. There is one shot — because I think I watched Matter of Life and Death shortly after we finished that film — which I watched and went, “Oh my god, we’ve just stolen that!”"