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101 Tips for the Parents of Boys with Autism: The Most Crucial Things You Need to Know About Diagnosis, Doctors, Schools, Taxes, Vaccinations, Babysitters, Treatment, Food, Self-Care, and More
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The latest research shows that more than 1 in 50 boys in the US now has autism, and the number keeps...
John Bradley recommended This Is Spinal Tap (1984) in Movies (curated)
James P. Sumner (65 KP) rated What Men Want (2019) in Movies
Jul 10, 2019
What men want... but is it what moviegoers want?
In keeping with the growing trend of gender-swapping reboots, What Men Want is a re-envisioning of the classic rom-com, What Women Want, with Mel Gibson replaced with the charismatic Taraji P. Henson, and a toaster in the bathtub replaced by a drug-dealing psychic.
Yeah...
The premise remains the same: fate intervenes and gives a headstrong, intimidating woman who thinks she's doing a good job of making it in a man's world the power to hear men's thoughts... which quickly shows her she knows nothing at all.
This R-rated comedy has a few laughs, but falls into cringe territory more often than it needs to. It's predictable, which was to be expected, really, given the genre. However, I confess to being pleasantly surprised by it. Certainly not the best comedy I've seen by a long way, but on a par with the Baywatch remake in terms of the level of humour and the assumed target audience.
Taraji P. Henson is great in the lead role, with the supporting cast all doing a solid, if not a little routine job of backing her up. It's the kind of film you go into understanding what you're getting - a few laughs, a few cringes, a lot of inappropriate and suggestive themes and, ultimately, something that makes you forget the real world for a couple of hours. Nothing more, nothing less.
Overall, it's not bad, but it's far from great. This is something you watch on a Friday night when you've had a hard week and your brain needs a rest.
Yeah...
The premise remains the same: fate intervenes and gives a headstrong, intimidating woman who thinks she's doing a good job of making it in a man's world the power to hear men's thoughts... which quickly shows her she knows nothing at all.
This R-rated comedy has a few laughs, but falls into cringe territory more often than it needs to. It's predictable, which was to be expected, really, given the genre. However, I confess to being pleasantly surprised by it. Certainly not the best comedy I've seen by a long way, but on a par with the Baywatch remake in terms of the level of humour and the assumed target audience.
Taraji P. Henson is great in the lead role, with the supporting cast all doing a solid, if not a little routine job of backing her up. It's the kind of film you go into understanding what you're getting - a few laughs, a few cringes, a lot of inappropriate and suggestive themes and, ultimately, something that makes you forget the real world for a couple of hours. Nothing more, nothing less.
Overall, it's not bad, but it's far from great. This is something you watch on a Friday night when you've had a hard week and your brain needs a rest.
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ClareR (5879 KP) rated Young Women in Books
Apr 12, 2023
Young Women is set against the #MeToo era. It’s a fascinating read, and it was interesting to take a look into the lives of Emily and her friend Tamsin.
Emily meets Tamsin at a protest march and they become friends very quickly. Tamsin is an actress who seems to be living a very expensive life. She owns a flat in Soho, eats in expensive restaurants and drinks in even more expensive bars. In contrast, Emily shares a small flat, and works for a charity that deals with women’s advocacy. Her life is very different, and she’s excited by what Tamsin has to offer.
When an actress comes forward to accuse a film director of sexual assault, Emily realises that Tamsin is involved in some way.
This novel looks at how women can be coerced into keeping quiet about assault and in this case, with large sums of money. We see how men have all the power, how acts of sexual assault by males are all too frequent and commonplace, and how women can make themselves complicit whilst experiencing trauma.
There’s a lot to talk about in this novel, and I think it would make an outstanding book club book. It would certainly create a great deal of discussion around both sides of the equation. All of the men are written as complication inappropriate behaviours around women, and the women initially take the money in exchange for their silence, only to disclose what happened to them later.
This is a brilliant book, I hope people will read it and discuss the questions it raises about our society as a whole.
Emily meets Tamsin at a protest march and they become friends very quickly. Tamsin is an actress who seems to be living a very expensive life. She owns a flat in Soho, eats in expensive restaurants and drinks in even more expensive bars. In contrast, Emily shares a small flat, and works for a charity that deals with women’s advocacy. Her life is very different, and she’s excited by what Tamsin has to offer.
When an actress comes forward to accuse a film director of sexual assault, Emily realises that Tamsin is involved in some way.
This novel looks at how women can be coerced into keeping quiet about assault and in this case, with large sums of money. We see how men have all the power, how acts of sexual assault by males are all too frequent and commonplace, and how women can make themselves complicit whilst experiencing trauma.
There’s a lot to talk about in this novel, and I think it would make an outstanding book club book. It would certainly create a great deal of discussion around both sides of the equation. All of the men are written as complication inappropriate behaviours around women, and the women initially take the money in exchange for their silence, only to disclose what happened to them later.
This is a brilliant book, I hope people will read it and discuss the questions it raises about our society as a whole.
Flaming Bags of Crap and the Rarity of Clarity: Not Your Mother's Romantic Comedy
Book
What’s worse? To want something desperately but never be able to have it or to have it but feel as...
Rache (174 KP) rated The Happytime Murders (2017) in Movies
Jan 6, 2019
Funny (1 more)
Inappropriate
Nearly But Not Quite
Contains spoilers, click to show
Starting with the introduction of a puppet private detective, this is intended to be a gritty, noir, detective story with the added twist of Jim Henson puppets as characters. While film technology has vastly improved since such films as Cool World, and Who Framed Roger Rabbit, puppet technology hasn't really changed, so the puppets all have overtones of The Muppets and Sesame Street.
Despite the humour inherent in puppet characters, and the use of puppets as an analogue for minority populations (up to and including a puppet who has been 'humanised'), it's neither funny enough nor enough of a social commentary to fit into one of those two dichotomous genres.
Noir comedy, carpet-bombed with dick jokes, riddled with puppet humour, and boiling with 'social commentary', this film doesn't really land in a single genre, and the ones it tries to are too different to make a really good film. It turns out a bit like 'Muppets She Wrote' with added swearing and crudery.
Melissa Mccarthy plays the typical irreverent, foul-mouthed, stereotypical racist cop, and interacts really well with the puppets, but even all of her talent can't save this film.
It's funny (the puppet sex scene is just insane), carries some preachiness about racism (trying to decide how much 'puppet' makes someone a puppet based on a surgical implant), thoroughly irreverent (foul mouthed, 'drug' addled puppets), has an okay storyline (the twist is fairly well written), and concludes with the usual happy Muppets ending, but it feels like it's trying too hard to do too much. Perhaps, if it had tried to do less, it could have been a really good film.
All of that taken into account, it's not bad for something to watch for lighthearted fun, if you don't want to think too hard about it.
Despite the humour inherent in puppet characters, and the use of puppets as an analogue for minority populations (up to and including a puppet who has been 'humanised'), it's neither funny enough nor enough of a social commentary to fit into one of those two dichotomous genres.
Noir comedy, carpet-bombed with dick jokes, riddled with puppet humour, and boiling with 'social commentary', this film doesn't really land in a single genre, and the ones it tries to are too different to make a really good film. It turns out a bit like 'Muppets She Wrote' with added swearing and crudery.
Melissa Mccarthy plays the typical irreverent, foul-mouthed, stereotypical racist cop, and interacts really well with the puppets, but even all of her talent can't save this film.
It's funny (the puppet sex scene is just insane), carries some preachiness about racism (trying to decide how much 'puppet' makes someone a puppet based on a surgical implant), thoroughly irreverent (foul mouthed, 'drug' addled puppets), has an okay storyline (the twist is fairly well written), and concludes with the usual happy Muppets ending, but it feels like it's trying too hard to do too much. Perhaps, if it had tried to do less, it could have been a really good film.
All of that taken into account, it's not bad for something to watch for lighthearted fun, if you don't want to think too hard about it.
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Hello Bendy Machine 5 Nights
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